Critical and Cultural Studies Commons^™

Imperialism & Globalization: Lessons From Frank Herbert's Dune, Kevin Williams

Reconstruction: Studies in Contemporary Culture

[First paragraph]

These are the words of The Preacher (a character in Frank Herbert's Children of Dune who is simultaneously the metaphorical reincarnation of the fallen prophet, Muad'Dib, and the self-exiled Emperor, Paul Atreides) as he addresses the masses enslaved by their devotion to his messianic Empire. These words, culled from the pages of science fiction, are more than mere exposition from Herbert's narrative, they point toward several important conditions facing the political world today. These conditions concern certain failures of democracy and effects of globalization spawned, in part, by an intensification of imperialist expansion in the name of democracy.

Review Of How A Film Theory Got Lost And Other Mysteries In Cultural Studies, By Robert B. Ray, Alan Clinton

Reconstruction: Studies in Contemporary Culture

No abstract provided.

On T.A.Z.: The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism, R. Stewart Varner

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Critical theory never died. It just assumed the façade of an academic discipline that is as spectacular as it is impotent. However, behind the façade there still lurk a few radical lunatics who, at times, may really be on to something. One such figure is Hakim Bey.

Review Of Time For Revolution, By Antonio Negri, John Conley

Reconstruction: Studies in Contemporary Culture

No abstract provided.

"War If Necessary, But Not Necessarily War”: The Canadian Paradox And “Iraqi Freedom", Marc A. Ouellette

English Faculty Publications

The Canadian refusal to join the U.S. led “coalition of the willing” does not mark the first time the nation has chosen not to follow its “traditional allies” into a foolish, ego-driven, imperialistic and vengeful conflict. Indeed, Canada’s record in these matters is flawless. Peter C. Newman points out that “we went along with most presidential global adventures, except the Vietnam War. The other significant time we parted company with the Yanks was over our drive to impose economic sanctions on apartheid South Africa, a policy we initiated and successfully defended despite American objections.” In fact, the objections to this …

Burn This Journal, Davin Heckman, Sarah Hildebrandt, R. Stewart Varner, Matthew Wolf-Meyer

Reconstruction: Studies in Contemporary Culture

[Editor introduction]

Originally published in the Iowa Journal of Cultural Studies (1.1), our manifesto appears for its first time online, in its entirety, here (earlier pieces of it appeared in earlier editorials). In so doing, we hope to continue the discussion that it grew out of in a public forum, and to ask our readership to participate as well -- a new manifesto should be written annually. Because Reconstruction is meant to be an organic enterprise, we ask readers to interrogate the efficacy and plausibility of the material herein: What must be changed, and what must be added/subtracted in order …

Paratextuality And Economic Disavowal In Dave Eggers' You Shall Know Our Velocity, Sarah Brouillette

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Dave Eggers' recent novel, You Shall Know Our Velocity (2002), concerns two friends who suddenly stumble upon a lot of money, feel guilty about it, and travel around the world trying to give it away. Like almost all of what Eggers is involved in producing, Velocity is profoundly self-justifying. In fact, if we follow Gerard Genette's model and understand a work's paratexts to be all the physical and social texts that attend its existence, controlling its dissemination and reception, then Velocity thematizes paratextuality and practices it, as a text about Eggers' career and his overriding concern with the …

Text As Technology: Reading N. Katherine Hayles' Writing Machines, Davin Heckman

Reconstruction: Studies in Contemporary Culture

[First paragraph]

N. Katherine Hayles' Writing Machines is a beautiful little book. Thanks to the innovative spirit of MIT Press' Peter Lunenfeld, the graphic design prowess of Anne Burdick, the multimedia talents of Sean Donahue (creator of the book's website ), and the insights of N. Katherine Hayles, Writing Machines arrives as one of the first installations of the Mediawork Pamphlet Series, and offers one possible line of development to follow for any scholar concerned with the future of The Book.

Review Of Subject, Society, Culture, By Roy Boyne, Michael Ian Borer

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Mediums And Media: Review Of Ghostwriting Modernism, By Helen Sword, And Haunted Media, By Jeffrey Sconce, Alan Clinton

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Time Wounds All Heels: Duncan, Ballet, And Bataille, Joanne Pearson

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Any study of the birth of modern dance draws upon the work of Isadora Duncan and for too long her dance has been placed in opposition to ballet. Even today the contemporary Duncan dancer reifies the image of Duncan as natural, harmonious, unique and rounded [1]. This opposition of free dance versus ballet presents a two-dimensional portrait of past representations of femininity. I aim to re-think Duncan's disdain for the pointe shoe and her belief that barefoot dancing would encourage a liberated movement that would in turn free woman from her disgraceful position in dance and …

Review Of Burger With The Works, Please! A Webjournal For Students Of The Humanities, Alexandra Ganser

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Dread, Route And Time: An Autobiographical Walking Of Everything Else, Phil Smith

Reconstruction: Studies in Contemporary Culture

[First paragraph]

This response to Reconstruction's Summer 2002 edition, Volume 2, Number 3, autobiogeography: considering space and identity, particularly to the papers of Matthew Wolf-Meyer and Davin Heckman, Subhash Jaireth, Deirdre Heddon and Sally Munt, is an attempt to establish provisionally whether a discourse that sets critical theory, autobiographical practice and a poetics of space in performative motion orbiting each other can add anything to the critical discussion of autobiogeography. Part of my motivation is an antipathy toward criticism that can be applied to everything but itself. Given that hybridity will be an important part of a critical discourse about …

You Still My Girl?: Adolescent Femininity As Resistance In Buffy The Vampire Slayer, Sophie Levy

Reconstruction: Studies in Contemporary Culture

[First paragraph]

History is where the dead things are. Buffy, as her Watcher Rupert Giles tells her mother Joyce, resists the historical. She lives very much in the now, and history of course, is very much about the then he stammers, aware perhaps of the history echoing in his British accent (Angel I:7). The show's appeal, however, resides in its battle with history, not its denial. History is the repressed but resurrected, whether personal -- Giles' dark age of demon-worship comes back to (almost) kill him (The Dark Age II:8) -- or cultural, such as the Master's bad Old World …

Review Of Crepuscular Dawn, By Paul Virilio, Davin Heckman

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Review Of Marx For A Post-Communist Era, C. Jason Smith

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Review Of Ruthless Democracy, By Timothy B. Powell, Matthew Wolf-Myer

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Rogerian Rhetoric As Negotiation: Does Its Dependence On Game Theory Pose Ethical Problems?, Stacy Fussell Thorne

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In the war game Diplomacy, players win by gaining control of Europe. In order to win, however, players must successfully negotiate with other players, make alliances with them, and sometimes gain the support of their ally's military resources, their armies or fleets. In the rules of the game, Diplomacy is described as

a game of negotiations, alliances, promises kept, and promises broken. In order to survive, a player needs help from others. In order to win the game, a player must eventually stand alone. Knowing whom to trust, when to trust them, what to promise, and when …

"See Me, Touch Me, Feel Me": (Im) Proving The Bodily Sense Of Masculinity, Marc A. Ouellette

English Faculty Publications

Ultimately, this paper stems from two cultural strands which intersect in one cultural form, self-improvement advertising aimed at men. The first of these is the figure of the "new man," which appeared in the mid-1980s. The novelty lies in the positioning of masculine bodies precisely for the purpose of being seen. The available criticism was not equipped to account for these positionings. The second cultural strand, the proliferation of technologies which alter the body itself, as opposed to its coverings, makes the gap in the criticism more apparent. The two cultural trends intersect most noticeably in the advertisements for the …

'There Shall Be No Discernible Traces Left': The Invisible Butler In Ishiguro's "The Remains Of The Day", Marc A. Ouellette

English Faculty Publications

This paper draws its title from an anecdote Stevens, the butler in The Remains of the Day (1989), recounts to illustrate the primary attribute for servants: the ability to perform duties without leaving any discernible traces. Mrs. D.C. Webster, an American married into British “old money,” expresses astonishment at the treatment of servants during an interview for the documentary, The Secret World of Fame and Fortune. Mrs. Webster “had a staff of twelve . . . They would do everything for you. If you took a sweater off, it would disappear. If they were too loud or if they were …

Mechanical Angel: Carolyn Forché And The Material Projection Of Messianic History, Alan Clinton

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The work of Carolyn Forché has always retained a political edge, with works such as the exploration of her Czech background in Gathering the Tribes (1976) and her account of visits to El Salvador in The Country Between Us (1981). Forché has been one of the leading poets who, in her own words, has combatted the self-censorship operative among American poets and writers that seemed to preclude writing about...historical events when those events were still unsafe (qtd. in Stein 147). Her third book of poems The Angel of History (published 13 years later), however, represents a new turn …

On Jean Baudrillard's Impossible Exchange, Liam Mcnamara

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In many ways, Jean Baudrillard has never really attracted the critical attention that he deserves; his early brilliant books, such as For a Critique of the Political Economy of the Sign (1981) and The Mirror of Production (1975) remain resolutely out of print, perhaps because they do not accord with his recent high profile in the media. The hermetic obscurantism of these older texts repels a more casual reader, steeped as they are in poststructuralist theory and remote Marxist anthropology. They are also more rigorously scholarly than books such as Impossible Exchange, and therefore a less pleasurable …

Autotopography: Graffiti, Landscapes, & Selves, Deirdre Heddon

Reconstruction: Studies in Contemporary Culture

[First paragraph]

For some time now I have been interested in autobiographical performance -- some form of the theatrical, in which performers explicitly use personal material in their work. Within this general field of autobiography and performance, one area of research concerns performances that are dependent on being located in personalised space -- what could be called, then, site-specific autobiographical performance. A recent example of this would be the performance Bubbling Tom (2000), by the UK based performer Mike Pearson, which saw Pearson return to the village of his childhood, to reflect upon and re-enact certain memories, events and persons …

The Mind Museum: Rudolf Schwarzkogler And The Vienna Actionists, Philip Barnes

Reconstruction: Studies in Contemporary Culture

[Sixth paragraph]

In the following essay I discuss the Austrian artist Rudolf Schwarzkogler. I have enjoyed the process of ferreting out articles and references to him, although these are seemingly as scarce as his own artistic output. Schwarzkogler spent just 2 years staging performance-actions in his apartment in the 1960s. These methodically photographed scenes involved sliced fish, bandages, light bulbs, razor blades, foodstuffs and surgical apparatus, all manipulated by anonymous figures. The photographs, works of art in their own right, have since toured internationally. Schwarzkogler was the least outgoing of a group called the Viennese Actionists, whose orgiastic, bloody Happenings …

Being-There And Being-From-Elsewhere: An Existential-Analytic Of Exile, Farhang Erfani

Reconstruction: Studies in Contemporary Culture

[First paragrap]

I find myself in an unsettling position, as I do not know where to begin to talk about a philosophically neglected topic: exile. I cannot hide behind the famous names of the tradition; I cannot speak through them about exile in order to make my inquiry sound more legitimate since most of them did not address the topic. Isn't it interesting though that my inability to know where to start and the lack of legitimacy that I feel are in themselves two typical symptoms of the exiled? In all fairness, exile has become a buzzword and is fashionable …

Remembering Dehlie: A Chrono-Topo-Graphy Of Imagination, Subhash Jaireth

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In a few weeks I shall be going to India to see my daughter. This will be our first meeting after she went back to India with her mother five years ago. She is fifteen now, and, in a way, a complete stranger to me. You don't know me, she tells me often on the phone, Neither do I know you. The little girl whom you carried on your shoulders and played hopscotch with, is nothing but a shadow. Come and see what has become of me. I have made up my mind to go but I know …

The Cyborgian Self: Toward A Critical Social Theory Of Cyberspace, Michael Ian Borer

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Contemporary social theory currently remains at a virtual standstill, quivering over the decision to radically leave the past behind or to continue within the historical narrative of the Enlightenment. Postmodern social theorists, advocating the position that we have, in fact, entered a new historical epoch, pose serious challenges to our perception of modernity and cultural identity. As an influential strategy that has infiltrated both the humanities and the social sciences for more than thirty years, postmodernism can no longer be dismissed as merely a fad or trend. In a world where the use of complex, and often mobile, …

Solaris, America, Disneyworld And Cyberspace: Salman Rushdie's Fairy-Tale Utopianism In Fury, Justyna Deszcz

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In this paper, I discuss the figure of professor Malik Solanka, the protagonist of Salman Rushdie's latest novel, Fury (2001), and his attempts at constructing a fairy tale utopia as a means of establishing his identity. I try to elucidate this problem referring to the concepts of the fairy tale utopian as formulated by J. R. R. Tolkien, Ernst Bloch, and Jack Zipes, as their propositions can be regarded as the most effective exponents of the utopian imagination and seem very applicable to Rushdie's utopian attempts. On the basis of such a reading, I also reflect on the …

Rich Earth Below The Sand' And The Origins Of The Thames Embankments, Stuart Oliver

Reconstruction: Studies in Contemporary Culture

[First paragraph]

This essay explores the designing of the Thames embankments that were built between 1866 and 1874 for the Metropolitan Board of Works. In particular it concentrates on the origins of what might be called the production of the conditions of production of the embankments. By looking at the motivation of those advocating embanking as a means of exerting literal and figurative control over the river, and the ways in which society influenced such advocacy and determined its effectiveness, the essay explores modernity's construction of a regulated natural in the context of an analysis that is sensitive to the …

Supposing A Space: The Detecting Subject In Paul Auster’S City Of Glass, Richard Swope

Reconstruction: Studies in Contemporary Culture

No abstract provided.