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1920 To The Present: The Mature Bol Banāo Thumrī, Peter L. Manuel

Publications and Research

No abstract provided.

Dādrā, Peter L. Manuel

Publications and Research

No abstract provided.

Stylistic Analysis Of The Bol Banāo Thumrī, Peter L. Manuel

Publications and Research

No abstract provided.

The Evolution Of Thumrī As An Instrumental Genre, Peter L. Manuel

Publications and Research

No abstract provided.

Tone And Tune: The Evidence For Northern Ewe Music, V. Kofi Agawu

Publications and Research

Abstract:

One of the most intriguing features of most African languages is that of tone, by which variations in speech tone generate different meanings (Pike, 1948, offers a valuable introduction to this subject and includes an extensive bibliography; Fromkin, 1972, is a comprehensive evaluation of specialised studies). In the Ewe language, for example, the word to [H] pronounced with a high tone means ‘ear’, as in To le venye (HLMM), ‘I have an earache.’ To can also mean ‘through’, Meto akɔnta me [MHLHML], ‘I have gone through the accounts.’ But as soon as the high tone is replaced by a …

Deaf Students Responding To The Writing Of Their Peers, Sue Livingston

Publications and Research

No abstract provided.

Music In The Funeral Traditions Of The Akpafu, V. Kofi Agawu

Publications and Research

"Nna lo senu kuwe, fie oresire somoloo?" ("Who laid a mat for him, so that he slept so deeply?") With this rhetorical question, the Akpafu of Southeastern Ghana initiate a period of public mourning occasioned by the death of one of their number.1 The philosophic significance of death in Akpafu culture is twofold. First, it marks the completion of the earthly cycle of existence, birth-circumcision-puberty-marriage-death. Second, it opens the door to a higher, spiritual realm in which the deceased, as an ancestor, takes his place alongside the lesser gods and the Supreme Being in the higher reaches of the hierarchy …

The Rhythmic Structure Of West African Music, V. Kofi Agawu

Publications and Research

The music of Africa has long intrigued many Westerners. From scattered comments in the accounts of explorers of the so-called Afrique Noire to the full-fledged ethnomusicological studies of the last fifty years, the constant theme has been the fundamental role of music-making in African life and society. And of all the elements of that music, rhythm has received the most attention.

There is something to be gained from looking closely at the early writings on African music, for although they represent the work of non-specialists, and for all their ethnocentricism and anthropocentricism, these accounts touch on the fundamental questions regarding …

An Alternative View Of Education For Deaf Children: Part Ii, Lil Brannon, Sue Livingston

Publications and Research

How might deaf children acquire one of the primary goals of education literacy in English? This article suggests that literacy in English as well as knowledge of the English language can be acquired concomitantly through developmental reading and writing activities that reflect principles of first language acquisition if students bring to these activities relatable experiences which they have already linguistically represented. Such activities engage students in reading and writing where content and context support them in their attempts to actively understand and convey meaning in English. The end product of, rather than the prerequisite for, this meaningful reading and writing …

Tonal Strategy In The First Movement Of Mahler's Tenth Symphony, V. Kofi Agawu

Publications and Research

During his summer retreat of 1910, Mahler sketched a five-movement symphony in F# major that was to be his tenth. He did not live to see the work completed. In spite of this, or rather because of it, the Tenth has accumulated a fascinating history, evident in the series of attempts to "realize" Mahler sketches, the best known of which is Deryck Cooke's "performing version."

An Alternative View Of Education For Deaf Children: Part I, Sue Livingston

Publications and Research

Quigley and Kretschmer (1982) asserted that the primary goal of education for deaf children should be literacy in English. This article presents an alternative view that there be two primary goals: (a) thinking and learning through the development of meaning-making and meaning-sharing capacities and (b) the acquisition of literacy in English. In this article, the first of these goals is viewed as the more fundamental since it facilitates the acquisition of knowledge while it simultaneously serves as the prerequisite for the acquisition of literacy in English. Because neither direct language instruction nor the exclusive use of English in sign will …

Jaipongan: Indigenous Popular Music Of West Java, Peter L. Manuel, Randall Baier

Publications and Research

The advent of mass media - particularly cassettes and films - in Indonesia has led to the flowering of two mass popular music forms, namely, dangdut and jaipongan. Kroncong, an older urban popular form, presents a mixture of Portuguese folksong style and Indonesian features; dangdut style, while in some respects an extension of the orkes melayu tradition, is heavily influenced by Hindi film songs and Western pop; only jaipongan is purely Indonesian - or more properly speaking, Sundanese - in origin and style. While kroncong and dangdut have received some scholarly attention (Becker 1975, Heins 1975, Frederick 1982), jaipongan has …

Charles Breder And The Mexican Blind Cave Characid, Aldemaro Romero Jr.

Publications and Research

No abstract provided.

Listening To Babbitt, Joseph N. Straus

Publications and Research

The discussion that follows will take a listener-oriented, not a composer-oriented approach, and will concentrate on how a single passage of Babbitt's music, the first eighteen measures of the String Quartet No. 2, might be taken in, not on how it might have been made. Instead of beginning with precompositional materials (sets and arrays) and showing how they are musically concretized, we will begin with certain striking attractions of the musical surface. Furthermore, our efforts won't be directed toward deducing the underlying sets and arrays, a goal Babbitt himself derides as a sterile form of musical cryptanalysis. Instead, we …

He Wanted To Know Them All: Eigenmann And His Blind Vertebrates, Aldemaro Romero Jr.

Publications and Research

No abstract provided.

On Public Language And Private Language, Rohit J. Parikh

Publications and Research

It is discussed how a discussion of private experiences and qualia can arise in personal life. The examples used are an accident with a truck and a possible operation by researchers at CUNY.

"'Gi Dunu,' 'Nyekpadudo,' And The Study Of West African Rhythm", V. Kofi Agawu

Publications and Research

Rhythm has remained the focus of much study of West African music since the pioneering studies of Ward (1927), Hornbostel (1928), Waterman (1948), Brandel (1951), Cudjoe (1953), Merriam (1959), and Jones (1959).

Formal Structure In Popular Music As A Reflection Of Socio-Economic Change, Peter L. Manuel

Publications and Research

No abstract provided.

The Perils Of Laura Watson Benedict: A Forgotten Pioneer In Anthropology, Jay H. Bernstein

Publications and Research

No abstract provided.

A Methodology For The Study Of Children's Environmental Knowledge In Other Cultures, Cindi Katz

Publications and Research

This paper presents a methodology which I used to study the content and acquisition of children's environmental knowledge as central to the social reproduction of a rural agricultural economy in the Sudan. My approach was forged drawing on methods of geography, linguistics and anthropology to provide information on (1) how children learn to interact productively with their environment, (2) the nature of their interactions and (3) their knowledge of environmental processes and resources. In this paper I will describe first the methodology adopted including participant observation, ethnosemantic interviews, child-led walks, environmental modeling and "geo-dramas". I will then discuss its use …

Charles Marcus Breder, Jr. 1897-1983, Aldemaro Romero Jr.

Publications and Research

No abstract provided.

An Unrecognized Maltese West-Semitic Isogloss, Richard S. Tomback

Publications and Research

No abstract provided.

Sin And Guilt In The Fiction Of John Gregory Dunne, Michael Adams

Publications and Research

John Gregory Dunne depicts his characters' obsession with guilt in his first two novels: True Confessions (1977) and Dutch Shea, Jr. (1982).

Heinrich Schenker As An Interpreter Of Beethoven's Piano Sonatas, William Rothstein

Publications and Research

There was a time when it seemed necessary for admirers of the work of Heinrich Schenker to remind the musical community periodically that it had grown out of a lifetime of practical musical experience—that is, that Der freie Satz did not represent a self-contained system of theoretical speculation. Schenker himself tried repeatedly throughout his career to impress this point upon his readers. In recent years, fortunately, this reminder—which had threatened to become merely ritualistic—has become somewhat less necessary. The change in Schenker's reputation may, it seems, be dated precisely to 1975, when Dover Publications issued an inexpensive reprint of his …

Islam And The Religions Of The Ancient Orient: A Reappraisal. Part I, Richard S. Tomback

Publications and Research

No abstract provided.

The Impact Of Language On Musical Composition In Ghana: An Introduction To The Musical Style Of Ephraim Amu, V. Kofi Agawu

Publications and Research

In most cultures of the world, the creative act of composition may be defined simply as the transformation of pre-existing material into new, individualized structures. The precompositional resource may be a system such as the hierarchical arrangement of triads that forms the basis of Western tonality, a set of formulas that generates such genres as Gregorian chant and West African storytelling, or even a rigidly defined set of relationships such as those inherent in a twelve-tone row. In each case, the precompositional elements provide a framework for the analysis and interpretation of the composition.

The Concept Of Tala In Semi-Classical Music, Peter L. Manuel

Publications and Research

This article explores certain rhythmic features distinctive of the concept of tal in North Indian light-classical music, especially thumri. Particularly salient is the way that ambiguity of beat counts in tals called dipchandi, addha, and jat reflect how these tals are traditionally conceived in terms of drum strokes (dha dhin dha dha dhin etc.) instead of beat counts, which are in fact variable. Published in: National Centre for the Performing Arts: Quarterly Journal (Bombay) 12(4), December 1983. pp. 7-14.

Levels Of Development In The Language Of Deaf Children: Asl Grammatical Processes, Signed English Structures, Semantic Features, Sue Livingston

Publications and Research

This study describes the spontaneous sign language of six deaf children (6 to 16 years old) of hearing parents, who were exposed to Signed English when after the age of six they first attended a school for the deaf. Samples of their language taken at three times over a 15-month period were searched for processes and structures representative or not representative of Signed English. The nature of their developing semantics was described as the systematic acquisition of features of meaning in signs from selected lexical categories (kinship terms, negation, time expression, wh-questions, descriptive terms, and prepositions/conjunctions).

Processes not representative of …

Archaic Features In The Iraqi Arabic Dialect, Richard S. Tomback

Publications and Research

No abstract provided.

Random Notes On The Hebrew-Arabic Lexicon, Richard S. Tomback

Publications and Research

No abstract provided.