Terrorism Studies Commons^™

Theorizing Threat: An Investigation Of Contentious Embodiment, Jennifer Musial, Emily Van Der Meulen

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In early summer 2006, we had a phone conversation that generated interest in this topic. Emily was reminiscing about her experiences at the Washington, D.C. March for Women's Lives in April of 2004. The March, a demonstration for reproductive justice, brought out feminists and anti-abortion protestors alike. Emily remembered seeing African-American men holding signs that equated abortion to the airplane attacks in New York City on September 11, 2001. This sparked curiosity: how does abortion become equated with "terrorism"? [1] One answer to this question is that a woman who has an abortion is said to commit "body-terrorism" …

Attacking The Body Politic: The Terroristin In 1970s German Media, Clare Bielby

Reconstruction: Studies in Contemporary Culture

In a 1977 special feature on female terrorism, the German weekly newsmagazine, Der Spiegel, published a photograph of a woman with a bomb strapped to her front, masquerading as a pregnant woman. This image perfectly encapsulates the "paradoxical" quality of the female terrorist, who instead of giving life takes it. Furthermore, if, according to Tamar Mayer, women are represented in national and cultural narratives as "the nation's social and biological womb," the threatening quality of such representations for the body politic of the nation starts to become clear. As Mayer asserts "an attack on these [female] bodies becomes an …

The Body Of The Terrorist In Contemporary Cinema, Robert Duggan, Páraic Finnerty

Reconstruction: Studies in Contemporary Culture

This article will explore the presentation of the body of the terrorist in a range of British and American films with a particular emphasis on how these films combine political and romantic plotlines. As part of a broad consideration of how the terrorist is presented, this essay will concentrate in particular on Cal (1984), The Crying Game (1992), The Dancer Upstairs (2002) and The Quiet American (2002). Rather than fully engage with the more complex discourse of politics, often these films ask audiences to conceptualize the transgressive figure of the terrorist through the very familiar vocabulary of love and sexual …

Terrorizing Bodies, Chris Gutierrez

Reconstruction: Studies in Contemporary Culture

Beginning with one single body painted by Gustave Courbet in 1866 and one temple destroyed on September 11th, this paper moves to consider the far reaching impact that the War on Terror has on the entire social body. By paying attention to the unknowable status of both the events and the perpetrators of terrorism, it will be argued that the overwhelming ambiguity of terrorism and counter-terrorist activity has allowed the War on Terror to return to prior discourses of racism and homophobia to mark the corporeal otherness it hopes to confront. Here, images from Abu Ghraib prison, joke pictures forwarded …

Discourse Of Evil: Speaking Terrorism To Silence, Galip Isen

Reconstruction: Studies in Contemporary Culture

[First paragraph]

That the impact of terrorism is equal to the reaction it elicits may be a truism, but one that deserves further probing as demonstrated by the way that reaction is put to use politically. Whichever of 150-strong definitions [1] is accepted, the consequential aspect of terrorism is ideational: the assault targets the concept and experience of normal in the lives and minds of ordinary people. Several writers argue that terrorism is generally inefficacious, strategically counterproductive and mostly unsuccessful as a method of attaining socio-political objectives [2]. However, overall public response to 11 September 2001 has been so profound …

Homeland (In)Security : Roots And Displacement, From New York, To Toronto, To Salt Lake City, Marusya Bociurkiw

Reconstruction: Studies in Contemporary Culture

[First paragraph]

On September 11, 2001, broadcast and print media around the world narrated the destruction of New York City's World Trade Center and the deaths of thousands of its occupants. This paper will examine the ways in which television and its appendages (the telephone, the internet, the newspaper) operated to organize the discursive meanings of this traumatic event. I will propose that between September 11 and February 2002's Winter Olympics in Salt Lake City, Utah, ideas about home, roots and rootedness (and their Others: foreignness, homelessness, nomadicism) operated as a discursive mapping of that which could otherwise not be …