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Articles 31 - 41 of 41

Full-Text Articles in Music Theory

He Started The Whole World Singing A Song, Brian R. Cates Jun 2015

He Started The Whole World Singing A Song, Brian R. Cates

Musical Offerings

Throughout history, music has moved people in powerful ways, so much so that, at times, it leaves them speechless. They realize that it is a song, full of notes and rhythms, yet at the same time, it makes them become profoundly aware that there is something more, humming just below the surface. My presentation seeks to enter into this music moment by asking why these types of moments even occur. Does music speak or communicate? If so, does it communicate something meaningful and significant? What is the mechanism by which music conveys this meaning? How can this meaning be …

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Memory And Production Of Standard Frequencies In College-Level Musicians, Sarah E. Weber Jan 2013

Memory And Production Of Standard Frequencies In College-Level Musicians, Sarah E. Weber

Masters Theses 1911 - February 2014

This thesis examines the nature of long-term absolute pitch memory—an ability traditionally assumed to belong only to absolute pitch (AP) possessors—by testing for evidence of this memory for “standard” frequencies in musicians without AP. Standard frequencies, those based on the equally tempered system with A = 440 Hz, are common in the sonic environment of the Western college musical education, and thus could have the opportunity to penetrate listeners’ long-term memories. Through four experimental tasks, this thesis examines musicians’ ability to recognize and produce frequencies from the set of equally tempered frequencies based on A = 440 Hz, without regard …

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Varying Degrees Of Difficulty In Melodic Dictation Examples According To Intervallic Content, Michael Hines Robinson Aug 2012

Varying Degrees Of Difficulty In Melodic Dictation Examples According To Intervallic Content, Michael Hines Robinson

Masters Theses

Melodic dictation has long been a daunting task for students in aural skills training. Research has found that interval identification is a factor when taking melodic dictation. Research has also found that some intervals are easier to identify than other intervals. The goal of this thesis is to determine whether the difficulty of melodic dictation examples can be categorized by their intervallic content. A popular aural skills text was used as the source for the melodic dictation examples. The adjacent intervals in each melodic dictation example were counted and recorded by interval type. The analysis of the melodic dictation examples …

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Cognitive Processes For Infering Tonic, Steven J. Kaup Aug 2011

Cognitive Processes For Infering Tonic, Steven J. Kaup

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

Research concerning cognitive processes for tonic inference is diverse involving approaches from several different perspectives. Outwardly, the ability to infer tonic seems fundamentally simple; yet it cannot be attributed to any single cognitive process, but is multi-faceted, engaging complex elements of the brain. This study will examine past research concerning tonic inference in light of current findings. First I will survey the recent history of experimental research in cognitive functions for memory retention and expectation as they relate to the recognition and learning of musical schemas. Then I will discuss distributional theories associated with the tonal hierarchy of major and …

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Learning Mechanisms For Acquiring Knowledge Of Tonality In Music, Rikka Quam, Matthew Rosenthal, Erin Hannon Apr 2011

Learning Mechanisms For Acquiring Knowledge Of Tonality In Music, Rikka Quam, Matthew Rosenthal, Erin Hannon

Festival of Communities: UG Symposium (Posters)

Most people think that musical knowledge is exclusive to trained musicians. Actually, casual music listeners have implicit knowledge of important structural aspects of music, such as tonality. Tonality contributes to the feeling of anticipation one would experience when hearing someone sing “do re mi faso la ti” without singing the final “do”. Knowledge of tonality may be learned through the statistics of music (Krumhansl, 1990). However, learning mechanisms have rarely been investigated experimentally (Creel et al., 2002). Artificial grammar learning experiments have shown that listeners can acquire highly structured knowledge such as syllable co-occurrence and language syntax through passive exposure. …

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Music And Language: Exploring An Artificial Music Grammar, Erica R. Knowles Jun 2009

Music And Language: Exploring An Artificial Music Grammar, Erica R. Knowles

Seton Hall University Dissertations and Theses (ETDs)

Research regarding the brain mechanisms that underlie music and language processing supports two main interpretations: domain-specificity and domain-generality. Evidence from neuropsychology literature, specifically from amusia research, supports domain-specific mechanisms (Peretz & Coltheart, 2003) but recent neuroimaging and behavioral evidence supports overlapping mechanisms, especially for syntax processing (Patel, 2008). The present study used an artificial music grammar in order to test participants' ability to learn a new music grammar as well as to observe a possible interaction between music and language syntax processing. Although participants were able to learn the artificial music grammar, a language task was not affected by errors …

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Inside Unlv, Shane Bevell Jan 2006

Inside Unlv, Shane Bevell

Inside UNLV

No abstract provided.

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The Feeling Of Music Past: How Listeners Remember Musical Affect, Alexander Rozin, Paul Rozin, Emily Goldberg Oct 2004

The Feeling Of Music Past: How Listeners Remember Musical Affect, Alexander Rozin, Paul Rozin, Emily Goldberg

Music Theory, History & Composition Faculty Publications & Performances

No abstract provided.

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The Direction Of Memory For Music For Popular And Novel Songs, Susan Rose Sibma Jan 2003

The Direction Of Memory For Music For Popular And Novel Songs, Susan Rose Sibma

Theses : Honours

Previous research on memory for music has typically measured participants' reaction times (RTs) and accuracy in tests of recall and recognition of songs presented to them. The current study was interested in what occurs during the time that elapses between stimulus onset and the generation of a response. It has been suggested that people sing or hum to themselves as they search for an answer (Rubin, 1977), but a question that has been overlooked to date is in what direction this occurs. As music unfolds in time, it was proposed that in memory for music, 'forward is best'. In the …

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Inside Unlv, Diane Russell, Betty Blodgett, Kevin Force, Jennifer Vaughan, Cate Weeks, Jonathan Paver Mar 2002

Inside Unlv, Diane Russell, Betty Blodgett, Kevin Force, Jennifer Vaughan, Cate Weeks, Jonathan Paver

Inside UNLV

No abstract provided.

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Possible Factors Influencing Music Preference, Isabella M. Pinto Aug 1949

Possible Factors Influencing Music Preference, Isabella M. Pinto

Psychology ETDs

The purpose of this study is to determine factors influencing musical preference. The most important factor related to preference for classical music is thought by some to be the cultural background of the listener. According to Lazersfeld, "there is probably no question so sensitive to socialize differences as listening to serious music." This is consistent with the opinion of musicians and music critics who state that discriminating musical taste is a result of frequent listening to good music.

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