Open Access. Powered by Scholars. Published by Universities.®

Critical and Cultural Studies Commons™

Open Access. Powered by Scholars. Published by Universities.®

CLCWeb: Comparative Literature and Culture

Discipline
Keyword
Publication Year

Articles 241 - 270 of 580

Full-Text Articles in Critical and Cultural Studies

Cultural Scenarios Of The Fantastic, Asunción López-Varela Dec 2008

Cultural Scenarios Of The Fantastic, Asunción López-Varela

CLCWeb: Comparative Literature and Culture

In her article, "Cultural Scenarios of the Fantastic," Asunción López-Varela Azcárate explores the relationship between technological development, the materiality of objects, the concept of ontological presence, and the emergence of abstract and fantastic models. López-Varela Azcárate argues that since the early twentieth century there has been a return to the fantastic in literature and that this is related to neo-baroque attitudes whose foundations are a systemic way of knowing that unveils a world understandable from an epistemology of complexity and ambiguity. In postmodern neo-baroque aesthetics, with its focus on technological re-mediating, that is, transferring information across different media, originality is …


Why Fantasy Matters Too Much, Jack Zipes Dec 2008

Why Fantasy Matters Too Much, Jack Zipes

CLCWeb: Comparative Literature and Culture

In his article "Why Fantasy Matters Too Much" Jack Zipes proposes that fantasy in contemporary culture functions as a celebrity and money-making machine. Fantasy mobilizes and instrumentalizes the fantastic to form and celebrates spectacles as illusions of social relations based on power. Thus, spectacles violate and drain our imagination by glorifying social relations of power made spectacular and involve the magic of fetishism. Generally, the results bring about delusion and acclamation of particular sets of social relations that are commodified, sold, and consumed. We acclaim commodities that we do not know and products not of our own making we consume …


Death And Love In Poe's And Schwob's Readings Of The Classics, Ana González-Rivas Fernández, Francisco García Jurado Dec 2008

Death And Love In Poe's And Schwob's Readings Of The Classics, Ana González-Rivas Fernández, Francisco García Jurado

CLCWeb: Comparative Literature and Culture

In their article "Death and Love in Poe's and Schwob's Readings of the Classics," Ana González-Rivas Fernández and Francisco García Jurado propose that although Gothic literature usually relegates the theme of love to the background, devoting most of its attention to the supernatural and to darkness, there are also literary texts in which love is mixed with life beyond the grave. This is the case, for example, of Théophile Gautier's La Morte amoureuse (1836), the story of a vampire who comes back to life in her "undead" condition in order to seduce a priest. The theme of love and death …


Geographies Of Nation And Region In Modern European And American Fiction, Thomas O. Beebee Sep 2008

Geographies Of Nation And Region In Modern European And American Fiction, Thomas O. Beebee

CLCWeb: Comparative Literature and Culture

In his article "Geographies of Nation and Region in Modern European and American Fiction" Thomas O. Beebee proposes that beyond using character, plot, and style, modern fiction also has entertained its readers with mental maps of heterotopias. A mental map is an imaginative representation of place derived from experience or story. Following Michel Foucault, heterotopia is defined as an "other space" both familiar as and different from the real. The "imagined communities" (Anderson) of nation and region are themselves heterotopias that receive confirmation and/or contestation through the discursive territoriality of literary prose. The mental maps of literature participate in the …


Towards A Cultural Framework Of Audience Response And Television Violence, Lajos Császi Sep 2008

Towards A Cultural Framework Of Audience Response And Television Violence, Lajos Császi

CLCWeb: Comparative Literature and Culture

In his paper "Towards a Cultural Framework of Audience Response and Television Violence" Lajos Császi argues that media violence is not a reification of social violence; rather, a popular ritual allowing contemporary societies to sublimate, to substitute, and to discuss aggression in the public sphere. Császi reviews the central questions of contemporary debates about television violence including Stuart Hall's thought on this topic and introduces the ideas of Elias, Geertz, Turner, Bettelheim, Benjamin, Girard, and others in order to locate the representation of violence in an interdisciplinary context. Using the genre of the horror film as an example, Császi suggests …


Patriarchy In Post-1989 Poland And Tokarczuk's Dom Dzienny, Dom Nocny (The Day House, The Night House), Justyna Sempruch Sep 2008

Patriarchy In Post-1989 Poland And Tokarczuk's Dom Dzienny, Dom Nocny (The Day House, The Night House), Justyna Sempruch

CLCWeb: Comparative Literature and Culture

In her paper "Patriarchy in Post-1989 Poland and Tokarczuk's Dom Dzienny, Dom Nocny (The Day House, the Night House)" Justyna Sempruch analyzes Tokarczuk's 1998 narrative in the context of the post-communist revival of patriarchy in Poland as well as the parallel Western feminist impact on women's writing in Poland. These two distinct socio-cultural developments, as reflected in Tokarczuk's novel, expand the concept of a subversive household into a transnational dis/order that abolishes borders between domestic (national) and foreign structures: an increasing masculinization of the power structures (political arena and "scientific" practices) impacts the management of the social and the most …


Audience, Sentimental Postmodernism, And Kiss Of The Spider Woman, Kimberly Chabot Davis Sep 2008

Audience, Sentimental Postmodernism, And Kiss Of The Spider Woman, Kimberly Chabot Davis

CLCWeb: Comparative Literature and Culture

In her article "Audience, Sentimental Postmodernism, and Kiss of the Spider Woman" Kimberly Chabot Davis analyzes the three media forms of Kiss of the Spider Woman -- novel, film, and musical -- and their reception by gay, bisexual, and heterosexual fans: Davis reads Kiss as a key example of a hybrid contemporary genre she designates as "sentimental postmodernism." Chabot Davis positions the text's dialogic negotiation between the popular and the postmodern in relation to the critical discourse of camp, as a form of sentimentality-cum-irony. Manuel Puig's novel offers a powerful rebuttal to the Frankfurt School's dismissal of sentimental mass culture …


Towards A History Of Intertextuality In Literary And Culture Studies, Marko Juvan Sep 2008

Towards A History Of Intertextuality In Literary And Culture Studies, Marko Juvan

CLCWeb: Comparative Literature and Culture

In his paper "Towards a History of Intertextuality in Literary and Culture Studies" Marko Juvan argues that the theory of intertextuality reshaped fundamentally the understanding of influence in literature. It showed that supposedly primary sources are themselves but intertextual transformations dependent on cultural "encyclopedia." Intertextuality as a framework offers a refined terminology of forms and functions of both domestic and foreign literatures' creative reception while respecting specific linguistic and cultural spaces, traditions, and literary systems. It deconstructed the postulates of influence; for example, the concepts of author, the logic of cause and effect, and boundaries between texts. It revealed the …


Transnational Book Markets And Literary Reception In The Americas, Molly Metherd Sep 2008

Transnational Book Markets And Literary Reception In The Americas, Molly Metherd

CLCWeb: Comparative Literature and Culture

In her paper "Transnational Book Markets and Literary Reception in the Americas," Molly Metherd argues that the most diffuse products of transnational cultural production in the Americas come from mass media productions packaged for transnational audiences -- i.e., Hollywood films, television shows, popular magazines, product advertisements -- and that tend to homogenize messages, promote stereotypes, and simplify complex issues. However, another effort to make sense of shifting relationships in the Americas is coming from a group of US-American and Spanish American literary figures. In their fiction, criticism, journalistic work, and public statements, such authors have been responding to the covalence …


A Moral Reading Of Mahfouz's Fountain And Tomb (Hekayat Haretna), Amal Al-Leithy Sep 2008

A Moral Reading Of Mahfouz's Fountain And Tomb (Hekayat Haretna), Amal Al-Leithy

CLCWeb: Comparative Literature and Culture

In her article "A Moral Reading of Mahfouz's Fountain and Tomb (Hekayat Haretna)," Amal Al-Leithy analyses Naguib Mahfouz's Fountain and Tomb. In Al-Leithy's reading, Mahfouz delineates a gloomy picture of modern humanity still living in a struggle against destitution, ignorance, squalor, and the power of superstition. Society is portrayed as seeped in hopelessness as Mahfouz stresses the physical and moral degradation of his protagonists. He draws a dismal picture of life as swinging between two poles: the fountain of life and the tomb of death. In a symbolic alley in 1920s Cairo, Mahfouz describes humanity's predicament swaying between meaningfulness and …


Myth And Power Structures In Sartre's Les Mouches And La Putain Respectueuse, Martha Evans Smith Sep 2008

Myth And Power Structures In Sartre's Les Mouches And La Putain Respectueuse, Martha Evans Smith

CLCWeb: Comparative Literature and Culture

In her paper "Myth and Power Structures in Sartre's Les Mouches and La Putain respectueuse," Martha Evans Smith analyses Sartre's plays with regard to the relationship of the individual with the collective, the purportedly self-determinate part of an apparently universalizing whole. Seeming to illustrate an enactment of freedom and an absence thereof, the disparate outcomes of the hierarchies in the plays impose a success/failure paradigm on the concomitant reading of the two plays. Evans Smith argues that these issues in the plays read with regard to structures of classical mythology and racism in the US-American South demonstrate the close relationship …


Translating And (Re)Creating (Cultural) Identities: A Review Article Of New Work By López Sáenz And Penas Ibáñez And Vidal Claramonte, Nuria Brufau Alvira Sep 2008

Translating And (Re)Creating (Cultural) Identities: A Review Article Of New Work By López Sáenz And Penas Ibáñez And Vidal Claramonte, Nuria Brufau Alvira

CLCWeb: Comparative Literature and Culture

No abstract provided.


About The Literatures Of The Americas: A Review Article Of New Work By Castillo And Mcclennen, Deborah N. Cohn Sep 2008

About The Literatures Of The Americas: A Review Article Of New Work By Castillo And Mcclennen, Deborah N. Cohn

CLCWeb: Comparative Literature and Culture

No abstract provided.


Narrative Politics In Historical Fictions For Children, John Streamas May 2008

Narrative Politics In Historical Fictions For Children, John Streamas

CLCWeb: Comparative Literature and Culture

In "Narrative Politics in Historical Fictions for Children," John Streamas points out that narrative theory and ethnic studies need to ask each other basic questions before a reading of race in children's literature can be useful. Is the literature merely a reflection of the experience of adult writers and parents? That is, must we read the literature as nostalgic, reflecting a developmental bias? Or does it engage children on their own contemporary terms? Are children themselves capable of racism, even if only as extensions of adult racial imaginations? Certainly the growing number of children's books written by writers of color …


Natives, Nostalgia, And Nature In Children's Popular Film Narratives, C. Richard King May 2008

Natives, Nostalgia, And Nature In Children's Popular Film Narratives, C. Richard King

CLCWeb: Comparative Literature and Culture

In his paper "Natives, Nostalgia, and Nature in Children's Popular Film Narratives," C. Richard King offers a critical reading in an effort to appreciate the entanglements of nature, natives, and nostalgia in children's narratives. In this context, an analysis of Spirit: Stallion of the Cimarron Spirit affords an ideal occasion for such a reading because it centers on the relations between Native Americans, Euroamericans, and the natural world as it tells the story of a wild mustang living in western North America in the late nineteenth century. Indeed, as close examination reveals, the film uses race, gender, civilization, and wildness …


Race And Gender Representations In Advertising In Cable Cartoon Programming, Debra L. Merskin May 2008

Race And Gender Representations In Advertising In Cable Cartoon Programming, Debra L. Merskin

CLCWeb: Comparative Literature and Culture

In her paper "Race and Gender Representations in Advertising in Cable Cartoon Programming," Debra L. Merskin explores what children see and what they learn about racial, ethnic, and gender identity in television advertisements. Merskin examines race and ethnicity in commercials on cable television, specifically on the Turner Cartoon Network, an environment devoted entirely to cartoons and to children. Her content analysis of 381 advertisements reveals that while White and African American children are overrepresented in relationship to their percentage of the U.S. population, other minority group children are rarely portrayed. In only one instance were children of color shown alone, …


Polly Bemis, Pedagogy, And Multiculturalism In The Classroom, Katy Fry May 2008

Polly Bemis, Pedagogy, And Multiculturalism In The Classroom, Katy Fry

CLCWeb: Comparative Literature and Culture

As Katy Fry suggests in her paper "Polly Bemis, Pedagogy, and Multiculturalism in the Classroom," the history of the US-American West is too often taught in mythological terms. This is especially true in grade school classrooms, where children are told that the West was settled by courageous men and women who dared to come to and conquer a wild, untamed place. The notion of what it meant to be a pioneer remains simple and uncomplicated. As Fry points out, however, there were pioneers of a different sort, such as the Chinese immigrant Polly Bemis. Fry's article examines the various pedagogic …


Introduction To Racialized Narratives For Children, C. Richard King May 2008

Introduction To Racialized Narratives For Children, C. Richard King

CLCWeb: Comparative Literature and Culture

No abstract provided.


The Politics Of Childhood In Ellis's Three Wishes, Wafaa Hasan May 2008

The Politics Of Childhood In Ellis's Three Wishes, Wafaa Hasan

CLCWeb: Comparative Literature and Culture

In "The Politics of Childhood in Ellis's Three Wishes: Palestinian and Israeli Children Speak," Wafaa Hasan outlines the recent controversy in Canada over the restrictions that shape children's literature. Using Neil Postman's and John Locke's conceptions of childhood, Hasan unpacks the ways in which Ellis's Three Wishes has threatened popular conceptions of childhood. Specifically, as her analysis shows, Ellis's work redefines the boundaries of children's fiction by heterogenizing childhood experience and by affording its readers -- limited but consequential -- authorial agency. Further, Hasan asserts that Three Wishes liberates the idea of childhood as a developmental stage of ignorance by …


Children's Film As Social Practice, J. Zornado May 2008

Children's Film As Social Practice, J. Zornado

CLCWeb: Comparative Literature and Culture

In his paper "Children's Film as Social Practice," J. Zornado argues that the animated feature is a genre distinct in its own right, and, although overlooked by film criticism up to now, deserves rigorous, scholarly attention. Zornado employs the term "iconology" to develop a foundation for a critical methodology indebted to Althusser, Foucault, and Lacan as well as contemporary film criticism. Iconology of the animated feature film is the study of the meaning systems of the dominant culture and the ways in which such systems are inscribed into all kinds of social practice geared, specifically, to seduce and inform the …


Children's Video Games As Interactive Racialization, Cathlena Martin May 2008

Children's Video Games As Interactive Racialization, Cathlena Martin

CLCWeb: Comparative Literature and Culture

Cathlena Martin explores in her paper "Children's Video Games as Interactive Racialization" selected children's video games. Martin argues that children's video games often act as reinforcement for the games' television and film counterparts and their racializing characteristics and features. In Martin's analysis the video games discussed represent media through which to analyze racial identities and ideologies. In making the case for positive female minority leads in children's video games, Martin examines the games and franchises of Rugrats and Dora the Explorer. She argues that the influx of games with a greater diversity of minority female characters has only been a …


The Ambiguous Nature Of Multiculturalism In Two Picture Books About 9/11, Jo Lampert May 2008

The Ambiguous Nature Of Multiculturalism In Two Picture Books About 9/11, Jo Lampert

CLCWeb: Comparative Literature and Culture

In her paper "The Ambiguous Nature of Multiculturalism in Two Picture Books about 9/11," Jo Lampert looks at how some of the Western discourses of multiculturalism and cultural diversity have shifted since 11 September 2001 by discussing two exemplar picture books about 9/11. Lampert begins with a general discussion of children's books as significant cultural producers of knowledge and provides brief summaries of Patel's On That Day: A Book of Hope for Children and Carlson's There's a Big, Beautiful World Out There! Lampert discusses how the imagined readers of these books are positioned problematically in order to embrace racial tolerance, …


A Critical Discourse Analysis Of Representation Of Asian Indian Folk Tales In Us-American Children's Literature, Sudeshna Roy May 2008

A Critical Discourse Analysis Of Representation Of Asian Indian Folk Tales In Us-American Children's Literature, Sudeshna Roy

CLCWeb: Comparative Literature and Culture

In her article "A Critical Discourse Analysis of Representation of Asian Indian Folk Tales in US-American Children's Literature," Sudeshna Roy explores the representation of India in U.S. children's picture books by interpreting prevailing images of the subcontinent and its peoples and their impact on children's understandings. Roy analyzes three key elements -- titles, illustrations, and text -- identifying a set of predominant themes: nature and wild animals, poverty and hardship, spiritual hermits, and wit and common sense wisdom. From these findings, Roy suggests that Eurocentric imperial ideologies continue to inform the formulation of race, gender, and nation in U.S. children's …


A Bibliography Of Work On Racial Narratives For Children, Marie Drews May 2008

A Bibliography Of Work On Racial Narratives For Children, Marie Drews

CLCWeb: Comparative Literature and Culture

No abstract provided.


Racism, Disable-Ism, And Heterosexism In The Making Of Helen Keller, Andy Prettol May 2008

Racism, Disable-Ism, And Heterosexism In The Making Of Helen Keller, Andy Prettol

CLCWeb: Comparative Literature and Culture

In his paper "Racism, Disable-ism, and Heterosexism in the Making of Helen Keller" Andy Prettol offers an analysis of prevailing narratives about Helen Keller. Prettol focuses on the dynamic interplay of race, (dis)ability, sexuality, and gender inherent to all Keller stories of triumph that are so popular in elementary schools across the U.S. He examines three specific works: William Gibson's playscript The Miracle Worker, written in 1956; the film of the same title directed by Arthur Penn in 1962; and the compiled letters of Anne Sullivan in Helen Keller's The Story of Life. Prettol's analysis works to unpack the articulations …


Marx, Postmodernism, And Spatial Configurations In Jameson And Lefebvre, Arina Lungu Mar 2008

Marx, Postmodernism, And Spatial Configurations In Jameson And Lefebvre, Arina Lungu

CLCWeb: Comparative Literature and Culture

In her article, "Marx, Postmodernism, and Spatial Configurations in Jameson and Lefebvre," Arina Lungu discusses the connection between Marxist sociology and postmodernist theory. Lungu examines Fredric Jameson's volume Postmodernism, or the Cultural Logic of Late Capitalism under the light of the spatial theory developed in the 1970s by Marxian theoretician Henri Lefebvre. For Jameson, the spatial turn is a consequence of the gap between the limited abilities of the human perceptive apparatus and the unrepresentability of the multinational hyperspace. In Lungu's view, Jameson reaches his definition of "culturally-dominant" sensibility by disregarding the rich body of spatial criticism outside postmodern theory. …


Nation Building, Utopia, And The Latin American Writer/Intellectual, María Odette Canivell Mar 2008

Nation Building, Utopia, And The Latin American Writer/Intellectual, María Odette Canivell

CLCWeb: Comparative Literature and Culture

In her article "Nation Building, Utopia, and the Latin American Writer/Intellectual," María Odette Canivell discusses the role of utopia in the foundational myths of Latin American cities and its nations. Nation building, in Latin America, Canivell claims, is tied to European myths regarding the New World, as well as to the function of writers' (escribidores) and intellectuals' (letrados) re-formulation of these myths along with their own desires/dreams as to what the ideal of Latin America means. Escribadores and letradas, who make history while re-writing the story/history of their nations, have a direct effect on the policy making and construction of …


Achebe, Conrad, And The Postcolonial Strain, Eric Sipyinyu Njeng Mar 2008

Achebe, Conrad, And The Postcolonial Strain, Eric Sipyinyu Njeng

CLCWeb: Comparative Literature and Culture

In his article "Achebe, Conrad, and the Postcolonial Strain" Eric Sipyinyu Njeng presents an analysis of Chinua Achebe's Things Fall Apart in a context of postcolonial thought and argues that while Achebe's text is often placed against Joseph Conrad's Heart of Darkness as a counter discourse -- thus interrogating Conrad's portraiture of Africans as savages -- Achebe's text in fact represents anti-Africanism and subservience to Occidental values. Examining Achebe's authorial intention in Things Fall Apart, especially as epitomized in the character of Okonkwo, the protagonist, Njeng argues that Achebe corroborates Conrad's portrait of the African. In writing Things Fall Apart, …


Thompson's And Acosta's Collaborative Creation Of The Gonzo Narrative Style, Shimberlee Jirón-King Mar 2008

Thompson's And Acosta's Collaborative Creation Of The Gonzo Narrative Style, Shimberlee Jirón-King

CLCWeb: Comparative Literature and Culture

In her article "Thompson's and Acosta's Collaborative Creation of the Gonzo Narrative Style," Shimberlee Jirón-King presents an analysis of Hunter S. Thompson's and Oscar Zeta Acosta's works and a correction about the origins of Gonzo Journalism. Jirón-King suggests that Thompson's and Acosta's writings express the authors' disillusionment about the loss of the American Dream and that their texts suggest the revolutionary movements they hoped for would transform a disintegrating culture have only fallen prey to the shortsightedness of US-American culture. The counter culture they observe simply develops its own forms of racism, classism, power-mongering, and corruption that re-inscribe hegemonic discourses …


On The Convergence Of Innis's International Political Economy And Sebald's Novels, Joseph S. Pinter Mar 2008

On The Convergence Of Innis's International Political Economy And Sebald's Novels, Joseph S. Pinter

CLCWeb: Comparative Literature and Culture

In his paper "On the Convergence of Innis's International Political Economy and Sebald's Novels" Joseph S. Pinter contributes to the development of an area of scholarship on Harold A. Innis and Canadian political economy which deals with issues of representation, landscape, and memory. Pinter draws attention to a specific aspect of Innis's approach to political economy and focuses on ways in which Innis was able to represent fundamental aspects of the settlement process in Canada. Pinter argues that Innis focussed on landscape as a basic element in the European experience of North America (US and Canada) that, in turn, enabled …