Arts and Humanities Commons^™

Maniobres De Resistència Personal, Antoni Pizà

Publications and Research

Quan jo tenia nous anys, els meus pares em van enviar a estudiar a la capital. Havia de quedar en règim d'internat de dilluns a divendres, dia que mon pare venia del poble a recollir-me, normalment cap a les cinc del capvespre, si fa no fa.

Jogakpo Window (7 Feet X 4 Feet), Seo-Young J. Chu

Publications and Research

Materials: glass, sunlight, post-it notes. Image description: Photographs show a large window covered with a 조각보 patchwork of colorful post-it notes. Sunlight illuminates the paper.

Sensing Brownness: On Racialization, Perception, And Method, Amber Jamilla Musser

Publications and Research

Maureen Catbagan’s Dark Matter (2020) photography series invites us into sensing brownness. In these images of museum passages and stairwells, silhouettes of museum guards, and evocative shadows, Catbagan presents the landscape of the museum. However, this may not be immediately recognizable because the photographs draw focus to the parts of museums to which we rarely pay attention. In particular, Catbagan’s attention to the presence of guards allows us to perceive dynamics of racialized and gendered labor and laborers who, in an echo of their architectural focus on minor, peripheral spaces and shadows, hover between the underrecognized and oft-neglected, thereby allowing …

Hail, Caesar!, Kel R. Karpinski

Publications and Research

This piece looks at queer characters in the Coen Brothers’ film Hail, Caesar! (2016). The film takes place during the heyday of the Hollywood film studio set in 1951 and draws on many films during that time period of the 1930s, 40s and 50s.

Vhs Archives, Committed Media Praxis, And ‘Queer Cinema', Alexandra Juhasz

Publications and Research

Committed media praxis is a doing as much as it is a knowing. Queerness is a manner of being as much as it is a politics, theory, or set of modish objects. This chapter about topics that are also processes—queer, media praxis, cinema—performs these across two acts: “Part 1: A Hesitant or Maybe Just Slightly Defiant Preamble,” is a creative unfolding, in the body of the text and as much so in its footnotes, of the author’s “queer feminist media praxis”: “Part 2: VHS Archives” is a demonstration of VHS Archives, a multi-sited, many-yeared project in experimental pedagogy, web-based archival …

Minerva Cuevas: Disidencia, Alaina Claire Feldman, Clayton Press, Solange Farkas, Gabriel Bogossian

Publications and Research

Bilingual catalogue for the exhibition "Minerva Cuevas: Disidencia" presented at Baruch College's Mishkin Gallery.

Great Directors: Sidney Lumet, William Blick

Publications and Research

Given the breadth of Lumet’s oeuvre, it’s debatable whether or not he has a distinctive, recognizable style. The canon encompasses such a large canvas, it is impossible to say whether or not his films are instantly recognizable. There are, however, trademark characteristics: gritty New York urban realism, dynamic and snappy dialogue coupled with frequent collaborations with the best actors and writers in the business. These collaborations captivated film critics and the public alike, as both bore witness to Lumet’s talent for translating text to screen. Lumet’s politics are unabashedly liberal and often elicit distrust of the establishment as characters challenge …

The Self-Reflexive Praxis At The Heart Of Dh, Alexandra Juhasz

Publications and Research

The author revisits a cancelled prison education class about YouTube and media literacy.

The World Would Be Better If They Hadn't Died: Alexandra Juhasz With Don’T Rhine, Alexandra Juhasz, Dont Rhine

Publications and Research

In Final Transmission: Performance Art and AIDS in LA, eds. Brian Getnick and Tanya Rubbak. When we chatted for an hour before to prepare, the first thing I asked you was how old you are. I’m 52, and you’re 54. But we realized that we didn’t know a lot about our shared history because we met in an activist part of the AIDS scene in Los Angeles. I picked up pieces about your history, and we’ve even collaborated, but I actually don’t know that much about you personally. Checking in before this public conversation, one of the things we realized …

Natalie Bookchin In Conversation With Alexandra Juhasz: Performance Of Race And White Hegemony On Youtube, Natalie Bookchin, Alexandra Juhasz

Publications and Research

In November 2019, in her house in Bedford-Stuyvesant, Brooklyn, I joined friend and fellow artist Natalie Bookchin for a conversation about her installation and film Now he’s out in public and everyone can see. The installation, which premiered at Los Angeles Contemporary Exhibitions (LACE), a venerable Los Angeles art space, in 2012, was remade into a film and released as a DVD double feature along with her film Long Story Short by Icaras Films in 2016. Our loose and lively conversation was recorded and transcribed and forms the basis for what follows. We have been in conversation about digital culture, …

Virality Is Virility: Viral Media, Popularity, And Violence, Alexandra Juhasz

Publications and Research

The author takes ethical looks at viral images of black death and other violence wrought by fake media.

Who Contrives The Moment? On Cyberfeminist Dating, Alexandra Juhasz

Publications and Research

Really Fake takes up story, poetry, and other human logics of care, intelligence, and dignity to explore sociotechnological and politico-aesthetic emergences in a world where information overload has become a new ontology of not-knowing.

When Are You Going To Catch Up With Me? Shu Lea Cheang With Alexandra Juhasz, Alexandra Juhasz

Publications and Research

“Digital nomad” Shu Lea Cheang and friend and critic Alexandra Juhasz consider the reasons for and implications of the censorship of Cheang’s 2017 film FLUIDØ, particularly as it connects to their shared concerns in AIDS activism, feminism, pornography, and queer media. They consider changing norms, politics, and film practices in relation to technology and the body. They debate how we might know, and what we might need, from feminist-queer pornography given feminist-queer engagements with our bodies and ever more common cyborgian existences. Their informal chat opens a window onto the interconnections and adaptations that live between friends, sex, technology, …

No Longer, Not Yet: Retrofuture Hauntings On The Jetsons, Stefano Morello

Publications and Research

From Back to the Future to The Wonder Years, from Peggy Sue Got Married to The Stray Cats’ records – 1980s youth culture abounds with what Michael D. Dwyer has called “pop nostalgia,” a set of critical affective responses to representations of previous eras used to remake the present or to imagine corrective alternatives to it. Longings for the Fifties, Dwyer observes, were especially key to America’s self-fashioning during the Reagan era (2015).

Moving from these premises, I turn to anachronisms, aesthetic resonances, and intertextual references that point to, as Mark Fisher would have it, both a lost past …

The Video Camera Spoiled My Ethnography: A Critical Approach, Katherine Gregory

Publications and Research

As videography and other media technologies are normalized in the field of qualitative methods for the purpose of data collection, there is a growing need to discuss the benefits and limitations of these data collection tools. This article chronicles an ethnographic video study focused on the experiences of Muslim adults living in the Netherlands, and why the author opted to end the project. Issues focus on reckoning with the imperial gaze of the camera, performative behavior of participants before the camera and interdisciplinary tensions the researcher faced from conflicting trainings as a qualitative methodologist and media practitioner.

Watching And Talking About Aids: Analog Tapes, Digital Cultures And Strategies For Connection, Alexandra Juhasz, Theodore Kerr

Publications and Research

This paper is a conversation between activist videomaker Alexandra Juhasz and writer and organizer Theodore (ted) Kerr that explores the contemporary role of AIDS activist videos from the past.. Key to the text are ideas around history, technology, time, and community. Together they discuss and enact intergenerational dialogue, what to do with the imperfection of archives, and strategies for shared looking at the history of HIV through epochs. Their conversation is focused on a community created tape from, Bebashi — Transition to Hope, a Philadelphia non-profit.

“Islam, Immigrants, And The Angry Young Man: Laurent Cantet And The ‘Limits Of Fabricated Realism’.”, Elizabeth Toohey

Publications and Research

My paper juxtaposes Laurent Cantet’s films The Class (2008) and The Workshop (2017) to explore how they are infused with concerns about radical Islam and the place of Muslim immigrants in the West. Both films center on "angry young men" facing class-based marginalization, who are prone to anti-social behavior. In The Workshop, however, a great effort is made to reveal the intellectual potential and moral complexity of the young white French-born Antoine, whose alienation is defined by his attraction to the xenophobic and Islamophobic rhetoric of the Far Right, whereas viewers of The Class are kept at arm’s length …

De La Novela Picaresca A El Chavo Del 8, Carlos Aguasaco

Publications and Research

Los albores de la modernidad[i] coincidieron con la emergencia de la novela picaresca en la que temas como la niñez, la educación, la pobreza agravada por el hambre extrema, y la idea de la movilidad social, aparecieron representados en obras muy populares como El Lazarillo de Tormes (1554), El Buscón (1626), El Periquillo Sarniento (1819) y La vida inútil de Pito Pérez (1938). La popularidad de la novela picaresca emanaba de su novedosos realismo social y urbano, sumados a la disponibilidad de copias hecha posible gracias a la imprenta de Gutenberg. El Chavo del 8 (1971-1980) ha tenido una …

Fascist Aesthetics From 1940 To Contemporary Times, Anna M. Gellerman

Publications and Research

Movies and literature all over the world share some common aesthetics: militarization, romanticization of death, beauty of perfection, and even purity. What most don't think about is how these tropes rose to popularity due to Nazi Germany's propaganda films. This work describes these fascist aesthetics, and uses famous publications from the 1940s until now to paint just how common these themes are.

Setting The Terms Of Our Own Visibility A Conversation Between Sam Feder And Alexandra Juhasz On Trans Activist Media In The United States, Alexandra Juhasz

Publications and Research

In the summer of 2016, I sat down at my computer and Skyped with my friend and fellow queer media activist Sam Feder about their film, Disclosure: Trans Lives on Screen. What follows is a highly edited transcript of our conversation, paying particular attention to Sam’s core research findings about trans representational history and how their findings might align with their processes and goals as a trans activist media maker committed to telling this complex story.

Fake News Poetry Workshop As Radical Digital Media Literacy: It’S For The Thing We’Re Not Yet,, Alexandra Juhasz

Publications and Research

One of 17 saddle stitched pamphlets + custom designed box

What does pedagogy mean to your writing practice? How do your poetics intersect with your pedagogy and education commitments? We invited participants to join together to think about the inventive and urgent possibilities of intertwined poetic-pedagogical work. What might emerge differently when we bring them together?

Urgent Possibilities, Writings on Feminist Poetics & Emergent Pedagogies grew out of the Feminist Poetics, Emergent Pedagogies Symposium organized by Andrea Quaid and Margaret Rhee. The publication collects work by symposium participants with documents and elaborations, including poems, poetic tracts, essays, workshop plans, and …

The Words And Worlds Of Carolee Schneemann And Barbara Hammer With Two Thoughts By Agnes Varda, Alexandra Juhasz

Publications and Research

Complied past interviews as a memorial

Forget The Audience: Reflections On Fake News Poetry Workshops As Radical Digital Media Literacy Given The Fact Of Fake News, Alexandra Juhasz

Publications and Research

Fake News Poetry Workshops as Radical Digital Media Literacy given the fact of fake news.

Are Postmodernism And #Metoo Incompatible?, Seo-Young J. Chu

Publications and Research

If postmodernism renders the replicant Rachael legible as a glossy simulacrum, then #MeToo renders her brutally legible as a victim of sexual violence.

Direct Action Housing: Exploring The History Of Tenant-Led Housing Struggles—On Film—In Nyc, Arielle Lawson

Publications and Research

This independent research project dives into the history of tenant-led housing struggles in New York City with a particular focus on using film archives and documentaries to highlight key moments and case studies when housing activism opened up new political imaginations, intersections and possibilities in the city.

As outlined in the Direct Action Housing zine, I curated and hosted four public events in the spring of 2019 on different aspects of housing struggles documented through archival film records. This series of housing history films was a starting point and catalyst to think about the role of and for the home …

Mass Shooting Films: Myths, Academic Knowledge, And Popular Criminology, Jason R. Silva

Publications and Research

The author compares cinematic constructions of mass shooting perpetrators, victims, and social factors against academic knowledge and news media to determine how films perpetuate myths, reinforce academic knowledge, and act as a source of popular criminology. Cinematic findings highlight perpetrators as young, White, school shooters, and motivation types including fame seeking and defeated by society. Films construct diverse forms of victimization involving direct victims, indirect victims, and perpetrators as victims. Finally, movies emphasize sensational news media coverage as a contributing social factor. Implications of these findings suggest films blend with news media misconceptions and perpetuate myths that reinforce stereotypes of …

“In The Beginning Was Body Language” Clowning And Krump As Spiritual Healing And Resistance, Sarah S. Ohmer

Publications and Research

In the neighborhood of HollyWatts in Los Angeles, dance allows a shift from existing as bodies presented as sites of threat and extinction to sources of spiritual empowerment. Clowning and Krump dancers—their subjectivity and their dancing bodies—negotiate survival from trauma and socioeconomic marginalization. I argue that the dancers’ performances act as embodied narratives of “re-membering in the flesh.” The performance acts as a spiritual retrieval and re-integration of traumatic memories and afflictions into memory through the body. Choreography and quotes from dancers support the claim that Krump and Clowning is “re-membering in the flesh” that enacts self-worth, self-defined sexuality, and …

Nothing Is Unwatchable For All, Alexandra Juhasz

Publications and Research

Discussion of why to watch or not watch contemporary visual phenomena including viral black death, streaming video and fake news.

Ev-Ent-Anglement: A Script To Reflexivey Extend Engagement By Way If Technologies, Alexandra Juhasz

Publications and Research

We discuss an art project that links entaglements and events and thinks about cutting pasting and bleeding.

The Representation Of Asians In Hollywood, Michelle Li

Publications and Research

Hollywood has a long history of failing to represent America's diversity. This is especially pronounced in its lack of representation of Asian Americans. According to The Hollywood Reporter, in 2017, only 4.8 percent of the 4454 speaking characters were Asian. The industry works in biased and prejudiced ways towards Asians, restricting them from truly revealing their true selves instead of how they are portrayed by stereotypes.