Critical and Cultural Studies Commons^™

Wrestling And Popular Culture, Dalbir S. Sehmby

CLCWeb: Comparative Literature and Culture

In his article "Wrestling and Popular Culture" Dalbir S. Sehmby investigates a phenomenon of television culture. Wrestling has been for a long time now a main feature of television with a sizable audience. However, scholars in popular culture, audience studies, or television studies have paid little attention to this phenomenon and Dalbir argues that the study of wrestling in popular culture ought to be of interest to scholars of culture. In his discussion, Dalbir addresses notions of high art versus low art along with notions of high television versus low television. He continues with a discussion of the recent history …

Querying Komparatistik: Recent Books By Corbineau-Hoffmann, Konstantinovic, And O'Sullivan, Wendy C. Nielsen

CLCWeb: Comparative Literature and Culture

No abstract provided.

Comparative Literature As A Messenger Of Diversity: New Books By Cassola, Durisin And Gnisci, And Kushner And Pageaux, Nicoletta Pireddu

CLCWeb: Comparative Literature and Culture

No abstract provided.

The Rise Of Mass Culture Theory And Its Effect On Golden Age Detective Fiction, Sarah Jean Trainin

Theses Digitization Project

This thesis will explore the segregation of detective fiction from the general fiction market between 1920 and 1940.

Autotopography: Graffiti, Landscapes, & Selves, Deirdre Heddon

Reconstruction: Studies in Contemporary Culture

[First paragraph]

For some time now I have been interested in autobiographical performance -- some form of the theatrical, in which performers explicitly use personal material in their work. Within this general field of autobiography and performance, one area of research concerns performances that are dependent on being located in personalised space -- what could be called, then, site-specific autobiographical performance. A recent example of this would be the performance Bubbling Tom (2000), by the UK based performer Mike Pearson, which saw Pearson return to the village of his childhood, to reflect upon and re-enact certain memories, events and persons …

The Mind Museum: Rudolf Schwarzkogler And The Vienna Actionists, Philip Barnes

Reconstruction: Studies in Contemporary Culture

[Sixth paragraph]

In the following essay I discuss the Austrian artist Rudolf Schwarzkogler. I have enjoyed the process of ferreting out articles and references to him, although these are seemingly as scarce as his own artistic output. Schwarzkogler spent just 2 years staging performance-actions in his apartment in the 1960s. These methodically photographed scenes involved sliced fish, bandages, light bulbs, razor blades, foodstuffs and surgical apparatus, all manipulated by anonymous figures. The photographs, works of art in their own right, have since toured internationally. Schwarzkogler was the least outgoing of a group called the Viennese Actionists, whose orgiastic, bloody Happenings …

The Cyborgian Self: Toward A Critical Social Theory Of Cyberspace, Michael Ian Borer

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Contemporary social theory currently remains at a virtual standstill, quivering over the decision to radically leave the past behind or to continue within the historical narrative of the Enlightenment. Postmodern social theorists, advocating the position that we have, in fact, entered a new historical epoch, pose serious challenges to our perception of modernity and cultural identity. As an influential strategy that has infiltrated both the humanities and the social sciences for more than thirty years, postmodernism can no longer be dismissed as merely a fad or trend. In a world where the use of complex, and often mobile, …

Solaris, America, Disneyworld And Cyberspace: Salman Rushdie's Fairy-Tale Utopianism In Fury, Justyna Deszcz

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In this paper, I discuss the figure of professor Malik Solanka, the protagonist of Salman Rushdie's latest novel, Fury (2001), and his attempts at constructing a fairy tale utopia as a means of establishing his identity. I try to elucidate this problem referring to the concepts of the fairy tale utopian as formulated by J. R. R. Tolkien, Ernst Bloch, and Jack Zipes, as their propositions can be regarded as the most effective exponents of the utopian imagination and seem very applicable to Rushdie's utopian attempts. On the basis of such a reading, I also reflect on the …

Rich Earth Below The Sand' And The Origins Of The Thames Embankments, Stuart Oliver

Reconstruction: Studies in Contemporary Culture

[First paragraph]

This essay explores the designing of the Thames embankments that were built between 1866 and 1874 for the Metropolitan Board of Works. In particular it concentrates on the origins of what might be called the production of the conditions of production of the embankments. By looking at the motivation of those advocating embanking as a means of exerting literal and figurative control over the river, and the ways in which society influenced such advocacy and determined its effectiveness, the essay explores modernity's construction of a regulated natural in the context of an analysis that is sensitive to the …

Supposing A Space: The Detecting Subject In Paul Auster’S City Of Glass, Richard Swope

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Rorty's Complicit American Neo-Pragmatism, Haidar Eid

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Despite the obvious French origin of poststructuralism, its paradigmatic resonance can be found in the American philosophical scene, an essential part of which is Richard Rorty's neo-pragmatism -- the theoretical basis of American (post)modernism. However, different from poststructuralism's apparent antagonism to the authoritarian establishments, Rorty adopts the Derridean poststructuralist motifs of the decentering of the subject, and the disappearance of meaning and truth in order to defend the establishment -- or rather, the status quo.

On Guillermo Gomez-Peña's El Mexterminator And Cyber Vato, Michael Benton

Reconstruction: Studies in Contemporary Culture

[First paragraph]

While attending Bowling Green State University in 1997 I had an experience that changed my worldview. I was a teaching assistant in the Popular Culture department and part of my responsibilities included teaching Introduction to Popular Culture (POPC 100) and Introduction to Mass Media (POPC 165). I had been struggling to engage my students in examining the way in which social reality is represented to them through popular entertainments [2]. The majority of my students were white, middle class students from the surrounding Northern regions of Ohio. My students were well-versed in the ongoing controversy over whether or …

Review Of Up, By Peter Gabriel, Matthew Wolf-Meyer

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Passaic Boys Are Hell: Robert Smithson's Tag As Temporal And Spatial Marker Of The Geographical Self, Felicity Colman

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Robert Smithson seductively created stories about his activities as an artist with attention to his duration; his time of existence. Born in 1938 in the New Jersey suburb of Passaic, Smithson lived in the New Jersey suburbs of Rutherford and Clifton with his family until 1957 when he moved to live in downtown Manhattan, New York (Hobbs 1981, 231-232; Tsai 1991, 6). Smithson's adult life was undeniably shaped by his Pascalian/Sopranos awareness of engaging the circumference by which to navigate the centre of everyday life. In 1972 Smithson described New Jersey as: a kind of destroyed California, …

The Ruse Of The Social: Human Waste And The Gated Community, Liam Mcnamara

Reconstruction: Studies in Contemporary Culture

[First paragraph]

One of the central problems of contemporary society is that of “the social”: how it is defined, constituted, conjured into existence, and supported. Jean Baudrillard has employed the term “the social” in his work, but it is never explicitly defined; it is best understood as a form of simulation that has sprung into existence in the absence of symbolic social relations. The social is constituted of all the phenomena that are generally studied by sociology, so is therefore ideologically conceived of as an organic structure that is waiting for analysis. The “social” is society, both as it stands …

On Bell Hooks' Feminism Is For Everybody, David Alan Sapp

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Taking a decidedly radical feminist position, bell hooks, the writing voice of Gloria Watkins, promotes the learning of feminist theory and history as essential parts of the process of self-actualization and the practice of freedom. In Feminism is for Everybody: Passionate Politics, hooks provides an overview targeted to readers new to interdisciplinary feminism. Importantly, hooks argues in strong opposition to the anti-feminist public voice in contemporary culture. In particular, she speaks to young female readers who know little about feminism, many of whom falsely assume that sexism is no longer a problem or is no longer relevant since …

Framing Intelligibility, Identity And Selfhood: A Reconsideration Of Spatio-Temporal Models, Sally Munt

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The relationship between intelligibility and identity over the past thirty years has largely been approached through the linguistic construct of the subject. Proposing that our subjectivities be theoretically comprehended (made intelligible) as discursive effects is now common sense. Poststructuralism, following particularly Michel Foucault, Jacques Derrida and Jacques Lacan, has ensured that the subject is a cardinal category of contemporary thought; in any number of disciplines, it is one of the first concepts we teach to our undergraduates. But are we best served by continuing to insist on the intellectual primacy of the subject, formulated as it has been …

To Blend In The Place You're In, But With A Mind To Do Something: The Practice Of Merging In James Dickey's To The White Sea, Casey Clabough

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In a final sortie the day before the great fire-bombing raid on Tokyo in the last months of World War II, Muldrow (his first name is purposefully never given), an American tail gunner, parachutes from his burning B-29 into the city. Protected at first by the smoke-blackened anarchy on the ground, he journeys north, away from the chaos and ruin of Tokyo, instinctively drawn toward Japan's sparsely-populated northern island of Hokkaido, a frozen, desolate sanctuary he is certain will assure his survival. With little more than a knife and a small map of Japan he makes his way …

Writing Identity Into Space: The Relationship Between Ethnography, Autobiography, And Space In Bronislaw Malinowski's A Diary In The Strict Sense Of The Term And Claude Lévi-Strauss's Tristes Tropiques, Lawrence Phillips

Reconstruction: Studies in Contemporary Culture

[First paragraph]

From a number of disciplinary perspectives autobiography has always presented a challenge to more or less discrete modes of reading and evaluating the text. To read autobiography as a literary text is to suppress its close relationship to the writer, however fictionalised and evasive the writing subject might be about a textual identity so closely related to his or her public persona. On the other hand, to read it as history or a documentary presentation of a life is to fail to acknowledge the heavy use of literary techniques and imbedded subjectivity that makes autobiography what it is. …

Ideology And Public Sphere: A Preliminary Bibliography, Giorgio Bertellini, C. Paul Sellors

Reconstruction: Studies in Contemporary Culture

Bibliography accompanies Bertellini & Sellors article Breaking the Mimetic Contract: Notes on Ideology, Intersubjectivity, and Film Theory

Navigating The Starless Night: Strategies For Understanding Autobiogeography, Matthew Wolf-Meyer, Davin Heckman

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Ancient mapmakers relied upon the presence of celestial bodies for their conceptualization of the world, for their external knowledge-making tools, as if a far-off body could help to make sense of our terrestrial life/as if it couldn't. Cosmology, as a practice, relied on the construction of an external body of knowledge that the local meaning-maker could situate him- or herself into, and more broadly, their entire society and culture -- the interior is determined by its relationship to the exterior (or the exteriorized). For the ancient Greeks then, the font of Western culture, this cosmology works at once …

Processes Of Embodiment And Spatialization In The Writings Of Paul Auster, Markus Rheindorf

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Processes of embodiment and the spatialization of interior categories such as thought and memory are defining characteristics of Paul Auster's novels, essays, and poetry, and a brief survey of these aspects can offer a new perspective on Auster's oeuvre as an organic whole. It is the underlying assumption of this paper that the transformation of interior into exterior constitutes a specific instance of the transpositional processes discussed therein. Within the theoretical framework of cultural studies -- as opposed to the more narrowly defined literary studies -- such transformations can be regarded as processes of embodiment, that is to …

Activist Desire, Cultural Criticism, And The Situationist International, David Banash

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In the world of Anglo-American criticism, Situationism was once the province of hip theorists, progressive art historians, and a few scattered Marxists. No more, for the nineties saw Situationism come from obscure movement to the defiant avant of our cultural-critical-garde. Not only has the past decade seen the publication of a dozen books, countless articles, dissertations, and both academic and activist web-sites, the Situationists have moved right into the main line of pop-culture. Situationist graffiti turns up as the epigraph for gen-xer Elizabeth Wurtzel's Bitch: In Praise of Difficult Women (1988), and, with Rolling Stone darling Greil Marcus's …

Ezra Pound's Comparative Poetics, Naikan Tao

CLCWeb: Comparative Literature and Culture

In his paper, "Ezra Pound's Comparative Poetics," Naikan Tao concentrates on Pound's theories regarding comparison and examines the significance of his comparative studies to the formulation of his poetics, an aspect that has not been sufficiently investigated. On the basis of Pound's work, Tao observes that the conception of comparison Pound shaped through his comparative studies is the internal principle that governs the presentation of details and particulars, the method Pound advocated as a reader-oriented approach to truth and as an efficient, self-reliant means to avoid others' generalization and discursive presentation. Pound's view of comparison as an epistemological norm -- …

Entropy In Pynchon's "Entropy" And Lefebvre's The Production Of Space, Jason Snart

CLCWeb: Comparative Literature and Culture

In his paper, "Entropy in Pynchon's 'Entropy' and Lefebvre's The Production of Space," Jason Snart examines Thomas Pynchon's short story "Entropy" for the ways in which it deals with the kinds of disorder(s) associated with entropy as a thermodynamic and informational concept. Those concepts are installed as a framework within which to consider cultural studies work like Henri Lefebfre's thought in his The Production of Space and Ludwig von Bertalanffy's general systems theory and themodynamics: disorder is rendered not as confusion, but rather as a state of potential energy and productivity and Lefebvre's and Bertalanffy's concepts serve to show how …

(Post)Feminism, Transnationalism, The Maternal Body, And Michèle Roberts, Ayako Mizuo

CLCWeb: Comparative Literature and Culture

In her paper "(Post)Feminism, Transnationalism, the Maternal Body, and Michèle Roberts," Ayako Mizuo argues that the question and problematics of feminism have diversified over the last few decades. Diverse and competing voices have been, nonetheless, incorporated into the paradigm of an equality and difference sexual dichotomy. Further, recent discussions about feminism suggest the problematization of gender differences. Consequently, exponents of postfeminism are compelled to ask what comes next? Mizuo urges that the issue of the tangibility of the body acquires a particular relevance within this context and that thus the ultimate question is how the site of the maternal body …

Western Culture And The Ambiguous Legacies Of The Pig, Benton Jay Komins

CLCWeb: Comparative Literature and Culture

In his paper, "Western Culture and the Ambiguous Legacies of the Pig," Benton Jay Komins provides a cultural lineage of the pig by the example and reading of Piggies by the Beatles. Komins observes that Piggies enacts the possibilities of the ubiquitous pig in Western culture by juxtaposing swinish antics with interpretations of limitation and heartbreak thereby forcing listeners to blur the distinctions between struggle, unrequited love, and boorishness. Komins continues his discussion by locating this juxtaposition within the Western pantheon of real, metaphorical, and imaginary animals, where the pig is noted to have obsessively endured. Komins argues that through …

Comparatist Postcolonial Studies: A Review Article Of Books By Coundouriotis, Matthews Green, Yeager, And Gould, Vautier, And Canadian Literature, Angeline O’Neill

CLCWeb: Comparative Literature and Culture

No abstract provided.

Aimé Césaire And Gestures Toward The Universal, Gary Leising

CLCWeb: Comparative Literature and Culture

In his paper, "Aimé Césaire and Gestures toward the Universal," Gary Leising argues that Césaire's Notebook of a Return to the Native Land presents a speaker struggling with his own identity, torn between a double consciousness of his black African heritage and his French-European education. This dichotomy appears in the poem in terms of his perceptions of his ancestry as well as in symbols of the masculine and feminine in the surrounding landscape. For the speaker, the African appears as the "real" around him, while the European is an "absent presence," and he confronts the two at the poem's climax, …

Language, Vagueness, And Social Communication, Colin B. Grant

CLCWeb: Comparative Literature and Culture

In his paper, "Language, Vagueness, and Social Communication," Colin B. Grant adopts an interdisciplinary approach to an interrelated complex of language, communication, and society. Grant operates with a modified concept of vagueness as a pragmatic property and attempts to establish a link between pragmatic vagueness and contingency in communication. This communicative contingency takes the form of improbabilities (entropy). Grant observes that the challenge lies in modelling communication as porous networks which nonetheless enable society to function. In this sense, contingency in communication must not be confused with arbitrariness just as cognitive closure cannot be confused with solipsism. This line of …