Open Access. Powered by Scholars. Published by Universities.®

Film and Media Studies Commons

Open Access. Powered by Scholars. Published by Universities.®

8,762 Full-Text Articles 7,165 Authors 11,080,054 Downloads 313 Institutions

All Articles in Film and Media Studies

Faceted Search

8,762 full-text articles. Page 181 of 375.

Throwing Our Voices: Ventriloquism As New Media Activism, Amber Day 2018 Bryant University

Throwing Our Voices: Ventriloquism As New Media Activism, Amber Day

English and Cultural Studies Journal Articles

In the fall of 2010, Chevron released an ad campaign designed to respond to consumer worries about the conduct of oil companies. Each ad depicted “customers” voicing rather nonspecific concerns about oil companies, answered by the “We Agree” slogan and information about something positive the company is doing in particular communities. Just before the campaign’s official roll-out, the anti-corporate activist group known as the Yes Men produced a series of sophisticated parody ads that spoke in more detail about the damage the company has done in specific countries. Designed to be mistaken for the real, the dummy campaign was distributed …


Beast, Rubina Ramji 2018 Cape Breton University

Beast, Rubina Ramji

Journal of Religion & Film

This is a film review of Beast (2018), directed by Michael Pearce.


Mdocs Poster-2018-02-06, Issam Nassar, Jesse Wakeman, Jordana Dym 2018 Skidmore College

Mdocs Poster-2018-02-06, Issam Nassar, Jesse Wakeman, Jordana Dym

MDOCS Publications

February 6, 6pm

Location: Payne Room

Free and open to the public.

In conjunction with the exhibition This Place

Part of the Palestinian Voices series, organized and co-sponsored by the John B. Moore Documentary Studies Collaborative (MDOCS), the Environmental Studies and Sciences Program, International Affairs, Media and Film Studies, Art History, History, Hayat, and the Skidmore College Dean’s Office

Join us for a lecture by Issam Nassar on the history of Palestinian photography. Nassar is a historian of the Modern Middle East and of Photography at Illinois State University. His work focuses on the modern Middle East and the history …


Mdocs Poster-2018-02-05, Voice As Documentary Audibility With Pooja Rangan, Jesse Wakeman 2018 Skidmore College

Mdocs Poster-2018-02-05, Voice As Documentary Audibility With Pooja Rangan, Jesse Wakeman

MDOCS Publications

Monday, February 5, 2018 6:00 PM - 7:45 PM (ET) PALMTN Emerson Auditorium In the field of documentary, voice, rather than point of view, is the prevailing metaphor for a filmmaker’s unique perspective, signaling the documentary genre’s textual emphasis on spoken words, as well as its social ethic of “giving voice.” Rangan’s talk will unpack the humanitarian resonances of this metaphor, as elaborated in her book Immediations: The Humanitarian Impulse in Documentary (Duke UP 2017), reframing voice as an audibility: a product of auditory forms and practices such as documentary that discipline unspoken norms of speaking and listening. Her talk …


Women Are Speaking Up At Sundance, Rubina Ramji 2018 Cape Breton University

Women Are Speaking Up At Sundance, Rubina Ramji

Journal of Religion & Film

Women speak up at Sundance 2018.


Heidegger And Hölderlin On Aether And Life, Babette Babich 2018 Fordham University

Heidegger And Hölderlin On Aether And Life, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.


How Lucille Ball Fought The Patriarchy, While Lucy Ricardo (Indirectly) Contributed To Second-Wave (White) Feminism, Anam Rana Afzal 2018 The Graduate Center, City University of New York

How Lucille Ball Fought The Patriarchy, While Lucy Ricardo (Indirectly) Contributed To Second-Wave (White) Feminism, Anam Rana Afzal

Dissertations, Theses, and Capstone Projects

Author Stephanie Coontz argues that our most powerful visions of traditional families derive from images that are still delivered to our homes in countless reruns of 1950s television sitcoms. In actuality, the happy, homogenous families that we “remember” from America in the 50s were a result of the media’s denial of diversity. Also, women’s retreat to housewifery after working during WWII was in many cases, not freely chosen. In his study of sitcoms, Saul Austerlitz claims that once television arrived in American cities after the war’s end, its impact was immediate and incontrovertible, and no sitcom caught America’s eye as …


The Keepers: A Collaborative Constructive Narrative Podcast, Shay Carroll 2018 Bowling Green State University

The Keepers: A Collaborative Constructive Narrative Podcast, Shay Carroll

Honors Projects

This is a fictional podcast series that presents a story that is completed through roleplaying. The structure follows that of a video game, with the main characters, or "players," interacting with a set plot while deciding their own course of action. I act as the narrator for the story, controlling the plot and setting as well as non-player characters, or "NPCs." For the purposes of consistency and making sure the characters do not do anything that would be considered too over-powered or unrealistic, I have chosen to use the rule guide and statistics modifier system presented by Wizards of the …


Musicking, Discourse, And Identity In Participatory Media Fandom, Aya Esther Hayashi 2018 The Graduate Center, City University of New York

Musicking, Discourse, And Identity In Participatory Media Fandom, Aya Esther Hayashi

Dissertations, Theses, and Capstone Projects

In this dissertation, I study three forms of music-making within media fandom and their respective communities: filk, roughly, the folk music of the science fiction and fantasy fandom; wizard rock, a punk/DIY movement inspired by J.K. Rowling’s Harry Potter novels; and the YouTube musicals of Team StarKid and AVbyte. I consider their individual histories and the popular music movements and genres that influenced their respective developments. Even though the practices of these three communities are very different, their participants use similar, if identical, discourses when discussing what they do and why they do it, including but not limited to: openness, …


Lazercism, Rubina Ramji 2018 Cape Breton University

Lazercism, Rubina Ramji

Journal of Religion & Film

This is a film review of LaZercism (2018), dir. Shaka King.


Slamdance Film Festival 2018, William L. Blizek 2018 University of Nebraska at Omaha

Slamdance Film Festival 2018, William L. Blizek

Journal of Religion & Film

Introduction to the Slamdance Film Festival 2018.


Sundance Film Festival 2018, John C. Lyden 2018 Grand View University, Des Moines, Iowa

Sundance Film Festival 2018, John C. Lyden

Journal of Religion & Film

Introduction to the Sundance Film Festival 2018.


Quiet Heroes, William L. Blizek 2018 University of Nebraska at Omaha

Quiet Heroes, William L. Blizek

Journal of Religion & Film

This is a film review of Quiet Heroes (2018), directed by Jenny Mackenzie, Jared Ruga, and Amanda Stoddard.


Puzzle, John C. Lyden 2018 Grand View University, Des Moines, Iowa

Puzzle, John C. Lyden

Journal of Religion & Film

This is a film review of Puzzle (2018), directed by Marc Turtletaub.


Sunnyside, William L. Blizek 2018 University of Nebraska at Omaha

Sunnyside, William L. Blizek

Journal of Religion & Film

This is a film review of Sunnyside (2018), directed by Frederik Carbon.


Kawabata And Cinema: The Ambivalence Of Knowledge, Medium, And Influence, Aaron Gerow 2018 Yale University

Kawabata And Cinema: The Ambivalence Of Knowledge, Medium, And Influence, Aaron Gerow

Aaron Gerow

Many researchers have considered the involvement of Kawabata Yasunari in cinema and the medium’s possible influence on his literature. Such approaches, however, tend to assume a definition of the motion pictures as visuality or montage that then influences Kawabata instead of first considering Kawabata’s own conception of cinema, his own film theory. By analyzing his writings on film, including his film criticism, short stories involving cinema, and his involvement in the film A Page of Madness, this paper outlines Kawabata’s conception of cinema and argues that he developed a portrait of cinema that posed it as a challenge to …


I Am Not A Witch, William L. Blizek 2018 University of Nebraska at Omaha

I Am Not A Witch, William L. Blizek

Journal of Religion & Film

This is a film review of I am not a Witch (2017), directed by Rungano Nyoni.


King In The Wilderness, John C. Lyden 2018 Grand View University, Des Moines, Iowa

King In The Wilderness, John C. Lyden

Journal of Religion & Film

This is a film review of King in the Wilderness (2018), directed by Peter W. Kunhardt.


Come Sunday, John C. Lyden 2018 Grand View University, Des Moines, Iowa

Come Sunday, John C. Lyden

Journal of Religion & Film

This is a film review of Come Sunday (2018) directed by Joshua Marston.


The Miseducation Of Cameron Post, John C. Lyden 2018 Grand View University, Des Moines, Iowa

The Miseducation Of Cameron Post, John C. Lyden

Journal of Religion & Film

This is a film review of The Miseducation of Cameron Post (2018), directed by Desiree Akhavan.


Digital Commons powered by bepress