Film and Media Studies Commons^™

New York Placenames In Film Titles, Jay H. Bernstein

Publications and Research

From 1914 to 2006, 396 feature films with titles containing New York place names were released. This pattern emerged during the silent era, peaked from the late 1920s to the early 1940s, and then dropped off steadily before rebounding in the 1970s. This article discusses the cinematic representation of cities and urban life in the movies and the special place of New York as an “imagined city” and a cultural icon. New York’s associations in the popular imagination help explain the frequent occurrence of themes of negativity, violence, nightlife, and grandiosity (royalty or divinity) in these titles. The use of …

Selected Bibliography Of Work On Canadian Ethnic Minority Writing, Steven Tötösy De Zepetnek, Asma Sayed, Domenic A. Beneventi

CLCWeb Library

No abstract provided.

"Everybody Else Ain't Your Father": Reproducing Masculinity In Cinematic Sports, 1975-2000, Marc A. Ouellette

English Faculty Publications

This essay stems from two cultural strands, which intersect in one cultural form, the sports film. The first of these is the figure of the "star," as opposed to hero, who is interested only in self promotion. The second strand, masculine nurturing, provides a direct counterpoint to the first. Sociologist Robert Connell explains that "In historically recent times, sport has come to be the leading definer of masculinity in mass culture" (54). In North America, sport plays an important and increasing role in our culture. Each of the four major sports leagues added teams in the last decade of the …

Egyptian Wives' Portrayal In Egyptian Cinema: A Content Analysis On 35 Egyptian Films Produced Prior To And Post 1952, Sahar Aly Sedky

Archived Theses and Dissertations

No abstract provided.

Bibliografia De La Antoni Tapies, Armando Silva

armando silva

Exposición sobre el proyecto de imaginarios urbanos de armando silva en la fundación Antoni Tapies de Barcelona, mayo del 20007

Bibliografia De La Antoni Tapies, Armando Silva

armando silva

Exposición sobre el proyecto de imaginarios urbanos de armando silva en la fundación Antoni Tapies de Barcelona, mayo del 20007

The Evolution And Impact Of Documentary Films, Amma Marfo

Senior Honors Projects

Long considered either high art or the bane of every student’s existence when a substitute teacher came to class, documentary film has developed into a popular and visible form of entertainment. As a result, they are starting to have a bigger effect on society, as they begin to address issues with the goal of informing the public and pushing for social change. This project will first address historical documentaries, the reasons that they were made, and what techniques were established that have carried through to documentary film today. My paper will then examine today’s documentary films, what techniques they use …

Inspired Women: Changing The Face Of The Film Industry, Allison Mcmanus

Honors Capstone Projects - All

The Honors Capstone project I created explores the inequalities women face in a predominantly male film industry. The focus was on how gender identity permeated their own artwork, their inspiration and drive, and the need for female voices to be heard.

The documentary was filmed in New York City, Los Angeles, and Syracuse. It was shot on Mini-DV and edited using Final Cut Pro. The film includes both interviews with female film professionals and students juxtaposed with my own life experiences.

The project was a journey of discovery, understanding, and inspiration. The film chiefly illustrates how collaboration, respect and assistance …

Motherhood And The Political Project Of Queer Indian Cinema, Bryce J. Renninger

Honors Capstone Projects - All

Motherhood & the Political Project of Queer Indian Cinema is a thesis that works to understand the variety of ways the films of queer Indian cinema use the figure of the mother. The Indian mother has a long history at the fore of the Indian imagination. Popular narratives and public culture within India have a history of focusing on the mother as a key site of Indian tradition. Narratives and cultures of all religious traditions in India have consistently focused on the mother as a central character and agent of change. Queer Indian cinema, of the diaspora and made from …

Leaving Neverland, Jonathan Krieger

Honors Capstone Projects - All

Leaving Neverland is an adaptation of Peter Pan meant to take the classic story in an entirely new direction. The story is set in modern day and takes place ten years after the end of the original Peter Pan. Wendy is twenty years old and, when she returns to Neverland, Peter falls in love with her. He gives up his immortality for a chance at a love.

The story deals with the ensuing relational change between Peter and Wendy, between Peter and the Lost Boys, between Peter and Hook, and even between Peter and the Neverland universe.

As Peter grows …

Wherefore Art Thou, Romeo?: A Study Of Three Late Twentieth-Century Film Adaptations And Appropriations Of Romeo And Juliet, Geoffrey Way

All Theses

This thesis is an audience-centric study of the socio-political aspects of three late twentieth-century film versions of William Shakespeare's Romeo and Juliet: Baz Luhrmann's William Shakespeare's Romeo + Juliet (1996), Lloyd Kaufman's Tromeo and Juliet (1996), and Andrzej Bartkowiak's Romeo Must Die (2000). It explores how each film utilizes popular culture and late twentieth-century American society in tandem with themes and concepts from Shakespeare's play. It then analyzes the different techniques each director used to create a sense of recognition for the audience through the use of these various elements. It looks at how Luhrmann's film worked to bring Shakespeare's …

Words For Pictures, Jayne Dyer

Artists-in-Residence Programme : Exhibition Catalogues

WORDSFORPICTURES intersects with the Lingnan Library site and collection.

The exhibition represents a culmination of a series of discrete interventions that occurred over the residency. The installation operates as a linguistic production offering oblique narratives to explore the notion of the Library as a storehouse of accumulated facts, hypotheses, conjectures and fictions.

"文字圖像" 這項裝置藝術, 結合了嶺南圖書館的埸地和藏書。展覽是藝術家在她駐校期間, 在圖書館內所作的一連串抽象的藝術介入的高潮。這項裝置啟動了語言學上非直截了當的敍述, 來探討圖書館作為存放一個事實, 理論, 推理和小說的寶庫的意圖。

Lasser Voir: Experimental Film Revealing The Dichotomy Of The Mind, Valerie Kitchin

Senior Honors Projects

Lasser voir is a French term meaning to show; to allow to be seen. The film is meant to interpret the internal genesis from dual perspectives. Absolute Good and absolute Evil coexist fighting each other eternally. The challenge is to create a vision of the form of good and the form of evil, thus showing the interior and exterior struggle between the two. Good and Evil appear as the same individual: each opposing one another in ethereal battle through the channel of artistic interpretation. The concept originates from the writhing movement within the mind. It cannot live without Good, but …

Rainer Werner Fassbinder, Wunderkind, Leo Lensing

Leo A Lensing

No abstract provided.

Digital Radio In Canada: From Dab To Multi-Platform Approaches., Brian O'Neill

Conference Papers

This paper examines the position of digital radio in Canada. It examines the Canadian experience of digital radio development from its introduction in 1995 to the present and asks whether the approach adopted and the lessons learned provide useful models for application elsewhere. Three main strands form the background to digital radio’s current stage of development: firstly, the introduction and early support for Digital Audio Broadcasting or (DAB) in the mid 1990s; secondly, the response of the radio industry to the internet and new media as complementary to traditional radio broadcasting provision; and thirdly, the more recent experience of the …

The Feel-Good Gulag: The Value Of The Arts, Ian Kilroy

Books/Book chapters

A 2007 consideration of the importance of the arts in Irish society by Ian Kilroy, Arts Editor of the Irish Examiner. The piece was commissioned by the Irish Arts Council.

Female Agency And Oppression In Caribbean Bacchanalian Culture: Soca, Carnival, And Dancehall, Kevin Frank

Publications and Research

In this essay Kevin Frank discerningly analyzes agency and gender in public sexual performances emanating out of what Paul Gilroy identifies as part of the compensatory politics of the subordinated within Black Atlantic culture, Jamaican dancehall (dancehall reggae/ dancehall queens).

[Review Of] Sports Cinema 100 Movies: The Best Of Hollywood's Athletic Heroes, Losers, Myths, And Misfits, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.

Pathos, Spring 2007, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 3

Fabricating Freddy Vs. Jason: Understanding A Motion Picture As A Social Encounter Between Fans And Filmmakers, Jason M. Rapelje

Dissertations

The break in the mass communicative chain, which separates producers and receivers from one another in both time and space, impedes researchers from studying motion pictures as social encounters. As with face-to-face encounters, producers and receivers of motion pictures depend upon the use of "rules of relevance" (Goffman, 1961) and "typifactory schemes" (Berger & Luckmann, 1966) for their encounters to take place. I examine the social encounter that takes place between some of the filmmakers and fans of Freddy vs Jason through the use of these concepts, as well as a revision of John B. Thompson's (1990) methodological framework of …

Filming Theater: The Audiovisual Documentation As A Substitute Of The Performance, Nestor Fernando Bravo

Theses and Dissertations

Theatre is not a thermometer of society; it is the fever. The archive is the aftermath that recalls that fever. In this thesis I theorize about the status of audiovisual documentation, its functionality, and its ontological relation with the performance. I argue that the film of a performance does not constitute evidence per se, but it acquires such status through the concurrence of other documents and archival artifacts existentially related to the theatrical production. I also propose that the audiovisual document becomes a substitute for the performance when it has disappeared from the historical world, becoming the new referent for …

Narrative Assault In Laetitia Masson's A Vendre, Mariah Devereux Herbeck

Mariah E. Devereux Herbeck

No abstract provided.

Portraying Domestic Violence In Egyptian Films, 1950-2000, Maie Shawky

Archived Theses and Dissertations

No abstract provided.

At Home In The Museum: Pierre Loti, Self-Collected, Self-Possessed, Anthony Purdy

Anthony Purdy

Suspended between metaphor and metonymy, between the spatial logic of the collection and the scenario of the personal that was the life of its owner, Pierre Loti's house in Rochefort participates in the same transvestism as his novels. This article explores the house museum as a heterotopia in which the synchronous time of the collection is open to disruption by the souvenir's reference to past events, to the biography of the collector.

Denzel Washington Thriller To Play In Hansen, Taylar Kuzniar

News and Events

No abstract provided.

Unholy, Thomas R. Rondinella

Thomas R. Rondinella

Unholy is a feature I produced in the Winter of 2006. See file for more information and links.

No Law: Deadwood And The State, Mark L. Berrettini

School of Film Faculty Publications and Presentations

Deadwood's final episode of season 3 opens with a monologue from theater operator Jack Langrishe (Brian Cox), a relative newcomer to the camp of Deadwood. Shown in a wide shot that spotlights him on the dark stage of his nascent theater, Langrishe ostensibly speaks to one of his companions, the actress Claudia (Cynthia Ettinger), shown in one medium reverse-shot. Yet Langrishe also speaks and performs beyond the theater to the residents of Deadwood and to the program's viewers extradiagetically as he sums up the tense state of affairs within the camp: This camp is in mortal danger. The man Hearst …

Locating The Bard: Adaptation And Authority In Michael Radford's The Merchant Of Venice

Faculty Publications

Michael Radford’s adaptation of The Merchant of Venice (2004) starring Al Pacino and Jeremy Irons returns feature film Shakespeare to period setting and costuming after roughly a decade of radicalized adaptative strategies such as those of Baz Luhrmann, Michael Almereyda, and Julie Taymor, strategies that threatened to overshadow the Kenneth Branagh approach to Shakespeare’s textual and cultural authority. Radford underscores this return to “authentic” Shakespeare with a heavy directorial hand that begins the film with superimposed text recounting the sixteenth-century Venetian context of the original play setting. The watery landscape of Venice, the brothels and courtesans that entertain the Christian …

A Wavelength For Every Network: Synchronous Broadcasting And National Radio In The United States, 1926–1932, Michael J. Socolow

Communication and Journalism Faculty Scholarship

No abstract provided.

A Wave Of The Magic Wand: Fairy Godmothers In Contemporary American Media, Jeana Jorgensen

Scholarship and Professional Work - LAS

The increased personification of fairy godmothers in contemporary American media corresponds to an aspect of the American worldview that emphasizes "magical" quick fixes and solutions. The two fairy-tale pastiche works informing this study are a novel, The Fairy Godmother, by fantasy author Mercedes Lackey, and a movie, Shrek 2. Both of these works feature fairy godmother characters that depart from canonical folktale and fairy-tale depictions. Associated with fate and wisdom, fairy godmothers act much as folklorists do by rewarding traditional behavior with gifts. Recent fairy godmother roles are hybrid and multivocal, illuminating ideologies and power structures in both society and …