Science and Technology Studies Commons^™

Eighteenth-Century Glass Beads From The English Slaving Fort At Bunce Island, Sierra Leone, Karlis Karklins

BEADS: Journal of the Society of Bead Researchers

While countless tons of European glass beads flowed into West Africa over the centuries, there is still relatively little information concerning what specific nations were importing over time. It was therefore of great interest to learn about two collections of beads surface collected at the site of a British slaving fort that operated on Bunce Island in the Sierra Leone estuary of coastal Sierra Leone from the late 17th to the early 19th century. Although it is impossible to assign the beads to a specific period in the fort's history, it is clear that they are of 18th-century origin and …

Beads: Journal Of The Society Of Bead Researchers - Volume 19 (Complete)

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

Reviews And End Matter

BEADS: Journal of the Society of Bead Researchers

International Bead & Beadwork Conference, Jamey D. Allen and Valerie Hector (eds.) (2007), reviewed by Karlis Karklins

Navajo Beadwork: Architectures of Light, by Ellen K. Moore (2003), reviewed by Kate C. Duncan

Made of Thunder, Made of Glass: American Indian Beadwork of the Northeast, by Gerry Biron (2006), reviewed by Dolores Elliott

Lubāna ezera mitrāja Neolīta dzintars (Neolithic Amber of Lake Lubāns Wetlands), by Ilze B. Loze (2008), reviewed by Aleksandar Palavestra

The Bead Goes On, by Koos van Brakel (2006), reviewed by Karlis Karklins

Benjamin In Paris: Weak Messianism And Memories Of The Oppressed, Jules Simon

Selected Works Temporary Series

No abstract provided.

World War I Turkish Prisoner-Of-War Beadwork, Jane A. Kimball

BEADS: Journal of the Society of Bead Researchers

Drawing on the rich tradition of textile crafts in the Ottoman Empire, Turkish soldiers incarcerated in British prison camps in the Middle East during and immediately after World War I made a variety of beadwork items to relieve the boredom of their prolonged imprisonment and to barter or sell for food and other amenities. Best known are the bead crochet snakes and lizards, but the prisoners also used loomed and netting techniques to produce necklaces, belts, purses, and other small items.

Lessons Learned As Author And Editor, Connie Foster

DLTS Faculty Publications

Writing and editing are dynamic, creative processes. At some point both author and editor must release the finished product and submit to the production process (more copy editing, proofing and queries). To offer the best manuscript possible, some tips are presented.

Reviews And End Matter

BEADS: Journal of the Society of Bead Researchers

The Art of Beadwork: Historic Inspiration, Contemporary Design, by Valerie Hector (2005), reviewed by Alice Scherer

Beads of Borneo, by Heidi Munan (2005), reviewed by Hwei-Fe'n Cheah.

Beads: Journal Of The Society Of Bead Researchers - Volume 18 (Complete)

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

Dilthey And Simmel: A Reading From/Toward Buber's Philosophy Of History, Jules Simon

Selected Works Temporary Series

No abstract provided.

Hegels Familienbegriff – Vermittelt Durch Rosenzweig: Darstellung Einer Eigentuemlichen Geschichte, Jules Simon

Selected Works Temporary Series

No abstract provided.

Table Of Contents (V. 18, 2006)

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

Front Matter

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

Classification And Nomenclature Of Beads And Pendants, Horace C. Beck

BEADS: Journal of the Society of Bead Researchers

The year 2006 marks the 80th anniversary of the presentation of a "Classification and Nomenclature of Beads and Pendants" by Horace C. Beck to the Society of Antiquaries of London in 1926. It was subsequently published in the society's journal Archaeologia in 1928 (vol. 77, pp. 1-76). While it is somewhat out of date, it nevertheless remains a classic in its field and is still the only comprehensive work that deals with the classification of beads of complex shapes and forms. Seeing the value of this work, George Shumway reprinted it in 1973. This edition is now out of print. …

Captions And Color Plates (V. 18, 2006)

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

Alien(Ating) Naturecultures: Feminist Sf As Creative Science Studies, Helen Merrick

Reconstruction: Studies in Contemporary Culture

“Alien(ating) Naturecultures” examines the potential of feminist science fictions to act as “cross-cultural” narratives in encounters between the humanities and sciences. Merrick argues that the conjunction of disciplines figured by the term “science fiction” bears re-examination as a resource for science studies, and a potential mediator in science-humanities dialogues.

Specifically, Merrick asks, when we are concerned with critiquing and unpacking technoscientific practices, cultures and knowledges, what can more creative forms such as science fiction (sf) offer? Such questions about “naturecultures” are intimately connected to the ways we construct and understand “life,” the “human” and difference in the discourses of Science. …

To The Max: Embodying Intersections In Dark Angel, Lorna Jowett

Reconstruction: Studies in Contemporary Culture

Dark Angel is often classed with other television shows featuring female action heroes (such as Buffy the Vampire Slayer and Alias) but I argue that it exhibits a more than usual emphasis on the body of its female protagonist and that this is integral to its use of science fiction and other genres to mediate a politicised postfeminist representation of gender. The science fiction genre, it is often argued, arises directly out of Gothic fictions such as Frankenstein, and in Dark Angel the protagonist, Max, is a post-modern Frankenstein's monster, blurring boundaries between human and monster, subject and …

Mammalogy At Texas Tech University: A Historical Perspective, Lisa C. Bradley, John R. Suchecki, Brian R. Amman, Joel G. Brant, Hugh H. Genoways, L. Rex Mcaliley, Robert J. Baker, Francisca Mendez-Harclerode, Robert D. Bradley

University of Nebraska State Museum: Mammalogy Papers

The mammalogy program at Texas Tech University officially was established in 1962, when Robert L. Packard joined the faculty of the Department of Biological Sciences. As the institution's first mammalogist, Packard took the initiative to develop a strong program of mammalian research and education. Influenced by the successful program built by his mentor, E. Raymond Hall, at the University of Kansas, Packard modeled similar goals for Texas Tech University. Those goals included a strong emphasis on both undergraduate and graduate education and research, with several mammalogy faculty members, and the establishment and growth of a large and active mammal collection.

Necklaces Used In The Santería Of Cuba, Lourdes S. Domínguez

BEADS: Journal of the Society of Bead Researchers

This article examines the necklaces used in the Afro-Cuban Rule of Orisha, more commonly known as Santería. This religion, created by African slaves brought to Cuba starting in the 16th century, combines aspects of Yoruba orisha worship and Spanish Catholicism. It allowed African religious beliefs and practices to survive despite the imposition of Catholic doctrine. One of the outcomes of this amalgamation is the practice of associating individual orishas (deities) with certain Catholic saints. Each orisha is represented by specific necklaces that incorporate particular bead forms, colors, and numbers.

Elemental Analyses Of North American Glass Trade Beads, R. G.V. Hancock

BEADS: Journal of the Society of Bead Researchers

Although European-made glass trade beads can be sorted into bead varieties and studied in that manner on the basis of physical attributes, much more information can be obtained about them by means of chemical analysis. Such analyses produce chemical fingerprints that may be compared and grouped. Bead varieties that have matching chemistries were made using the same ingredients that probably came from the same sources, suggesting that they were made in a specific manufacturing center and probably during the same approximate time period. Using this information may help to establish with which European nationals specific indigenous people were dealing and …

Die Perle: A 1920s German Trade Journal, Anita Von Kahler Gumpert, Karlis Karklins

BEADS: Journal of the Society of Bead Researchers

Though short lived, the German trade journal, Die Perle, contains a wealth of information concerning the European bead and jewelry industry of the 1920s. Short articles provide insight into new machinery and apparatus for producing beads, natural and artificial materials for the production of beads and other ornaments, fashion trends, market reports, and numerous other topics. As well, there are several departments which deal with specific themes such as technical questions and sources of supplies. As the journals are in German, English summaries are provided for a representative sample of the articles to give the reader an idea of their …

Beads: Journal Of The Society Of Bead Researchers - Volume 17 (Complete)

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

Table Of Contents (V. 17, 2005)

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

Front Matter

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

Thirteen-Hundred-Year-Old Bead Adornments From Baar, Canton Zug, Switzerland, Katharina Müller

BEADS: Journal of the Society of Bead Researchers

In the year 2000, an Early Medieval (7th-century) cemetery containing more than 200 burials with rich grave goods was discovered in Baar, Canton Zug, Switzerland. Thanks to the painstaking methods used in the excavation and recording of the 2,985 glass, amber, coral, and amethyst beads found with the female burials, it was possible to reconstruct the necklaces and sewn-on appliqués they were part of. Comparisons with mosaic depictions of famous women—such as the Empress Theodora in San Vitale in Ravenna, Italy—suggest that the people of Baar imitated southern Alpine Byzantine bead jewelry fashion.

Reviews And End Matter

BEADS: Journal of the Society of Bead Researchers

Ornaments from the Past: Bead Studies after Beck, Ian C. Glover , Helen Hughes Brock, and Julian Henderson (eds.) (2003), reviewed by Joan Eppen.

Late 19th- And Early 20th-Century Manufacture Of Drawn Glass Tubing For Glass Beads, Lester A. Ross

BEADS: Journal of the Society of Bead Researchers

Late 19th- and early 20th-century archaeological sites often contain machine-made drawn glass beads with unique shapes and perforations. Little information exists documenting when these beads were initially manufactured. Through an examination of hundreds of U.S. patents, it appears that the mechanized production of drawn beads could have occurred as early as the late 19th-century, but more likely, they were not mass produced until the end of World War I, after the invention of the Danner process for mechanically drawing glass tubing. Machine-made drawn beads with multiple sides and/or shaped perforations also appear to have been produced by the late-19th century, …

Captions And Color Plates (V. 17, 2005)

BEADS: Journal of the Society of Bead Researchers

No abstract provided.

Is Chaos Theory Postmodern Science?, J. Linn Mackey

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

Based on a comparison between the theories of N. Katherine Hayles (Chaos Bound: Orderly Disorder in Contemporary Literature and Science) and Vladimir Tasic (Mathematics and the Roots of Postmodern Thought), J. Linn Mackey asks the question Is Chaos Theory Postmodern Science and looks at parallels between the literature dubbed as postmodern and the scientific branch more properly termed complex dynamics. His conclusions are surprising: both Hayles and Tasic miss important connective elements of both the science and the practice of postmodernism. Postmodern science does, in fact, exist, and literature just may be it.

Probing The Posthuman: Richard Powers' Galatea 2.2 And The Mind-Body Problem, Miranda Campbell

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

In this paper, Miranda Campbell discusses Richard Powers' novel Galatea 2.2 and argues that this work is situated at the intersection of the posthumanist and humanist discourses. Campbell examines Powers' approach to the mind-body problem, his interrogation of the limits and limitations of posthumanism, and its dissolution of the importance of the body, difference, and agency. In the posthuman setting of the Center for Advanced Science of this novel, scientists integrate the mind into the body through its designation as a mechanically functioning brain. At the Center, the binary of human and machine begins to erode with the …

Review Of Art And Fear, By Paul Virilio, Davin Heckman

Reconstruction: Studies in Contemporary Culture

No abstract provided.