Visual Studies Commons^™

The Farnsworth House & 'The Grand Budapest Hotel': Cinematic Spaces, Rylie Davis

Architecture Undergraduate Honors Theses

Mies van der Rohe designed the Farnsworth House as a personification of his architectural vision, an architectural language void of the mistakes of the past that could be taught universally. Mies’ illusory idea of free-flowing anti-space was ideologically unconnected to the cinematic arts, nevertheless the application of his design philosophy consequently resulted in spaces that were scenographic and cinematic. Just as a cinematographer establishes a relationship between the viewer and the scene, Mies van der Rohe used perspective to frame views transforming the Farnsworth House into an intermediary object establishing a relationship between nature and the viewer. The Farnsworth House ...

[Cntrl] + [Alt] + [Esc] ? Virtual Platforms As Spaces Of Control And Contestation, Aras Ozgun

Markets, Globalization & Development Review

No abstract provided.

Street Life In London: Context And Commentary, Emily Morgan

Emily Kathryn Morgan

This book is the first-ever in-depth analysis of the genesis, development and context of Smith and Thomson’s innovative publication. Now regarded as a pioneering photo-text and a foundational work of socially conscious photography – “one of the most significant and far-reaching photobooks in the medium’s history” (The Photobook: A History) – Street Life in London did not achieve commercial success in its own time. In Street Life in London we see the start, but not the conclusion, of a conversation between text and image in the service of education, reportage and social justice.

The Past Is Never Dead: Amorphous Time In Jean-Luc Godard's Notre Musique, Anthony E. Dominguez

All Dissertations, Theses, and Capstone Projects

Jean-Luc Godard is undoubtedly one of the most central figures to cinema. A pioneer of the French New Wave, Godard’s style would go on to influence all realms of the artform. Despite continuing to make films beyond the French New Wave, however, Godard would eventually succumb to his own myth. Godard studies have largely remained focused on these early portions of his career that are so well remembered, ranging from 1960 to 1968. While in more recent times, Godard’s post-68 filmography has received more scholarly notice, there still exists a discrepancy of attention between Godard’s latest films ...

Uncovering Alice Bag: An Alternative Punk History, Emily Macune

Scripps Senior Theses

The intention of this thesis is to provide an alternative counter-narrative to the mainstream histories of punk that center white men. By focusing on the contributions of fem queer and POC punks, I aim to legitimize punk music as a form of resistance against systems of oppression that are oppositional to the commodified forms of mainstream punk. Using Alice Bag, as my central case study as a fem queer punk that is often left out of punk historical narratives, I contextualize her work through feminist, queer, and media studies lenses to bridge the gap between academia and forgotten personal experience.

The Attention Crisis Of Digital Interfaces And How To Consume Media More Mindfully, Kristen M. Liu

Scripps Senior Theses

Digital forms of media are monopolizing individuals' attention spans, utilizing visual strategies that demand our interactions. Throughout the history of media technology, mediums have become increasingly immersive, presenting more information than ever before. The user interface designs of digital platforms can damage our ability to focus and distribute attention in meaningful ways. Through analysis of our digital media consumption, this capstone project ultimately proposes mindful practices that help us lead more balanced lives and thrive in the digital age. The second half of this capstone project is a digital zine with digital illustrations, animations, and editorial-style articles. The digital zine ...

Star Wars And Franchising: Emotional Ownership And Tensions In The Digital Age, Claire A. Pukszta

Scripps Senior Theses

This paper unpacks the franchise system and the often-tumultuous relationship between Producers and Consumers, especially around the release of new films by the Producers. Star Wars represents far more than just a corporate product. There is a thriving ecosystem around pieces that have touched fans lives personally.

The reaction of fans to new media texts in existing franchises is in constant flux. Tumultuous emotions of betrayal come in waves from fans immediately following the release of new content. Specifically focusing on reception to prequel films, Episode 1: The Phantom Menace (1999) and Solo: A Star Wars Story (2018), reveals how ...

Screening Religiosity In Contemporary Polish Films. The Role Of Religious Motifs In Visual Communication., Mariola Marczak

Journal of Religion & Film

In the paper the Polish contemporary cinema has been explored as a vehicle through which films can reflect and communicate social issues, such as religiosity of Polish society, the character of it, the ways of expression and values promoted by it. The main components of modern Polish religiosity are shown as they are exhibited in film works perceived as part of modern visual culture. The examination also comprises most frequently and typically tools used for communicating or revealing the transcendent sphere in the contemporary Polish films, such as Christ-figures - including apocryphal ones and parables. They are considered as a narrative ...

Mata Sueños/ Dream Killer, Lucero Aguirre

Art Practices MFA Theses

The thesis installation, Mata Sueños / Dream Killer, recalls the atmosphere of a birthday party. It also presents a surrogate for the anxiety and fear that permeates the experience of undocumented and mixed-status families living in the United States. As a person born into these circumstances, I reorient this celebration to bring attention to the looming possibility of removal. My installation suggests what remains hidden within domestic spaces. Upon close observation, the handmade paper decorations that adorn the room reveal that they are obsessively bitten. These decorations form an engulfing mass, one that is both familiar and surreal. Together with ...

說不出的痛 : 家暴兒童的內心世界, Suk Mun, Sophia Law

Research Expression through Art : Visual Studies Faculty

自2012年開始，作者專注研究藝術作為圖像語言的本質，以及如何利用藝術創作介入保護家庭及兒童服務，促進家暴兒童受害者的自我表達，為他們在不利的成長環境之中，提供一處或是僅有的安全空間和渠道，讓他們長期被抑壓的情緒得以適當的宣洩，作為導向他們健康成長的開步。

多年來，作者與相關服務單位的社工和專業的藝術治療師，為家暴兒童受害者特別設計連串的藝術創作計劃，所有完成的計劃都是各方專業共同積極參與的成果。最短的計劃為時半年，大多數是一年的計劃，嚴重的個案會個別跟進至年半或更長。

由2012至今，多項完成的計劃已服務超過六十位受家暴創傷的兒童，當中不少的創傷是經年累月的。本書摘錄了這些孩子的作品，當中展現了驚恐、悲傷、憤怒、迷惘和歉疚等，反映的是他們內心那紛亂不安的世界。他們當中承受的創傷或有相同，但每幅圖像都有其獨特的複雜性，非一個孩子能夠用說話和文字說得清楚的。

本書收錄的每一幅圖畫都是一種圖像書寫（image writing）。圖像書寫不需依賴兒童那尚待開發和學習的語言能力。正因如此，這些作品讓我們看見家暴兒童受害者內心那說不出的痛。

Fake Or Visual Trickery? Understanding The Quantitative Visual Rhetoric In The News, Rohit Mehta, Lynette Deaun Guzmán

Journal of Media Literacy Education

In online and video/television spaces, news media discourses incorporate multimodal design as a discursive move capable of steering meaning toward desirable implications. Around the 2016 U.S. presidential elections, while polarized news outlets made their positionality on the candidates obvious, more neutral or central news outlets revealed their preferences through subtle multimodal design choices. One of these design choices is using a quantitative visual rhetoric: persuasive multimodal moves that draw on quantification through visual, spatial, and textual manipulation—involving the choice of data representation, visual images, and illustrations, (im)balance between numeric and alphabetic texts, and general quantitative narrative ...

“Apoleptic” Ironies And “Accident-Ed” Realities: World War I And Berlin Dada Photomontage, Barbara L. Miller

Dada/Surrealism

No abstract provided.

Diasporadical: In Ryan Coogler's 'Black Panther,' Family Secrets, Cultural Alienation And Black Love, Terri P. Bowles

Markets, Globalization & Development Review

This is a review of the film Black Panther (2018) by Ryan Coogler, which traces the arc of the comic book hero as he faces an unanticipated challenge to his power by a man who threatens not just his throne but also the future of his nation. The review explores the ways in which the legacy of slavery and colonialism inform the distinct political and philosophical ideologies of the two main characters, and how inequality drives political thought.

“Second Looks, Second Chances”: Collaborating With Lifers On A Video About Commutation Of Lwop Sentences, Regina Austin

Faculty Scholarship at Penn Law

In Pennsylvania, life means life without the possibility of parole (“LWOP”) or “death by incarceration.” Although executive commutation offers long serving rehabilitated lifers hope of release, in the past 20 years, only 8 commutations have been granted by the state’s governors. This article describes the collaboration between an organization of incarcerated persons serving LWOP and the law-school-based Penn Program on Documentaries and the Law that produced a video supporting increased commutations for Pennsylvania lifers. The article details the methodology of collaborative videomaking employed, the strategic decisions over content that were impacted by the politics of commutation, and the contributions ...

In History, The Future: Determinism In The Early History Of Photography In France, Emily Doucet

communication +1

Technological determinism and media specificity have profoundly shaped the history of photography—two strands of thought inherited from nineteenth century predecessors. Media archaeological approaches—while not always explicitly and perhaps, as Thomas Elsaesser has recently suggested, rather as symptom—have been taken up in the history of photography in response to long held narratives shaped by a disciplinary media determinism. This article explores discourses of futurity and historicity in early photographic writing in France, examining one thread in the early trajectory of media determinism in the history of photography. Taking up Eric Kluitenberg’s concept of “imaginary media”, this article ...

Constructing The Invisible - Computer Graphics And The End Of Optical Media, Ricardo Cedeño Montaña, Christina Vagt

communication +1

This media archaeology of early computer graphics tackles the relation between the imaginary and technical media. We focus on the algorithmic procedures and mathematical principles driving 3D computer graphics during the 1970’s and we frame them in a discussion about the end of optical media and a reflection on the current situation in which images, commanded by techno-codes, delineate and structure the dominant code of communication with which we imagine. Even though algorithmic simulations of optical worlds do not represent the end of optical media as Friedrich Kittler once argued, computer graphics can be seen retrospectively as an escalation ...

Challenging Old And New Images Representing The Cambodian Genocide: The Missing Picture (Rithy Panh, 2013), Vicente Sánchez-Biosca

Genocide Studies and Prevention: An International Journal

This article focuses on the images used over four decades to represent the Cambodian genocide in photography, cinema, visual arts and the media as the basis for analyzing the documentary-memoir directed by Rithy Panh, The Missing Picture. First, there is a paucity of images which depict, evoke or allude to the crimes perpetrated by the Khmer Rouge (1975-1979); second, scholars raise objections about whether any image can adequately depict a catastrophic event such as genocide. This article begins by categorizing the Cambodian genocide iconography according to the modality of the visual production. After briefly classifying this visual output in four ...

Reflections On The Significance Of Images In Genocide Studies: Some Methodological Considerations, Lior Zylberman, Vicente Sánchez-Biosca

Genocide Studies and Prevention: An International Journal

This is the editors' introduction to the special issue: "Images And Collective Violence: Function, Use And Memory."

“You Could See Rage”: Visual Testimony In Post-Genocide Guatemala, Lacey M. Schauwecker

Genocide Studies and Prevention: An International Journal

Since the Guatemalan genocide against Maya populations (1981-1983), domestic and international human rights groups have organized truth commissions, forensic exhumations, and legal cases. These efforts to secure justice have achieved minimal success, prompting a reconsideration of the relationship among narrative testimony, visual testimony, and institutional standards of truth. Engaging the ideas of visual studies scholar, Nicholas Mirzoeff, I argue for the political importance of testimony that is critical of such standards, including those enforced by human rights’ legal paradigm. Following Mirzoeff’s understandings of “visuality” and “countervisuality,” I analyze “visual testimony” as that which acknowledges the dynamic interplay between word ...

Bonding Images: Photography And Film As Acts Of Perpetration, Christophe Busch

Genocide Studies and Prevention: An International Journal

Historical and contemporary cases of collective violence show an incremental use of photography and film to capture and disseminate violent acts. Recording cruelty during conflict seems to be a highly ritualised practice that urges the question what communicative and psychological functions these acts have? Why and how does perpetrator photography shape a binding moral world that divides 'us' versus 'them'? These visualising acts are commonly seen as proof of power that desensitises the perpetrators and dehumanises the victims. This contribution focuses on the imagery of the Holocaust, looks into the functions that capturing and sharing cruelty has on the evolution ...