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Articles 1 - 20 of 20

Full-Text Articles in Critical and Cultural Studies

Political Orientation And Its Effect On Engagement And Perception Of The Arts, Parker Robert Mckenzie May 2024

Political Orientation And Its Effect On Engagement And Perception Of The Arts, Parker Robert Mckenzie

Communication Studies

Utilizing the Symbolic Interactionism Theory (Gusfield, 2011), this study explored the relationship between political orientation and one’s engagement with and perception of art forms. The study utilized qualitative methods analysis to analyze similarities between participant responses. Findings from participants revealed the following themes: engagement with history leading to a more profound understanding of art, art causing real-life inspiration, and engagement with art leads to the formation of sub-cultures. Additionally, interviews revealed that people choose not to engage with certain art based on political orientation, people who consider themselves to be “spiritual” engaged with art differently, and many people’s perception of …

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Standing On The Edge Of A Dream, Parto Ahmadpour Mobarake Dec 2023

Standing On The Edge Of A Dream, Parto Ahmadpour Mobarake

Graduate Theses and Dissertations

Standing On the Edge of a Dream delves into the intricate tapestry of lived experiences shaped by relocation, emphasizing the nuanced space that exists between reality and imagination. As an individual who has undergone the transformative journey of immigration, I recognize that the concept of relocation is like standing on the edge of a dream. This notion becomes a living structure, intricately woven with threads from our past, present, and future. My artistic exploration extends beyond my artworks, yet it remains deeply rooted in my personal narratives. The artworks in the exhibition continue to draw inspiration from personal memories and …

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The Artistry Of Mediation: A Look At Mediation’S Effectiveness For Resolving Cross-Cultural Disputes Through The Leonardo Da Vinci Conflict Between France’S Louvre Museum And Italy’S Uffizi Gallery, Sophia D. Casetta May 2023

The Artistry Of Mediation: A Look At Mediation’S Effectiveness For Resolving Cross-Cultural Disputes Through The Leonardo Da Vinci Conflict Between France’S Louvre Museum And Italy’S Uffizi Gallery, Sophia D. Casetta

Pepperdine Journal of Communication Research

Art is powerful, as it symbolizes the history and identity of the country that claims it. However, through timely transitions, such as trade and wars, the ownership of meaningful artworks blurs, with museums fighting to claim their heritage to put on honorable display for their people. Mediation can be a peaceful means to resolve art ownership disputes, as it accounts for respecting the individual cultures of the countries represented in the dispute. Using the key medication traits described within this essay, a prepared mediator involved in such a cross-cultural conflict should be able to help resolve the issue at hand. …

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Autoethnography As Self-Portrait: An Autoethnographic Analysis Of Trauma-Sensemaking Through Art, Kally Werning May 2023

Autoethnography As Self-Portrait: An Autoethnographic Analysis Of Trauma-Sensemaking Through Art, Kally Werning

All Theses

This project thesis is centered around coping with early onset childhood trauma through an autoethnography of narrative and art creation. The goal of this project is to understand more deeply how the art making process synthesizes or disrupts trauma sense-making through the introspective lens of the artist as scholar. The project consists of an interactive art exhibit and this written scholarly analysis of the creation and display of this exhibit. This includes an introduction to my life as a trauma survivor and Greek-American woman, informed by communication scholarship and other relevant fields regarding narrative theory, Greek history, religious and trauma …

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Myth, Soul, And The Feminine Sep 2022

Myth, Soul, And The Feminine

Journal of Conscious Evolution

What are some of the root causes that have caused the subjugation of women? Could it all have begun with the fantastical and alluring myths we were told? If so, how does myth become truth for societies as a whole? If that does happen, then it must be true that the mythic is where the emergence of the soul is found; the soul of humanity? Thereby, creating the realities found in the society of today. Even more intriguing is how consciousness and art find their way in merging with myth producing awareness, wonder, and connection in society. Thus, revealing the …

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Comparison Of Chinese And Western Arts Mirroring The Evolvement Of Consciousness, Rui Peng Jan 2022

Comparison Of Chinese And Western Arts Mirroring The Evolvement Of Consciousness, Rui Peng

Journal of Conscious Evolution

A few researchers of consciousness in the West demonstrate that the development of western art mirrors the evolvement of human Consciousness since human civilization emerged. This paper explores the differences in art development between China and the West by comparing the artworks in the same era. Furthermore, discussing why the Chinese scholar art over two thousand years does not reflect the same structures of Consciousness that western researchers defined.

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Mummy Cave; North Fork Shoshone River; Park County, Wyoming, Timothy Andrews Nov 2020

Mummy Cave; North Fork Shoshone River; Park County, Wyoming, Timothy Andrews

Conspectus Borealis

Mummy Cave represents the silence of the Sheepeater Shoshone. Little evidence of human occupation can survive this close to the river. The bank is low and rocky, with a thin deposit of alluvial soil, from the present shoreline to the angle of the ridge, where the ruddy breccia and tuff rise acutely, providing a rockface where the erosive action of the frigid mountain water could lap over eons at the igneous wall to form a shallow overhang. Camp placement in this proximity to a river was likely common, making use of a broad level riverbank to live close to water …

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A Renaissance Of The Visual Arts In Worship For Churches Of Christ, Heather Heflin Hodges Dec 2018

A Renaissance Of The Visual Arts In Worship For Churches Of Christ, Heather Heflin Hodges

Doctor of Ministry Theses

This Doctor of Ministry thesis presents the results of a project in which a group of four artists from across the United States met via video conference to create liturgical art activities that can be integrated into the Sunday morning worship for Churches of Christ. The problem identified at the beginning of the project was a lack of integration of the visual arts in worship in Churches of Christ. I understood this lack to be due in part to an iconoclastic heritage in Protestantism as well as a focus on rational intellectualism and desire for simplicity in worship as a …

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From Primitive To Integral: The Evolution Of Graffiti Art, White, Ashanti Jun 2018

From Primitive To Integral: The Evolution Of Graffiti Art, White, Ashanti

Journal of Conscious Evolution

Art is about expression. It is neither right nor wrong. It can be beautiful or distorted. It can be influenced by pain or pleasure. It can also be motivated for selfish or selfless reasons. It is expression. Arguably, no artistic movement encompasses this more than graffiti art. Because of its roots in ancient history, reemergence with the rise of the hip-hop culture, and constant transformation, graffiti art is integral. Its canvas can be a concrete building, paper, or animal. It can be two- or three-dimensional; it can be illusionistic and inclusive of various techniques. It can be composed with spray …

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Tantric Buddhist Art: Through An Integral Lens, Haven, Rien T. Jun 2018

Tantric Buddhist Art: Through An Integral Lens, Haven, Rien T.

Journal of Conscious Evolution

Tantric Buddhist art is a very diverse and unique form of art. Its main goals are to reveal the nature of reality by showing the perceiver that there is a more expansive and actualized being than the one currently experienced. In this way it shares many similarities with religious art, but puts its own special non-dual twist on religious art that will engage and surprise the reader.

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A Collaboration Of Poetry And Art: The Krill Kill Project, Diane Guichon, Sarah Melanie Harrill Feb 2018

A Collaboration Of Poetry And Art: The Krill Kill Project, Diane Guichon, Sarah Melanie Harrill

The Goose

Artist Sarah Melanie Harrill interrogates poet Diane Guichon's poem "Krill Kill" in this project of interwoven, creative representations and musings on the connectivity between nature and humanity. This project formed part of the Calgary People's Poetry Festival in the fall of 2017.

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Reconciling The Objective And Subjective: Demanding Space For The Forgotten, Maisea Bailey Nov 2017

Reconciling The Objective And Subjective: Demanding Space For The Forgotten, Maisea Bailey

CLAMANTIS: The MALS Journal

n/a

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Prison Is Not…But It Can Be…, Keoni K. Watson Sep 2017

Prison Is Not…But It Can Be…, Keoni K. Watson

Pedagogy and Theatre of the Oppressed Journal

This poem is a clarion call to action to confront our perceptions about what prison is and what it can be. The poem asks the reader to explore how they experience the “prison industrial complex” in their own lives, and how they might shift their views through perspective-taking to create a more holistically integrative prison experience for themselves and others. The value of the poem lay within the context in which it was created: written by person-first prison inmate Keoni Watson—during a three month performative workshop facilitated by Rivka Roccio at an Arizona State Penitentiary—to be performed as a spoken …

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Desert Pool {If Every Desert Was Once A Sea}, Karen Miranda Abel Sep 2017

Desert Pool {If Every Desert Was Once A Sea}, Karen Miranda Abel

The Goose

Desert Pool {If every desert was once a sea} is a site-specific art project by Canadian artist Karen Miranda Abel completed in 2016 while artist-in-residence at Joya: arte + ecología, an arts-led research centre situated in an alpine desert within a national park in southern Spain. The elemental installation represents an envisioning of the ancient sea that occupied the Sierra de María-Los Vélez Natural Park millions of years before the current desert ecology, a time when its highest mountain peaks may have been islands.

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Searching Cézanne’S Provence, Robert M. Girvan Aug 2016

Searching Cézanne’S Provence, Robert M. Girvan

The Goose

This personal essay describes the author's visit to Provence to see the sites where Cézanne painted a number of well-known landscape paintings. He compares the paintings with the landscape as it existed when the paintings were painted, and as exist today, to trace the connections between landscape, and art, and in particular, Cézanne's artistic techniques. Finally, the author suggests that Cézanne's close observation of the natural world, and commitment to studying the old masters still has something important to teach us today in our digital age.

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Summoning The Body That Acts, Brendan M. Mccauley Jul 2016

Summoning The Body That Acts, Brendan M. Mccauley

Masters Theses

Seven series of artworks; painted, drawn and performed. These works are presented as affective incorporation exercises, that test modes of aesthetic communication in response to varying political contingencies. The constitutive processes used to develop the work also function as a methodology for my own political radicalization. As an artist I am wagering how to talk, as an activist I am preparing to act. The artworks discussed occur at the crossroads of these desires as enactions of futurity within the subjunctive mood.

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Me Artsy Compiled And Edited By Drew Hayden Taylor, Nathalie N. Hager 2159876 Feb 2016

Me Artsy Compiled And Edited By Drew Hayden Taylor, Nathalie N. Hager 2159876

The Goose

Review of Me Artsy compiled and edited by Drew Hayden Taylor.

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The Immersive Medium: Art, Flow, And Video Games, Christopher M. Yalen Sep 2014

The Immersive Medium: Art, Flow, And Video Games, Christopher M. Yalen

Oglethorpe Journal of Undergraduate Research

In this article, the question of whether or not video games could be considered art is explored, as well as what this means for video games as cultural products. Using an interdisciplinary approach, I suggest that there are some games we can consider “art”, and that these games are not only different aesthetically speaking, but are also different from a media-effects standpoint. The article consists of three main sections, an aesthetic review, a content analysis, and a pilot study. In the aesthetic review, I employ different perspectives from aesthetic philosophy in order to come up with criteria for what an …

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Interpreting, Stephanie Jo Kent Aug 2014

Interpreting, Stephanie Jo Kent

Doctoral Dissertations

What do community interpreting for the Deaf in western societies, conference interpreting for the European Parliament, and language brokering in international management have in common? Academic research and professional training have historically emphasized the linguistic and cognitive challenges of interpreting, neglecting or ignoring the social aspects that structure communication. All forms of interpreting are inherently social; they involve relationships among at least three people and two languages. The contexts explored here, American Sign Language/English interpreting and spoken language interpreting within the European Parliament, show that simultaneous interpreting involves attitudes, norms and values about intercultural communication that overemphasize information and discount …

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Psychic Cleavage: Reading The Art Against The Politics In Independent Film, E. Deidre Pribram Ph.D. Jan 2002

Psychic Cleavage: Reading The Art Against The Politics In Independent Film, E. Deidre Pribram Ph.D.

Faculty Works: COM (1993-2016)

The voice Stewart (Sam Neill) hears in his head is Ada's (Holly Hunter) "mind's voice" which the audience hears twice: in voice-over narration at the opening and closing of The Piano. The otherwise mute Ada describes her mind's voice to nine-year-old Flora (Anna Paquin) while attempting to explain the disappearance of the child's father. The scene is subtitled for the audience as mother communicates with daughter in sign language. Ada tells Flora that she did not need to speak with him (he remained unnamed) as she could, instead, lay her thoughts in his mind, "like they were a sheet." …

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