American Popular Culture Commons^™

Small Houses, Big Ideas, Caroline Jean Winn

Student Scholarship

Architecture is the unavoidable art form.It permeates everyday life and wholly shapes lifestyle; it reflects culture and location as well as the economic power of a region. At its core, architecture is a testament to its surroundings, its design naturally requiring a series of decisions regarding space, form, and use – decisions born within a crucial and telling social context, decisions that quickly reveal the social climate of an era. Indisputably, architecture serves as a lens through which scholars can peer into a time past.

In the course of this thesis, I will examine how the designs of half …

Do-It-Yourself Girl Power: An Examination Of The Riot Grrrl Subculture, Lindsay Wright

James Madison Undergraduate Research Journal (JMURJ)

No abstract provided.

"In The Land Of Tomorrow": Representations Of The New Woman In The Pre-Suffrage Era, Natalie B. O'Neal

Department of English: Dissertations, Theses, and Student Research

This digital anthology explores feminism in selected short fiction by women writers from the 1911 run of the popular women’s magazines Woman’s Home Companion, Ladies’ Home Journal, and The Farmer’s Wife. This fiction furthered the women’s rights movement by allowing women to imagine a world similar to their own with a heroine who voiced their desires and enacted change. Rather than the more experimental, inaccessible literature of avant garde high modernist writers consumed by the upper class, popular fiction reached a wider, middle class audience and was more effective at producing a progressive zeitgeist following the stilted Victorian …

The Commercialized Gaze: How Online Tourism Ads Privilege The Tourist Space, James Ivey

Georgia State Undergraduate Research Conference

No abstract provided.

Ms. Marvel: Changing Muslim Representation In The Comic World, Casey L. Trattner

What All Americans Should Know About Women in the Muslim World

Examines the representation of Muslim women in the comic book world, and how Kamala Khan (the titular Ms. Marvel) along with some other characters usher in a new wave of how Muslim women are depicted in comics.

"A Date Which Will Live In Infamy": College Newspaper Reporting Of U.S. Entry Into Wwii, Jill Crane, Marcella Lesher

Faculty Publications

No abstract provided.

The Birth Of The Mpdg 2.0: The Potential For The Manic Pixie Dream Girl Trope In Independent Film, Brenna Elizabeth Sherrill

Masters Theses & Specialist Projects

This project chronicles an in-depth character study on the Manic Pixie Dream Girl trope in film. The term was coined in 2007 by a film critic about a very specific kind of female character—one who exists “solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures.” The MPDG has often been written off as nothing more than a stereotype or sexist characterization of a woman, but I argue that the MPDG can be much more than a flat character, as evidenced by the increasingly complex characterization of …

It's Reigning Men: American Masculinity Portrayed Through Stanley Kowalski, Nina Hefner

English Class Publications

“Be a man!” Popular culture shouts this seemingly innocent command at males of all ages. Throughout the twentieth century, both men and women experienced shocking changes to society’s expectations of their gender norms. With the rise of the feminist movement during the twentieth century, women were able to leave the home and embrace the workforce. More opportunities opened up for women, such as factory jobs and secretary positions, making America’s society more egalitarian between the sexes. On the other hand, after the trauma of WWII and the onset of the Cold War, men experienced a twist in society’s expectations during …

Art Aids America: Expressions From An Epidemic, Rebecca Holbrook, Lu Freitas, April Lammers, Rebecca Acree, Jamie Hollis, Holly Martin

P-12 Lesson Plans

This series of lessons for K-12 Art classrooms emerged from the spring 2016 ZMA exhibition, Art AIDS America. This groundbreaking exhibition underscored the deep and unforgettable presence of HIV in American art. It introduced and explored a wide spectrum of artistic responses to AIDS, from the politically outspoken to the quietly mournful, surveying works from the early 1980s to the present. Art AIDS America was organized by Tacoma Art Museum in partnership with The Bronx Museum of the Arts, and co-curated by Dr. Jonathan D. Katz, Director, Visual Studies Doctoral Program at the University at Buffalo (The State University of …

Uprising, Issue 2, [Spring 2016], University Of Northern Iowa. Northern Iowa Student Government.

Uprising

Inside this issue:
Will Boelts --- 12
Urban days --- 16
Boudoir Reverie --- 32
Wildfire --- 44

What Are You Laughing At? The Comedy And Social Commentary Of Dave Chappelle, Andrew J. Fishman 5373761

Senior Theses and Projects

Coming off of the second season of his hit comedy show, Dave Chappelle was being hailed by media sources around the country as “the funniest man on television.”[1] The Chappelle Show had found a way to revolutionize sketch comedy through creative yet taboo racial sketches. The show’s wild success was closely tied to the memorable characters, ridiculous stories and the quotable lines that were produced week after week. The Chappelle Show invented many characters that became fan favorites, such as the crack addict Tyrone Biggums, Clayton Bigsby, the blind black man who was a white supremacist, and his memorable …

Whitefield's Music: Moorfields Tabernacle, The Divine Musical Miscellany (1754), And The Fashioning Of Early Evangelical Sacred Song, Stephen A. Marini

Yale Journal of Music & Religion

Evangelical hymnody was the most significant form of popular sacred song in eighteenth-century Anglo-America. John and Charles Wesley built their Methodist movement on it, but little is known about the music of their great collaborator and eventual rival, George Whitefield (1714-1770). The essential sources of Whitefield's music are the development of ritual song at his Moorfields Tabernacle in London, his Collection of Hymns for Social Worship (1753) prepared for that congregation, and a little-known tunebook called The Divine Musical Miscellany (1754) that contains the first and definitive repertory of music known to be sung at Moorfields. This essay recovers Whitefield's …

The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith

Dissertations, Theses, and Capstone Projects

“The New Reflexivity” tracks two narrative styles of contemporary Hollywood production that have yet to be studied in tandem: the puzzle film and the found footage horror film. In early August 1999, near the end of what D.N. Rodowick refers to as “the summer of digital paranoia,” two films entered the wide-release U.S. theatrical marketplace and enjoyed surprisingly massive financial success, just as news of the “death of film” circulated widely. Though each might typically be classified as belonging to the horror genre, both the unreliable “puzzle film” The Sixth Sense and the fake-documentary “found footage film” The Blair Witch …

Polymediated Narrative: The Case Of The Supernatural Episode "Fan Fiction", Art Herbig, Andrew F. Herrmann

ETSU Faculty Works

Modern stories are the product of a recursive process influenced by elements of genre, outside content, medium, and more. These stories exist in a multitude of forms and are transmitted across multiple media. This article examines how those stories function as pieces of a broader narrative, as well as how that narrative acts as a world for the creation of stories. Through an examination of the polymediated nature of modern narratives, we explore the complicated nature of modern storytelling.

Ideal Objects: The Dehumanization And Consumption Of Racial Minorities In Joyce Carol Oates's Zombie, April D. Pitts

Bearing Witness: Joyce Carol Oates Studies

This essay explores the relationship between race and ideal democratic citizenship in Joyce Carol Oates's novel, Zombie (1995). It argues that in Zombie, white social status is depicted as dependent upon the dehumanization and consumption of racial minorities.

A Rural Nebraska Boy’S Comic Strip Narrative Of World War Ii, Mike Kugler

Northwestern Review

The comics drawn by James “Jimmy” Kugler (the author’s father) when he was 13 in 1945 and living in Lexington, Nebraska provide a microhistorical perspective on at least four things. First, they offer a glimpse of an adolescent boy’s life in small town America during the mid-twentieth century. The strips took local buildings and situations and turned them into something strange, reflecting some of Jimmy’s loneliness and alienation. Further, they “back talked” the adults in charge of school and town. Second, they manifest the power of a dynamic American popular culture at the time. Jimmy’s war comic strips depict fairly …

Resume Of Joel Drotts Juris Doctorate, Joel M. Drotts Esq.

Joel M. Drotts Esq.

This is the resume of the author Joel Drotts.

Graverobber, Individualized Chorus: The Greek Chorus Reinterpreted In Repo! The Genetic Opera, Grace Markulin

The Downtown Review

The rock opera film Repo! The Genetic Opera (2008) provides its audience with details regarding the film’s setting and perspectives on the morality of the film’s plot through the character Graverobber, whose sung dialogue expresses this information. Graverobber’s penchant for scene-setting and moralizing within the film classifies the character as a Greek chorus according to the parameters of the Greek chorus in antiquity and modern interpretations of the chorus in twentieth-century musical theater, but the character’s visual distinctiveness, preexisting relationship with an established character, and prominent use of solo vocal lines throughout his sung dialogue demonstrates a degree of individuation …

Peeling The Onion: Satire And The Complexity Of Audience Response, Jane Fife

English Faculty Publications

Satire is a popular form of comedic social critique frequently theorized in terms of Kenneth Burke’s comic frame. While its humor and unexpected combination of incongruous elements can reduce tension that surrounds controversial issues to make new perspectives more accessible, audience response to satire can vary tremendously—including the very negative as well as the very positive. Teaching satire should include exposure to rhetorical theory and audience reception analysis to better prepare students as consumers and creators of satires. With a complex, layered pedagogy, satire can be an important component of the twenty-first-century rhetor’s toolkit.

Movements In Dialogue: Kaleidoscope And The Discourse Of Underground News, Jeb Ebben

UReCA: The NCHC Journal of Undergraduate Research & Creative Activity

From 1967 to 1971, Kaleidoscope shared new and revolutionary ideas, challenged its readers, and created an important venue for intramovement dialogue. Beginning as an outlet for Milwaukee’s burgeoning counterculture and evolving into an important part of the mass movement, Kaleidoscope’s willingness to honestly interrogate the issues facing the community it served meant that it was an arena for tensions to be resolved. That Kaleidoscope, unlike many of the underground papers of the era, never transformed into an unofficial party organ for the New Left allowed it to be uniquely critical of the politics of the mass movement while at the …