American Art and Architecture Commons^™

Shifting Forms: Queer Placemaking Amidst Neoliberalism In New York City Through Art, Colin J. Donnelly

Geography Undergraduate Senior Theses

This project explicates how queer people produce space for themselves through art in New York City amidst the prevalent neoliberal frameworks that have existed since the 1980s. Drawing on semi-structured interviews with queer artists and nonprofit workers, participant observation in art spaces, and close reading of art compiled through archival work, I explore sites of presentation (places in which art is displayed) and modes of presentation (how specific artists decide to present their art). I analyze museums and nonprofit spaces, and engage with queer artists that create what I consider to be site-specific art. I zoom in on spatial art …

Frontier: Land, Architecture, And Abstraction, Jacob Boatman

Masters Theses

The abstraction of land is a colonial process by which physical land is transformed into a conceptual or symbolic entity. This transformation occurs through various economic, architectural, and cultural practices that imbue land with abstract values, meanings, and functions beyond its physicality. This includes the division of land into parcels for economic transactions, the design and construction of built environments that shape human interactions with the land, and the cultural narratives and representations that ascribe significance to particular landscapes. Through abstraction, colonial powers devalue indigenous perspectives and relationships to the land, reducing them to mere obstacles in the path of …

Texas Gothic, Taryn Uribe Turner

Art Theses and Dissertations

The emotional and the ecological combine to create my body of work titled, “Texas Gothic.” My thesis tells the stories of my oil paintings created through personal connections to a variety of landscapes, animals and experiences that share the setting of Texas.

Desire and regret take shape as animals and figures not fully formed or real. Unreliable narratives of the past are entangled with present tensions to create a painting that haunts and stalks.

And yet, there is hope!

Through nostalgia and sweetness and burdens, my paintings confront a shrouded future. The contradictions of time passing are explored in my …

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

Photography, Architecture, And Environment: An Architectural Analysis Of Edward Ruscha’S 26 Gasoline Stations, Rebecca Tonguis

Belmont University Research Symposium (BURS)

This presentation explores Edward Ruscha’s photobook 26 Gasoline Stations through an architectural lens. Specifically, it treats Ruscha’s work as historic evidence of how consumption, industry, and commodity have infiltrated all kinds of environmental contexts through architectural manifestations. Known for being the first artist’s book, 26 Gasoline Stations ambiguously exists as both fine art and documentation of everyday conditions, with the overall graphic character highlighting its perceived focus on overarching narrative. Since gasoline stations are the primary subject of each of the 26 photographs, the subject of this work is arguably architecture, suggesting that the historic relationship between mass gas consumption—or …

Stephen Antonakos: The Spiritual Tenets Of Neon, Seville Partida

Undergraduate Research Symposium

Working without paint or brushes, Stephen Antonakos (1926—2013) created murals of neon light. These sweeping gestures of buzzing color achieve a meditative and spiritual quality yet remain accessible in their communal and urban settings. Douglas Crimp's 1981 essay, “The End of Painting '' argues that the most promising art of the time mounts a thorough critique on the myths of humanism, and consequently the cherished tropes of expressive painting. Antonakos’s career spans this period of upheaval, fraught by fears over the looming death of modernist painting as well as critical and curatorial activity that interrogated art’s structures. Although Antonakos seems …

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

Chinese-English Dictionary Enable Select Search …

The Course Of Empire: An Analysis, Devyn Woodard

Emerging Writers

This essay delves into the themes of and motivations for Thomas Cole’s series of paintings, The Course of Empire. Through an analysis of the different rhetorical appeals and fallacies employed by Cole in the series of paintings, the deeper meaning behind the works comes to light. This analysis serves as a bridge between the environment the paintings were created in almost two hundred years ago, and the contemporary global landscape, which is still in need of its lessons, even so many years later.

On The Black Book As Durational: Noah Purifoy’S Desert Library, Paul Benzon

Criticism

What happens to a library in the desert? How does it transform as a material object under these pressures, and what might these transformations tell us about its capacity for bearing and registering history? This article considers these questions in relation to the artist Noah Purifoy’s found-object installation Library of Congress, one of approximately thirty works that make up the ten-acre space of the Noah Purifoy Desert Art Museum of Assemblage Art in Joshua Tree, California. The museum consists of a wide range of found-object sculptures, all deeply enmeshed within the space of the desert. The museum, and indeed Purifoy’s …

A Part Apart, Spenser Atlas

Masters Theses

I am fascinated by connections. Things that click, snap, slide, and hold. I care about the ways in which objects meet, looking for answers in the space between. What binds one thing to another?

I believe the world is presented to us in pieces. It’s hard to say how it all comes together. It's easy to believe things are shapeless and detached from each other. Connection is a bridge, a way of linking one thing to another that reveals interdependence, and eventually moves outwards to express a correlation between pieces, once assumed to be discrete and isolated.

This work is …

Archi-Comics, Timothy Gatto

Bachelor of Architecture Theses - 5th Year

Humor in architecture is not at the forefront of architect’s minds, this comes from architects need to be deemed serious. This way of thinking is what has backed architects up into a corner banal and stagnant architecture. Architecture is the art of context, everything in architecture is referential. Humor is foundationally the exact same way, the incongruity theory makes humor possible by putting a concept into context with things and finding contradictions in the process, thus developing a joke. Each of these arts, humor and architecture, are that of context and when architecture is delivered like humor, it points out …

(Not) Knowing, Jared Friedman

Theses and Dissertations

Jared Friedman’s work creates monuments out of banal common objects. Through acrylic paintings on- Astroturf, burlap, canvas, and upholstery fabric- he explores the ambiguity of the unremarkable, such as the condenser coils on the back of a refrigerator. In, (Not) Knowing, he parses the difference between knowing and understanding.

Andy & Edie, Warhol & Sedgwick, Sabine Paris

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts of Bard College.

The Feminization Of Mexico City In The Late Twentieth Century: Polvo De Gallina Negra, Pola Weiss, And Lourdes Grobet, Alexis N. Corral

Theses and Dissertations

This thesis centers on select artworks in public intervention, photography and video as an exploration of female's relationship to Mexico City's social landscape and urban space during the late 1970s into the early 1990s. In three case studies, I explore historical urban planning, gender relations, and the effects of modernization.

How Can Biomimicry Inform A Sustainable, Ethical Future In Architecture And Design?, Chloe Hanf

University Honors Theses

This publication traces effects of systems theory and assemblage thinking on American architecture and design since the 1960's in relation to contemporary ecological thought and biological discoveries. Building upon these observations, the author concludes that biomimicry belongs at the forefront of contemporary theory and praxis in architecture and design.

Disorientations, Noah Greene-Lowe

MFA in Visual Art

The materials that make up the ordinary and mundane in the United States also reinforce and normalize a white spatial imaginary. Conventions of mapping, imaging of land and landscape, and elements of the built environment continue to orient us in a logic of space as property. In my sculptural work, I employ strategies of disorientation and creative repair, or reconstruction, to unsettle the spatial practices of whiteness and structures of power embedded in the mundane, the familiar, and the domestic. I consider the planned cohousing community where I grew up as an influence on my work, and my whiteness. By …

Black And Silver Screens: Afropessimism And Filmic Appropriation In Contemporary Video Art, Madeleine A. Seidel

Theses and Dissertations

This thesis looks at the video works of artists Ulysses Jenkins, Ina Archer, and Garrett Bradley and their appropriation of images of Black actors in Classic Hollywood films through the theoretical framework of afropessimism.

Towards A Revised Approach To Designing From The Outside In: Contextualizing The Preliminary Proposal For The Fourth Addition To Bard College Library, Aidan Galloway

Senior Projects Fall 2022

Before creating the new, architects are faced with the existing. An enormous oak tree might be within the bounds of the site you’ve been hired to build a house on. Do you cut it down, or leave it? A tall brick building might be next door. Do you imitate its scale, its materiality, its style, or do you create something that looks entirely different?

These kinds of questions, while perhaps always fundamental to architecture, were especially pertinent in mid-to-late-twentieth century debates surrounding “context” as architects like Robert Venturi and Denise Scott Brown challenged the conventions of “orthodox” Modern architecture. “Frank …

Kinstitution: A Topia Between Archive And Proposal, Christopher Lineberry

Theses and Dissertations

Situating Topher Lineberry's work, this paper offers a primer on institutional critique, preliminary developments of "kinstitutional critique," and the cultivation of family-derived art history through the work of the artist's grandmother, Helen Lineberry. Feeding into a working understanding of family-and-kin-as-institution, the paper ultimately locates Topher Lineberry's work between relations to place, historical archives, and speculative proposals.

The Line Of Dichotomy: Standpoints And Meaning In Anne Truitt's Art, Charles J. Parsons

Undergraduate Honors Theses

Some of Anne Truitt’s formal strategies—such as using the separate faces of the work to force the viewer to engage in it sequentially—build or depend on real or literal facts of the “situation” of the artwork. If this is the case, how do such works escape being reducible to their objecthood, their literal properties of size and shape? And how do they produce effects that are not mere experience or mere affective response? The answer I offer is that they depend on conventions and interpretation.

Much of my analysis focuses on the ways Truitt makes her intentions visible through form, …

In-Between Spaces, Trinity Kai

Graduate Theses and Dissertations

In-between Spaces is a paper based in personal narrative that uses Critical Race Theory and art to analyze the history of photography and systems of discrimination facilitated by hegemonic culture. Body is at the center as a symbol of the physical and psychological impacts systemic inequalities have on people that are classified as other and how one can be absent and present in institutional and public spaces.

Art And Aids: Viral Strategies For Visibility, Stephen Baylor Pillow

Honors Theses

“Art & AIDS: Viral Strategies for Visibility” examines the complex relationships between social stigma, healthcare, homophobia, and mortality, and how these impacted the lives of Western artists and manifested in their works. Most of the art discussed in this thesis was produced during the height of the AIDS crisis (late-1980s to mid-1990s). During this period, gay artists and their allies employed new strategies in their work to inspire activism, and convey intense emotions –– predominantly frustration, grief, and anxiety –– associated with HIV/AIDS. In the U.S., the inaction of the Reagan administration was largely due to widespread homophobia kindled by …

Skin Deep: Analyzing Black Representation In The Teaching Of Visual Arts, Destiny Arianna Kearney

Honors Projects

My honors thesis argues that at Bowdoin College, failure to provide Culturally Relevant Teaching in art studio courses dismisses the representation of Blackness in the Visual Arts Department. Culturally Relevant Teaching (CRT) recognizes the importance of all students' cultural experiences in different aspects of learning. It allows for equitable access to education for students of diverse backgrounds. CRT is crucial to reconstructing Art Education to represent diverse student bodies. My position as a Black-Indigenous artist enables me to reflect on the intersection of these frameworks and to build upon them in order to highlight the need for pedagogical practice in …

The Museum As A Mirror: Reinterpreting And Delinking American Landscape Art From Colonial Narratives, Blythe C. Romano

Honors Theses

Art museums have recently been looking at their existing collections with heightened scrutiny, revisiting their decision to display colonial works uncritically in their gallery spaces, and reconsidering the idea that there is such a thing as a unified art historical canon. These conversations regarding reinterpretation are necessary for all museums that choose to display art with problematic histories, as this information is owed to visitors -- especially within the settler colonial context. The Colby College Museum of Art in Waterville, Maine is one site where such collection and gallery “reinterpretation” has begun to be implemented and discussed. For example, in …

Brutal Encounters: Primitivity, Politics, And The Postmodern Revolution, Archer Thomas

Honors Projects

The switch from late modernism to postmodernism in Western aesthetic theory and criticism took place in the mid-to-late 20th century, radically changing the face of cultural criticism. Much has been written on how postmodernism broke from modernism, but what factors paved its way in the decades following the Second World War? This paper argues that postmodernism represents both a reaction to and a necessary evolution of late modernism, specifically as it manifests in architecture, politics, and the politics of architecture. It focuses on the crisis of confidence among Western left-wing circles following the upheaval of the Second World War and …

The Zimmerman Library Mural In The National Register Of Historic Places: A Working Paper And Timeline, Samuel E. Sisneros

University Libraries & Learning Sciences Faculty and Staff Publications

Working paper and timeline about the nomination and listing process of the UNM Zimmerman Library “Three Peoples” paintings to the National Register of Historic Places.

America’S Finest Housing Crisis: Racialized Housing & Suburban Development, Vicenta Martinez Govea

McNair Summer Research Program

U.S. Government operations between 1940-1950 brought unprecedented direct and indirect employment opportunities to San Diego, exacerbating an already growing housing shortage. To accommodate the thousands of new defense workers, the government produced the largest defense housing project to date in the small neighborhood of Linda Vista. However, this opportunity and largesse was extended primarily to a select group of white working-class families who had access to defense jobs and, consequently, subsidized housing. Military presence in San Diego during World War II shaped the design of homes and exclusively allocated housing, as both shelter and financial instrument, to white working-class families …

Aids Normalization, Alexandra Juhasz, Theodore Kerr

Publications and Research

Review of On Our Backs: The Revolutionary Art of Queer Sex Work, curated by Alexis Heller for New York’s Leslie-Lohman Museum of Art, which was on view from September 2019 to January 2020, and other contemporary AIDS culture.

Embedded: The Bed As An Art Object, Maya Annika Teich

Senior Projects Spring 2020

Senior Project submitted to The Division of Arts of Bard College.

An Uncertain Line: Making Art About Photographs Of American War And Violence., Cassidy Meurer

College of Arts & Sciences Senior Honors Theses

Photography’s power in capturing a moment in history is indisputable, but inevitably flawed. Assumptions of objectivity and truth are made that do not count for the bias of the photographer, or the bias of the viewer. These assumptions do not explain the warped effect of freezing life at a fraction of a second. Information is left outside the frame; stories are fragmented in their retelling. Certain historical photographs have become iconic over time. My interest lies in images of American battle, violence, and trauma; those that have political and propagandic weight. Coded, controversial, and inherently emotional, these photographs have become …