Mirrors In Russian Decadent And Symbolist Prose: Valery Briusov And Dmitry Merezhkovsky,
2010
Columbia University
Mirrors In Russian Decadent And Symbolist Prose: Valery Briusov And Dmitry Merezhkovsky, Kirsten Lodge
Studies in 20th & 21st Century Literature
Examining mirror imagery in the prose works “In the Mirror” by Valery Briusov and The Resurrected Gods: Leonardo da Vinci by Dmitry Merezhkovsky, both published in 1902, this article situates the Russian Decadent and Symbolist associations of the mirror in the pan-European literary and philosophical context. The mirror constitutes the threshold of manifold oppositions, including life and art, life and death, and reality and dream or imagination. It is a realm of alternative reality, magical and seductive, as in Briusov’s story, or potentially both demonic and divine, as in Merezhkovsky’s novel. In accordance with the Romantic tradition as well as …
Bibliography For The Study Of Cultural Discourse In Taiwan,
2010
National Sun Yat-Sen University
Bibliography For The Study Of Cultural Discourse In Taiwan, Yu-Chun Chang, I-Chun Wang, Steven Tötösy De Zepetnek
CLCWeb Library
No abstract provided.
Selected Bibliography Of Work On Identity, Migration, And Displacement,
2010
National Sun-yat Sen University
Selected Bibliography Of Work On Identity, Migration, And Displacement, Li-Wei Cheng, Steven Tötösy De Zepetnek, I-Chun Wang
CLCWeb Library
No abstract provided.
Translation Of "Meaning" By D. Slamnig,
2010
Swarthmore College
Translation Of "Meaning" By D. Slamnig, D. Slamnig, Sibelan E.S. Forrester , Translator
Russian Faculty Works
No abstract provided.
(Review) Polish Literature From 1918 To 2000: An Anthology,
2010
Connecticut College
(Review) Polish Literature From 1918 To 2000: An Anthology, Andrea Lanoux
Slavic Studies Faculty Publications
The article reviews the book "Polish Literature From 1918 to 2000: An Anthology," edited and translated by Michael J. Mikoś.
Baring The Brain As Well As The Soul: Milan Kundera's The Joke,
2010
University of Richmond
Baring The Brain As Well As The Soul: Milan Kundera's The Joke, Yvonne Howell
Languages, Literatures, and Cultures Faculty Publications
In what follows, I will argue that two current theories about how our minds ascribe intentional psychological states to other people (so-called Theory of Mind) as well as to non-personal events that happen to us (a proposed Existential Theory of Mind) provide a rich interpretive framework for understanding the social and historical context of Kundera’s innovative aesthetics.
Chekhov And The Art Of Crime,
2010
Macalester College
Chekhov And The Art Of Crime, Julia Chadaga
Julia Bekman Chadaga
No abstract provided.
Review Of "The Horse Has Six Legs: An Anthology Of Serbian Poetry" Translated By C. Simic,
2010
Swarthmore College
Review Of "The Horse Has Six Legs: An Anthology Of Serbian Poetry" Translated By C. Simic, Sibelan E.S. Forrester
Russian Faculty Works
No abstract provided.
Felon Voting Rights And Democracy,
2010
University of Bristol
Felon Voting Rights And Democracy, Rebecca Gould
Rebecca Gould
No abstract provided.
The Light Of The Ancestors (By Idris Bazorkin),
2010
University of Bristol
The Light Of The Ancestors (By Idris Bazorkin), Rebecca Gould
Rebecca Gould
"Light of the Ancestors" is excerpted from the Ingush writer Idris Bazorkin's novel, Dark Ages.
Evening Prayers (By Idris Bazorkin),
2010
University of Bristol
Evening Prayers (By Idris Bazorkin), Rebecca Gould
Rebecca Gould
"Evening Prayers" is a stand-alone translation from the Ingush writer Idris Bazorkin's novel, Dark Ages (Iz Tmy Vekov, 1963).
Art And Architecture: Russia,
2010
East Carolina University
Art And Architecture: Russia, Jelena Bogdanović
Jelena Bogdanović
Receiving Christianity only in 988/9, the East Slavic Rus' expressly appropriated art and architecture based on Byzantine models and elaborated their own styles. *Kiev, *Novgorod, and *Vladimir (Suzdalia) define the major foci of Rus' accomplishments in the pre-Mongolian period, before the 1230s. Only after the battle at *Kulikovo (1380) did monumental arts revive. And only when Prince Ivan the Great (r. 1462–1505) commissioned architects Aristotele Fioravanti and Alevisio Novi to work in the *Kremlin did the Italian Renaissance significantly influence Russian architecture.
Art And Architecture: Serbian,
2010
East Carolina University
Art And Architecture: Serbian, Jelena Bogdanović
Jelena Bogdanović
From the 9th-century conversion to Christianity until the 11th century, the ecclesiastical art and architecture of the Serbs, both Orthodox and Roman Catholic, shared the concurrent accomplishments of the Croats, Latins, and Greeks. All of these groups cohabited the territories between the rivers Bojana and Cetina in Duklja (Zeta, Montenegro), Zahumlje (Herzegovina), and their littoral. Wall *paintings, donor *portraits, inscriptions in Greek and Latin, and architectural *sculpture on *windows, portals, capitals, *chancel screens, *ciboria, and baptismal fonts, reveal influences of pre-Romanesque, Romanesque, and Byzantine models. Instructive examples come from the 9th-century *rotunda of St. Triphon at Kotor (809?), replaced by …
Rescripting Stalinist Masculinity: Contesting The Male Ideal In Soviet Film And Society, 1953-1968,
2010
Western Kentucky University
Rescripting Stalinist Masculinity: Contesting The Male Ideal In Soviet Film And Society, 1953-1968, Marko Dumančić
History Faculty Publications
This dissertation traces the evolution of a new type of cinematic masculinity in the fifteen years following Joseph Stalin’s death and examines how controversial post-Stalinist movie heroes became a battleground for the country’s postwar values and ideals. During the 1950s and 1960s, postwar Soviet leadership faced the kinds of sociopolitical ruptures that were also evident on the other side of the Iron Curtain; the Communist Party leadership struggled to moderate the combined destabilizing effect of consumerism, a recalcitrant youth (sub)culture, and Cold War anxieties. Nowhere was the angst of the postwar period more obvious than in the way Soviet filmmakers …
Marcus C. Levitt And Tatyana Novikov, Eds. Times Of Trouble: Violence In Russian Literature And Culture,
2010
Kansas State University
Marcus C. Levitt And Tatyana Novikov, Eds. Times Of Trouble: Violence In Russian Literature And Culture, Walter F. Kolonosky
Studies in 20th & 21st Century Literature
While violence is a given in Russian literature and culture, its presence does not suggest that Russian civilization is characterized by a bloody monochromatic hue…
Examining The Validity Of The 2010 Prototype Ap Russian Exam Through A College Comparability Study,
2010
Brigham Young University
Examining The Validity Of The 2010 Prototype Ap Russian Exam Through A College Comparability Study, Camelot Marshall
Russian Language Journal
Since its inception twelve years ago, the Prototype AP® Russian Language and Culture Examination has developed into an assessment instrument that has increasingly become the culminating focus and a hallmark of high school Russian language study in select schools across the United States. Even more so, through the years of field-‐‑testing, piloting, and making the tests operational, the design, content, development, administration, and analyses of the exam have evolved into the model for American Councils’ online assessments of language proficiency not only for Russian, but also for Flagship programs. These tests are already being developed in Arabic, Chinese, Persian, Russian, …
Full Issue,
2010
Brigham Young University
The Struggle To Create Soviet Opera,
2010
Gettysburg College
The Struggle To Create Soviet Opera, Miriam Grinberg
The Gettysburg Historical Journal
It is opera, and opera alone that brings you close to the people, that endears your music to the real public and makes your names popular not only with individual small circles but, under favourable conditions, with the whole people. – Pyotr Ilyich Tchaikovsky, premier composer of symphonies, ballets, and operas in Imperial Russia in the mid- to late 1800s.
Tchaikovsky made this remark while living under a tsarist regime, but the pervasive, democratic, and uniting qualities of opera that he so vividly described appealed to an entirely different party: the Bolsheviks. Rather than discard the “bourgeois” remains of the …
Introduction To Visualizing Russia: Fedor Solntsev And Crafting A National Past,
2010
Chapman University
Introduction To Visualizing Russia: Fedor Solntsev And Crafting A National Past, Wendy Salmond, Cynthia Hyla Whittaker
Art Faculty Books and Book Chapters
Wendy Salmond and Cynthia Hyla Whittaker's introduction to Visualizing Russia: Fedor Solntsev and Crafting a National Past, which "elaborates the origins of the Russian style in the 1830s and 1840s and celebrates the seminal role that Fedor Grigorevich Solntsev (1801-1892) played in its development."
Foreword To Irina Yazykova, Hidden And Triumphant: The Underground Struggle To Save Russian Iconography,
2010
Chapman University
Foreword To Irina Yazykova, Hidden And Triumphant: The Underground Struggle To Save Russian Iconography, Wendy Salmond
Art Faculty Books and Book Chapters
Wendy Salmond's foreword to Irina Yazykova's Hidden and Triumphant: The Underground Struggle to Russian Iconography, in which Yazykova discusses how the art of icon painting survived during years of Russian Communism and is now poised to launch a new era that reflects modern experience.