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Full-Text Articles in Publishing

Anarchism In Book Publishing: An Exploration Of Business And Ethics, Alexis M. Woodcock May 2016

Anarchism In Book Publishing: An Exploration Of Business And Ethics, Alexis M. Woodcock

Book Publishing Final Research Papers

The term anarchist business may seem like an oxymoron to some. In fact, the misconception that anarchism precludes any organization at all is rampant, regardless of participation in capitalism. The fact remains that there are anarchist businesses all over, from restaurants to bookstores to record labels, engaging in capitalism while simultaneously opposing it. Publishing is an area of particular interest, with a number of explicitly anarchist presses actually thriving. How do they reconcile their businesses with their ideals? Does their work contradict their ideologies?


Foreign Word Alert, Foreign Word Alert: Rethinking Editorial Approaches To The Italicization Of Foreign Terms, Katey Trnka May 2016

Foreign Word Alert, Foreign Word Alert: Rethinking Editorial Approaches To The Italicization Of Foreign Terms, Katey Trnka

Book Publishing Final Research Papers

Several style guides dictate that foreign words in running text be set in italics, but those individuals concerned with marginalization are questioning this rule in increasing numbers. With an eye to authorial intent and inclusiveness, is it time to do away with this stylistic dictum wholesale, or are there valid reasons for keeping this convention in play?


Dismantling The Gate, Crossing The Threshold: The Promise Of Producerly Paratexts In Building An Innovative, Responsive, And Representative Book Industry, Dory Athey May 2016

Dismantling The Gate, Crossing The Threshold: The Promise Of Producerly Paratexts In Building An Innovative, Responsive, And Representative Book Industry, Dory Athey

Book Publishing Final Research Papers

Aisha Saeed was the first to use the hashtag that would fuel what was (and continues to be) arguably the first digital campaign to speak loudly and directly to publishers and booksellers about the mis-and underrepresentation of nonwhite, differently abled, and queer populations in young adult and children’s literature. Though Saeed’s original tweet received only eleven retweets and seven likes, two years later, the #WeNeedDiverseBooks hashtag is now just a piece of the larger organization that generated more than 333,000 dollars in 2014 (its first year as an organization) and continues to promote large-scale programming in schools, organize festivals, award …


Publishing Puzzles: Some Implications Of Literary Diffculty For The Editor, Brendan Brown May 2016

Publishing Puzzles: Some Implications Of Literary Diffculty For The Editor, Brendan Brown

Book Publishing Final Research Papers

The specter of literary difficulty is at bottom the very same as, or a primary aspect of, that which has dogged and driven textual scholars and literary theorists, linguists and philosophers of language, educators, legislators, theologians, and aesthetes—in short, “professional readers” of all stripes—from time immemorial. As such, it carries with it a bevy of unknowns, questions thus far neither satisfactorily answered nor, in many cases, even fully and properly articulated. This likely has a great deal to do with the fact that the term difficulty is and has historically been applied in a variety of senses to a radically …


How To Be In Charge (And Make Authors Do What You Tell Them): An Examination Of Editorial Authority In Letters Written By Trade Fiction And Nonfiction Editors, Emily Goldman May 2016

How To Be In Charge (And Make Authors Do What You Tell Them): An Examination Of Editorial Authority In Letters Written By Trade Fiction And Nonfiction Editors, Emily Goldman

Book Publishing Final Research Papers

This paper will introduce and discuss the ways in which six different editors of trade fiction establish their own authority as editors in their developmental letters to their authors. These particular editors edit a wide range of genres, such as literary fiction, adult fantasy and science fiction, middle grade fiction, short story collections, memoirs, and nonfiction. Some are (or have been) editors for big New York publishing houses, and others are part of small, independent presses. One editor is currently a literary agent, and another does freelance editing in addition to working at a publishing house. All six of them …


The Considerations Of Editing Previously Published Works, Ariana Marquis May 2015

The Considerations Of Editing Previously Published Works, Ariana Marquis

Book Publishing Final Research Papers

How, if at all, do editors adjust their methods when they are editing something that has been previously published (e.g. a short story that previously appeared in a literary journal and will now be published as part of a collection of short stories)? What is their justification for these adjustments (or lack thereof)? How does their understanding of these adjustments (or lack thereof) compare to the products of their efforts?


Changing Publisher-Author Relationships In The Midst Of Developing Crowd-Funded Publishing Platforms, Margaret Schimming May 2015

Changing Publisher-Author Relationships In The Midst Of Developing Crowd-Funded Publishing Platforms, Margaret Schimming

Book Publishing Final Research Papers

With the growth in crowd-funded publishing houses and imprints, it is high time to consider the implications of this type of publishing arrangement for author–publisher relationships. What are some of the factors that drive an author to this type of publishing arrangement? How do these relationships differ from traditional author-publisher relationships?