Screenwriting Commons^™

Stray Cats, Christian P. Chesnut

University of New Orleans Theses and Dissertations

This paper details the making of Stray Cats, a University of New Orleans thesis film. It examines the process of creating the film in three parts. Part one will detail the pre-production, including the conceptualization, writing, and preparation for the project. Part two will cover the production, including the directing, production design, cinematography, and on-set operations. Part three will describe the post-production process, including the editing, color correction, sound design, and musical score. These three components will then be referenced in regards to the theme of the film, and will conclude by analyzing whether or not the final film achieves ...

Literarische Filmsimulation: Heinrich Eduard Jacobs Medienphilosophische Filmästhetik In "Blut Und Zelluloid", Paula Vosse

Arts & Sciences Electronic Theses and Dissertations

Heinrich Eduard Jacob´s novel Blut und Zelluloid was published in 1929 and therefore mostly reviewed as a critical artwork regarding European film-propaganda before the outbreak of the Second World War. This thesis provides the interested scholar with a different approach: It discusses Jacob´s media-philosophical method to simulate the upcoming medium film in literature. With his implicitly and explicitly organized systems of diverse media, he circumvents constraints of the Paragone-discourse and offers a well-balanced literary construction.

Jacob´s method is compared with Pinthus´ Kinobuch and Pirandello´s Shoot!, while Simmel and Benjamin provide the thesis with a fundament to ...

The Reflection Of Sub Continental Primitive Archetype Mother In The Films Of Ritwik Ghatak, Zuairijah Mou

Ray Browne Conference on Cultural and Critical Studies

Ritwik Ghatak is one of the significant Indian filmmakers in the Indian subcontinent. The touch of the culture of Bengal is clearly evident in the films of Ritwik Ghatak. Before analyzing the role of the primitive mother archetype in the scenes or in the development of the characters in his films, it is necessary to understand the origin of the primitive mother archetype.

The primitive mother archetype or maternal form is the statements, figure, myth, pattern, form, use etc. which has been existing in any culture for a long time. For example, the form of 'Mother' in Bengal is worshiped ...

Pathos, Spring 2018, Portland State University. Student Publications Board

Pathos

Editor: Sadie Jordan

Volume 12 No. 3

The Problem With David: Masculinity And Morality In Biblical Cinema, Kevin M. Mcgeough

Journal of Religion & Film

The King David of the Bible, and especially as portrayed in the books of Samuel, is one of the most complex characters in ancient literature. We are told his story from his youth as a shepherd until his death as king of Israel. He kills a mighty warrior with a slingshot, goes to war with his king and later his son, and has an affair that threatens to throw his kingdom into disarray. The stories surrounding David seem perfect for cinematic adaptation yet what makes this character so compelling has been problematic for filmmakers. Here, three types of Biblical filmmaking ...

A Reason To Daydream, Corinne Schipull

Honors Theses, University of Nebraska-Lincoln

Sexism in American culture comes as no surprise. In 2017, the film industry saw an increasing number of powerful men within its ranks exposed and exiled for allegations of sexually predatory behavior. Many see this purging as a sign of changing times, but this view is optimistic: the tides of change ebb in and out, and this problem far exceeds the movie industry. Well before the onslaught of articles on the likes of Harvey Weinstein, my classmates and I resolved to craft our senior thesis film with a crew made up entirely of women: we simply saw the pool of ...

Little Trees, Maxwell Kane

Honors Theses

I believe in the power of film as a medium of storytelling. My desire to head a year-long production as well as create a moving story that underlined my interest in sibling relationships motivated me to create a short film as my honors thesis. My film, Little Trees, emphasizes themes such as alienation and growth within a broken household. My ultimate goal is to become an artist who creates meaningful cinema by telling deeply personal stories, and creating Little Trees was a successful first step in that process.

Pathos, Winter 2017-2018, Portland State University. Student Publications Board

Pathos

Editor: Sadie Jordan

Volume 12 No. 2

Daedalus (A Screenplay), John Ver Mulm

University of Iowa Honors Theses

Daedalus

By

John Ver Mulm

This screenplay is an adaptation based on the mythological inventor, Daedalus. Most audiences are less familiar with who Daedalus is compared to what he accomplished (designed and built the Labyrinth) or who he is associated with (his son, Icarus). For the most part, as found in Apollodorus’ The Library, Daedalus’ story weaves throughout the background of better-known heroes and villains. That is not to say his story is any less interesting, or – as many myths end – tragic.

In my script, I attempt to flesh out the brief origins of the great inventor. This tale is ...

Silence In The Stars, Taylor Claman

University of Iowa Honors Theses

This honors project is a feature length film that explores the concept of friendship and adversity. There are themes of race, loss, absence, adolescence and young love. The main character, Pim, loses her brother at a young age, and his absence affects her life even four years later, where the story takes place. As Pim and Marisol bond over their shared hardship, Pim learns to open up and allow herself happiness as she starts to heal from the impact of her brother's death on her life.

The Horse's Ass: A Survey Of Comediology, William M. Fisk

University of New Orleans Theses and Dissertations

What is comedy? Can someone learn to be funny? Are there rules or guidelines for the production of laughter, the universal language? This paper, which outlines an investigation of successful comedians and the production of a short film, determines to aggregate as many of the relevant prerequisites of inducing giggles as possible, especially as they relate to the audiovisual medium of cinema.

The Mountains Are Calling, Alexis Brianne Collins

Honors College Theses

Mark Knapp’s Relationship Model in Communication Studies attempts to limit human relationships to a specific, linear array of stages and categories. This research project attempts to critique the rigidity of Knapp’s model, while simultaneously attempting to posit film as an incredibly influential tool (if not an alternative model entirely) for communication both diegetically – within the realm of the film – and in conversation with an audience. The silent nature of the creative filmed portion of this project is in direct opposition to Knapp’s model, which inadvertently roots human relationships in language.

An Unfinished Conversation: An Interview With Yiyun Li, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

An interview of fiction writer and memoirist Yiyun LI.

End Of Paragraph, Rowan Cahill

Rowan Cahill

My Name Is Jing, Jing Wang

School of Arts & Sciences Theses

My Name is Jing is an essay film about my family and a commentary on the rapid changes that have taken place in Chinese society over the past five decades. The film explores personal and national memories. It shows the impact of large-scale economic and social changes on an ordinary Chinese family.

Trepidation: A Film Project On Cultural Trauma, Courtney A. Duchene

Media and Communication Studies Summer Fellows

A trailer and a screenplay for a docudrama film that examines cultural trauma in relation to police shootings and the 2016 election.

New Design Principles For Mobile History Games, Owen Gottlieb

Presentations and other scholarship

This study draws on design-based research on an ARIS–based mobile augmented reality game for teaching early 20th century history. New design principles derived from the study include the use of supra-reveals, and bias mirroring. Supra-reveals are a kind of foreshadowing event in order to ground historical happenings in the wider enduring historical understanding. Bias mirroring refers to a nonplayer character echoing back a player’s biased behavior, in order to open the player to listening to alternative perspectives. Supra-reveals engendered discussion of historical themes early in the game experience. The results showed that use of a cluster of NPC ...

Desecrate: An Original Feature-Length Screenplay, Justin Zorn

Honors Theses

The basis of this creative project was to construct a feature-length, three-act screenplay in the mold of both the American Western genre and the modern road epic. The “road” genre, a staple of American cinema, is form of story in which one or two characters are confronted by situations that put them on journeys of Odysseus-like proportions during which they must overcome some fundamental issues in their respective lives. Following the examples of mainstream road epics such as Steven Spielberg’s Saving Private Ryan (1998) and the Cohen brothers O Brother, Where Art Thou? (2000), my screenplay incorporates the same ...

Into The Green, Mary M. Casteel

University of New Orleans Theses and Dissertations

The contents of this paper will detail the making of my film Into the Green, a University of New Orleans thesis film. I will examine the processes used to create my film in five parts. Part One will cover the various inspirations and influences that I pulled from to create the story. Part Two will cover the entirety of pre-production and will begin to detail the various collaborators who worked along with me. In Part Three I will discuss the shooting process in Arkansas and in Part Four I will cover the film’s journey through post-production. Finally, in Part ...

Social Justice Through Storytelling: Sugar Land, Alexa Garster

Honors Thesis

This thesis project (i.e. feature screenplay) was inspired first and foremost by an interest in the function of capital punishment in today’s society; and secondly, by the significant absence of female protagonists across the majority of contemporary film narratives. As such, this script focuses on a female anesthesiologist who, through a series of unanticipated events, comes to accept the job of executioner at a Texas state prison.

This narrative thus addresses the role of the executioner—as well as the political, social, cultural, and psychological consequences that come from such a position—against the larger backdrop of capital ...