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Articles 61 - 69 of 69
Full-Text Articles in Musicology
Volume 24, Number 07 (July 1906), Winton J. Baltzell
Volume 24, Number 07 (July 1906), Winton J. Baltzell
The Etude Magazine: 1883-1957
Edouard Risler and His Playing of Beethoven's Sonatas
Suggestions for Chord Playing
Soirée at Richard Wagner's
What Does the Layman Hear in Music?
Making of an Artist: The View of Alfred Reisenauer
How an Opera Was Written
Schumann's Fantasy Pieces, Op. 12
Suggestions for Sight Reading Practice
Plea for Broad-Mindedness
Value of Imagination
Modern Virtuoso
Selection of Teaching Music
Volume 21, Number 04 (April 1903), Winton J. Baltzell
Volume 21, Number 04 (April 1903), Winton J. Baltzell
The Etude Magazine: 1883-1957
Ludwig van Beethoven (Biographical Sketch)
Man Beethoven
Influence of Beethoven on Form
Intellectual and Romantic in Beethoven
Beethoven the Prophet
Beethoven: The Development of an Ideal
Beethoven the Teacher
Sonatas of Beethoven
How Beethoven Worked
True Genius and Work Founded on an Incident in the Life of Beethoven
Analysis of Mozart's Sonata in C Major
Volume 15, Number 12 (December 1897), Winton J. Baltzell
Volume 15, Number 12 (December 1897), Winton J. Baltzell
The Etude Magazine: 1883-1957
How to Make a Living
Apology for the Piano
Remedy Suggestion
Song Writers of the Day
Bit of Biography
Talent for Technic is not Musical Talent
Musical Listener
Monomaniac in Music
How to Teach—How to Study
Are We Not Giving Too Much Thought to the Technical Side of Music, Thereby Losing Sight of the True Meaning of the Art?
Treatment of Unpromising Pupils
Cathedral Chimes at Christmas Eve
Strongest Thing in the World
Music Touched His Heart
What a Music Teacher Ought to Know
Starting Pupils Aright
Mozart and Pure Beauty
How to Study
Would-Be Paderewski
Keeping Up with the …
Volume 12, Number 11 (November 1894), Theodore Presser
Volume 12, Number 11 (November 1894), Theodore Presser
The Etude Magazine: 1883-1957
Some Methods of Popularizing Songs
Jests That Instruct
Courage in Music
Influence of Music
Two Lessons or One Lesson a Week?
Right Beginning
Ways and Means, and—Results
Egoism
Our Country Teachers—Some Hints for Their Advancement
How to Make Practice Easy
Godard's Characteristics
Machine Pupils
Rheumatism of the Hand and Arm
Foreign Titles and Foreign Names
Hints to Young Composers
Conflict Between Public School Work and Music
Habits of Music Pupils
Does Music Describe?
Portamento Touch
Music (Male) Teacher's Work
Suggestions to Musical People
Power of Association
Amateur Musical Club
Paderewski's Tone and Touch
American Pianists (photos)
Volume 12, Number 06 (June 1894), Theodore Presser
Volume 12, Number 06 (June 1894), Theodore Presser
The Etude Magazine: 1883-1957
Traditional Beethoven Playing
Flying Seed
From a Teacher's Notebook
Graduated Quack
Some Peculiar Concerts
What Can Be Learned From Copying Music
Chat With Paderewski
How to Keep Up a Repertoire
Equally True of Other Nations
Chopin Peculiarity
History of Music in a Nutshell
Some Secrets of Practice Illustrated
Beethoven's Personal Apperance
Life of Richard Wagner
Johann Strauss
Anecdotes of Von Bülow
Arthur Sullivan's Youth
Making It Certain
Word for Private Recitals
Cursory Talk about Sonatas
Paderewski's Daily Life
Music Lessons for Boys
Singers vs. Musicians
Class Experiences
Volume 12, Number 02 (February 1894), Theodore Presser
Volume 12, Number 02 (February 1894), Theodore Presser
The Etude Magazine: 1883-1957
Fraternal Appreciation
Left Hand
As the Twig, Etc.
How Progress is Made
Concise Chronological History of the Chief Musicians and Musical events from A.D. 1380-1885
This Reminds Me
Unsatisfactory Pupil
Playing in Public
Tempos
Resolve To—
Why Take the Etude?
Fifth Symphony
Description of an Amateur Band
Profitable Practice
Home Influence Upon the Pupil's Progress
Keeping the Piano in Good Condition
Clinging Touch
Rubinstein's Joke
Power of Attention
Conscientious Resolution
Narrow Study
Advice and Caution
Plea for Daily Piano Lessons
Three Talks
Faults of Beginners
American Compositions
Counterparts Among Poets and Composers
Use of the Pedal
What is Popular Music?
Volume 10, Number 07 (July 1892), Theodore Presser
Volume 10, Number 07 (July 1892), Theodore Presser
The Etude Magazine: 1883-1957
Shall I Teach Music?
Metronome and Its Use
Thinking in Musical Phrase
Hints to Young Teachers
Music a Necessity of Nature
After Graduat
Beethoven
Does the Public Make the Teacher?
How to Practice
Rules for Practice
Pressure Versus Striking
Different Courses for Different Pupils
Sheet Music Question
Listening to One's Own Playing
Two Views of the Music Teaching Profession
Self-Cultivation in Musical Taste
How to Begin
Improvement in Material for Study
Some Teaching Pieces of Gustave Merkel's
Foundational Music Teaching
Scherzos
Volume 04, Number 11 (November 1886), Theodore Presser
Volume 04, Number 11 (November 1886), Theodore Presser
The Etude Magazine: 1883-1957
Liszt from Another Point of View
Arm in Piano-Forte Playing
Tone Question Again
Our Musical Bringing Up
On Two Points in Piano-Forte Teaching
Music Teaching from a Psychological Standpoint
Shall Playing from Memory be Encouraged
Future of Music in America
Nature of Harmony
Grumble from Old Fogy
Music Teachers' Class Book
Techniphone Idea
Volume 02, Number 08 (August 1884), Theodore Presser
Volume 02, Number 08 (August 1884), Theodore Presser
The Etude Magazine: 1883-1957
As Thy Days So Shall Thy Strength Be
How to Employ Vacation Time
Details
Symphony of Life
Gospel of Simplicity: A Short Sermon on a Musical Text
Main Principle of Fingering
Old and New Schools of Piano Playing
How to Study—How to Teach
Personal Appearance of Geniuses