Film and Media Studies Commons^™

Bent Familia De Nouri Bouzid : Enjeux De L’Amitié, De La Clairvoyance Féminine Et Du Questionnement, Hélène Tissières

Présence Francophone: Revue internationale de langue et de littérature

Bent Familia by the Tunisian filmmaker Nouri Bouzid breaks down silences by questioning norms and power structures, including patriarchal authority. Centered on an exceptional friendship between three women and examining their preoccupations as well as their needs, the film reveals the empowering forces of sharing, insightfulness and engagement. Through the character of Aïda and the intertwinement of arts – in particular music and painting – the film dismantles absolutes and illusions. It encourages deep questioning in order to trace new paths, valuing the clear-sighted contributions of women in a continuously changing society.

Zeitgeist Shift: Too Little Too Late, Michael I. Niman Ph.D.

Michael I Niman Ph.D.

No abstract provided.

The Menace Of Security, Chandan Gowda

Chandan Gowda

No abstract provided.

Ua12/2/1 College Heights Herald, Vol. 83, No. 17, Wku Student Affairs

WKU Archives Records

WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news.

The Silent Revolution, Chandan Gowda

Chandan Gowda

No abstract provided.

“Happy Dancing Natives” Minority Film, Han Nationalism, And Collective Memory, Benjamin D. Shaffer

Independent Study Project (ISP) Collection

Cinematic representations of China’s ethnic minorities have been prominent in Chinese visual culture and collective memory since the 1950s. After the founding of the People’s Republic of China, the Chinese Communist Party led campaigns to classify China’s diverse range of ethnic groups. These social experiments inspired a number of documentary and narrative films about the ostensibly “exotic” and “colorful” non-Han peoples of China. The audience for these depictions of minorities in visual culture varied considerably. Some early documentaries fueled the rise of Han nationalism and political agendas within the Communist Party. Several narrative films had large audiences in mainstream Chinese …

Cinema, Race, And Justice: A Qualitative Analysis Of Selected Themes., Katherine Clay Thompson

Electronic Theses and Dissertations

The purpose of this study was to examine 7 different crime and justice films and provide a content analysis incorporating restorative justice and peacemaking perspectives. The 7 films examined in this study included 12 Angry Men, A Family Thing, American History X, American Me, Crash, Shawshank Redemption, and Traffic. The researcher examined the films and used content analysis to examine the behaviors and actions of the characters. The films were examined using 5 different analytical themes: "embracing change", "second chances", "hope", "connectedness", and "becoming more human". The current study found the 7 films …

Digital Technologies And The Future Of Radio: Lessons From The Canadian Experience., Brian O'Neill

Conference Papers

This paper examines the position of digital radio in Canada. It examines the Canadian experience of digital radio development from its introduction in 1995 to the present and asks whether the approach adopted and the lessons learned provide useful models for application elsewhere. Three main strands form the background to digital radio’s current stage of development: firstly, the introduction and early support for Digital Audio Broadcasting or (DAB) in the mid 1990s; secondly, the response of the radio industry to the internet and new media as complementary to traditional radio broadcasting provision; and thirdly, the more recent experience of the …

Filming Eugenics: Teaching The History Of Eugenics Through Film, Melissa Ooten, Sarah Trembanis

Women, Gender and Sexuality Studies Faculty Publications

In teaching eugenics to undergraduate students and general public audiences, film should be considered as a provocative and fruitful medium that can generate important discussions about the intersections among eugenics, gender, class, race, and sexuality. This paper considers the use of two films, A Bill of Divorcement and The Lynchburg Story, as pedagogical tools for the history of eugenics. The authors provide background information on the films and suggestions for using the films to foster an active engagement with the historical eugenics movement.

Digital Radio Policy In Canada: Fragmentation Or Evolution Of The Medium, Brian O'Neill

Conference Papers

In December 2006, the Canadian Radio-Television and Telecommunications Commission (CRTC) issued its review of Digital Radio Policy. This replaced the transitional digital radio policy of 1995, and sought to implement a framework designed to support multi-platform digital radio broadcasting in an increasingly complex technological environment for the medium. Drawing on policy analysis, interviews and expert group perspectives, this paper traces the background to the legislative provision for digital radio development in Canada. While Canada was an early adopter of the Eureka-147 or Digital Audio Broadcasting (DAB), the policy of DAB as a replacement technology approach proved to be mistaken. Subsequent …

Ramachandra Gandhi - The Passionate Philosopher, Chandan Gowda

Chandan Gowda

No abstract provided.

Super Size Me And The Conundrum Of Race/Ethnicity, Gender, And Class For The Contemporary Law-Genre Documentary Filmmaker, Regina Austin

All Faculty Scholarship

According to director Morgan Spurlock, the idea for "Super Size Me," the hugely popular documentary that explored the health impact of fast food, originated from a news report about Pelman v. McDonald’s, one of the fast food obesity cases. Over the course of his month-long McDonald’s binge, Spurlock became the literal embodiment of fast-food’s ill-effects on the seemingly generic American adult physique. Spurlock’s take on the subject, however, ignores the circumstances that contributed to the overweight conditions of the Pelman plaintiffs who were two black adolescent females who ate their fast food in the Bronx. One of them was homeless …

New York Placenames In Film Titles, Jay H. Bernstein

Publications and Research

From 1914 to 2006, 396 feature films with titles containing New York place names were released. This pattern emerged during the silent era, peaked from the late 1920s to the early 1940s, and then dropped off steadily before rebounding in the 1970s. This article discusses the cinematic representation of cities and urban life in the movies and the special place of New York as an “imagined city” and a cultural icon. New York’s associations in the popular imagination help explain the frequent occurrence of themes of negativity, violence, nightlife, and grandiosity (royalty or divinity) in these titles. The use of …

"Everybody Else Ain't Your Father": Reproducing Masculinity In Cinematic Sports, 1975-2000, Marc A. Ouellette

English Faculty Publications

This essay stems from two cultural strands, which intersect in one cultural form, the sports film. The first of these is the figure of the "star," as opposed to hero, who is interested only in self promotion. The second strand, masculine nurturing, provides a direct counterpoint to the first. Sociologist Robert Connell explains that "In historically recent times, sport has come to be the leading definer of masculinity in mass culture" (54). In North America, sport plays an important and increasing role in our culture. Each of the four major sports leagues added teams in the last decade of the …

Bibliografia De La Antoni Tapies, Armando Silva

armando silva

Exposición sobre el proyecto de imaginarios urbanos de armando silva en la fundación Antoni Tapies de Barcelona, mayo del 20007

Bibliografia De La Antoni Tapies, Armando Silva

armando silva

Exposición sobre el proyecto de imaginarios urbanos de armando silva en la fundación Antoni Tapies de Barcelona, mayo del 20007

The Evolution And Impact Of Documentary Films, Amma Marfo

Senior Honors Projects

Long considered either high art or the bane of every student’s existence when a substitute teacher came to class, documentary film has developed into a popular and visible form of entertainment. As a result, they are starting to have a bigger effect on society, as they begin to address issues with the goal of informing the public and pushing for social change. This project will first address historical documentaries, the reasons that they were made, and what techniques were established that have carried through to documentary film today. My paper will then examine today’s documentary films, what techniques they use …

Lasser Voir: Experimental Film Revealing The Dichotomy Of The Mind, Valerie Kitchin

Senior Honors Projects

Lasser voir is a French term meaning to show; to allow to be seen. The film is meant to interpret the internal genesis from dual perspectives. Absolute Good and absolute Evil coexist fighting each other eternally. The challenge is to create a vision of the form of good and the form of evil, thus showing the interior and exterior struggle between the two. Good and Evil appear as the same individual: each opposing one another in ethereal battle through the channel of artistic interpretation. The concept originates from the writhing movement within the mind. It cannot live without Good, but …

Digital Radio In Canada: From Dab To Multi-Platform Approaches., Brian O'Neill

Conference Papers

This paper examines the position of digital radio in Canada. It examines the Canadian experience of digital radio development from its introduction in 1995 to the present and asks whether the approach adopted and the lessons learned provide useful models for application elsewhere. Three main strands form the background to digital radio’s current stage of development: firstly, the introduction and early support for Digital Audio Broadcasting or (DAB) in the mid 1990s; secondly, the response of the radio industry to the internet and new media as complementary to traditional radio broadcasting provision; and thirdly, the more recent experience of the …

[Review Of] Sports Cinema 100 Movies: The Best Of Hollywood's Athletic Heroes, Losers, Myths, And Misfits, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.

Fabricating Freddy Vs. Jason: Understanding A Motion Picture As A Social Encounter Between Fans And Filmmakers, Jason M. Rapelje

Dissertations

The break in the mass communicative chain, which separates producers and receivers from one another in both time and space, impedes researchers from studying motion pictures as social encounters. As with face-to-face encounters, producers and receivers of motion pictures depend upon the use of "rules of relevance" (Goffman, 1961) and "typifactory schemes" (Berger & Luckmann, 1966) for their encounters to take place. I examine the social encounter that takes place between some of the filmmakers and fans of Freddy vs Jason through the use of these concepts, as well as a revision of John B. Thompson's (1990) methodological framework of …

Portraying Domestic Violence In Egyptian Films, 1950-2000, Maie Shawky

Archived Theses and Dissertations

No abstract provided.

A Wave Of The Magic Wand: Fairy Godmothers In Contemporary American Media, Jeana Jorgensen

Scholarship and Professional Work - LAS

The increased personification of fairy godmothers in contemporary American media corresponds to an aspect of the American worldview that emphasizes "magical" quick fixes and solutions. The two fairy-tale pastiche works informing this study are a novel, The Fairy Godmother, by fantasy author Mercedes Lackey, and a movie, Shrek 2. Both of these works feature fairy godmother characters that depart from canonical folktale and fairy-tale depictions. Associated with fate and wisdom, fairy godmothers act much as folklorists do by rewarding traditional behavior with gifts. Recent fairy godmother roles are hybrid and multivocal, illuminating ideologies and power structures in both society and …

Televising 9/11 And Its Aftermath: The Framing Of George W. Bush’S Faith-Based Politics Of Good And Evil, Gary Edgerton

Scholarship and Professional Work - Communication

For most of the four days following 9/11, TV viewers around the world were mesmerised by unthinkable images. Television brought home to Americans especially the polarising effects of the post-Cold War world, including the backlash of Islamic fundamentalism and the imminent threat of future terrorist attacks. A formulaic narrative quickly emerged; ordinary police and firefighters took the lead as America’s national heroes, while Osama bin Laden and the rest of al-Qaeda and the Taliban rose up as villains. On September 12, 2001, U.S. President George W. Bush gave voice to this mythic small-screen storyline as “a monumental struggle of good …

This Time He Moves! The Deeper Significance Of Hou Hsiao-Hsien's Radical Break In Good Men, Good Women, James N. Udden

Interdisciplinary Studies Faculty Publications

Following the recent success of Taiwanese film directors, such as Hou Hsiao-hsien, Edward Yang, Ang Lee and Tsai Ming-liang, Taiwanese film is raising its profile in contemporary cinema. This collection presents an exciting and ambitious foray into the cultural politics of contemporary Taiwan film that goes beyond the auterist mode, the nation-state argument and vestiges of the New Cinema.

Cinema Taiwan considers the complex problems of popularity, conflicts between transnational capital and local practice, non-fiction and independent filmmaking as emerging modes of address, and new possibilities of forging vibrant film cultures embedded in national (identity) politics, gender/sexuality and community activism. …

Another Look At Gender In Prime-Time Television, Jan Carolyn Kircher

Electronic Theses and Dissertations

Television has become an important agent of socialization in society today. Social interaction on prime-time television was examined 24 years ago by members of the Sociology Department at South Dakota State University. That study was similar to this research project that investigates gender roles on prime-time television. The earlier study used a modified version of the Bales Interaction Scale to code male and female behavior to assess the extent to which prime-time television presented traditional or nontraditional gender roles. This study used research methods similar to those of the previous study to see if traditional gender roles depicted on prime-time …

Balancing Bias In The Media, Sharon Beder

Faculty of Arts - Papers (Archive)

The news is presented to give the impression it is factual, uncoloured by journalistic bias, so each side of a controversy is accurately reported. This paper outlines the way that the influence of editors, owners, advertisers – as well as journalistic conventions – are more important to the final result of journalism than the reporting skills or biases of individual journalists.

Movie Poster Advertisements: A Relevance Theory Persepctive, Steven Lawrie Forrett

Theses Digitization Project

The purpose of this thesis is to examine ten movie posters while hypothesizing whether or not their tagline texts could interest a reader. A linguistic framework Relevance Theory, is used in the analysis of this project.

中国大陆九十年代以来独立电影文化的构成与城市青年文化实践, Xiaodao Liang

Theses & Dissertations

本论文主要考察中国大陆九十年代出现的独立电影的特性，首先从一批年轻的独立电影导演及其作品出发，将它们放在当代大陆城市青年文化的历史脉络中，着重考察独立电影的特殊生产机制以及对“青年”的再现，与“青年”在社会建构中出现的变化之间的关系。然后通过使用民族誌的研究方法，重点考察大陆本土年轻观众对独立电影的接受情况，试图解释为何“边缘”成为当下论述大陆独立电影文化特性的重要话语。本文的主要立论是，“边缘”是由独立电影与城市青年文化在不同层面上互构而成的。

这种互构关系的建立，表现在几个方面：首先，大陆进入商品经济时代，具有整合性的建构青年身份的国家意识形态话语失效，导致了年轻人的迷茫和失落，他们断裂和破碎的身份，通过独立电影在国家制片体系之外的生产和制作模式中被再现出来，被称为“边缘”的特殊个体。其次，大陆独立电影被部分青年影迷用来对抗互联网上出现的话语资源垄断和话语权威，从而确立“业余爱好 者”、“草根”等被称为“边缘”的身份。最后一个方面，即是作为影迷的城市青年对不同观影场所和对独立电影不同消费方式的选择，建立了在电影院线、个人在家庭观看影碟等主流渠道以外的，被称为“边缘”的观影方式，但这种方式又不可避免的会引起影迷的身份焦虑。

Bridging The 'Generation Gap' : Understanding Cross-Generations' Views Through The Visual Media Of The 1960s, Kit Ling Luk

APIAS Working Paper 工作論文

This working paper is based on the findings of the 2002 film screening cum focus group discussions amongst the young and the old organized by APIAS. Using the visual media: Hong Kong film in the 1960s as a media, the present project intends to explore the family as the social arena in addressing parent and children’s contrasting views on love, marriage and its impact on their parent-child relationships. The project also aims to shed light on ways in promoting intergenerational communications via structured intergenerational programmes.

Project Objectives

1. To explore the ‘gap’ between the young (born in the 1980s) and …