"Daring Propaganda For The Beauty Of The Human Mind:" Critical Consciousness-Raising In The Poetry And Drama Of The Black Power Era, 1965-1976,
2016
University of Massachusetts Amherst
"Daring Propaganda For The Beauty Of The Human Mind:" Critical Consciousness-Raising In The Poetry And Drama Of The Black Power Era, 1965-1976, Markeysha D. Davis
Doctoral Dissertations
This dissertation is a literary and intellectual history of the contributions of black American theorists, poets, and dramatists in the 1960s and 1970s towards the establishment of black critical consciousness in order to lay grounds for black people to experience a fuller existence as human beings through black-centered creations and presentations. Through the following chapters, I establish the framework and evolution of black psyche-liberation theories—spanning Du Bois’s theory of double-conscious through the contributions of black artist-theorists like Baraka, Neal, and Woodie King, Jr., followed by examinations at length of the theories of black liberation in praxis by the poets and …
Margaret Jane Mussey Sweat Diary, 1849-1880,
2016
University of New England
Margaret Jane Mussey Sweat Diary, 1849-1880, Margaret J. M. Sweat
Diary, 1849-1880
Diary of Margaret Jane Mussey Sweat with entries dating from 1849-1880. Includes several clippings and photographs pasted in.
From Recovery To Discovery: Ethnic American Science Fiction And (Re)Creating The Future,
2016
University of New Mexico - Main Campus
From Recovery To Discovery: Ethnic American Science Fiction And (Re)Creating The Future, Daoine S. Bachran
English Language and Literature ETDs
My project assesses how science fiction by writers of color challenges the scientific racism embedded in genetics, nuclear development, digital technology, and molecular biology, demonstrating how these fields are deployed disproportionately against people of color. By contextualizing current scientific development with its often overlooked history and exposing the full life cycle of scientific practices and technological changes, ethnic science fiction authors challenge science’s purported objectivity and make room for alternative scientific methods steeped in Indigenous epistemologies. The first chapter argues that genetics is deployed disproportionally against black Americans, from the pseudo-scientific racial classifications of the nineteenth century and earlier through …
Visionaries Of The American West : Mari Sandoz And Her Four Plains Protagonists,
2016
South Dakota State University
Visionaries Of The American West : Mari Sandoz And Her Four Plains Protagonists, Lisa Rae Lindell
Lisa R. Lindell
The authorial reputation of Mari Sandoz has long rested in the shadow of other writers of her era. First of all, Sandoz wrote from and about a relatively remote region of the United States. In addition, she firmly refused to produce popular works at the expense of sacrificing the truth she perceived and wished to express. Consequently, Sandoz has often been classified as a regional writer and her works have been overlooked by many readers and critics. Her status as a woman, her unconventional writing style, point of view, and subject matter, and the blending of historical and fictional elements …
The Novel-To-Film Translatability Of Satire In The The Day Of The Locust And Wise Blood,
2016
South Dakota State University
The Novel-To-Film Translatability Of Satire In The The Day Of The Locust And Wise Blood, Jason Mcentee
Jason McEntee
It comes as no surprise that the critical work focusing on Nathanael West's The Day of the Locust (1933) and Flannery O' Connor's Wise Blood (1952) sheds much light on the motifs satirical and otherwise at work in the novels. However, the film versions of the novels, those by legendary directors John Schlesinger (1969's Midnight Cowboy) and John Huston (1941's The Maltese Falcon), respectively, remain open to investigating how satire works within them. On the one hand, for instance, the popular vein of criticism regarding West and his Hollywood novel seems focused by the Frankfurt school of thought-mostly Adorno, and …
Tapley, Corinne Rachel, 1892-1945 (Sc 3060),
2016
Western Kentucky University
Tapley, Corinne Rachel, 1892-1945 (Sc 3060), Manuscripts & Folklife Archives
MSS Finding Aids
Finding aid only for Manuscripts Small Collection 3060. The Little Colonel’s Good Times Book (Boston: L. C. Page, 1909) containing birthday records and diary entries of Corinne R. Tapley, Watertown, New York, from January 1910 to September 1912. She writes of social occasions, travel to New York City, graduating from high school, and participation in a wedding party.
Reframing The Archive: Vietnamese Refugee Narratives In The Post-9/11 Period,
2016
Bucknell University
Reframing The Archive: Vietnamese Refugee Narratives In The Post-9/11 Period, Mai-Linh Hong
Faculty Journal Articles
This article considers how recent narratives about Vietnamese refugees engage with the Vietnam War’s visual archive, particularly iconic photographs from the war and ensuing “boat people” crisis, and contribute to present-day discourses on American militarism and immigration. The article focuses on two texts, a National Public Radio special series about a US naval ship (2010) and Thanhha Lai’s Inside Out & Back Again (2011), which recounts a Vietnamese child’s refugee passage. By refiguring famous photojournalistic images from the war, the radio series advances a familiar rescue-and-gratitude narrative in which the US military operates as a care apparatus, exemplifying a cultural …
Book Review - Porch Lights,
2016
Augusta University
Book Review - Porch Lights, Jennifer Putnam Davis
Georgia Library Quarterly
No abstract provided.
Mad Men Of Letters: Advertising, Masculinity, And The American Postmodern Novel,
2016
The Graduate Center, City University of New York
Mad Men Of Letters: Advertising, Masculinity, And The American Postmodern Novel, Jennifer Chancellor
Dissertations, Theses, and Capstone Projects
In this dissertation I account for the overwhelming whiteness and maleness of the American postmodern novel that has long puzzled scholars by arguing that the genre must be understood as an expression of dominant masculinity threatened, not by women or people of color, but rather changes in postwar business and consumer culture. I support this claim by examining works by some of the founding American postmodern novelists—Joseph Heller, Don DeLillo, Kurt Vonnegut, and Thomas Pynchon—through the lens of historicism and biography. As advertising and publicity professionals in the postwar period, these men were positioned to offer a “complicitous critique” of …
The Anxious Shadow Of A Coldwar: Affect, Biopower & Resistance In Fiction & Culture In The Period Of Intra-Anxiety 1989-2001,
2016
The Graduate Center, City University of New York
The Anxious Shadow Of A Coldwar: Affect, Biopower & Resistance In Fiction & Culture In The Period Of Intra-Anxiety 1989-2001, Kate Adler
Dissertations, Theses, and Capstone Projects
Don DeLillo’s 1997 novel Underworld stands as the framing text for this study of fiction, cultural affect, and resistance in the later part of the 1980’s – the exhausted, waning years of the Cold War – and the 1990’s, the period immediately following its collapse. DeLillo’s book is situated in the 1990’s, a period of what I term “intra-anxiety” following the Cold War and prior to the attacks of September 11th and the ensuing “War on Terror.” The Cold War had provided an organizing myth for America and American culture, absorbing and structuring anxieties and governing affect. “The Cold …
“Vital Glowing Things”: The Art Of Women’S Writing, 1910-1935,
2016
The Graduate Center, City University of New York
“Vital Glowing Things”: The Art Of Women’S Writing, 1910-1935, Elizabeth C. Decker
Dissertations, Theses, and Capstone Projects
The rising field of new modernisms continues to breathe new life into the literature of marginalized writers of the late-nineteenth and early-twentieth century. By imagining modernism as a series of modes and strategies, and expanding the axes upon which we map modernism’s boundaries, we make way for writers who were shut out by the often imbalanced, limited modernism of the past and illuminate the field with new possibilities. This dissertation takes part in this exciting, vibrant conversation by identifying a mode of modernism present in the literature of three early twentieth-century women writers, who all used visual art techniques to …
The Strains Of Confessional Poetry: The Burdens, Blunders, And Blights Of Self-Disclosure,
2016
The Graduate Center, City University of New York
The Strains Of Confessional Poetry: The Burdens, Blunders, And Blights Of Self-Disclosure, Lara Rossana Rodriguez
Dissertations, Theses, and Capstone Projects
When a provocative style of autobiographical verse had emerged in postwar America, literary critics christened the new genre “confessional poetry.” Confessional poets of the 1960s and ’70s are often characterized by scholars of contemporary poetry as a cohort of writers who, unlike previous generations before them, dared to explore in their work the personal and inherited traumas of mental illness, family suicides, failed marriages, and crushing addictions. As a result, the body of work these writers produced is often experienced as a collection of stylized, literary self-portraits. What can these self-portraits reveal to us about the connection between confessional poetry …
Boone, Joy (Field) Bale, 1912-2002 (Mss 588),
2016
Western Kentucky University
Boone, Joy (Field) Bale, 1912-2002 (Mss 588), Manuscripts & Folklife Archives
MSS Finding Aids
Finding aid only for Manuscripts Collection 588. Papers of poet, editor and activist Joy Bale Boone, Elkton, Kentucky, relating primarily to her service as chair of the Committee for the Center for Robert Penn Warren Studies at Western Kentucky University. Includes correspondence, Committee records, collected data on Robert Penn Warren, and photographs. Also includes audio and video interviews of Boone and colleagues.
Speaking And Mourning: Working Through Identity And Language In Chang-Rae Lee’S Native Speaker,
2016
University of South Carolina - Aiken
Speaking And Mourning: Working Through Identity And Language In Chang-Rae Lee’S Native Speaker, Matthew L. Miller
Asian American Literature: Discourses & Pedagogies
In my essay entitled “Speaking and Mourning: Working Through Identity and Language in Chang-rae Lee’s Native Speaker,” I argue that the novel’s protagonist Henry Park finds himself at a critical juncture in his life at the novel’s beginning. I analyze the protagonist’s relationship to language acquisition and identity, which have been developed by Lee to be associated as traumas. Furthermore, these topics are complicated by the death of his son, Mitt. This loss is a trauma of the heart and of the self for the main character who sees a successful navigation of language and immigration lost by his …
Confession, Hybridity, And Language In Gina Apostol’S Gun Dealers’ Daughter,
2016
University of Memphis
Confession, Hybridity, And Language In Gina Apostol’S Gun Dealers’ Daughter, Cecilia Nina Myers
Asian American Literature: Discourses & Pedagogies
In Gun Dealers’ Daughter, Gina Apostol creates multiple tensions reflecting the relationship between the United States and the Philippines and among different linguistic codes. Languages mix throughout the text, set in the Marcos Era Philippines, as symbols of fluidity and disorientation. Other characters’ frequent complex linguistic mix proves alienating for protagonist and narrator Soledad Soliman. Apostol renders Soledad as a young girl disoriented by her inability to competently use native Filipino languages because she spent most of her childhood in the United States and simultaneously traumatized by her role as the daughter of a member of former President Ferdinand …
The Author As The Novel Self: Shirley Lim’S Sister Swing,
2016
James Cook University and National University of Singapore
The Author As The Novel Self: Shirley Lim’S Sister Swing, Denise B. Dillon
Asian American Literature: Discourses & Pedagogies
While authorial omniscience is denied the biographer, I argue that Lim as novelist takes this advantage in Sister Swing as a tool through which to explore the development of self-identity through characterizations of three sisters that in combination form the tripartite self as proposed by Freud. Autobiographical memories of familial, social and cultural life experiences are the source from which Lim draws and fleshes out, in her novel, portrayals of family members seeking freedom through different ways and means. As a self-analyst probing deep within the psyche, Lim employs linguistic stylizations to express contrastive and yet complementary points of view …
Movement And Mobility: Representing Trauma Through Graphic Narratives,
2016
Loyola Marymount University
Movement And Mobility: Representing Trauma Through Graphic Narratives, Stella Oh
Asian American Literature: Discourses & Pedagogies
The formal and stylistic movements found within the comic architecture of From Busan to San Francisco and Mail Order Bride interrogate the ways in which the visual and textual narrative can represent the emotional landscape of trauma and displacement through comics language. Engaging in a visual and textual critique of the global economy that trades in feminine identities, these graphic narratives interrogate the mobility and visibility of those who are trafficked. In these works, transnationalism is artistically embedded in consumptive practices of reading and seeing that reinforce or challenge Orientalist cultural assumptions about the Asian female body. Geographical movements of …
Rehistoricizing Differently, Differently: American Literary Globalism And Disruptions Of Neo-Colonial Discourse In Tropic Of Orange And Dogeaters,
2016
University of Connecticut
Rehistoricizing Differently, Differently: American Literary Globalism And Disruptions Of Neo-Colonial Discourse In Tropic Of Orange And Dogeaters, Patrick S. Lawrence
Asian American Literature: Discourses & Pedagogies
Through a comparative reading of two important transnational Asian American texts, Jessica Hagedorn’s Dogeaters and Karen Tei Yamashita’s Tropic of Orange, I argue that multiplicity of narration may, but does not always, resist the imposition of culturally dominant aesthetic modes, especially historical and nationalist narratives and multiculturalism. While Karen Tei Yamashita’s Tropic of Orange delegates narrative power to seven characters, it ultimately stages an ambiguous clash of discourses with a multiculturalist historicizing voice that is limited by its own contradictory impulses to control and containment. The novel dialogizes its excessive tendencies by scripting plural-but-discrete identities. In contrast, Jessica …
On Such A Full Sea Of Novels: An Interview With Chang-Rae Lee,
2016
San Jose State University
On Such A Full Sea Of Novels: An Interview With Chang-Rae Lee, Noelle Brada-Williams
Asian American Literature: Discourses & Pedagogies
An interview with author Chang-rae Lee.
Introduction To Volume Seven: Confessing Racial Schizophrenia,
2016
San Jose State University
Introduction To Volume Seven: Confessing Racial Schizophrenia, Noelle Brada-Williams
Asian American Literature: Discourses & Pedagogies
A short meditation on teaching ethnic American literature in 2016, acknowledgments, and a summary of this volume's contents.
