Throwing Our Voices: Ventriloquism As New Media Activism, 2018 Bryant University
Throwing Our Voices: Ventriloquism As New Media Activism, Amber Day
English and Cultural Studies Journal Articles
In the fall of 2010, Chevron released an ad campaign designed to respond to consumer worries about the conduct of oil companies. Each ad depicted “customers” voicing rather nonspecific concerns about oil companies, answered by the “We Agree” slogan and information about something positive the company is doing in particular communities. Just before the campaign’s official roll-out, the anti-corporate activist group known as the Yes Men produced a series of sophisticated parody ads that spoke in more detail about the damage the company has done in specific countries. Designed to be mistaken for the real, the dummy campaign was distributed …
Beast, 2018 Cape Breton University
Beast, Rubina Ramji
Journal of Religion & Film
This is a film review of Beast (2018), directed by Michael Pearce.
Mdocs Poster-2018-02-06, Issam Nassar, 2018 Skidmore College
Mdocs Poster-2018-02-06, Issam Nassar, Jesse Wakeman, Jordana Dym
MDOCS Publications
February 6, 6pm
Location: Payne Room
Free and open to the public.
In conjunction with the exhibition This Place
Part of the Palestinian Voices series, organized and co-sponsored by the John B. Moore Documentary Studies Collaborative (MDOCS), the Environmental Studies and Sciences Program, International Affairs, Media and Film Studies, Art History, History, Hayat, and the Skidmore College Dean’s Office
Join us for a lecture by Issam Nassar on the history of Palestinian photography. Nassar is a historian of the Modern Middle East and of Photography at Illinois State University. His work focuses on the modern Middle East and the history …
Mdocs Poster-2018-02-05, Voice As Documentary Audibility With Pooja Rangan, 2018 Skidmore College
Mdocs Poster-2018-02-05, Voice As Documentary Audibility With Pooja Rangan, Jesse Wakeman
MDOCS Publications
Monday, February 5, 2018 6:00 PM - 7:45 PM (ET) PALMTN Emerson Auditorium In the field of documentary, voice, rather than point of view, is the prevailing metaphor for a filmmaker’s unique perspective, signaling the documentary genre’s textual emphasis on spoken words, as well as its social ethic of “giving voice.” Rangan’s talk will unpack the humanitarian resonances of this metaphor, as elaborated in her book Immediations: The Humanitarian Impulse in Documentary (Duke UP 2017), reframing voice as an audibility: a product of auditory forms and practices such as documentary that discipline unspoken norms of speaking and listening. Her talk …
Women Are Speaking Up At Sundance, 2018 Cape Breton University
Women Are Speaking Up At Sundance, Rubina Ramji
Journal of Religion & Film
Women speak up at Sundance 2018.
Heidegger And Hölderlin On Aether And Life, 2018 Fordham University
Heidegger And Hölderlin On Aether And Life, Babette Babich
Articles and Chapters in Academic Book Collections
No abstract provided.
How Lucille Ball Fought The Patriarchy, While Lucy Ricardo (Indirectly) Contributed To Second-Wave (White) Feminism, 2018 The Graduate Center, City University of New York
How Lucille Ball Fought The Patriarchy, While Lucy Ricardo (Indirectly) Contributed To Second-Wave (White) Feminism, Anam Rana Afzal
Dissertations, Theses, and Capstone Projects
Author Stephanie Coontz argues that our most powerful visions of traditional families derive from images that are still delivered to our homes in countless reruns of 1950s television sitcoms. In actuality, the happy, homogenous families that we “remember” from America in the 50s were a result of the media’s denial of diversity. Also, women’s retreat to housewifery after working during WWII was in many cases, not freely chosen. In his study of sitcoms, Saul Austerlitz claims that once television arrived in American cities after the war’s end, its impact was immediate and incontrovertible, and no sitcom caught America’s eye as …
The Keepers: A Collaborative Constructive Narrative Podcast, 2018 Bowling Green State University
The Keepers: A Collaborative Constructive Narrative Podcast, Shay Carroll
Honors Projects
This is a fictional podcast series that presents a story that is completed through roleplaying. The structure follows that of a video game, with the main characters, or "players," interacting with a set plot while deciding their own course of action. I act as the narrator for the story, controlling the plot and setting as well as non-player characters, or "NPCs." For the purposes of consistency and making sure the characters do not do anything that would be considered too over-powered or unrealistic, I have chosen to use the rule guide and statistics modifier system presented by Wizards of the …
Musicking, Discourse, And Identity In Participatory Media Fandom, 2018 The Graduate Center, City University of New York
Musicking, Discourse, And Identity In Participatory Media Fandom, Aya Esther Hayashi
Dissertations, Theses, and Capstone Projects
In this dissertation, I study three forms of music-making within media fandom and their respective communities: filk, roughly, the folk music of the science fiction and fantasy fandom; wizard rock, a punk/DIY movement inspired by J.K. Rowling’s Harry Potter novels; and the YouTube musicals of Team StarKid and AVbyte. I consider their individual histories and the popular music movements and genres that influenced their respective developments. Even though the practices of these three communities are very different, their participants use similar, if identical, discourses when discussing what they do and why they do it, including but not limited to: openness, …
Lazercism, 2018 Cape Breton University
Lazercism, Rubina Ramji
Journal of Religion & Film
This is a film review of LaZercism (2018), dir. Shaka King.
Slamdance Film Festival 2018, 2018 University of Nebraska at Omaha
Slamdance Film Festival 2018, William L. Blizek
Journal of Religion & Film
Introduction to the Slamdance Film Festival 2018.
Sundance Film Festival 2018, 2018 Grand View University, Des Moines, Iowa
Sundance Film Festival 2018, John C. Lyden
Journal of Religion & Film
Introduction to the Sundance Film Festival 2018.
Quiet Heroes, 2018 University of Nebraska at Omaha
Quiet Heroes, William L. Blizek
Journal of Religion & Film
This is a film review of Quiet Heroes (2018), directed by Jenny Mackenzie, Jared Ruga, and Amanda Stoddard.
Puzzle, 2018 Grand View University, Des Moines, Iowa
Puzzle, John C. Lyden
Journal of Religion & Film
This is a film review of Puzzle (2018), directed by Marc Turtletaub.
Sunnyside, 2018 University of Nebraska at Omaha
Sunnyside, William L. Blizek
Journal of Religion & Film
This is a film review of Sunnyside (2018), directed by Frederik Carbon.
Kawabata And Cinema: The Ambivalence Of Knowledge, Medium, And Influence, 2018 Yale University
Kawabata And Cinema: The Ambivalence Of Knowledge, Medium, And Influence, Aaron Gerow
Aaron Gerow
I Am Not A Witch, 2018 University of Nebraska at Omaha
I Am Not A Witch, William L. Blizek
Journal of Religion & Film
This is a film review of I am not a Witch (2017), directed by Rungano Nyoni.
King In The Wilderness, 2018 Grand View University, Des Moines, Iowa
King In The Wilderness, John C. Lyden
Journal of Religion & Film
This is a film review of King in the Wilderness (2018), directed by Peter W. Kunhardt.
Come Sunday, 2018 Grand View University, Des Moines, Iowa
Come Sunday, John C. Lyden
Journal of Religion & Film
This is a film review of Come Sunday (2018) directed by Joshua Marston.
The Miseducation Of Cameron Post, 2018 Grand View University, Des Moines, Iowa
The Miseducation Of Cameron Post, John C. Lyden
Journal of Religion & Film
This is a film review of The Miseducation of Cameron Post (2018), directed by Desiree Akhavan.