Critical and Cultural Studies Commons^™

Shakespeare's Taming Of The Shrew And The Tradition Of Screwball Comedy, Mei Zhu

CLCWeb: Comparative Literature and Culture

In her paper, "Shakespeare's Taming of the Shrew and the Tradition of Screwball Comedy," Mei Zhu argues that Shakespeare's Taming of the Shrew is controversial owing to the subtlety and complexity of the text as well as its subject matter. Franco Zeffirelli's 1967 film version seems to follow the narrative structure of the original play closely while its effect is different. Through a detailed analysis and comparison of Shakespeare's play and Zeffirelli's adaptation, Mei argues that Zeffirelli's Taming is based on the Hollywood genre of screwball comedy. Rooted in mid-1930s USA during the Great Depression, such films feature a comic …

Silence And Sound In Kurosawa's Throne Of Blood, Lei Jin

CLCWeb: Comparative Literature and Culture

Lei Jin argues in her paper, "Silence and Sound in Kurosawa's Throne of Blood," that silence and sound are employed as vehicles to explore the major themes of Kurosawa's Throne of Blood, fate, ambition, and destruction. By examining closely a few dramatic moments of the film, Lei demonstrates that silence and the interaction between silence, natural sound, and Noh music enhance the effect of Kurosawa's visual images, enforce their symbolic messages, and intensify the characters' psychological conflicts. Although Asaji's introspective speech and most of the dialogue between Washizu and Asaji are eliminated, silence bespeaks Asaji's unfathomable evil. In turn, Washizu's …

Science Fiction, Forbidden Planet, And Shakespeare's The Tempest, Simone Caroti

CLCWeb: Comparative Literature and Culture

In his paper, "Science Fiction, Forbidden Planet, and Shakespeare's The Tempest," Simone Caroti illustrates the way in which Cyril Hume and Fred Wilcox's 1956 science fiction movie Forbidden Planet -- whose plot is inspired by Shakespeare's Tempest -- reconfigures in Shakespeare's play. Caroti begins by defining the genre of science fiction and explaining its attraction for modern audiences. Following Darko Suvin's notions of science fiction, Caroti highlights the theme of cognitive estrangement and shows how Forbidden Planet offers a cultural translation of this theme in The Tempest. The result of Caroti's analysis is to read Prospero and his magic in …

Cultural Anxiety And The Female Body In Zeffirelli's Hamlet, Xianfeng Mou

CLCWeb: Comparative Literature and Culture

Xianfeng Mou analyzes in her paper, "Cultural Anxiety and the Female Body in Zeffirelli's Hamlet," the workings of power, both discursive and visual, behind Zeffirelli's handling of the Nunnery and Mousetrap scenes, focusing on feminist interpretations of the female body and female sexuality. Drawing on theories by Judith Butler, Michel Foucault, and Julia Kristeva, Mou analyzes how Zeffirelli, using Hamlet as his spokesman, constructs his negative meanings about Gertrude's sexuality as rampant and aberrant and Ophelia's body as disloyal, insincere, and insignificant. Mou argues that Zeffirelli's discursive and visual constructions confer absolute power upon Hamlet and that this reflects Zeffirelli's …

Underwater Women In Shakespeare Films, Charles Ross

CLCWeb: Comparative Literature and Culture

In his paper, "Underwater Women in Shakespeare Films," Charles Ross looks at the film tradition of representing the social oppression of women by scenes submersion, a trope that has its literary roots in the classics, the French Middle Ages, the Renaissance, and the novel. Ross argues that unlike classic directors such as Kurosawa, Kozintsev, and Polanski, modern filmmakers not only like to enhance the female body, but also to draw on this trope as a cinematic shorthand to symbolize the oppression of women by various forces. Hollywood films made in the 1990s often go overboard in their attempts to make …

Method Acting And Pacino's Looking For Richard, Peirui Su

CLCWeb: Comparative Literature and Culture

In her paper, "Method Acting and Pacino's Looking for Richard," Peirui Su explores the influence of method acting on Al Pacino's decision to film Shakespeare's Richard III as an unconventional docudrama. She compares Pacino's film to Laurence Olivier's 1955 film of Richard III and Ian McKellen's 1995 modernized version to show how Pacino's documentary structure solves the problems raised by films that try either to recreate the Elizabethan world or to update Shakespeare, thereby introducing anachronisms. Su argues that Pacino engages US-American audiences by filming interviews and open rehearsals. Su concludes her paper by analyzing the well-known scene of Richard's …

Race And Othello On Film, Laura Reitz-Wilson

CLCWeb: Comparative Literature and Culture

In her article "Race and Othello on Film," Laura Reitz-Wilson discusses Shakespeare's treatment of race in Othello and compares it to what Hollywood as a producer of culture has done. Reitz-Wilson looks at nine different film versions and analyzes their approaches to Othello's race and character. She parses the historical and textual evidence for racism in Shakespeare's and concludes that it exists and should not be overlooked. Othello's otherness is, in fact, directly connected to his blackness, but Hollywood has rarely captured the tenuous line Shakespeare creates between barbarian and civilized Venetian. Her analysis of the film versions of Othello …

Bibliography For The Study Of Shakespeare On Film In Asia And Hollywood, Lucian Ghita

CLCWeb: Comparative Literature and Culture

No abstract provided.

Blue-Collar Work, Career, And Success: Occupational Narratives Of Sisu, Kristen Lucas, Patrice M. Buzzanel

Department of Communication Studies: Faculty Publications

This study examined underground iron ore miners’ occupational narratives to uncover how their stories socialize miners into blue-collar careers and reinforce their work identities. Through the root theme of sisu (Finnish for inner determination), underground miners create a status hierarchy that is used to construct a sense of pride around their work and to establish milestones of success for themselves and others in their workgroup. Furthermore, they communicatively construct exemplars that guide their performance and decisions during the unfolding of their work experiences. Their discourses provide alternatives to white-collar conceptualizations and practices of careers and success.

Teaching 9/11 And Why I'M Not Doing It Anymore, Louise Spence

Communication, Media & The Arts Faculty Publications

Offers information on Reading Seminar in Media and Cultural Theory, a course which tackles advanced work in the theoretical and critical context of the mass media as a social phenomenon. Issues about the September 11, 2001 terrorist attacks on the U.S. covered in the course; Psychological implications of the terrorist attacks; Social relevance of the course and the instructor's reasons for ending the course.

The Fair City Production Line: An Examination Of Soap Opera’S Potential Contribution To The Public Sphere, Edward Brennan

Articles

Between December 2000 and February 2001 the Irish soap opera Fair City ran an unprecedented, risky and controversial abortion storyline. This came before a looming referendum on the legality of abortion. Here, Fair City was not just offering entertainment, but provoking debate and discussion on a divisive issue in Irish society. In this case, and many others, it appears that soap opera, by promoting such discussion, may contribute to the formation of public opinion in contemporary civil society. Heretofore, most academic studies have overlooked the possible consequences of soap opera for civil society, public opinion and the democratic process. This …

Contesting Identities: Sports In American Film [Book Review], Marc Ouellette

English Faculty Publications

Aaron Baker's Contesting Identities: Sports in American Film is an indictment of the key American myth that anyone can succeed through self-reliance. Baker finds that sports films, in general, comprise a site in which the myth is represented and reproduced. Baker's focus, though presented from multiple analytical perspectives, is singular in its purpose. That said, Baker does concentrate on what he considers the four core American sports: football, baseball, basketball and boxing. Approximately ninety movies, from the silent era to the present day, provide the content of the analysis, but several are exemplary and are cited repeatedly in the book's …

Reel Baseball: Essays And Interviews On The National Pastime, Hollywood And American Culture, Marc Ouellette

English Faculty Publications

The editors of Reel Baseball begin by acknowledging the roots of their collection, which explores the intersection between movies and baseball. Since 1989 the National Baseball Hall of Fame has hosted the Cooperstown Symposium on Baseball and American Culture. Since 1997, McFarland has published all papers presented at the symposium. Reel Baseball, then, functions both as a document and as an artifact of the "integral" place of baseball movies in American culture. Indeed, the book not only includes essays presented at the symposium, it has two foreword sections: one written by Hall of Fame President Dale Petroskey and the …

"Two Guns, A Girl And A Playstation™": Gender In The Tomb Raider Series, Marc A. Ouellette

English Faculty Publications

This article considers the combination of game play and narrative which combine to produce cross-gender identifications in video games, a previously underexamined potential for the production of alternate genders, one which calls into question the stability of gender, particularly masculinity, as a construct.

On Aaron Baker's Contesting Identities: Sports In American Film And Stephen C. Wood And J. David Pincus's Reel Baseball: Essays And Interviews On The National Pastime, Hollywood And American Culture, Marc Ouellette

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Aaron Baker's Contesting Identities: Sports in American Film is an indictment of the key American myth that anyone can succeed through self-reliance. Baker finds that sports films, in general, comprise a site in which the myth is represented and reproduced. Baker's focus, though presented from multiple analytical perspectives, is singular in its purpose. That said, Baker does concentrate on what he considers the four core American sports: football, baseball, basketball and boxing. Approximately ninety movies, from the silent era to the present day, provide the content of the analysis, but several are exemplary and are cited repeatedly in …

Of Technology And Apocalypse, Or Whose Independence Day?, Christopher Keep

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The scene is now familiar. The cities of the world are in ruins. The Empire State Building obliterated. The White House reduced to rubble. The remnants of humankind gather in the desert, scrounging together what remains of their air defence systems for one last effort to repulse the alien invaders. Haggard but determined, the last American President prepares to lead his motley crew of resistance fighters into the fray. He takes the hand mic, tests it once or twice, and his voice crackles over the speakers. In less than one hour, he announces, aircraft from here will join …

On Bret Easton Ellis's American Psycho, Andrew Miles Jacobsen

Reconstruction: Studies in Contemporary Culture

[First paragraph]

No book since American Psycho has created as much of a scandal. And few books have been as misunderstood. In 1990, months before it was set to be released, certain violent passages were leaked to the press that, taken out of context, made the book seem like a depth-less celebration of sexual violence. Right after Simon & Schuster canceled the book, an employee of the publishing house said, The most unfortunate thing about this whole controversy is that the book is a piece of shit. It's hard when something like this becomes an issue of censorship, because you …

Endless Enlightenment: Eye-Operated Technology And The Political Economy Of Vision, Michael Gardiner

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Despite a residual popular temptation to see the posts of cultural analysis as signs of temporal closure, the logic of global visual media is strengthening, not weakening, metaphors of visibility which remain intact from the Enlightenment. Here I describe a stand-off between post-Enlightenment critiques (as in some sectors of Cultural Studies) and a narrow power base which is defined by producing light and managing the very conditions of visibility. For the world's most powerful state, still strongly bound to its original Enlightenment foundations, intervention into other states' sovereignty is increasingly justified by evidence from spy planes (rather than …

The Body And Technology In Popular Culture, Przemyslaw Psuj

Theses : Honours

The human experience of the world today is increasingly adapted and understood via technological terms and systems. This thesis analyses and examines the ways in which technology today impacts upon the human body and its capacities in the area of subculture and music. Also considered are the implications of this notion for the future. Primarily my study stems from theory proposed by Donna Haraway (1985) and her image of the cyborg and its inherently hybrid nature. Picking up on this point, I will look specifically at the existence and representation of the hybrid body in popular culture. Some critics fear …

Uses, Motivations And Community Attachment Of Social Internet Users, Laura Price

Theses : Honours

The ability of the Internet to connect users across diverse locations has resulted in the use of the Internet for social purposes, such as to communicate and interact with others online. This has created the need to study the impact of the Internet on community attachment. Motivated by conflicting views relating to the impact of the Internet on community attachment, this study addresses the relationship from a social perspective, in order to investigate the motivations for social Internet use and to assess the impact of social Internet use community attachment. A quantitative design was utilised and a self administered questionnaire …

New And Now: A Plea For Historiography And Technology, Haidee Wasson

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Throughout the late 1980s and 1990s, the word new was persistently attached to the term technology, a coupling intended to reference a vast range of phenomena -- computers, the internet, wireless telecommunications, satellite cinema and so on. Throughout this period, these technologies were widely heralded as global panaceas. In the pages of glossy hi-tech magazines and academic annals alike, the obliteration of racism, homophobia, sexism, and the great class divide became subjunctive to the problem of connecting everybody everywhere to emergent digital networks. Decentering old-world imperial powers and creating alternative cultural formations became battle cries for the new …

Reading Over The Shoulder Of The Future At The Library Of Congress, Samuel Gerald Collins

Reconstruction: Studies in Contemporary Culture

[First paragraph]

It is 2003 and I am doing some research at the Library of Congress, the de facto national library for the United States and the largest library in the world. Next to me sit some articles I've printed off of online journals on the Defense Advanced Research Project Agency's Total Information Awareness Project, a plan, still in its formative stage, to throw a panopticon net of surveillance across the United States through a combination of language translation technologies, data search and pattern recognition technologies, and advanced collaborative and decision support tools (DARPA). But I am also doing research …

Aircraft Picture Postcards As A Tool For Influence Through Images, Daniel Martel

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The era in which we live at the turn of the millennium is defined by most scholars -- depending on their specialisation -- as the era of worldwide economic integration, adoption of technologies of western origins, internal harmonization of institutions and working procedures, and cultural standardization. The roots of this can be traced back to the Renaissance, as well as the industrial revolutions and economic liberalism. Their driving forces are successful economic transactions and permanent innovation. According to this worldview, the ultimate goal of any such activity is the optimised individual situation of any human being or economic …

Keeping The Money Under The Soap : Constructions Of The English And English Migrants In Australian Nationalist Texts, Ann Rule

Theses: Doctorates and Masters

Where does an Englishman hide his money?' 'I don't know. Where does an Englishman hide his money?' 'Under the soap'. This thesis interrogates representations of ‘Englishness’and by extension, English migrants, in a variety of Australian cultural texts, including film, television, newspapers and academic publications. Underlying this investigation are two major research questions: What are the factors informing the ambivalent place accorded 'Englishness' in Australian cultural texts? and What can this form of investigation tell us about Australian culture and associated national myths? I have attempted to reinterpret these national myths through the texts/ narratives of Englishness and class. One of …