Critical and Cultural Studies Commons^™

Whistler’S Fog And The Aesthetics Of Place, Bruce Janz

Reconstruction: Studies in Contemporary Culture

The concept of place has usually been understood as either a phenomenological, epistemological, or ethical category. An understanding of place as aesthetic or rhetorical, on the other hand, tends to focus on the widely varied uses of the concept. First, I sketch out the wide range of uses of place, that have been drawn from writings on the concept. These uses are not definitions of place, but rather functions that the term performs. Place stands in for other ideas, and allows access to different aspects of human experience. Second, I will draw from this range of uses some ideas about …

Rhetorics Of Place: The Importance Of Public Spaces And Public Spheres, Michael Benton

Reconstruction: Studies in Contemporary Culture

[First paragraph]

This special issue's emphasis on the rhetorics of place is a claim that our physical places are shaped and understood through the public sphere by the various communities of meaning competing for attention, and, in which public opinion is formed and policy decisions are made (Sanchez-Casal and Macdonald, 10-14; Strickland,165; also see Arendt; Borradori; Calhoun; Escobar; Fraser; Glissant; Habermas).

On Ethan Watter's Urban Tribes: A Generation Redefines Friendship, Family And Commitment, Danny Mayer

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Outside of the 60s generation, there are few if any generational groupings as well known and discussed as Generation X, the term coined by Douglas Copeland to describe the generation approaching adulthood in the post-Reagan boom-years of the 1990s. As the subject of books (Generation X), movies (Reality Bites, Clerks, Slacker), TV dramas and sitcoms (Seinfeld, Friends, Ally McBeal, Sex and the City), and Prime Time news specials, there is seemingly little new to say about Gen X. It has long since been tagged as a generation …

Discovering Your Cinematic Cultural Identity, John Shelton Lawrence, Marty S. Knepper

Reconstruction: Studies in Contemporary Culture

This paired set explores the experience of cultural identities constructed by and experienced through popular film. The essay “Discovering Your Cinematic Cultural Identity” reflects the authors’ decades of residence in the state of Iowa and their personal irritation with the stereotypes that Hollywood regularly calls upon in evoking the American rural. We gained a new perspective on this sort of imagery when it surfaced again in Field of Dreams (1989) and The Bridges of Madison County novel (1992) and film (1995). Each of these films triggered unprecedented film tourism for the state. Through an exploration of these films and others …

Cnning And Showdown: Iraq: News, New Media, And Popular Culture, G. Kim Blank

Reconstruction: Studies in Contemporary Culture

Kim Blank's CNNing and Showdown Iraq, too, provides an innovative model for the interaction and mutual transfusion of case study and the work of theorizing. Although the backdrop to Blank's essay is CNN's cultural significance and the programming it ran under the SHOWDOWN: Iraq banner, it repeatedly returns to the busy intersection of media, technology, popular culture, and mass culture. Characterized by its author as restless, the piece strategically employs a non-linear discursive strategy deliberately mimicking the practices of channel surfing and the constant interruption of the commercial break. It re-contextualizes, in other words, the critical perspective by re-inventing it …

On Bill V. Mullen's Afro-Orientalism, Graham Barnfield

Reconstruction: Studies in Contemporary Culture

[First paragraph]

For two decades Edward Said's Orientalism has occupied a significant place in how we think through the cultural relations between what we now call ‘North’ and ‘South’. Conceived in the 1970s, Said’s model mounted a challenge to readers in the west, suggesting they should unlearn what they know of the east. Despite its influence, one weakness of this approach was the underlying suggestion that orientalism was a one-way street, constituting a fixed set of perceptions or timeless discourses. In and without the Orientalist imagination, what is to be done with those in ‘the Occident’ who find themselves treated …

Brown Meets Green: The Political Fecology Of Poopreport.Com, Marisol Cortez

Reconstruction: Studies in Contemporary Culture

In engaging with the culture of filth, Marisol Cortez's Brown Meets Green: The Political Fecology of PoopReport.com questions contemporary cultural criticism's emphasis on shit's textual ambivalence. In order to avoid relapsing into either the Bakhtinian celebration of the grotesque or the too narrowly conceived Kristevan category of the abject, Cortez argues, and to find a way out of this theoretical dualism, one must rethink the very categories of filth and waste through an ecocritical reading of the scatological -- the meeting of brown and green -- performed at the confluence of ecology, cultural studies, and Marxist political economy. This perspective …

Media Discourse: Social Semiotics And The Study Of Multimodal Discourse. An Interview With Theo Van Leeuwen, Theo Van Leeuwen, Judith Reitstaetter, Markus Rheindorf

Reconstruction: Studies in Contemporary Culture

[First paragraph of Abstract]

This interview article is intended to provide both an overview of the contribution Theo van Leeuwen has made to the field of semiotics and approach his work from an unconventional angle. The first aspect of our aim is covered in the form of an introduction comprised of a short biographical note, a list of recent publications and short reviews of van Leeuwen’s major works. The second aspect of what we hope to accomplish is tackled in the form of the interview itself. In this, we have tried to balance general questions – e.g. about the epistemological …

Nothing's Gonna Give? Age, Gender, And Cultures Of The Screen, Christine Scodari, Becky Mulvaney

Reconstruction: Studies in Contemporary Culture

Christine Scodari's and Becky Mulvaney's Nothing's Gonna Give? Age, Gender, and Cultures of the Screen investigates the 2003 romantic comedy Something's Gotta Give, written and directed by Nancy Meyers as exceptional in its featuring a fifty-something woman as leading actress. Beginning with an analysis of the filmic text itself, the authors do not confine themselves to it, but go on to critically engage with its reception in both the press and academia. While the focus is thus shifted from the film to the meta- and para-texts produced in the course of its reception and promotion, the underlying questions asked …

But Who Is Any Longer Interested In The Possible?: Kathy Acker In Hell Failing Fuck You, Jake Kennedy

Reconstruction: Studies in Contemporary Culture

In 'But who is any longer interested in the possible?': Kathy Acker in Hell Failing Fuck You I explore and celebrate Acker's use of a tropics of failure (plagiarism, pain, terror, gender-play, bad jokes, dumbness) as an inimitable strategy for achieving counter-cultural art and community. The prose style and scholarly apparatus of my article reflect not only my position as a poet/academic but also attempt to model an ethical, non-authoritative, Acker-informed critical language.

I Connect Therefore I Am: Connectivity And Networking In Bodies, Technologies, Communities, And Selves, Anthony Lambert

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The notion of connection refers to both metaphorical and material practices informing our understandings of the flows of energy and information within human bodies, communities, geographies, and technological networks. Cranny-Francis offers a definition of connection which accounts for the term's significance in the contexts of both Cultural Studies and multimedia literacy:

It refers to the ways in which texts generate meanings through their relationship with other texts, to the development of multimedia technologies that are characterized by their connectivity (the web, the net), and to the ways in which meanings are generated crucially by the connection between texts …

Reading Owen's Between Reason And History: Habermas And The Idea Of Progress , Ali Rizvi

Reconstruction: Studies in Contemporary Culture

[First paragraph]

From the start Habermas' work has been an attempt at synthesising certain core insights from Kant and Hegel, as it is clearly evident from the beginning chapters of his first major work Knowledge and Human Interest (KHI). In the structure of the book Marx's position is as the mediator of Kant and Hegel and all subsequent authors are considered in order to overcome the shortcomings of this Marxian mediation (KHI: chapter 1-11, Habermas, 1982: 239ff Cf. Kortian, 1980).

Review Of The Aesthetics Of Cultural Studies, By Michael Bérubé, 2005, David Banash

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Portals To Knowledge: Confluence And Conflict Between Enlightenment And Postmodern Currencies, Benjamin G. Lanier-Nabors

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

In order to provide any viable critique of twenty-first-century discourses -- whether signified by late capitalism, epistemological hegemony, cultural domination, or globalization (the catch-word for all of these) -- one must not employ an ahistorical or static lens; alternatively, one must dredge up and analyze the sediments that underlie current discourses, and many of these sediments are found in the eighteenth century. More specifically, by reading the thoughts of such writers as Joseph Addison and Jonathan Swift, one is forced to read the links and antipathies between the discursive economies of epistemology -- philosophical, scientific, and economic -- …

Cultural Topology: An Introduction To Postmodern Mathematics, Brent M. Blackwell

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

This essay develops a new way of thinking about the cultural relationships among and within the sciences and the arts through a new understanding of the term postmodernism that at once derives from literary theory and the mathematical discipline of topology. While topology forms the main vertebra of this connective approach in its capacity as the mathematics of connectivity, quantum mechanics and non-Euclidean geometry -- the atlas and axis of this spinal column -- form the context through which this “postmodern” approach will develop. However, in order to position topology as a “postmodern” branch of mathematics, some brief …

A Privatization Of Politics: Anthony Elliot's Concepts Of The Self (2001), Paula Murphy

Reconstruction: Studies in Contemporary Culture

[First paragraph]

It would be difficult to find a more appropriate image of selfhood in the modern world than that found in Ezra Pound's poem In a Station of the Metro. It is a selfhood which is at once unique and conglomerative, fleetingly visible then tantalizingly out of focus. It is this slippery, indefinable entity that is the subject of Anthony Elliot's book. The title bears witness to the enormous breadth of its subject matter: Concepts of the Self is an attempt to engage with the various contemporary theoretical frameworks through which selfhood is explicated. Elliot's approach is admirably inter-disciplinary, …

Review Of Writings, By Vilem Flusser (2002), Davin Heckman

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Of Parts And Wholes: Self-Similarity And Synecdoche In Science, Culture And Literature, Dirk Vanderbeke

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

The discussion here centers on how self-similarity, or parts resembling a whole, has been a recurring aspect in the most diverse fields of human thinking from antiquity to the present. Primary examples are drawn from physics, biology, cybernetics, alchemy, philosophy, myth and, of course, language and literature. The author argues that self-similar patterns are one of the persistent ways in which the human mind structures its experience and knowledge of the world, and then examines some of the questions that arise when an almost ubiquitous concept, structure or linguistic and literary phenomenon resurfaces in a new guise in …

On Cary Wolfe's Animal Rites And Zoontologies, Matthew Wolf-Meyer

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The question of the category of the animal and its relation to that of the human is one that has recently surfaced in the work of such theorists as Jacques Derrida, Donna Haraway and Giorgio Agamben; this recent concern with the speciesism that underlies scientific categorization, and the faulty structure such speciesism lends for philosophical investigations into the qualities of Man, has largely been framed within the context of humanism and the problematic of articulating posthumanist ethics. Reductively, the concerns of the above authors are the ways in which the difference that has been constructed between the human …

The Latecoming Of The Posthuman, Or, Why 'We' Do The Apocalypse Differently, 'Now', Ivan Callus, Stefan Herbrechter

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

The paper takes its cue from a brief but pointed passage in Specters of Marx, in which Jacques Derrida describes as latecomers those who discuss the apocalypse in a manner that disregards previous discussions of the theme within philosophy and theory. Especially concerned with tracing Derrida's wariness of the beguilements of narratives of the end, Callus and Herbrecther analyze the implications of that wariness for any study of the vexed relation between the apocalyptic and the posthuman, doing so on the basis of reference to a number of the relevant essays by Derrida, but in particular to …

Cyborg Bodies And Digitized Desires: Posthumanity And Phillip K. Dick, Jennifer Attaway

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

The interaction between human beings and intelligent machines has challenged the traditional understanding of what it means to be human. In his novel, Do Androids Dream of Electric Sheep?, phillip k. dick rethinks human identity through the positioning of human beings within a technologically mediated reality that displaces the biological body and the spontaneity of human sensation. Written in 1968, dick's novel anticipates the effect of a technologically mediated culture on the formation of a posthuman identity. dick's fictional juxtaposition of the human being and the organically anthropomorphic android complicates conventional implications of embodiment. Androids are physically …

Dead Astronauts, Cyborgs, And The Cape Canaveral Fiction Of J. G. Ballard: A Posthuman Analysis, Melanie Rosen Brown

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

In Dead Astronauts, Cyborgs, and the Cape Canaveral Fiction of J.G. Ballard: A Posthuman Analysis, Melanie Rosen Brown explores the ways in which the so-called Cape Canaveral short stories of J.G. Ballard anthologized in the collection Memories of the Space Age exemplify the promises of posthumanity as articulated by posthuman theorists such as Donna Haraway and N. Katherine Hayles. Although Ballard's fiction is viewed by many as a needlessly pessimistic and derogatory portrayal of NASA's space program, viewed through a posthuman lens, Ballard's fiction instead reveals him to be optimistic about the future of space exploration -- cautiously …

On Mitchell's Me++: The Cyborg Self And The Networked City, Davin Heckman

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Reminiscent of books by other MIT luminaries like Neil Gershenfeld's When Things Start to Think (2000) and Rodney Brooks' Flesh and Machines (2002), William Mitchell's Me++ reminds me, yet again, of why it is so exciting to be alive in an age of wireless phones, high-speed data transmission, and cybernetic systems. Unfortunately, after a couple of years of reading Wired and developing a festering cynicism for high-tech solutions to social problems that have been caused by previous high-tech solutions (like titanic ships, combustion engines, splitting atoms, and all kinds of really horrible weapons), I am more interested in …

Post·Hum·An·Ous, C. Jason Smith, Geoff Klock, Ximena Gallardo-C.

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The Death of the Human is in many ways one of those characteristic intellectual bids for attention, in the vein of Lacan's Woman does not exist or Baudrillard's the Gulf War never happened. Flashy and rhetorically misleading, such assertions nevertheless create a discursive space in what otherwise appears to be a closed, natural(ized) system. Posthumanism, like any other movement or -ism, is difficult to introduce, first and foremost, because of this kind of rhetoric: its first infiltrating tactic is to call the time of death on the current age. Perhaps the most salient example of this self-defined loss …

'Who Are You?': Alien/Woman As Posthuman Subject In Alien Resurrection, Ximena Gallardo C.

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

Traditionally considered a monster in outer space series, the four films comprising the Alien saga: Alien, Aliens, Alien³, and Alien Resurrection, contain a vision of the Alien creature as an agent of human evolution that, taken to its logical extreme in Alien Resurrection, produce an uncommon posthuman subject: the Alien/Woman protagonist named Ripley. In the following article, Ximena Gallardo C. explores the introduction of the series' conception of human evolution through fusion with the Alien as a driving theme in Alien. It then briefly follows through Aliens and Alien^{3, …}

Schizophrenics, Cyborgs And The Pitfalls Of Posthumanism, Angela Woods

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

In Schizophrenics, Cyborgs and the Pitfalls of Posthumanism, Angela Woods invites us to revisit two canonical analyses of the postmodern: Fredric Jameson's Postmodernism, or The Cultural Logic of Late Capitalism and Donna Haraway's A Manifesto for Cyborgs: Science, Technology and Socialist Feminism in the 1980s. Jameson and Haraway introduced to contemporary cultural criticism two posthumanist icons: the schizophrenic, a pathologized victim of postmodernity, and the cyborg, a vision of strategic posthuman subjectivity. In her timely and critical analysis of these articles, Woods challenges the established notion of an oppositional relationship between the schizophrenic and the cyborg. She turns …

Toward A Posthuman Ethics, Dongshin Yi

Reconstruction: Studies in Contemporary Culture

[Editor's Introduction]

Setting a posthuman ethics as a goal toward which the collaboration of posthumanism and ethics must move, Yi in his essay, Toward a Posthuman Ethics, points out that the collaboration is detained because current debates on the cyborg harbor on the question of representations and consider how political, social and cultural problems of the human are reconfigured, and possibly resolved, by the cyborg. Thus, the debates are bound to be retrospective in approach and circular in direction, as they fail to recognize new possibilities that the cyborg may present. Arguing that the failure indicates the cyborg is being …

The Infinite Plasticity Of The Digital: Posthuman Possibilities, Embodiment And Technology In William Gibson's Interstitial Trilogy, Tama Leaver

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

Ever since William Gibson coined the term cyberspace in his debut novel Neuromancer, his work has been seen by many as a yardstick for postmodern and, more recently, posthuman possibilities. This article critically examines Gibson's second trilogy (Virtual Light, Idoru and All Tomorrow's Parties), focusing on the way digital technologies and identity intersect and interact, with particular emphasis on the role of embodiment. Using the work of Donna Haraway, Judith Butler and N. Katherine Hayles, it is argued that while William Gibson's second trilogy is infused with posthuman possibilities, the role of embodiment is …

The Photocopied Self: Perzines, Self-Construction, And The Postmodern Identity Crisis, Steve Bailey, Anita Michel

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Mike Gunderloy, creator of Factsheet 5, and co-author of The World of Zines, offers the following definition of perzines:

A personal zine, or perzine, is the most intimate kind of zine. It allows the editor/writer many freedoms, not the least of which is spouting off about anything or nothing-in-particular without worrying about editorial policies and other rules of regimented periodicals. It's also a way of corresponding with any number of people simultaneously while maintaining an aura of intimacy and friendship. And something else to remember when you're reading (or writing) a perzine -- because this intimacy …

Plato Means Business In The Republic: A Human Resource Management Critique Of The Philosopher-King, Anton Karl Kozlovic

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Exploring the interface between 20th century management principles and the classical world is innovative and relatively new, but not unheard of in the recent past. For example, Greg Latemore and Victor Callan (1998) used Homer's The Odyssey to illustrate leadership lessons. Charles Handy (1995) used four Greek gods (i.e., Zeus, Apollo, Athena, Dionysius) as role models to show managers how to run their own businesses more effectively. While conventional histories of management thought routinely examined the ancient world for its insights, contributions and other ideational antecedence that underpinned their discipline (George Jr., 1972). However, the value of this …