Arts and Humanities Commons^™

Dance 2018: Gloriously Grimm, Otterbein University Theatre And Dance Department

2018-2019 Season

No abstract provided.

Motion As Music: Hypermetrical Schemas In Eighteenth-Century Contredanses, Alison N. Stevens

Masters Theses

An important part of the recent growth in scholarship on meter focuses on reconstructing 18th-century listening practices. Danuta Mirka (2009) studies contemporary accounts of meter in theory treatises to build a model of 18th-century metric listening, while Stefan Love (2016) takes a corpus studies approach, arguing that surveying repertoire provides a more accurate view of meter than 18th-century theorists. But despite the known debt that much 18th-century art music owes to dance and dance music, Mirka and Love only briefly mention dance. In touching so lightly on dance, these and other authors overlook the more fundamental connection between meter and …

Irish Dance In The State Of Utah: A History, India Eve Henrichsen

Undergraduate Honors Theses

This thesis summarizes the history of Irish dance in Utah. Over the past 35 years, from its beginning in 1983 to today in 2018, Irish dance schools have multiplied in Utah and evolved following international trends. The first school of Irish dance in Utah was started by Maureen McTeggart Hall at the request of Harold Gottfredsen in 1983. Five years later, in 1988, Brigham Young University established an Irish dance instruction program. Following the first television broadcast of Riverdance from Dublin in 1994, the interest in Irish dance increased exponentially. The number of schools has grown, new schools have emerged …

Accidental Archives Of Performance Making, Sarah Whatley

Proceedings from the Document Academy

This paper introduces the online toolkit created during the AHRC-funded Resilience and Inclusion: Dancers as Agents of Change project. Although the primary aim of the toolkit is the transmission of information for training purposes, the toolkit has simultaneously created a carefully curated repository of performance documents and related materials with a film at the core out of which many of the learning materials emerge. The discussion considers how this curated library of valuable performance documents creates an "accidental archive." Notwithstanding the challenges of making materials "open," often connected to institutional gatekeeping, this short paper poses questions about the documenting of …

The Life Of A Dance: Double Take Part Ii, Gregory C. Sporton

Proceedings from the Document Academy

The documentation of dance regularly asserts a false concept. This is that dances can be fixed, like a text, script, painting or even a musical score. Dance academics and organizations like ballet companies and the trusts that claim to protect and preserve the heritage of specific choreographers protect this idea. Focused far more on outputs than production, they decontextualize dance by ignoring its context: the working process. Notwithstanding the problematics of this assumption about the archival form of such material, that the tokens of the types that Wollheim (1968) posits as necessary are simply too flexible to be captured as …

Flying Closer: The Intersection Of Circus And Dance, Emma Thomas

Honors College Theses

Dancers entering the professional industry must consider whether to be a jack of all trades, able to perform any style and any skill, or a specialized performer who has achieved mastery of one specific technique. Because commercial dancers require a greater variety of skill sets, and jobs for commercial dancers such as cruise ships, backup dancing, and Broadway shows, are increasingly asking their dancers to perform aerial arts - and circus companies such as Cirque Du Soleil, and Circa are blending circus and dance, I am arguing that a dancer entering the commercial industry has to also consider the value …

Student Production Manager And Coordinator For Onsite Series, Caitlin Shill, Kori Wakumatsu

Journal of Undergraduate Research

Fine art is entering a new age, the traditional structures that have protected art for centuries are now becoming relics in the face of social, political and cultural upheavals. Over the last twenty years dance has transitioned into the realm of Fine Arts in the world of academia, however it is struggling to find substantial outlets in society while maintaining its integrity as a fine art. This project was centered on two Brigham Young University faculty in their established Onsite Mobile Dance Series, a dance company that has been serving the local arts community for over five years. This production …

Processing Emotional Expression In The Dance Of A Foreign Culture: Gestural Responses Of Germans And Koreans To Ballet And Korean Dance, Zi Hyun Kim, Hedda Lausberg

Journal of Movement Arts Literacy Archive (2013-2019)

Artistic dance differs between cultures with regard to the formal movement repertoire and methods to represent dancer's emotions. The present study explores how differently the spectators perceive the dance scenes of their own and foreign cultures. We showed German and Korean participants sad and happy dance scenes of the French ballet Giselle and Korean dance Sung-Mu. To learn the perceived thoughts and feelings of the participant from the dance scenes, we analyzed the frequency of their hand movements and gestures, which were accompanied by verbal descriptions of the participant's appreciation immediately after observation of the dance stimuli. The videotaped …

The Littlest Ballerina (Kamilla) An Original Ballet In One Act, Daniel Fifield, Shayla Bott

Journal of Undergraduate Research

At the beginning of Fall semester 2016, I discussed the possibility of composing music for an original ballet with Elise Meiners, an adjunct professor for the BYU Dance Department. She agreed to choreograph the ballet and together we assembled a production team. Daniel Schwicht, a BYU student, joined the team as the artistic designer. Spencer Duncan, then BYU theatre student joined as the dramaturg. The production team met weekly during that semester to develop an original story to be told in the form of a 30 minute ballet. Shayla Bott, the Ballet Area Administer agreed to mentor the project and …

Women On The Floor: A Study Of Feminism In Modern Dance History, Hannah Mccarthy

Mahurin Honors College Capstone Experience/Thesis Projects

Modern dance evolves everyday with new movement ideas, styles, and teachings. Not only can modern dance be new and innovative, but it can also be a mirror reflection of the current time period. It is an art form often used to make a social statement. It can become a discussion of the past, present, or future. Modern dance informs its audience through an intent chosen by the choreographer or dancers. The intent varies depending on time, space, emotion, and myriad other conditions. My studies will examine how the different periods of modern dance aligned with the waves of the feminist …

Dancing While Pregnant: Benefits And How To Do It Safely, Teagen Boyle

Undergraduate Honors Theses

Dancing While Pregnant by Teagen Boyle is about a very important question any female athlete may find themselves asking. How can I continue my sport while pregnant? Pregnancy is very strenuous and takes a toll on the human body; however, it is very important to stay healthy and continue exercising. Dance is a safe, no-contact sport that is really on the terms of the dancer. Therefore, dance is most likely a fun, safe form of exercise for pregnant women. Diving into research and looking up articles one may find little to no research. That is because there is barely any …

Storytelling Through Movement: An Analysis Of The Connections Between Dance & Literature, Zoe Hester

Undergraduate Honors Theses

Movement and storytelling are the links between past and present; both dance and literature have the same artistic and primal origins. We began to dance to express and communicate, to worship and feel. We tell stories for the same reasons: to learn from the past and to be able to communicate in the present.

This work explores the many connections between literature and dance through examinations of six dance forms: Native American, Bharatanatyam, West African, Ballet, Modern, and Post-Modern dance.

The Effects Of Dance Therapy On Voice In Patients With Parkinson's Disease In A Multicultural Population, Ivon N. Ramirez

Theses and Dissertations

Current literature suggests that dance therapy in individuals with Parkinson’s disease shows noticeable improvement in motor functions, for example gait and balance improvement. Additionally, patients with Parkinson’s disease who participate in dance therapy may perceive positive benefits on their quality of life. Therefore, it is believed that increases in core support and improvements in posture, as a result of dance therapy, will have effects on the voice in patients with PD.

This thesis pulls from literature supporting treatment approaches in the field of speech-language pathology for voice patients with Parkinson’s disease. The aim of this study was to evaluate the …

What Is The Experience Of Creating My Own Dance Style?, Jesse Bodony

Senior Theses

Through processes of self-inquiry and external inquiry, this heuristic project rigorously investigates the question: What is the experience of creating my own dance style? In exploring the phenomenon of creation, in understanding my own movement with increasing depth and awareness, in articulating my processes and procedures, I hope to create new knowledge both for myself and those with whom it resonates.

Authoritarian Pedagogical Practices In Dance Teaching And Choreography, Charlotte Carmichael

Honors Theses

This paper examines the authoritarian pedagogical practices found in educational settings and more specifically, in Western classical and contemporary dance training and rehearsals. These practices have been a part of dance for centuries, and their legacy has had severe impacts on the ethical, psychological, and political undercurrent of students’ educational and professional experiences. First, the historical roots of authoritarian teaching techniques are presented. Next, the ways in which dance teachers and choreographers employ authoritarian teaching behaviors are considered and examined. Finally, in hopes of providing a better template for the future, an overview of the ways in which some dance …

Spring Dance Concert (April 19-21, 2018), Lindenwood University

Student Dance Programs

No abstract provided.

Written With Love: An Interpretation Of Love Stories Through Movement And Emotion, Olivia Crawford

Undergraduate Distinction Papers

What is love? People all over the world have different stories pertaining to this phenomenon, but do the experiences in our personal lives stop us from understanding the experiences of others? Although it may be difficult to see other points of view besides, it is possible to connect to stories that are not our own. The purpose of this study is to assess how people perceive and connect to different love stories, and how these perceptions differ between those in the fine arts and those in the arts & sciences. Participants in this study will be exposed to a dance …

Winter Dance Concert (February 22-24, 2018), Lindenwood University

Student Dance Programs

No abstract provided.

The Global Dance Network: Reykjaví­K, Iceland, Takes On New Moves, Emily Creek

Electronic Theses and Dissertations

This research is an exploration of the contemporary dance community in Reykjaví­­k, Iceland. The research questions guiding this thesis were founded in a desire to understand how the dance community in Reykjaví­k creates its own agency and meaning within the city of Reykjaví­­k, as well as how the dance community in Reykjaví­k takes imported dance knowledge, localizes it and creates local meaning. With this goal of understanding the ways the community navigates the wider global dance network from its location as a northern island, I utilize concepts from the anthropology of globalization as well as dance anthropology. I specifically employ …

[Introduction To] Writing And The Body In Motion: Awakening Voice Through Somatic Practice, Cheryl Pallant

Bookshelf

Based upon the author’s lifetime practices as a dancer, poet and teacher, this innovative approach to developing body awareness focuses on achieving self-discovery and well-being through movement, mindfulness and writing.

Written from a holistic (rather than dualistic) view of the mind-body duality, discussion and exercises draw on dance, psychology, neuroscience and meditation to guide personal exploration and creative expression.

Choreographing Conflict: Inspiring Change Through Visual And Physical Representations, Rachel Nayer

Scripps Senior Theses

This thesis examines how art can support and stimulate personal and social change. It addresses the natural and ever-present existence of conflict and analyzes how using the body as a tool for communication can viscerally represent themes of disagreement and resolution. The work of Israeli choreographers Yasmeen Godder and Hillel Kogan are analyzed in a case study to explore different methods of choreographing conflict. Both works successfully, yet contrastingly, demonstrate how the body adds power and emotion to an idea. Parallel to the research component of this thesis is the original choreographed work, Ecotones. The creative method behind Ecotones …

National Dances Of The Nutcracker : A Study Of Racial, Cultural, And National Depictions In A Classical Ballet, Meredith Hunter-Mason

Undergraduate Honors Thesis Collection

Character development is a large component of ballet performance that is integrated into each rehearsal process leading up to the show. In this year’s production of The Nutcracker, I danced the role of Chinese Soloist. As I began my character development, I asked myself, “How does a Chinese girl dance?” When the question is asked about other roles, it is easy to respond; however, when the character is tied to a specific nationality it becomes much more difficult. Generalization and cultural misrepresentation become possible risks. Alastair Macaulay explains in his article Stereotypes in Toeshoes¸ “The ranks of ballet companies contain …

Cognitive Imagery Training In A Dancer’S Deliberate Practice: Skills Development, Confidence And Creativity, Sasha Brampton

Theses : Honours

Cognitive imagery training is an effective tool in improving skill learning, technique, confidence, anxiety and arousal management, recovery, rehabilitation, and performance in dancers. Multiple studies (Abbott & Collins 2004; Hall 2009; and Nordin and Cumming 2006, 2011) have established the positive influence imagery can have on dance and sport, and numerous researchers in these fields promote the incorporation of cognitive imagery training into ‘deliberate’ practice. Cognitive imagery, in relation to dance, is the detailed imaging of the execution/performance of movement in the mind. This thesis will outline imagery use: such as the types of imagery and how it can be …

The Interaction Between Postminimalist Music And Contemporary Dance, Azariah Felton

Theses : Honours

This dissertation examines the manner in which postminimalist compositional techniques such as phasing, polymeter, etc., can be used to aid the creation of music for dance. Music presented with dance generally serves at least two crucial roles: providing the dancers with a framework and impetus to aid movement; and reflecting the concept and meaning, where applicable, of the choreography. Many composers writing for dance must find ways to unite these goals in a way that best suits the total work, and find a balance between supporting the concept and assisting the dancers. This dissertation discusses the relationship between choreography and …

Mountain Dance: A Transdisciplinary Exploration Of Environmental Dance As An Autopoietic Expression Of Ecological Connectivity And Synthesis, Dianne Eno

Antioch University Dissertations & Theses

This research explores the complexity of the human-nature relationship through the emergent arts-based lens of environmental dance. The work is guided by a transdisciplinary mission—to actively create bridges and connections between and among disciplines typically thought to be independent bodies of knowledge in their own right: here they merge and become synergistic partners, producing a new way of knowing that is greater than the sum of two independently-partnered disciplines. A transdisciplinary approach opens us to know a multiverse where a holistic perspective expands the traditionally singular viewpoint of the existing predominant Cartesian paradigm. The study allows space for “environmental dance” …

The Dancer's Paradox: Dance In Egyptian Film, Roberta L. Dougherty

Roberta L. Dougherty