English Language and Literature Commons^™

No Place: The Queer Utopia Of Liminality, Harry Gallagher

Online Midwinter Seminar (OMS)

My proposal is a paper on the inherent queerness of the liminal in Jeff Vandermeer’s works, through examples such as the transitional narrative present in the transformation of the Biologist in Annihilation. Especially pertinent is the inherent fighting of Yonic/Phallic imagery happening between her interpretation of a concrete structure as a tower as opposed to a tunnel, which is important to understanding how the Biologist’s trans-masculinity manifests symbolically in the narrative as antithesis to the other cis women on the expedition. Vandermeer’s liminal space in Dead Astronauts also connects to the characters of Moss, a non-binary life form who exists …

Reading, Rending, And Queering The Web Of Story With The Lens Of “Con-Creation” And Process Theology, Cameron Bourquein, Nick Polk

Online Midwinter Seminar (OMS)

Recent scholarship has addressed the connected problems of Tolkien as “Author/Author(ity)” and the exclusivist readings of Tolkien’s work that follow this construction (Chunodkar, Emanuel, Reid). This “constructed Tolkien” seems to parallel common readings of his Legendarium’s own Creator God, Eru—understood as the monolithic “Author” of Ea. Yet “subcreation” within Tolkien’s narrative and extra-narrative works is routinely exhibited not as monolithic but rather as literally (and figuratively) multivocal, and hence inherently queer.

In this paper Cameron will propose that the Legendarium can be read through the lens of “con-creation” (the total choice-making activity of all rational beings) both internally as events …

I'D Rather Be A River Than A Man: The Trans Jewish Golem/ Trans Inequity, Intersectional Ritual, And Jewish Tikkun Olam (Healing Of The World), Dean Leetal, Valerie Estelle Frankel

Online Midwinter Seminar (OMS)

I'd Rather Be a River than a Man: The Trans Jewish Golem Dean Leetal

This critical commentary revisits the Jewish story of the Golem and reads it as a transgender text. Some say that the Golem inspired Mary Shelley's Frankenstein, a story famously interpreted by Susan Stryker as an allegory for her own trans experience: living on the edge of society, her humanity debated, defined by a morally questionable medical establishment. But there are important differences between Frankenstein and the Golem. The Golem is brought to life through language, particularly the Hebrew word ‘emet,’ and is an animated clay tasked …

Towards An Ethos Of Discussing In-Corporeal Gender In Fantasy Literature: Part I – A ‘Feminine’ Eldil And A ‘Masculine’ Vala, Luke Shelton

Online Midwinter Seminar (OMS)

Over the course of the COVID-19 pandemic, many people engaged with others on social media in ways that they had not before. During this time, I was excited to see many new interpretive communities begin and to listen to the kinds of conversations these groups would have about Tolkien. One such conversation that stuck out to me was the way in which I saw some fans interpret Tolkien’s description of the physical characteristics of the Valar. I also happened to be reading through C.S. Lewis’ space trilogy when I saw many of these conversations. I felt that there were several …

A Queer Reading Of Octavia Butler’S Kindred, Marietta Kosma

Online Midwinter Seminar (OMS)

Throughout Octavia Butler’s Kindred the author raises numerous tensions around the notions of accessibility, disability, equality, and inclusion, exposing the crisis of black futures. My analysis focuses on the way that queerness informs the protagonist Dana’s experiences in the context of slavery, her positioning in the contemporary discourse of neo-liberalism, and her positioning in the prospective future. Very few scholars perceive Dana’s subjectivity as an actual state of being that carries value both materially as well as metaphorically. The materiality of queerness has not constituted part of the larger discourse of the American slave system. By examining how Butler renders …

Sauron, Seduction, And The Queering Mechanism Of The Ring, Mercury Natis

Online Midwinter Seminar (OMS)

It has often been argued that Sauron is barely present in the Lord of the Rings, existing as a villainous presence on the margins of the narrative. This paper will argue that Sauron is actually present throughout the entire narrative, as manifested in the Ring, and through the Ring’s presence as a queering device. The Ring acts out Sauron’s seduction mechanism, a defining character trait as portrayed in the Silmarillion. It is this seduction mechanism that allows the Ring to act as a queering agent throughout the narrative. Ring-lust is inherently queer as it projects a male-presented character’s seductive powers, …

Closeted Gays Take Hide, A Lamia Has Been Untied: Bbc Merlin And Queer Experiences Beyond Queer Joy, Anna Caterino

Online Midwinter Seminar (OMS)

A decade after its finale, online fandoms have started labeling Merlin (2008-2012) as “date your bully 101” (theroundbartable), a story written by people “giving each other blowjobs while they talk about how much they deserve servants” (vhagarswattle). In light of the most recent models of queer representation, such takes are to be expected. Even so, Merlin is not a mere case of “hoyay” (Kohnen 201-2012) nor does it engage in queerbaiting or use the “Bury Your Gays” trope. The text is tied to the socio-political landscape of the late 2000s which serves as foundation for the show’s tragedy and, although …

Asexualities, Aromantics, And Autists In Epic Fantasy By Tolkien And Goddard, Robin Anne Reid, Rory Queripel

Online Midwinter Seminar (OMS)

The Mariner (and his wife): Rethinking Aldarion’s (A)sexuality Rory Queripel

“Aldarion and Erendis” (Unfinished Tales) is a rare example in Tolkien’s work of a marriage gone severely awry. Many readings of the tale apportion blame to Aldarion, who is seen as “unwilling” to make the marriage work (Fitzsimmons, 2015), cruel and unfeeling towards Erendis, who herself is characterised as resentful and unaccepting (Rosenthal, 2004). However, these readings rely on an assumption of a cisheteronormative and, more importantly, allosexual relationship between the couple.

This paper proposes an alternate view of Aldarion and his role in the story, suggesting the possibility that …

Gazing Queerly: The Art And Text Around Saruman’S Non-Normativity, Christopher Vaccaro

Online Midwinter Seminar (OMS)

The queer is often defined by its relation to normativity. Michael Warner’s The Trouble with Normal situates queerness in opposition to normalcy, even gay normalcy. Karma Lochrie’s Heterosyncrasies: Female Sexuality When Normal Wasn’t deconstructs a monolithic hetero-normativity. Within the fantasy genre, protagonists frequently reside in a queer relation to normative communities. J. R. R. Tolkien quite often depicts his major characters within his mythopoeic framework as in some way outside of the normal; they’re often odd, fringe outsiders in relation to the larger community to which they are a part. The texts of his legendarium present this queerness fairly clearly—so …

Our Flag (And Spaceship) Means Queer: Monstering The Majority Culture, Sara Brown, Kristine Larsen

Online Midwinter Seminar (OMS)

Although the television series Our Flag Means Death presents on the surface as a romantic comedy, it is enhanced by mythic elements that infuse the narrative with a clear sense of the fantastic. Here, the pirates exist in a Secondary World that openly draws upon the Primary (both in terms of historiography and legend); hence 18th-century piracy and British colonialism can interact seamlessly with human-to-animal-transformations (paying homage to the Greek myth of Ceyx and Alcyone) without seeming either disconcerting or anomalous – all co-exist comfortably in Faerie. OFMD both inverts and deconstructs mythopoeia; the Primary World myths of the Gentleman …

Tolkien’S Queer Landscape: Three Papers On Middle-Earth’S Heterotopias, Will Sherwood, Marita Arvaniti, Mariana Rios Maldonado

Online Midwinter Seminar (OMS)

The following papers will explore Tolkien’s queer landscapes of Middle-earth: from Arda’s highest peaks and hidden underbellies, to her liminal, fae places, using the lens of Michel Foucault’s heterotopias.

Marita Arvaniti will introduce the panel and discuss Tolkien’s Faerian Drama and its relationship to the much-maligned Tom Bombadil episode, focusing on the queer figure of Tom Bombadil himself and his heterotopic domain.

Mariana Rios Maldonado will analyse the Barrow-downs, Dead Marshes, and Paths of the Dead as symbolic sites of death created during harrowing moments in the history of Middle-earth. These are no-places: spaces of Otherness containing the evil and …

Welcome And Announcements, The Mythopoeic Society

Online Midwinter Seminar (OMS)

Join us for a screening of the Welcome and Announcements video in the 'Track 1' room, and have a cup of coffee before we get started!

Pedro Mexía And The Politics Of Translation In The Early Modern World, Erin Fairweather, Robert Fritz

Posters-at-the-Capitol

Spanish humanist Pedro Mexía (1497-1551) wrote two highly influential texts in the sixteenth century, the Silva de varia lección (1540) and the Historia imperial y cesárea (1545), which were, notably, written in Spanish, a vernacular language, as opposed to Latin, the academic language of the age. As these books presented previously inaccessible scientific and historical knowledge to the common person, they were soon translated into several languages, achieving widespread fame and influence. However, the texts have been mostly forgotten and have seen little study in recent times. Nevertheless, the Silva and the Historia can help us better understand the politics …

Frights And Forests: The Hellish Landscape Of The Dark Forest, From Sleepy Hollow To The Forest Of Arden, Minna Nizam

Online Midwinter Seminar (OMS)

This paper seeks to explore forest settings in fantasy, and its hellish landscapes. From the headless horseman in Washington Irving’s The Legend of Sleepy Hollow, to the frights and horrors of mythical creatures in fantasy settings placed in forests. The purpose of this study is to dive deep into the fear of the forest, its early days in storytelling, to more modern renditions. Sources used will be primarily books, and texts within books, such as The Legend of Sleepy Hollow, The Lord of the Rings, and much more.

Seven Minutes In Hell: Hells In Fantasy Games, Nyssa Gilkey

Online Midwinter Seminar (OMS)

Join Nyssa Gilkey on a tour through several different fantasy video game depictions of hell. We’ll spend about seven (-ish) minutes looking around each hell or underworld before moving on, touring Helheim in God of War and God of War: Ragnarok, Hades and Elysium as portrayed in Assassin’s Creed: Odyssey DLC, and the Duat of ancient Egypt in Assassin’s Creed: Origins DLC. With sufficient time and interest, we can tour other fantasy depictions of hell. Participants will be able to ask questions and discuss throughout the journey.

Mythopoeic Awards Discussion, David Lenander, David Emerson

Online Midwinter Seminar (OMS)

No abstract provided.

Political Demons: Society As Hell In Hellblazer And Sandman, Andrew Burt

Online Midwinter Seminar (OMS)

In the Hellblazer and Sandman comic book universes, hell depends on the writer’s worldview and often on the decade in which they are writing, appearing as a twisted version of a dreary regular world. Thus, this hell is often related to the contemporary Western political and cultural landscape as seen through Judeo-Christian conceptions of hell, demonology, and fears of everlasting torment and damnation, just like Dante’s Inferno and many other representations for centuries. In creating a hell that mirrors the modern world and accounts for contemporary folklore about the supernatural, the creators humanize the character’s quests and reify the fruitlessness …

Hell As An Exploration Of Sin: A Comparison Of Alan Moore’S Providence To Dante’S Inferno, Zachary Rutledge

Online Midwinter Seminar (OMS)

In Alan Moore’s graphic novel Providence, Robert Black travels Lovecraftian New England and suffers a series of horrifying encounters—each an allusion to a Lovecraft story. These encounters contain direct references to various sins and taboos, thereby making explicit much of the sublimated sexuality in Lovecraft’s works. Therefore, Black’s journey constitutes not only a trip through Lovecraft’s mythology but also reads as a cataloguing of sins reminiscent of Dante’s passage through the levels of sin in Inferno. This paper identifies and explores the similarities between Dante and Black as examples of those who descend to the underworld along with a …

The Image Of Satan In Evangelical Children’S Fantasy, Melody Green

Online Midwinter Seminar (OMS)

Over the last few decades, niche publishers have presented several children’s fantasy series marketed as being “in the tradition of Lewis and Tolkien.” These publishers, however, are neither British, nor are they Anglican or Catholic. They are instead American Evangelical organizations, providing a space for faith-informed stories that wander somewhere between allegory and parable. Within the pages of these texts can be found not only the expected Christ-figures, but there are also Satan-figures and hellish landscapes much more likely to reflect concepts from Dante, Milton, and medieval witch-hunting guides than from the Bible, the text that evangelicals claim to be …

Panel: The Rings Of Power Season 1: Underworlds, Overworlds, And Ocean Worlds, Tim Lenz, Leah Hagan, Grace Moone, Pablo Guss

Online Midwinter Seminar (OMS)

Now that the first of five planned seasons of Amazon’s big budget Second Age adaptation The Lord of the Rings: The Rings of Power has aired, we will provide a retrospective of Season 1. We will compare Tolkien’s Second Age writings with the realized version in the show, including how the writers and showrunners have interpreted certain specific passages from the texts, and where significant departures were made for sake of adaptation. We will highlight themes of the season, as well as specific characters, relationships, and settings that have resonated with audiences, and speculate on where the series could potentially …

Pullman’S Problematic Paradise: Dissolving Into Dust, David E. Isaacs

Online Midwinter Seminar (OMS)

In the His Dark Materials trilogy, Phillip Pullman has openly positioned himself as the anti-C.S. Lewis who attempts to embed the gospel of atheism through his fantasy novels. Pullman recasts classics such as Paradise Lost and Blake’s The Marriage of Heaven & Hell so that humans triumph over the oppressive Authority by learning that sinning is simply enjoying life. This paper will specifically explore Pullman’s depictions of the underworld and his alternative vision of Hell, Purgatory, and Heaven in The Amber Spyglass, examining Pullman’s attempts to assure readers that by rejecting Christian views of the final translation, one can …

Hellish Landscapes In J.R.R. Tolkien’S Legendarium, Willow Dipasquale

Online Midwinter Seminar (OMS)

J.R.R. Tolkien’s Legendarium is rich with magical and mythological elements—enchanted rings, powerful wizards, stories told long ago—and near-Biblical struggles of good over evil, power over life and death, and the inexorable passage of time. The Halls of Mandos in Valinor even have echoes of the “afterlife,” serving as a liminal place for the spirits of Elves to await their next destination. Interestingly, though, a “hell” in the classic sense (that is, a spiritual region of eternal torment and suffering) does not seem to truly exist in Tolkien’s imagined worlds. However, Tolkien does fill those worlds with hellish landscapes: Utumno and …

Who The Hell Is Helen Of Sparta?, Nyssa Gilkey

Online Midwinter Seminar (OMS)

The rising popularity of Greek mythology is due in some part to female authors such as Madeline Miller and Natalie Haynes lending a fresh perspective to the Homeric tradition. However, these female authors tend to actually reduce the importance of one of the most important female characters of the Trojan War: Helen. Helen of Sparta has been an enigma to writers throughout the last 3000 years, her story changing with each iteration and era. Since Homer’s Iliad, the most beautiful woman in the world has been victim and villain, strong and weak willed. She has chosen husbands, and been …

Planes Of Oblivion In The Elder Scrolls, Michael Barros

Online Midwinter Seminar (OMS)

The planes of Oblivion from The Elder Scrolls (TES) series are not explicitly Hell; they are any dimensions of reality which are not under control of the Aedra, the benevolent spiritual entities. As a result, these planes may be totally unknown, pleasant, chaotic, or horrifying, depending on who is in charge, reflecting the personality of its ruler. These planes are at the heart of the franchise, and the intrusion of the planes of Oblivion and its inhabitants is a constant in the series. The planes of Oblivion are a reimagining of Hell as a place of potential, rather than evil. …

Persephone Bites: Consumption In The Underworld, Erin Sledd

Online Midwinter Seminar (OMS)

If you know one thing about Persephone, it is that she was abducted by Hades, held captive, and ate pomegranate seeds in the Underworld. Although Demeter rescued her daughter, she had to return for several months each year as a consequence of consuming the “Fruit of the Underworld.” But tasting those succulent ruby red seeds was not the first time she succumbed to desire—according to the Homeric Hymn to Demeter II, the first thing Persephone “bites” is a lure. Hades sets a trap: a flower with “one hundred stems of fragrant blossoms.” When Persephone grasps a stalk of this …

Only In Dying Life: The Production Of Hope And Peace, Taylor Johnson Guinan

Online Midwinter Seminar (OMS)

Unlike fantasy authors of previous generations like C.S. Lewis and J.R.R. Tolkien who wrote depictions of an afterlife that mirrored their personal faiths, modern children’s fantasy authors of the last thirty years, such as Neil Gaiman, Ursula K. Le Guin, Phillip Pullman, Rick Riordan, J.K. Rowling, Jonathan Stroud, and Garth Nix, often merely use religious concepts as a way to depict the land of the dead. In their depictions, the land of the dead is a dark, terrible, and uninviting place. However, rather than ending on that dark point, these authors transition from fear to a sense of peace, acceptance, …

Through Sauron’S Eye: Hell, Arda Unmarred, Arda Marred, And Arda Healed According To The Maia Formerly Known As Mairon, Cameron Bourquein

Online Midwinter Seminar (OMS)

From the beginning of Tolkien scholarship Mordor has been analyzed in light of its Hellish iconography; from the perspective of the narrative voice, what constitutes “Hell” in Middle-earth may seem clear. But what is Hell to Mordor’s chief inhabitant? What is Hell in Sauron’s Eye? The Rings of Power has brought Sauron into the spotlight by interpreting him not as depersonalized evil but as a character in his own right. Actor Charlie Vickers has shared how he developed this character for the screen, adapting characteristics taken directly from Tolkien’s own writings: Sauron’s love of order and his desire to “heal” …

Hell Is School—And Other People—And Myself (But Mostly Other People): From Inferno To The Paradiso In The Scholomance Series By Naomi Novik, Nicole Duplessis

Online Midwinter Seminar (OMS)

In her novels A Deadly Education, The Last Graduate, and The Golden Enclaves, Naomi Novik constructs a world in which school is Hell and the outside world is Heaven—or so it seems from the inside. From the competition and internal hierarchies that exist between the students, to the monsters, or “mals” that stalk students and devour them for their “mana,” to the brutal lessons, harsh punishments, and presumed Darwinism of the school itself, the inside of the Scholomance seems the embodiment of Hell to the novel’s protagonist and central consciousness “El,” short for Galadriel, even as she …

Hell As Colonizing Force: Postcolonialism In World Of Warcraft’S The Maw, Heather Bass

Online Midwinter Seminar (OMS)

The lore in World of Warcraft represents various global religions along with their multiple paths to the soul’s redemption. One quest asks players to approach various divintities and retrieve their sacred objects in order to save a paladin from the disease of undeath in desolate Icecrown. Scholars have also noticed World of Warcraft’s religious capacities with one such example being comparing Thrall to Jesus. Therefore, it comes as no surprise that the World of Warcraft lore has its own version of Hell–a region known as the Maw–with its own version of Satan. The Maw is one of the new territories …

The Lord Of The Rings & Dante’S Inferno: The Pilgrim’S Path—A Descent Into Hell, Hayden Bilbrey

Online Midwinter Seminar (OMS)

This project explores the parallels between the journeys of Dante’s Pilgrim in Inferno and Frodo Baggins in The Lord of the Rings. It asserts that these two examples are a variant of the hero’s journey, more akin to a divine pilgrimage. Through this analysis, each author’s use and repurposing of mythology and monsters to fit within a Christian narrative will be closely examined. Following the Pilgrim and Frodo, this project charts their voyages through hell (or hellish landscape) and the effects that has on each of them psychologically and spiritually. In essence, this project seeks to chart both external …