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Articles 391 - 420 of 512
Full-Text Articles in Holocaust and Genocide Studies
Conversation With A Holocaust Survivor [Poster], University Of Northern Iowa. Center For Holocaust And Genocide Education.
Conversation With A Holocaust Survivor [Poster], University Of Northern Iowa. Center For Holocaust And Genocide Education.
Center for Holocaust and Genocide Education Documents
A poster advertising a presentation by Peter Gorog on his experience growing up in Hungary during World War II.
Law And Human Suffering: A Slice Of Life In Vichy France, Vivian Grosswald Curran
Law And Human Suffering: A Slice Of Life In Vichy France, Vivian Grosswald Curran
Articles
This essay discusses three diaries from the Vichy era, the period of the Nazi Occupation of France: Jean Guéhenno’s Journal des années noires 1940-1944, Hélène Berr’s Journal, and Jacqueline Mesnil-Amar’s Ceux qui ne dormaient pas. Guéhenno was an educator and writer who entered the Resistance in 1940. His diary offers deep moral reflection as well as accounts of the dishonorable peace Vichy imposed and the ignoble servitude to which the new collaborationist French State and the Nazi occupier subjected France. In the final pages, as Leclerc’s army marches into Paris, with a victory he understands to be …
10th Annual Holocaust Remembrance Ceremony In The Cedar Valley [Poster], University Of Northern Iowa. Center For Holocaust And Genocide Education.
10th Annual Holocaust Remembrance Ceremony In The Cedar Valley [Poster], University Of Northern Iowa. Center For Holocaust And Genocide Education.
Center for Holocaust and Genocide Education Documents
A poster announcing the 2016 Holocaust Remembrance Ceremony.
No Asylum: The Untold Chapter Of Anne Frank's Story [Poster], University Of Northern Iowa. Center For Holocaust And Genocide Education.
No Asylum: The Untold Chapter Of Anne Frank's Story [Poster], University Of Northern Iowa. Center For Holocaust And Genocide Education.
Center for Holocaust and Genocide Education Documents
A poster announcing the showing of the film No asylum : the untold chapter of Anne Frank's story. The film shows the attempts by Otto Frank to find sanctuary for his family.
Review Of Stone, The Liberation Of The Camps: The End Of The Holocaust And Its Aftermath,, Carol A. Leibiger
Review Of Stone, The Liberation Of The Camps: The End Of The Holocaust And Its Aftermath,, Carol A. Leibiger
Faculty Publications
No abstract provided.
La Première Couche D’Encre, Abdourahman Waberi
La Première Couche D’Encre, Abdourahman Waberi
Présence Francophone: Revue internationale de langue et de littérature
The author reexamines his engagement with the Rwandan genocide.
Vicarious Shame, Narrative, Social Reconnection And Public Recognition In Bamporiki’S Sin To Them, Shame On Me, Rangira Béa Gallimore
Vicarious Shame, Narrative, Social Reconnection And Public Recognition In Bamporiki’S Sin To Them, Shame On Me, Rangira Béa Gallimore
Présence Francophone: Revue internationale de langue et de littérature
Sin to Them, Shame on Me is a testimony by the Rwandan writer, filmmaker and peace advocate, Bamporiki, who suffers from vicarious shame because of the crime of genocide that Hutu perpetrators committed against Tutsis in the name of the group. His testimony redeems his sense of self by acknowledging the wrongdoing of his group, yet it also represents a step that separates him from that group. His powerful testimonial narratives allow him to associate with genocide survivors and the world, and to develop a new identity as a Rwandan. The polymorphic narrative structure of his written testimony in which …
Le Devoir De Mémoire Ou Une Identité Ravalée Dans Cicatrices D’Alain Kamal Martial, Katharine Hargrave
Le Devoir De Mémoire Ou Une Identité Ravalée Dans Cicatrices D’Alain Kamal Martial, Katharine Hargrave
Présence Francophone: Revue internationale de langue et de littérature
This article examines the construction of identity in Alain Kamal Martial’s novel, Cicatrices. Conceived during a rape committed by a group of militiamen, the narrator struggles against a sense of obligation to avenge his mother’s assault, as well as a need to liberate himself from this event. However, under the onus of being a proxy witness, he realizes that he cannot forget his duty of memory because he embodies the inherited trauma of past generations. The crude and powerful immediacy of this text forces the reader to reflect upon his or her own role in the remembrance of past injustices.
Le Cinéma Face À L’Oblitération Génocidaire. Silences Éloquents Et Hors-Champ Intérieur Chez Philippe Van Leeuw Et Kivu Ruhorahoza, Alexandre Dauge-Roth, Ayse Irem Ikizler
Le Cinéma Face À L’Oblitération Génocidaire. Silences Éloquents Et Hors-Champ Intérieur Chez Philippe Van Leeuw Et Kivu Ruhorahoza, Alexandre Dauge-Roth, Ayse Irem Ikizler
Présence Francophone: Revue internationale de langue et de littérature
Philippe Van Leeuw and Kivu Ruhorahoza’s cinema proposes an esthetic and ethical gaze that distances itself from the historic realism that defines the majority of the films on the genocide against the Tutsi in Rwanda. By conferring an unprecedented eloquence to different types of silence and by maintaining viewers in a concerted state of ignorance, both filmmakers question societies’ will to know within the legacy of genocide and their willingness to culturally acknowledge the traumatic resonance of its aftermath.
Une Poétique De La Mémoire : Lire Matière Grise, Le Film Du Réalisateur Rwandais Kivu Ruhorahoza (2011), Frieda Ekotto
Une Poétique De La Mémoire : Lire Matière Grise, Le Film Du Réalisateur Rwandais Kivu Ruhorahoza (2011), Frieda Ekotto
Présence Francophone: Revue internationale de langue et de littérature
The film Grey Matter [Matière grise] (2011) directed by a Rwandan filmmaker Kivu Ruhorahoza, is an attempt to offer psychoanalytic approaches to understanding a 1994 Rwandan genocide within the psychic and the social. This director is interested in representing the impossible, instead, he offers a poetic representation of trauma. It may be just like a dream in his psychic, wondering whether this event really happened and how to make sense of as time settles ? This noiseless film is the first feature length narrative film directed by a Rwandan who gives the world the visual interpretation of the impact of …
La Bande Dessinée À L’Épreuve Du Génocide Au Rwanda : État Des Lieux Critique D’Un Mode D’Expression Original, Markus Arnold, Karel Plaiche
La Bande Dessinée À L’Épreuve Du Génocide Au Rwanda : État Des Lieux Critique D’Un Mode D’Expression Original, Markus Arnold, Karel Plaiche
Présence Francophone: Revue internationale de langue et de littérature
20 years after the genocide of the Tutsis, one observes within the artistic production dealing with these traumatic events the presence of several comics (or bande dessinée). Yet is this specific mode of expression which often remains associated with lightness, humour and caricature capable to address in a credible fashion such delicate topics as pain, cruelty and death ? How do comics “translate” this 1994 tragedy for the purpose of critically raising awareness and providing memorial accounts while respecting the reader’s sensitivity ? Is there an “appropriate” depiction and where is the frontier between sensational, reliable and emotionally convincing portrayal …
Du Témoin Et De L’Humain Chez Gilbert Gatore : Le Passé Devant Soi, Jean-Pierre Karegeye
Du Témoin Et De L’Humain Chez Gilbert Gatore : Le Passé Devant Soi, Jean-Pierre Karegeye
Présence Francophone: Revue internationale de langue et de littérature
This article revisits Gatore’s novel, The past ahead, in analyzing the idea of witnessing. Some critics estimate that the novel does not make a clear distinction between the perpetrator and the victim. While recognizing the danger, the article extends the debate on the notion of the human beyond the categories of “perpetrator” and “victim”. Without excusing acts of the former, the author of this article affirms that the perpetrator and the victim belong to the same humanity. While they remain extreme and inexcusable, crime against humanity and genocides are not a contingent acts, which opens a meditation on the fragility …
Believing In "Inner Truth": The Protocols Of The Elders Of Zion In Nazi Propaganda, 1933-1945, Randall L. Bytwerk
Believing In "Inner Truth": The Protocols Of The Elders Of Zion In Nazi Propaganda, 1933-1945, Randall L. Bytwerk
University Faculty Publications and Creative Works
Although most leading Nazis realized that The Protocols of the Elders of Zion was a spurious document, they found it useful in promoting belief in the international Jewish conspiracy of which they were already convinced. Authorship and other details were irrelevant, they averred, if the book expressed "inner truth."
9th Annual Holocaust Remembrance Ceremony In The Cedar Valley [Poster], University Of Northern Iowa. Center For Holocaust And Genocide Education.
9th Annual Holocaust Remembrance Ceremony In The Cedar Valley [Poster], University Of Northern Iowa. Center For Holocaust And Genocide Education.
Center for Holocaust and Genocide Education Documents
A poster announcing the 2015 Holocaust Remembrance Ceremony.
Survival In The Russian Partisans Of The Lipiczany Forest [Poster], University Of Northern Iowa. Center For Holocaust And Genocide Education.
Survival In The Russian Partisans Of The Lipiczany Forest [Poster], University Of Northern Iowa. Center For Holocaust And Genocide Education.
Center for Holocaust and Genocide Education Documents
A poster announcing the presentation of Dr. Miriam Brysk of her experiences living in the Lida ghetto and the exhibition of her art in the Grout Museum of History and Science.
Deadly Medicine: Creating The Master Race [Poster], University Of Northern Iowa. Center For Holocaust And Genocide Education.
Deadly Medicine: Creating The Master Race [Poster], University Of Northern Iowa. Center For Holocaust And Genocide Education.
Center for Holocaust and Genocide Education Documents
A poster announcing an exhibition on Nazi Germany's persecution of groups deemed inferior in pursuit of creating perfect humans.
Sinking Into The Dark Abyss: Adolf Hitler’S Final Years,February 1943–April 1945, Joshua Chanin
Sinking Into The Dark Abyss: Adolf Hitler’S Final Years,February 1943–April 1945, Joshua Chanin
Armstrong Undergraduate Journal of History
Joshua Chanin is a junior at Austin College in Sherman TX, pursuing a history and political science degree. He hopes to attend graduate school and become a history professor.
Christian Responses To Hitler: A Film Screening And Discussion [Poster], University Of Northern Iowa. Center For Holocaust And Genocide Education.
Christian Responses To Hitler: A Film Screening And Discussion [Poster], University Of Northern Iowa. Center For Holocaust And Genocide Education.
Center for Holocaust and Genocide Education Documents
A poster announcing a screening of the film "Theologians under Hitler" and two opportunities for discussion.
Stepping Beyond Nuremberg’S Halo: The Legacy Of The Supreme National Tribunal Of Poland, Mark A. Drumbl
Stepping Beyond Nuremberg’S Halo: The Legacy Of The Supreme National Tribunal Of Poland, Mark A. Drumbl
Scholarly Articles
The Supreme National Tribunal of Poland (Najwyzszy Trybunal Narodowy (Tribunal)) operated from 1946 to 1948. It implemented the 1943 Moscow Declaration in the case of suspected Nazi war criminals. This article unpacks two of the Tribunal’s trials, that of Rudolph Hoess (Kommandant of Auschwitz (Oswiecim) and Amon Goeth (commander of the Krakow-Plaszow labour camp). Following an introduction, the article proceeds in four sections. Section 2 sets out the Tribunal’s provenance and background, offering a flavour of the politics and pressures that contoured (and co-opted) its activities so as to recover its place within the imagined spaces of international criminal accountability. …
Introduction: Gendering Genocide Studies, 1st Edition, Amy E. Randall
Introduction: Gendering Genocide Studies, 1st Edition, Amy E. Randall
History
When it comes to understanding genocide, gender matters. This has not always been evident, and even today there are critics and skeptics. Indeed, when feminist scholars in Holocaust studies first began examining women’s experiences and gender questions, their scholarship was ignored or met with hostility by many academics and others, including some survivors. Opponents expressed various concerns, including the idea that gender research and analysis would “trivialize” or “politicize” the Holocaust, de-emphasize the centrality of anti-Semitism and racism to Nazi persecution,1 and promote “comparative victimhood or creat[e] unequal victims.”2 Studying the gendered dimensions of genocide, however, does not …
Discours, Paroles Et Liens À L’Autre Dans Les Groupes Thérapeutiques. Ce N’Est Pas La Fin D’Un Génocide Qui Clôt Un Génocide., Marie-Odile Godard
Discours, Paroles Et Liens À L’Autre Dans Les Groupes Thérapeutiques. Ce N’Est Pas La Fin D’Un Génocide Qui Clôt Un Génocide., Marie-Odile Godard
Présence Francophone: Revue internationale de langue et de littérature
Psychologists and psychoanalysts distinguish between testimony, or personal accounts, and discourse, a fixed societal account. Because genocide, for the survivor, is not a subject of study, we must not only look at the various discourses concerning the genocide, but at their effect on the survivors. We describe how the post-G-Gacaca therapy groups, established to help survivors who had participated in Gacaca assemblies, demonstrated how expression is only effective when it is directed at someone and this person agrees to hear it and be affected by it.
Esquisse D’Un Projet Épistémologique Pour La Science Politique Dans Une Afrique Post-Génocide, Mame-Penda Ba
Esquisse D’Un Projet Épistémologique Pour La Science Politique Dans Une Afrique Post-Génocide, Mame-Penda Ba
Présence Francophone: Revue internationale de langue et de littérature
This article attempts to answer two main questions: “What does it mean to teach political science in an African university when oneself is African?” and “what social realities are we documenting (or should we document)?” As a political scientist, I came to ask myself these questions based on my encounter with the genocide of the Tutsi in Rwanda, and based on the questions that this major event had kindled in me. My encounter with the subject of “genocide” was in all respects an upheaval because I understood suddenly a large weakness in the way political science was taught at Université …
La Fiction Du Génocide Ou Le Partage Des Émotions, Josias Semujanga
La Fiction Du Génocide Ou Le Partage Des Émotions, Josias Semujanga
Présence Francophone: Revue internationale de langue et de littérature
The goal of this study is to show that the fiction of genocide aims to share emotions between the narrator and the reader. It is possible to consider the narrator as representing the real reader and not only as the simple recipient written into the text. This is to say that the narrator is a part of the story but is also the reader’s counterpart as the real recipient, because both-- narrator and real reader-- are integrated in the imaginary world of the story. The role of the author is to construct intermediate mechanisms between the reader and the author. …
L’Usage De La Rhétorique Émotionnelle Dans Les Récits De Jean Hatzfeld, Michael Rinn
L’Usage De La Rhétorique Émotionnelle Dans Les Récits De Jean Hatzfeld, Michael Rinn
Présence Francophone: Revue internationale de langue et de littérature
In France, the books of Jean Hatzfeld -- journalist and writer -- have played a key role for the public opinion to become aware of the tragedy of the genocide of the Rwandan Tutsi in 1994. Our paper aims to show how the discourse strategy of Jean Hatzfeld aims to influence the reader by using emotions. We would like to know how this rhetoric of emotions relies on specific cultural codes which are largely western centered. Our thesis is that since Auschwitz, those codes have constructed an argumentative framework for contemporary understanding of passion and pain in discourse.
Matière Grise De Kivu Ruhorahoza : Un Nouveau Discours Filmique Pour Le Rwanda?, Charles J. Sugnet
Matière Grise De Kivu Ruhorahoza : Un Nouveau Discours Filmique Pour Le Rwanda?, Charles J. Sugnet
Présence Francophone: Revue internationale de langue et de littérature
Films like Hotel Rwanda, Sometimes in April, and Shooting Dogs have codified certain ways of representing the 1994 Rwandan genocide, with realist aesthetics, epic sweep, and aspirations to historical authenticity. A young Rwandan director, Kivu Ruhorahoza, has won two major prizes at the Tribeca Festival for his 2011 feature Grey Matter, a breakthrough film that is different from its predecessors in almost every respect. Ruhorahoza’s film is intimate, cosmopolitan, metaphorical, and avant-garde; it requires some effort to understand, yet it is extremely moving. On the 20th Anniversary of the genocide in Rwanda, it offers new ways of understanding the consequences …
Chercheurs D’Afrique Et Archive Coloniale, Jean-Pierre Karegeye
Chercheurs D’Afrique Et Archive Coloniale, Jean-Pierre Karegeye
Présence Francophone: Revue internationale de langue et de littérature
The main goal of this article is to demonstrate that discourse on the Rwandan genocide has an origin. In other words, the hamitic myth transcends the question of race and is present in its most radical form in the events of 1994 in Rwanda. However, the myth itself is not intrinsically genocidal, but it did clear the path. The danger arose when the myth was demythified, that is to say, perceived as historic reality and scientific knowledge, and entered a new environment of genocide discourse. To proceed based on the notion of archive is to approach the genocide in relation …
Le Génocide Comme Défi À L’Éthique, Théoneste Nkeramihigo
Le Génocide Comme Défi À L’Éthique, Théoneste Nkeramihigo
Présence Francophone: Revue internationale de langue et de littérature
This article proposes the genocide constitutes moral defiance for at least three evident reasons: by the suffering of the innocent, it shows the failure of the moral vision that establishes a causal link between pain suffered and evil committed, of ethics and redistribution. And finally, the genocide challenges ethics by spreading the mortal conflict of opposite moral systems meaning the genocide was perpetrated according to a particular moral code. The article examines an essential aspect of politics, the hostility towards finding the structure of reception of the genocidal drift. Then, how to imagine a moral code that effectively fights the …
Two Presentations By Patrick Hicks On The Commandant Of Lubizec: A Novel Of The Holocaust And Operation Reinhard, University Of Northern Iowa. Center For Holocaust And Genocide Education.
Two Presentations By Patrick Hicks On The Commandant Of Lubizec: A Novel Of The Holocaust And Operation Reinhard, University Of Northern Iowa. Center For Holocaust And Genocide Education.
Center for Holocaust and Genocide Education Documents
A poster announcing two presentations by Patrick Hicks, one about his research for a novel about the Jewish Holocaust and the other a reading of passages and commentary of the novel.
8th Annual Holocaust Remembrance Ceremony In The Cedar Valley [Poster], University Of Northern Iowa. Center For Holocaust And Genocide Education.
8th Annual Holocaust Remembrance Ceremony In The Cedar Valley [Poster], University Of Northern Iowa. Center For Holocaust And Genocide Education.
Center for Holocaust and Genocide Education Documents
A poster announcing the 2014 Holocaust Remembrance Ceremony.
The Power Of Individual Responsibility...Then And Now [Poster], University Of Northern Iowa. Center For Holocaust And Genocide Education.
The Power Of Individual Responsibility...Then And Now [Poster], University Of Northern Iowa. Center For Holocaust And Genocide Education.
Center for Holocaust and Genocide Education Documents
A poster announcing a presentation by Beatrice Muchman on her experience surviving the Jewish Holocaust.