Arts and Humanities Commons^™

Smashed, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2018-2019 Borders and Boundaries

What do you get when you toss together nine jugglers, 80 apples, and four crockery sets? “Smashed,” a tea party you’ll never forget, created by Gandini Juggling, the thinking person’s jugglers. Nine well-dressed, perfectly respectable young people take the stage and, under the guise of a quaint afternoon tea, engage in the dark art of juggling. Inspired by the work of Pina Bausch, the Gandinis display a virtuosic blend of skills, precision, and theatricality that leaves the audience breathless, while the performers remain as cool as cucumber sandwiches. Created in 1992 by renowned juggler Sean Gandini and champion gymnast Kati …

Letter From The Department Of Theatre, Dance & Film To The Dominican Fathers And Sisters, Department Of Theatre, Dance & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Letter from the Department of Theatre, Dance & Film to the Dominican Fathers and Sisters inviting them to a production of Lord of the Flies.

December 12, 2018

Personal Geography, Floating Identities And Inter-Asian Migration In Stories By Migrant Workers In Taiwan, I-Chun Wang

CLCWeb: Comparative Literature and Culture

In her article "Personal Geography, floating Identities and Inter-Asian Migration in Stories by Migrant Workers in Taiwan," I-Chun Wang discusses narratives by migrant workers with the purpose of looking into their personal geographies, their possibilities of integration, their floating identities and their dreams of settlement and possible success. This paper stresses the stories of migration show not only common human values, shared across cultures and creolization, but also sad stories of human-rights violations, injustices, discrimination, and even human trafficking. In these fictional stories or witness literature, cross-cultural conflicts, cultural in-betweenness and cultural hybridity are intertwined with the migrants’ ways to …

2018-2019 Sanctuary Series - December 8, 2018, Lynn University, Mark Luttio, Harry Murphy, Jeff Morgan, Chauncey Patterson, Peggy Peterson, Morgan Hotchkiss, Yue Yang, Guzal Isametdinova, Kaitlyn Frame, Cobe Jackson, Lensa Jeudy, Jared Neil

Snyder Sanctuary Series

No abstract provided.

Christine Hegenbart. Zum Politischen Der Dramatik Von Thomas Bernhard Und Peter Handke. Neue Aufteilung Des Sinnlichen. Peter Lang, 2017., Catherine Girardin

Studies in 20th & 21st Century Literature

Review of Christine Hegenbart. Zum Politischen der Dramatik von Thomas Bernhard und Peter Handke. Neue Aufteilung des Sinnlichen. Frankfurt am Main: Peter Lang, 2017.

Michael Wood. Heiner Müller’S Democratic Theater: The Politics Of Making The Audience Work. Camden House, 2017., Josh Alvizu

Studies in 20th & 21st Century Literature

Review of Michael Wood. Heiner Müller’s Democratic Theater: The Politics of Making the Audience Work. Rochester: Camden House, 2017.

The Lack Of Female Directors And Artistic Leaders: Discrepancy In The Number Of Women From Theatre Education To Career, Madeline Lang-Ree

Student Scholar Symposium Abstracts and Posters

Recently, society has slowly started to take initiative against the large gender gap that exists in positions of leadership. Though this gender gap stretches across all work fields, the theatre industry is extremely guilty of a lack of female representation in many of its career paths. In both studies and personal experiences, it is repeatedly reported that there are considerably more girls than boys participating in theatre during educational and formative years. Despite this, the number of female directors and artistic leaders in the theatre industry is significantly lower than males. Why is there such a large amount of young …

Light Eaters: A Study On The Affect Of Light Depicted Through Different Art Mediums, Samuel Dyck

Student Scholar Symposium Abstracts and Posters

Humankind has spent its entire history defining and creating the things that make up our physical world. Everyday, humanity continues to discover and create, furthering society’s knowledge and understanding of existence. However, there are facets of nature that have never been entirely understood by mankind, because they have a unique affect on each individual. It is known how a tree manifests and grows but no one can explain the feeling of relief that comes in the shade of a long limbed oak on a cloudless day. Nature is unique in its simplicity and mystery. Artists often use aspects of nature …

Clybourne Park, Lynn University

Drama Programs

By: Bruce Norris

Clybourne Park explodes in two outrageous acts set 50 years apart. Act one takes place in 1959, as white community leaders try to stop the sale of a home to a black family. Act two is set in the same house in the present day, as the now predominantly African-American neighborhood battles to hold its ground in the face of gentrification.

Lord Of The Flies Media Release, Talia Triangolo

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Lord of the Flies media release

December 2018

From Meyerhold And Blue Blouse To Mcgrath And 7:84: Political Theatre In Russia And Scotland, Rania Karoula

Studies in Scottish Literature

Discusses the 1920s Russian political theatre movement Blue Blouse, as seen in 1926 by the American Hallie Flanagan (later director of the Federal Theatre Project), the Scottish radical theatre group 7:84, the Scottish company's successful Russian tour in 1982, and parallels between the two in approach and staging as analysed by 7:84's John McGrath.

Scottish Demotics And Russian Soul: Liz Lochhead’S Adaptation Of Chekhov's Three Sisters, Ksenija Horvat

Studies in Scottish Literature

Explores theatrical issues and theoretical approaches to translating, adapting and staging Chekhov's classic play Three Sisters, through adaptations by the Irish playwright Brian Friel and (briefly) the Scot John Byrne, and then discusses more fully the adaptation by Liz Lochhead, premiered at the Royal Lyceum Theatre, Edinburgh, in 2000.

The Challenges And Limitations Of Adapting Mozart's Così Fan Tutte For A Small University Setting, Christopher Lovely

Dissertations

In this dissertation, challenges and limitations related to presenting Così fan tutte within a small university setting are conveyed, as well as offering innovative ideas to create a manageable presentation. I recall my personal experience as Korepititor/Vocal Coach for The University of Southern Mississippi’s 2014 production of Mozart’s Così fan tutte. This document presents topics on the various workings of an opera production: pre-rehearsal preparation, language issues, rehearsal preparation, selection of singers, and production issues. It offers practical solutions to overcome various challenges a small university may encounter. Smaller university opera programs were surveyed regarding their adaptations of …

Did Hollywood Take Theatre "By Hook Or By Crook?", Catherine S. Wright

MSU Graduate Theses

Hollywood and Theatre have been partners in producing entertainment for over 100 years. The relationship was fruitful for both parties, but Hollywood moguls and playwrights battled over ownership of the work and crafting of its creative nucleus, story and character. Theatre was the dominant entertainment right before the rise of motion pictures. Once Hollywood’s talkies closed the curtain on silent films, playwrights had a high creative worth to movie makers. In the cinema, story and dialogue were essential for its survival and growth. Playwrights were courted by the Hollywood studio heads but were not offered equal partnership as they were …

The Three-Penny Opera, November 29 – December 9, 2018, Theatre Sheridan

Theatre Sheridan Productions

Based on The Beggar’s Opera, written by John Gay in 1728, Kurt Weill version sets us in 1837 London, on the eve of Queen Victoria’s Coronation. Macheath – a.k.a. Mack the Knife takes centre-stage – and becomes swept-up in a whirlwind tale one of which in may just not survive.

Book and lyrics by Bertolt Brecht. Music by Kurt Weill. English adaption by Marc Blitzstein

Director: Allyson McMackon

Music Director: Paula Wolfson

Dance 2018: Gloriously Grimm, Otterbein University Theatre And Dance Department

2018-2019 Season

No abstract provided.

A Christmas Carol (November 29-30, December 1, 2018), Charles Dickens

Student Theatre Programs

Program for A Christmas Carol.

To view the photos from this production of A Christmas Carol, please click here.

Vinegar Tom

Theatre Programs

No abstract provided.

Review Of Charlotte Lennox: An Independent Mind By Susan Carlile, Alexis Mcquigge

ABO: Interactive Journal for Women in the Arts, 1640-1830

This article reviews Susan Carlile's recent biography of Charlotte Lennox, Charlotte Lennox: An Independent Mind. Because much of Lennox's life story, and many of her works, remain mysterious to contemporary readers, Carlile's work highlights some unique and important aspects of the life of a - at least in the eighteenth- and nineteenth-centuries, a celebrated literary minds. Carlile's work is an important and necessary addition to the study of women's writing in the period, and contributes a great deal to those studying the works of Charlotte Lennox.

Review Of Royal Shakespeare Company Production Of Mary Pix’S The Beau Defeated, Retitled The Fantastic Follies Of Mrs. Rich, Aparna Gollapudi

ABO: Interactive Journal for Women in the Arts, 1640-1830

Jo Davies’s reprise of Mary Pix’s comedy The Beau Defeated, Or The Lucky Younger Brother,performed by the Royal Shakespeare Company at Swan Theatre in Stratford-upon-Avon under the title The Fantastic Follies of Mrs. Rich refocuses the comedy from its original engagement with primogeniture and middling class masculinity towards the female characters. It also diffuses Pix’s Whiggish moralism in Mrs. Rich's portrayal, highlighting instead her energy and verve. Overall, a very successful production, the performance is more Restoration comedy than the transitional work that Pix's play was when it opened in 1700.

Editing Aphra Behn In The Digital Age: An Interview With Gillian Wright And Alan Hogarth, Laura Runge, Gillian Wright, Alan Hogarth

ABO: Interactive Journal for Women in the Arts, 1640-1830

This interview provides a view of the work in progress for the Cambridge University Press edition of the Complete Works of Aphra Behn. Gillian Wright serves as a general editor (with Elaine Hobby, Claire Bowditch, and Mel Evans) as well as the volume editor for Behn’s poetry. Alan Hogarth is the Postdoctoral Research Associate working with Mel Evans on the computational stylistics and author attribution testing. The discussion focuses on the scope and principles of editing the poetry of Aphra Behn, the role of stylometry in establishing the corpus, the status of work, a few particular poems, and some surprises.

Reading Her Queenly Coiffure: A Collaborative Approach To The Study Of Marie-Antoinette's Hairstyles, Hélène Bilis, Jenifer Bartle, Laura M. O'Brien, Ruth R. Rogers

ABO: Interactive Journal for Women in the Arts, 1640-1830

Four colleagues--a faculty member, a digital services librarian, a research librarian, and a curator of Special Collections--take turns describing their role in creating an undergraduate student project around an eighteenth-century almanac that belonged to Marie-Antoinette. In recounting the steps taken, the collaborative process, the student research, and the analysis of the contents of the Trésor des Grâces almanac, we share the lessons learned for completing a digital exhibit over the course of one semester.

New Lines: Mary Ann Yates, The Orphan Of China, And The New She-Tragedy, Elaine Mcgirr

ABO: Interactive Journal for Women in the Arts, 1640-1830

This essay demonstrates a significant break in eighteenth-century tragedy from tales of fallen women begging (the audience) for forgiveness and redemption to a different kind of she-tragedy, in which the heroine is neither fallen nor sexually desired, but rather transcends nation and politics with the “natural” moral force of maternal love. I argue that this shift was made possible/legible by Susannah Cibber’s ill-health, which forced Arthur Murphy to reconceive The Orphan of China’s heroine and allowed a rival actress, Mary Ann Yates, to step into this new role and to establish a tragic ‘line’ defined in opposition to that of …

The Phantom Of The Opera, November 27 – December 13, 2018, Theatre Sheridan

Theatre Sheridan Productions

Theatre Sheridan is thrilled to be presenting our own unique staging of one of the most popular, most seen musicals ever. Enter the Paris Opera House where lurks a masked Phantom hidden from society, tortured & disfigured, and witness the transformation unconditional love can make.

Music by Andrew Lloyd Webber. Lyrics by Charles Hart. Additional lyrics by Richard Stilgoe. Book by Richard Stilgoe & Andrew Lloyd Webber. Based on the novel “Le Fantôme de l’Opéra” by Gaston Leroux.

Director: Corey Agnew

Choreographer: Jeff Dimitriou

Musical Director: David Terriault

Dialogues On Voluntary Action And New Commons, Roger A. Lohmann

Faculty & Staff Scholarship

This volume contains a suite of seven one-act plays originating in political and civic themes, voluntary action and new commons, and associated with the 2012 President election.

The Hidden History Of 'Oklahoma!', Daniel Pollack-Pelzner

Faculty Publications

Daniel Pollack-Pelzner explains that contemporary reinterpretations of the classic American musical Oklahoma! may be getting back to its root: it's based on a play by a gay Cherokee man.

Nuevaz Voces: Northeastern's 10-Minute Playwriting Festival, Sarah J. Fabian, Jim Blair, Becca Peterson

Faculty Research and Creative Activities Symposium

No abstract provided.

Redefining Hope: Theatre For Young Audiences And The Battle For Visibility, Adam Goldstein

Faculty Research and Creative Activities Symposium

No abstract provided.

Classic Theater For A Modern Audience: Producing Antigone At Neiu, John J. Bliss

Faculty Research and Creative Activities Symposium

No abstract provided.

Irregular Entertainment Internship, Morgan Mcauley

SASAH 4th Year Capstone and Other Projects: Presentations

For her Experiential Learning course, Morgan interned with Irregular Entertainment in Toronto, assisting the General Manager in the summer 2018 production of Greece. In this position, Morgan moved to Toronto and gained valuable experience in many facets of the Industry, such as managing Investor relations and customer services, developing marketing materials, and becoming certified in Google Analytics.