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Articles 151 - 180 of 580
Full-Text Articles in Critical and Cultural Studies
The Stereotyped Image Of Christ In Villiers's "Les Amants De Tolède", Graciela Susana Boruszko
The Stereotyped Image Of Christ In Villiers's "Les Amants De Tolède", Graciela Susana Boruszko
CLCWeb: Comparative Literature and Culture
In her article "The Stereotyped Image of Christ in Villiers's 'Les Amants de Tolède'" Graciela Susana Boruszko discusses images in Auguste Villiers de l'Isle-Adam's text. The embedding of icons of foreign cultures, histories, and religions into a literary narrative results in a work of art enriched by the images fashioned by the "foreign eye." The narrative strategy of Villiers creates a kaleidoscopic representation of themes and images that merge the fields of religion, literature and history. These themes and images — transposed into the domain of littérature fantastique — follow the initiation of the reader to a supernatural world that …
Erotic Mourning And Post-Traumatic Sexual Desire, Gila G. Ashtor
Erotic Mourning And Post-Traumatic Sexual Desire, Gila G. Ashtor
CLCWeb: Comparative Literature and Culture
In her article, "Erotic Mourning and Post-traumatic Sexual Desire" Gila Ashtor investigates the ways Dave Eggers's A Heartbreaking Work of Staggering Genius 2000 memoir contains an alternative logic of affectivity that locates possibilities for mourning in the ambivalent directionalities of post-traumatic sexual desire. Ashtor links dominant conceptualizations of post-traumatic working-through and regimes of heteronormative sexual reproductivity in order to argue that Eggers's self-exhibitionistic spectacle of failed post-traumatic healing, precisely as a drama of undoing that replaces the cumulative acquisition of psychic cohesion with survival incoherent gestures, produces a version of what this paper will call "radical mourning." To particularize the …
Gender In Winterson's Sexing The Cherry, Paul Kintzele
Gender In Winterson's Sexing The Cherry, Paul Kintzele
CLCWeb: Comparative Literature and Culture
In his article "Gender in Winterson's Sexing the Cherry" Paul Kintzele examines the ways in which Jeanette Winterson's 1989 novel explores and critiques aspects of gender and sexuality. While acknowledging the importance of the performance theory of gender that derives from the work of Judith Butler, Kintzele contends that such an approach must be complemented with a psychoanalytic approach that insists on a particular distinction between sex and gender. Although some scholars map the sex/gender distinction onto the perennial nature/nurture binary and thus reduce sex to biology or anatomy, scholars of psychoanalysis such as Joan Copjec and Charles Shepherdson, read …
Nationhood And Women In Postcolonial African Literature, Elda Hungwe, Chipo Hungwe
Nationhood And Women In Postcolonial African Literature, Elda Hungwe, Chipo Hungwe
CLCWeb: Comparative Literature and Culture
In their article "Nationhood and Women in Postcolonial African Literature" Elda Hungwe and Chipo Hungwe, through an analysis of Pepetela's Mayombe, Achebe's Anthills of the Savannah, and Ngugi's Petals of Blood discuss nationhood and nation in postcolonial African literature within the framework of the postcolonial theory. Postcolonial theory negates master narratives of nation and nationhood, hence it deconstructs such narratives as problematic. Hungwe and Hungwe discuss problems associated with definitions of nation where groups or members are peripheralized. While Hungwe and Hungwe acknowledge that nationalism served a critical role during decolonization, their conclusion is that in postcolonial Africa notions of …
Self Enlightenment In Woolf, Joyce, And Nietzsche, Gabriel V. Rupp
Self Enlightenment In Woolf, Joyce, And Nietzsche, Gabriel V. Rupp
CLCWeb: Comparative Literature and Culture
In his article "Self Enlightenment in Woolf, Joyce, and Nietzsche" Gabriel V. Rupp analyzes texts drawn from late nineteenth and early twentieth centuries, a critical period of change characterized by an explosive set of dramatic, historically unique, and complicated transformations in society and technology. Rupp argues that in Virginia Woolf's Mrs. Dalloway, in James Joyce's Dubliners and Portrait of the Artist as a Young Man, and in Friedrich Nietzsche's last three "strangely beautiful but mad" letters (Kaufmann), these writers' self enlightenment of a unified and discrete self is disrupted, calling into question simultaneously the constructed nature of that unity of …
Sapphic Consciousness In H.D. And De Noailles, Catherine O. Clark
Sapphic Consciousness In H.D. And De Noailles, Catherine O. Clark
CLCWeb: Comparative Literature and Culture
In her article "Sapphic Consciousness in H.D. and de Noailles" Catherine Clark discusses how female modernists, like their male counterparts, re-evaluated their artistic position in relation to the Greeks and Romans as they explored experimental modes of aesthetic and literary expression. However, many women writers at the turn of the century developed a unique palimpsest with their predecessors, specifically Sappho, that deconstructed and destructed conventional approaches to classical legacy and myth. Clark analyzes selected poems by modernists H.D. (Hilda Doolittle) and Anna de Noailles in which they evoke a Hellenistic past and that collapses the artificial constructions of a largely …
Mahfouz Between Lukácsian And Brechtian Approaches To Realism, David F. Dimeo
Mahfouz Between Lukácsian And Brechtian Approaches To Realism, David F. Dimeo
CLCWeb: Comparative Literature and Culture
In his article "Mahfouz between Lukácsian and Brechtian Approaches to Realism" David F. DiMeo compares the interpretations of realism by the leading Arabic author of socially committed fiction to the theories of Bertolt Brecht and György Lukács. The early works of novelist Najib Mahfouz feature a Lukácsian approach, embracing critical realism to present a totalizing view of the social system, as experienced by credible, sympathetic characters. By the 1960s, disillusioned with this method, Mahfouz turned to a more Brechtian approach, seeking to highlight social injustices by alienating the audience from identification with the characters or particular situations through ambiguous narratives …
About Intermedialities: A Review Article Of New Work By Paech And Schröter, Chapple And Kattenbelt, And Ellerström, Arno Gimber, Asunción López-Varela Azcárate
About Intermedialities: A Review Article Of New Work By Paech And Schröter, Chapple And Kattenbelt, And Ellerström, Arno Gimber, Asunción López-Varela Azcárate
CLCWeb: Comparative Literature and Culture
No abstract provided.
Modern Migration In Two Arabic Novels, Ikram Masmoudi
Modern Migration In Two Arabic Novels, Ikram Masmoudi
CLCWeb: Comparative Literature and Culture
In her article "Modern Migration in Two Arabic Novels" Ikram Masmoudi proposes that twentieth-century Arab fiction is marked by the theme of the journey in literal and figurative ways. This motif features the theme of departure and arrival through characters crossings borders from East to West and from the periphery to the center (i.e., the metropolis) in order to acquire knowledge, understanding, and empowerment and to get a sense of Western modernity. The departure and arrival of the main characters becomes the central aesthetic preoccupying with a focus on their arrival back home and their rediscovery of their own idea …
Introduction To New Modernities And The "Third World", Valerian Desousa, Jennifer E. Henton, Geetha Ramanathan
Introduction To New Modernities And The "Third World", Valerian Desousa, Jennifer E. Henton, Geetha Ramanathan
CLCWeb: Comparative Literature and Culture
No abstract provided.
Modernizing The Colonial Labor Subject In India, Valerian Desousa
Modernizing The Colonial Labor Subject In India, Valerian Desousa
CLCWeb: Comparative Literature and Culture
In his article "Modernizing the Colonial Labor Subject in India" Valerian DeSousa discusses how the colonial project in India sought to counter the labor movement's evolving anti-colonial consciousness through law, the primary signifier of British dominance. DeSousa argues that colonial labor law was an instrument of "governmentality," a way of deploying the authority of the state, both in India and in Africa where the law encoded meanings of property and subjectivity. In India, labor law was the means to "reconstruct" the "traditional" worker and to constitute a "modern" and "efficient" labor subject to fit into the new industrial vision taking …
Aesthetics, Nationalism, And The Image Of Woman In Modern Indian Art, Kedar Vishwanathan
Aesthetics, Nationalism, And The Image Of Woman In Modern Indian Art, Kedar Vishwanathan
CLCWeb: Comparative Literature and Culture
In his article "Aesthetics, Nationalism, and the Image of Woman in Modern Indian Art" Kedar Vishwanathan discusses how developments in visual culture impacted India's configuration as nation. Between 1880-1945 in Bombay (Mumbai) and Calcutta (Kolkata) a burgeoning visual culture developed in service of anti-colonial nationalism. Used as a method to imagine a nation free of colonial rule, in particular images of women proliferated in private and public spaces. Crucial to this development was the reformulations of modernity based on an ambivalent combination of British and Indian vernacular art. Vishwanathan focuses on how the female was appropriated for the cause of …
Robert Clive And Imperial Modernity, Nigel Joseph
Robert Clive And Imperial Modernity, Nigel Joseph
CLCWeb: Comparative Literature and Culture
In his article "Robert Clive and Imperial Modernity" Nigel Joseph analyzes the work of Robert Clive by postulating the questions of why Clive would be emblematic of the bleak modernity of Tocqueville, Weber, and Foucault? Rapacious yet docile, personally ambitious yet capable of curbing ambition in others, Clive seems to be an anomalous figure. Joseph posits that Clive's career is a metaphor for both the trajectory of the imperial state and for the imperial subject. In order to retain his Indian-derived wealth, Clive is forced into a series of paradoxical postures: beginning as the archetypal private marauder, he transforms himself …
Nordestina Modernity In The Novels Of Freitas, Queiroz, And Lispector, Fernanda Patricia Fuentes Muñoz
Nordestina Modernity In The Novels Of Freitas, Queiroz, And Lispector, Fernanda Patricia Fuentes Muñoz
CLCWeb: Comparative Literature and Culture
In her article "Nordestina Modernity in the Novels of Freitas, Queiroz, and Lispector" Fernanda Patricia Fuentes Muñoz discusses aspects of the Nordeste — the northeastern region of Brazil — in Emília de Freitas's A Rainha do Ignoto (1899), Rachel de Queiroz's O Quinze (1930), and Clarice Lispector's A Hora da Estrela (1977; The Hour of the Star, 1992, Trans. Giovanni Pontiero). The region has traditionally been seen as located on the margins of modernity and as a site of underdevelopment in the Brazilian imaginary in opposition to the affluent Southeastern region. The construction of this binary opposition suggests a model …
Modernity In Márquez And Feminism In Ousmane, Geetha Ramanathan
Modernity In Márquez And Feminism In Ousmane, Geetha Ramanathan
CLCWeb: Comparative Literature and Culture
In her article "Modernity in Márquez and Feminism in Ousmane" Geetha Ramanathan analyzes Gabriel García Márquez's One Hundred Years of Solitude and Sembène Ousmane's God's Bits of Wood. Ramanthan argues that if Márquez presents the semblance of the signs of modernity as fantasy and delusion, Ousmane's investment in the train as an instrument of the future in realist terms seems to challenge the modernist dictum that imperialism can be challenged only through modernist decenterings and through tricking and trumping. Yet, Ousmane's refusal to engage in the hallucination of the modern in his novel offers us a version of modernity that …
Danticat's The Dew Breaker, Haiti, And Symbolic Migration, Jennifer E. Henton
Danticat's The Dew Breaker, Haiti, And Symbolic Migration, Jennifer E. Henton
CLCWeb: Comparative Literature and Culture
In her article "Danticat's The Dew Breaker, Haiti, and Symbolic Migration" Jennifer E. Henton analyzes Edwidge Danticat's novel with Lacanian thought. It is assumed frequently that literatures of the non-West "arrive" when they move from political and didactic traditions to the "aesthetic" and experimental models that delve into the terrain of the psyche. In The Dew Breaker, the Haitian family's move to the U.S., executed self consciously, indicates loss in a different sense than lack. In the case of Denticat's novel, loss or lack represent not a source of anxiety that evokes matters read in a psychoanalytical framework; instead, Henton …
New Modernity, Transnational Women, And Spanish Cinema, Maria Van Liew
New Modernity, Transnational Women, And Spanish Cinema, Maria Van Liew
CLCWeb: Comparative Literature and Culture
In her article "New Modernity, Transnational Women, and Spanish Cinema" Maria Van Liew discusses aspects of migration to Spain in the context of histories of colonialism, racism, and sexism as represented in Spanish filmic narration. The flow of human traffic defies two aspects of European modernity: Non-linear time is reflected in the cycle of arrival/return/return as the nation relies on liminal subjects to determine its status as a progressive "First World" nation and in the effort to align representations of these cultural encounters accordingly, illusions of autochthonous national identity formations become dependent on practices of inclusion and, at times, cooptation …
Political Modernism, Jabrā, And The Baghdad Modern Art Group, Nathaniel Greenberg
Political Modernism, Jabrā, And The Baghdad Modern Art Group, Nathaniel Greenberg
CLCWeb: Comparative Literature and Culture
In his article "Political Modernism, Jabrā, and the Baghdad Art Group" Nathaniel Greenberg discusses how the art and literature of the late Palestinian novelist Jabrā Ibrahīm Jabrā challenged the normative perception of Arab modernism both within and outside the Middle East. Greenberg evaluates the influence of French existentialism on Jabrā's political vision of modernism and discusses the impact and nature of existentialism on Jabrā and on the Middle East. Educated in Europe, Jabrā returned to the Middle East in 1948 to live permanently in Baghdad where he was a member of the influential Baghdad Modern Art Group, established in 1951 …
Haitian Zombie, Myth, And Modern Identity, Kette Thomas
Haitian Zombie, Myth, And Modern Identity, Kette Thomas
CLCWeb: Comparative Literature and Culture
In her article "Haitian Zombie, Myth, and Modern Identity" Kette Thomas analyzes texts by Zora Neale Hurston, Alfred Metraux, and Wade Davis. In these narratives we are re-introduced to the zombie not as a metaphor for lost consciousness, but, rather, as a common system that replaces personal subjectivity with an influence alien to our natural development. The discourse on subjectivity has become a central focus in the modern era but attention to fiction in "third world" cultures is neglected because they are studied almost exclusively through historical, political, sociological, or anthropological lenses or because their collective identities leads scholars to …
Bibliography Of Work In Modernity And "Third World" Studies, Valerian Desousa
Bibliography Of Work In Modernity And "Third World" Studies, Valerian Desousa
CLCWeb: Comparative Literature and Culture
No abstract provided.
The Anti-Colonial Revolutionary In Contemporary Bollywood Cinema, Vidhu Aggarwal
The Anti-Colonial Revolutionary In Contemporary Bollywood Cinema, Vidhu Aggarwal
CLCWeb: Comparative Literature and Culture
In her article "The Anti-Colonial Revolutionary in Contemporary Bollywood Cinema" Vidhu Aggarwal discusses several contemporary films including Rakesh Omprakash Mehra's Rang de Basanti with focus on the figure of the revolutionary hero. The Bollywood film is a cultural form that combines several aesthetic styles, from within India and from the outside. With its formal heterogeneity and as a product of one of India's largest cities, Mumbai Bollywood has had an ongoing fascination with "arrival," that is, with India's status as a contemporary nation-state. While some Bollywood films seem to celebrate fantasy scenarios of India's arrival on the global scene, at …
Philosophy Of Modernity And Development In Jamaica, Novella Z. Keith, Nelson W. Keith
Philosophy Of Modernity And Development In Jamaica, Novella Z. Keith, Nelson W. Keith
CLCWeb: Comparative Literature and Culture
In their article "Philosophy of Modernity and Development in Jamaica" Novella Z. Keith and Nelson W. Keith postulate that a combined philosophico-practical inquiry is necessary to reduce the systemic asymmetries found in the North-South divide and to promote global interdependence. Proceeding from a deconstruction of European-inflected modernity, Keith and Keith sketch an alternative epistemology of uncertainty and unknowability and illustrate aspects of these epistemologies in theories and practices of modernization and its counter movements, dependency, and underdevelopment while also using them to discuss current practices of an NGO they created, Edu-Tourism , to bridge global divides as experienced in Jamaica. …
Literary Studies From Hermeneutics To Media Culture Studies, Siegfried J. Schmidt
Literary Studies From Hermeneutics To Media Culture Studies, Siegfried J. Schmidt
CLCWeb: Comparative Literature and Culture
In his article "Literary Studies from Hermeneutics to Media Culture Studies" Siegfried J. Schmidt discusses aspects of hermeneutics, the systemic and empirical (contextual) approach to literature and culture, radical constructivism, and his postulates for the field of media culture studies. Schmidt describes his understanding of the transformation of literary studies towards media culture studies in the context of overall developments of society. His argumentation with regard to move from hermeneutics to media culture studies offers the postulate that research ought to be empirical and contextual in order to foster intuition, invention, innovation, and socially relevant scholarship. He concludes that the …
Anti-Nationalism In Scott's Old Mortality, Montserrat Martínez García
Anti-Nationalism In Scott's Old Mortality, Montserrat Martínez García
CLCWeb: Comparative Literature and Culture
In her article "Anti-Nationalism in Scott's Old Mortality," Montserrat Martínez García examines national identity through war in Walter Scott's Old Mortality in order to illustrate that war was one of the main catalysts of nationhood and show, simultaneously, the disparity between the institutional and the popular attitude toward war. Martínez García pays attention to the way Scott portrayed war and identity and to what extent this literary representation coincided with or faced the uniform ideology of nationalism. Based on the historical background of the seventeenth and nineteenth centuries, Martínez García analyses Scott's novel to uncover focus his narrative of cracks …
Sartre, Marcuse, And The Utopian Project Today, Robert T. Tally Jr.
Sartre, Marcuse, And The Utopian Project Today, Robert T. Tally Jr.
CLCWeb: Comparative Literature and Culture
In his article "Sartre, Marcuse, and the Utopian Project Today," Robert T. Tally Jr. discusses the philosophical legacy of the May 1968 revolution in Paris with respect to the power of the imagination and the possibilities for utopian thought in our own time. Although the rhetoric of the 1968 militants may seem dated, the underlying theoretical and political concepts are surprisingly timely in the twenty-first century. Among these, existential angst or anxiety has perhaps a heightened salience in the era of globalization and of global economic crisis, and the utopian desire for a life without anxiety has become more pressing. …
Bassani's The Garden Of The Finzi-Continis And Italian "Queers", John Champagne
Bassani's The Garden Of The Finzi-Continis And Italian "Queers", John Champagne
CLCWeb: Comparative Literature and Culture
In his article "Bassani's The Garden of the Finzi-Continis and Italian 'Queers'" John Champagne argues for a reading of the novel as not gay, but queer. Champagne argues that such a reading strategy emphasizes the ways in which the novel deconstructs normative gender, sexual, and even religious identities in an attempt both to resist the tyranny of the normal and to cope with the trauma of the Italian Shoah. A psycho-analytically inflected queer theory in this instance gives us access to the complexity of the novel's portrayal of Italian Jewish identity in fascist Italy and opens up onto a reflection …
Literature, Theatre, And Estrangement: A Review Article Of New Work By Fanger, Jestrovic, And Robinson, Gregory Byala
Literature, Theatre, And Estrangement: A Review Article Of New Work By Fanger, Jestrovic, And Robinson, Gregory Byala
CLCWeb: Comparative Literature and Culture
No abstract provided.
The Motif Of The Patient Wife In Muslim And Western Literature And Folklore, Mounira Monia Hejaiej
The Motif Of The Patient Wife In Muslim And Western Literature And Folklore, Mounira Monia Hejaiej
CLCWeb: Comparative Literature and Culture
In her article "The Motif of the Patient Wife in Muslim and Western Literature and Folklore" Munira Hejaiej examines the tale of modern Tunisian tale of "Sabra" told by women to an all female audience. Hejaiej's analysis includes some of the tale's analogues from various linguistic and cultural contexts, including readings of the medieval variant written in Chaucer's Canterbury Tales. She argues that the comparative analysis provides us with a broader scope of interpretive paths in order to deconstruct essentialized readings of the tale, on the one hand, and to challenge previously accepted conventional boundaries between cultures on the other. …
The Making Of (Post)Colonial Cities In Central Europe, Agata Anna Lisiak
The Making Of (Post)Colonial Cities In Central Europe, Agata Anna Lisiak
CLCWeb: Comparative Literature and Culture
In her article "The Making of (Post)colonial Cities in Central Europe" Agata Anna Lisiak discusses some of the transformations taking place in Berlin, Budapest, Prague, and Warsaw after 1989. Lisiak proposes that Central European capitals are (post)colonial cities because their politics, cultures, societies, and economies have been shaped by two centers of power: the Soviet Union as the former colonizer, whose influence remains visible predominantly in architecture, infrastructure, social relations, and mentalities and Western culture and Western and/or global capital as the current colonizer, whose impact extends over virtually all spheres of urban life. Furthermore, the cities under scrutiny are …
Peking Opera And Grotowski's Concept Of "Poor Theatre", Yao-Kun Liu
Peking Opera And Grotowski's Concept Of "Poor Theatre", Yao-Kun Liu
CLCWeb: Comparative Literature and Culture
In his article "Peking Opera and Grotowski's Concept of 'Poor Theater'" Yao-kun Liu presents a comparative study of Peking opera and Western theater with special attention to Grotowski's concept. Explaining Peking opera's dramatic elements (such as gesture and body-movement) and theatrical devices (such as stage-setting, costume, and conventions) Liu elaborates on the universality and distinctions between Eastern and Western aesthetics of drama. As an attempt to reveal the speciality and uniqueness of Peking opera, Liu employs Jerzy Grotowski's notion of "poor theatre" in a context of Constantin Stanislavski's concept of empathy, Antonin Artaud's dramatic prophecy, and Peter Brook's notion of …