Making The Old New: The Recontextualization And Traditionalization Of Tree Spirits In Video Games, 2022 Utah State University
Making The Old New: The Recontextualization And Traditionalization Of Tree Spirits In Video Games, Alexandria Ziegler
All Graduate Plan B and other Reports
Folklorists study the active rituals between humans and deities, as well as the inactive participation between them in narrative. However, they do not study the active participation that comes in the form of video games between them, though with shifts in society, this new way of engaging through digital forms is widespread and accessible. In my research, I studied Russian and Japanese tree spirits in a variety of video games to understand this new form of engagement with ancient deities. These video games are Okami, The Legend of Zelda: Breath of the Wild, Black Book, and The Witcher 3: The ...
I Return My Ticket, 2022 Belmont University
I Return My Ticket, Caroline Caldwell
This project serves to open up an accessible way to introduce people to Fyodor Dostoevsky’s masterpiece novel, The Brothers Karamazov. Questions around human nature and the problem of evil are enduring and I have found more peace in the works of Dostoevsky than anywhere else. I know, however, that Russian literature and long novels in general are incredibly intimidating, so I chose to follow in the footsteps of Dave Malloy and his work Natasha, Pierre, and the Great Comet of 1812 to create an approachable and engaging avenue to consume Dostoevsky in a more palatable fashion. Knowledge of other ...
This Land Is Your Land: Andrei Bitov Travels Through The Caucasus, 2022 Bryn Mawr College
This Land Is Your Land: Andrei Bitov Travels Through The Caucasus, José Vergara
Russian Faculty Research and Scholarship
The present article examines Andrei Bitov’s Lessons of Armenia (Uroki Аrmenii) and A Georgian Album (Gruzinskii al’bom) as examples of subversive late-Soviet travel writing. While some scholars have noted imperialist tendencies in the two travelogues, I argue that Bitov effectively challenges the colonial perspective. Besides considering the Soviet state’s push for travel writing and tourism while Bitov was writing his texts, the article uses Mary Louise Pratt’s deconstruction of colonialist travel writing as a theoretical framework. Adapting and extending her work, I examine how Bitov consistently deploys and subverts three key devices: mastery of the seen ...
Once Upon A Time/There Was A Story That Began: Novelty, Endings, And Chronotope In John Barth’S The Tidewater Tales, 2022 Virginia Commonwealth University
Once Upon A Time/There Was A Story That Began: Novelty, Endings, And Chronotope In John Barth’S The Tidewater Tales, Zachary K. Gibson
Theses and Dissertations
This thesis examines the use of frame tales, genre blending, multi-voiced narration, and circular structure in John Barth’s 1987 novel, The Tidewater Tales. It tracks the isomorphy of Barth’s general aesthetic project, set forth in his essays, “The Literature of Exhaustion,” “The Literature of Replenishment,” and “Very Like an Elephant: Reality Versus Realism,” onto the theoretical aesthetics of Russian philosopher Mikhail Bakhtin. Both Barth and Bakhtin praise the novel its omnivorous capability to accommodate, and juxtaposes conflicting genres against one another; they each see the novelist as an “arranger” or “orchestrator,” who reassembles pre-existing forms to make them ...
Doppelgängers And Doubles In Literature: A Comparison Of Fyodor Dostoevsky’S Crime And Punishment And Vladimir Nabokov’S Lolita, 2021 College of the Holy Cross
Doppelgängers And Doubles In Literature: A Comparison Of Fyodor Dostoevsky’S Crime And Punishment And Vladimir Nabokov’S Lolita, Meghan E. Cooper
College Honors Program
This thesis is dedicated to the concept of the double character in literature and how such characters were utilized by authors Fyodor Dostoevsky in Crime and Punishment (1866) and Vladimir Nabokov in Lolita (1955). First, this thesis discusses the theoretical aspects of the double—a villainous character who mirrors another character in some way, whether in appearance or in their actions— and the religious, psychological, philosophical, and societal roots of the concept of a double in literature. Then it explores how double characters in Dostoevsky and Nabokov’s works serve a crucial role in their novels by mirroring the worst ...
The Annotated Translation Of The Diary Of Lidia Makarovna Androsova, 2021 University of Richmond
The Annotated Translation Of The Diary Of Lidia Makarovna Androsova, Rosa Lovo
Arts & Sciences Student Symposium
This play is based on the true story and focuses on a sector of the Young Guard i Eastern Ukraine during WWII. The Germans took control of Eastern Ukraine in July 1942. By the end of September, the smaller rebel groups in the city of Krasnodon united to form the Young Guard. The Young Guard sought to sabotage any German activity in the city and surrounding villages while also covertly sharing accurate news about the war. All actions portrayed here were described in the diary of Lidia Makarovna Androsova which the researcher translated over the course of 10 weeks. This ...
Flap Your Wings For Goodbye: Avian Imagery In Sasha Sokolov’S Between Dog And Wolf, 2021 Bryn Mawr College
Flap Your Wings For Goodbye: Avian Imagery In Sasha Sokolov’S Between Dog And Wolf, José Vergara
Russian Faculty Research and Scholarship
The present article explicates a selection of bird imagery in Sasha Sokolov’s second novel, Between Dog and Wolf (1980). It analyzes the author’s use of certain birds and their folkloric and mythological subtexts for symbolic purposes. In particular, he pairs his protagonists with key birds (hoopoe, lapwing, goose, magpie, albatross) to underscore aspects of their personalities, behaviors, relationships, and experiences. This ornithic imagery emphasizes how the characters cannot overcome their temptations and other base feelings to attain higher meaning and ultimately remain bound to the physical, natural world. (For a plot synopsis of Between Dog and Wolf, please ...
Embodied Performance As Queer Theatre Historiography: Translation, Gender, Identity, And Temporalities In Mikhail Kuzmin's The Dangerous Precaution, Keenan Shionalyn
All Master's Theses
The “World of Art” and “The Tower,” two groups of symbolist artists in St. Petersburg at the turn of the 20th century, are often noted for their contributions to queer art in poetry, literature, and the visual arts. However, the theatrical record has yet to acknowledge the significant contributions by these groups, largely ignoring their queer dramatic writings. Mikhail Kuzmin, a notable contributor in both groups of symbolists, is recognized for having contributed music to Meyerhold and Blok’s The Puppet Show but is less known for his multitude of plays. Seeking to remedy this problem, I examine one ...
The Forest, The Trees, The Bark, The Pith: An Intensive Look At The Circulation Rates Of Primary Texts In Ten Major Literature Areas At The University Of Oregon Libraries, Jeff D. Staiger
Charleston Library Conference
This poster looks at the circulation rate for literary primary texts, which constitute a unique area of collecting in academic libraries: while they do not in most cases meet immediate research needs, it is assumed that libraries ought to acquire them, for reasons including future research needs, preservation of the cultural record, and the ability of members of the intellectual community to stay current, those these remain primarily tacit. The circulation trends of contemporary literary works in ten areas of literature (English, American, German, French, Italian, Spanish, Latin American, Chinese, Japanese, and Russian) over the past twenty years at the ...
The Censors In The Years Of The Calm, 2020 University of Mississipi
The Censors In The Years Of The Calm, Jackson Taylor Jr.
Studies in English
No abstract provided.
Review Of La Bella España: El Teatro De Lope De Vega En La Rusia Soviética Y Postsoviética By Veronika Ryjik, Slav N. Gratchev
Modern Languages Faculty Research
There are certain writers whose importance only grows with time, and the longer the distance that separates us from them, the more facets of their genius they demonstrate to us, the readers of the twenty-first century. One of these authors is Lope de Vega. The new book of Veronika Ryjik now makes another major contribution to the scholarship of a great master who was well known and admired in Soviet Russia. It is indeed a serious study and one that fermented in the mind of the scholar for more than ten years – the true symbol of a truly remarkable book ...
Women At War: Soviet And American Airwomen In Combat During World War Ii, 2020 Union College - Schenectady, NY
Women At War: Soviet And American Airwomen In Combat During World War Ii, Hayden Woodyatt
This thesis explores the combat roles of Soviet and American airwomen during World War II. Both the Soviet Union and the United States utilized women in the war effort between 1943-1945 in different capacities. The United States and the USSR were in very different geographical locations when it came to Germany; the US was across the Atlantic Ocean and not in a vulnerable position while the USSR was fighting a war on its home turf. The need for soldiers was very different. In addition, the cultures of the two countries were very different in their attitudes towards the equality between ...
The Problem Of Literary Development In Russian Formalism And Digital Humanities, 2020 The Graduate Center, City University of New York
The Problem Of Literary Development In Russian Formalism And Digital Humanities, Basil Lvoff
Dissertations, Theses, and Capstone Projects
The interest of this dissertation is how our understanding of literary development—as gradual or revolutionary; self-governed or socio-politically determined; like or unlike biological evolution—informs the status, meaning, and value of literature and literary studies. The dissertation shows how this problem—most pressing in our post-logocentric age—was addressed at the dawn of contemporary literary theory by the Russian Formalists. The latter are compared with Distant Readers, i.e., the Digital Humanists from, or conducting research in dialogue with, the Stanford Literary Lab: Franco Moretti, Matthew Jockers, Ted Underwood, William Benzon, and others.
This dissertation argues that both Russian ...
Simplicity Is The Spice Of Life (And Art): Reading Early And Late Tolstoy For Moral And Artistic Value, 2020 University of Portland
Simplicity Is The Spice Of Life (And Art): Reading Early And Late Tolstoy For Moral And Artistic Value, David Mudd
No abstract provided.
“Le Soleil De France”: Warm Translations Of Guy De Maupassant In Works By Isaak Babel’ And Ivan Bunin, 2020 Portland State University
“Le Soleil De France”: Warm Translations Of Guy De Maupassant In Works By Isaak Babel’ And Ivan Bunin, Cassio De Oliveira
World Languages and Literatures Faculty Publications and Presentations
In the wake of Lev Tolstoi’s appraisals of his work, Guy de Maupassant was embraced by Russian twentieth-century authors who admired his mastery of the short story. The Soviet writer Isaak Babel’ and the émigré writer Ivan Bunin reference stories and other texts by Maupassant in their stories ‘Guy de Maupassant’ and ‘Bernard’. To these authors, Maupassant constitutes a means of expressing their own outlook on the craft of literature. Mediated by the act of translation from French into Russian, Maupassant’s writing enables the Russian authors to articulate distinct identities regarding their national literature: as Soviet and émigré.
Shalamov's Testament: Pushkinian Precepts In Kolyma Tales, 2020 Bard College
Shalamov's Testament: Pushkinian Precepts In Kolyma Tales, Andres I. Meraz
Senior Projects Spring 2020
In a letter from 1972, the author of Kolyma Tales and survivor of the gulag Varlam Shalamov, declared “In my prose, I consider myself the inheritor of the Pushkinian tradition <…>.” Indeed, in Kolyma Tales, Shalamov exhibited a studied understanding of Pushkin’s artistic technique. Through his implementation of Pushkinian artistic principles, Shalamov was seeking to restore the poet’s image to what it had been prior to the Soviet Union’s politicized interpretation while simultaneously revealing the truth about life in the labor camps to a readership that could not otherwise fathom what the inmates endured on day-to-day basis. In ...…>
Voice Of Silence: Women Inmates' Perspective On Sexual Violence In The Soviet Gulag, 1936-1956, Louisa Jane Fulkerson
Senior Projects Spring 2020
Senior Project submitted to The Division of Social Studies of Bard College.
Revolutionaries In Form: The Russian Futurist Poets In The Cultural Politics Of The Early Soviet Union, 1917-1928, Noah Wurtz
Senior Projects Fall 2020
Senior Project submitted to The Division of Languages and Literature of Bard College.
On Angels’ Wings: Idolatry In Viktoria Tokareva’S “Five Figures On A Pedestal” And Lyudmila Ulitskaya’S “Angel”, 2020 University of Montana, Missoula
On Angels’ Wings: Idolatry In Viktoria Tokareva’S “Five Figures On A Pedestal” And Lyudmila Ulitskaya’S “Angel”, Courtney E. Bentz
Undergraduate Theses, Professional Papers, and Capstone Artifacts
In his essays on Greek deities, Ralph Waldo Emerson declared: “Every man is a divinity in disguise, a god playing the fool.” While the idea of gods taking a corporeal form or angels walking among humans is a common literary trope, seldom do mortal characters find themselves compared to the divine without negative repercussions. Select post-Soviet women writers, however, flip this trope to explore the opposite. They instead embrace the human as holy, restrained by little consequence, as a means to highlight its destructive qualities in the context of an intimate relationship. These contemporary authors, Viktoria Tokareva and Lyudmila Ulitskaya ...
Understanding The Cultural And Nationalistic Impacts Of The Moguchaya Kuchka, 2019 Cedarville University
Understanding The Cultural And Nationalistic Impacts Of The Moguchaya Kuchka, Austin M. Doub
This paper explores Russian culture beginning in the mid nineteenth-century as the leading group of composers and musicians known as the moguchaya kuchka, or The Mighty Five, sought to influence Russian culture and develop a "pure" school of Russian music amid rampant westernization. Comprised of César Cui, Alexander Borodin, Mily Balakirev, Modest Mussorgsky, and Nikolay Rimsky-Korsakov, this group of inspired musicians opposed westernization and supported Official Nationalism by the incorporation of folklore, local village traditions, and promotion of their Tsar as a supreme political leader. In particular, the works of Balakirev, Cui, and Mussorgsky established cultural pride and contributed to ...