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How Queer!: Camp Expression In Francis Poulenc's Trio For Oboe, Bassoon, And Piano, Kevin Ryland Eberle

UNLV Theses, Dissertations, Professional Papers, and Capstones

The music of Francis Poulenc (1899–1963) contains a great deal of humor, irony, and drama. These elements have mostly been attributed to Poulenc’s personal frivolity and associations with over-the-top figures such as Jean Cocteau. Poulenc’s homosexuality, until recently, was marginalized by a discourse shaped by Claude Rostand’s 1950 binary of “monk” (moine) and “bad boy” (voyou). In the early 21st century, Richard Burton notes that this cliché focused the discourse of a sacred/profane binary instead of a heterosexual/homosexual binary. The sacred/profane binary is used by scholars such as H. Wendell Howard to explain the distinction between Les Mamelles de Tirésias …