Arts and Humanities Commons^™

Monstrosity As A Problem Of Moral Proximity In Shakespeare’S Othello, Kyle Ward

Student Works

Abstract

In Othello, Shakespeare explores the idea of monstrosity through his titular character. This paper argues that Othello exemplifies the idea that monstrosity is not an inherent evil, but rather that it is a problem of Moral Proximity. The Problem of Moral Proximity, as it is explained in the paper, is the idea that good and evil are the moderation of or corruption of neutral traits. This paper not only argues that monstrosity is one of these neutral qualities, but also explores how Iago corrupts this monstrosity to bring about Othello's downfall.

Shakespeare's Henry Vi And Depression, Cindy Chopoidalo

CLCWeb: Comparative Literature and Culture

In her article "Shakespeare’s Henry VI and Depression”, Cindy Chopoidalo discusses Shakespeare’s Henry VI plays not only as his first significant explorations of the tragic consequences of war and the price of ambition, but also as his first major treatment of a character who, in both fiction and reality, suffered from what has sometimes been described as severe clinical depression and what would have been known in Shakespeare’s time as melancholy. In Shakespeare’s Henry VI, as well as in his historical inspiration, we see an early counterpart of his later characters who have been linked to melancholy or depression, such …

Anna Larpent And Shakespeare, Fiona Ritchie

ABO: Interactive Journal for Women in the Arts, 1640-1830

Anna Larpent (1758-1832) is a crucial figure in theater history and the reception of Shakespeare since drama was a central part of her life. Larpent was a meticulous diarist: the Huntington Library holds seventeen volumes of her journal covering the period 1773-1830. These diaries shed significant light on the part Shakespeare played in her life and contain her detailed opinions of his works as she experienced them both on the page and on the stage in late eighteenth- and early nineteenth-century London. Larpent experienced Shakespeare’s works in a variety of forms: she sees Shakespeare’s plays performed, both professionally and by …

How Drag Culture Resolves Tensions In Victorian Shakespearean Cross-Dressing; Or, Slay, Feste, Slay, Isaac Robertson

Criterion: A Journal of Literary Criticism

In 2017, Madame Le Gateau Chocolat, a black drag queen, sashayed onto the stage of the Globe theater to portray Feste in Emma Rice’s production of Shakespeare’s Twelfth Night. This bold move not only gave anxiety to its investors (eventually leading to the stepping down of Emma Rice), but also raised questions about the validity of drag performance within Shakespeare plays. Shakespeare has historically been inseparable with traditional cross-dressing (both in performance and in the narrative itself), although the relationship has not always been cordial. In Victorian England, cross-dressing was often set equal to homosexuality or moral deviance, and …

Kiss Me Kate, February 13 – 25, 2018, Theatre Sheridan

Theatre Sheridan Productions

Welcome backstage to witness the rollicking world of theatre as a company is preparing for their production of The Taming of the Shrew. Cole Porter has partnered with Shakespeare to create one of the most raucous, rowdy and enduring romances of all time for the stage. Not to be missed…KISS ME, KATE will leave you feeling “WUNDERBAR’!

Music and lyrics by Cole Porter. Book by Sam and Bella Spewack.

Director: Ann Hodges

Choreographer: Stephanie Graham

Musical Director: Jeannie Wyse

Dadless: Dead Dads In Hamlet And The Effects On Their Children, Erin Diiorio

Student and Faculty Research Days

This research is a close look at the methods of grief as depicted by the children who lose their fathers in William Shakespeare’s classic, Hamlet. The goal is to track each child’s reaction to the sudden bereavement in a variety of physical and emotional manifestations. This has been done by first examining current literature on the text, followed by a review of historical context of the period in which the play was written, and finally analyzing each character’s behavior. In doing so, this research seeks to highlight the importance of the presence of fathers within Hamlet and provide insight …

Acting In A Global Context: Characterization From The Physical Context Of Shakespeare's Spaces, Anna Joie Valdez

Honors Theses

The proposition that the Elizabethan theatre space, with its lack of a "fourth wall" the delivery of Shakespeare's works is nothing new. From a technical standpoint, scholars have also suggested that analysis of the spoken text implies stage directions for both actors and technicians. These approaches are still used by directors at the New Globe in London, England, and are a heavily emphasized point in the curriculum of the Globe Association. Actors are encouraged to embrace the intimate proximity of the audience and the configuration of the balconies as a major influence in their delivery of the text.

There still …

A Gold Rush Twelfth Night In Cincinnati, Niamh J. O'Leary

Faculty Scholarship

A long-format review of the Cincinnati Shakespeare Company's fall 2018 production of Shakespeare's Twelfth Night.