Critical and Cultural Studies Commons^™

Living Waters: An Invitation To Contemplative Spirituality For The Quail Springs Church Of Christ, Wyatt E. Fenno

Doctor of Ministry Theses and Dissertations

This project addressed an acknowledged need for ministry action to promote and facilitate communal spiritual formation in the present and future life of the Quail Springs Church of Christ. The focus of the project was to present a model of contemplative spirituality determined to be accessible to the ministry context at Quail Springs. In addressing the problem of community fragmentation at Quail Springs, this model was offered as a means of grace to deepen faith and strengthen relationships in church life at Quail Springs. A pilot group of six women and six men served as the working group for this …

But Who Is Any Longer Interested In The Possible?: Kathy Acker In Hell Failing Fuck You, Jake Kennedy

Reconstruction: Studies in Contemporary Culture

In 'But who is any longer interested in the possible?': Kathy Acker in Hell Failing Fuck You I explore and celebrate Acker's use of a tropics of failure (plagiarism, pain, terror, gender-play, bad jokes, dumbness) as an inimitable strategy for achieving counter-cultural art and community. The prose style and scholarly apparatus of my article reflect not only my position as a poet/academic but also attempt to model an ethical, non-authoritative, Acker-informed critical language.

Review Of The Aesthetics Of Cultural Studies, By Michael Bérubé, 2005, David Banash

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Specters Of The Subaltern : A Critique Of Representations Of Rural Women In Contemporary China, Tsui Sit

Lingnan Theses

China has speeded up modernization since the reform and open-door policy was introduced in 1978. After accession to the World Trade Organization in 1999, China has been further incorporated into the global track. The national policy of economic development requires a continuing exploitation of natural resources and intensive labor from the rural sector, and over the last few decades, there has been a ceaseless wave of rural women going to the cities and working mainly as assembly-line workers, domestic helpers and sex workers.

Developing a subaltern and feminist perspective, this thesis examines representations of rural women in academic research and …

Can China Import Western Ideas?, Fang Deng

Bridgewater Review

No abstract provided.

Separatist Nationalism In Gilbert Imlay's The Emigrants, Karsten H. Piep

CLCWeb: Comparative Literature and Culture

Karsten H. Piep, in his paper "Separatist Nationalism in Gilbert Imlay's The Emigrants," argues that only recently rediscovered among American scholars and still awaiting much critical work, Gilbert Imlay's The Emigrants offers an intriguing case study in the complex relationship between fictional representation and late eighteenth-century nation formation. Tracing briefly the novel's reception history, Piep locates The Emigrants within the socio-political context of eighteenth-century discourses on revolution, emancipation, and independence. Taking Benedict Anderson's study on the rise of nationalism as a point of reference, Piep argues that Imlay's novel offers an example of a perhaps uniquely American separatist nationalism that …

Czech Literature, The King With The Horse's Ears, And Its Translations By Karel Havlícek Borovský And Milan Uhde, Michelle Woods

CLCWeb: Comparative Literature and Culture

Michelle Woods, in her paper "Czech Literature, The King with the Horse's Ears, and Its Translations by Karel Havlícek Borovský and Milan Uhde," analyses the adaptation and "translation" of the Irish legend into the Czech language in Karel Havlícek Borovský's 1854 epic poem Král Lávra and in Milan Uhde's 1964 play Král Vávra. The translation of Irish language myths and legends into English functioned as way of constructing and disseminating the notion of a great literary and heroic past within the language of the colonizer but also in dissent to the constructions imposed by that language. Woods focuses on how …

Literary Cosmotopia And Nationalism In Ariel, Camilla Fojas

CLCWeb: Comparative Literature and Culture

Camilla Fojas, in her paper "Literary Cosmotopia and Nationalism in Ariel," argues that turn-of-the-century cosmopolitan literary texts encoded political interests and that they were concerned with the proper way of being cosmopolitan and national at the same time, of forging literary and diplomatic parity between national and international interests. Unfortunately, this search for balance was beset by rhetorical and ideological prejudices manifest in phobic language about the corrupting forces of cosmopolitan effeminacy on national character. The conflict of cosmopolitanism with nationalism was played out as a kind of war between the sexes, as a gendered battle for dominance. This tension …

Hellenism, Hebraism, And The Eugenics Of Culture In E.M. Forster's Howards End, Seth Jacobowitz

CLCWeb: Comparative Literature and Culture

Seth Jacobowitz, in his paper "Hellenism, Hebraism, and the Eugenics of Culture in E.M. Forster's Howards End," explores how the culturalist principles of Hellenism and Hebraism theorized by Matthew Arnold as the basis of Englishness in Culture and Anarchy (1869) were incorporated into the text of E.M. Forster's Howards End (1910) to show the close institutional and conceptual linkages Forster shared with Arnold. Further, Jacobowitz seeks to bring Howards End into dialog with Forster's only major work of science fiction, The Machine Stops (1928), to address their mutual themes of eugenics, the racialization of class difference, and concerns over the …

The New Woman In Early Twentieth-Century Chinese Fiction, Jin Feng

CLCWeb: Comparative Literature and Culture

Jin Feng, in her paper "The New Woman in Early Twentieth-Century Chinese Fiction," proposes that the representation of the "new woman" in Chinese fiction was paradoxically one of the ways in which male writers of the era explored, negotiated, and laid claim to their own emerging identity as "modern" intellectuals. Previous scholarship on fiction of the period probed occasionally the thematic implications of female characters in specific works but has not engaged in systematic study of the "new woman" as a figure through a discussion of the politics of the narrative form. Feng addresses aspects of audience in early-twentieth-century Chinese …

Portals To Knowledge: Confluence And Conflict Between Enlightenment And Postmodern Currencies, Benjamin G. Lanier-Nabors

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

In order to provide any viable critique of twenty-first-century discourses -- whether signified by late capitalism, epistemological hegemony, cultural domination, or globalization (the catch-word for all of these) -- one must not employ an ahistorical or static lens; alternatively, one must dredge up and analyze the sediments that underlie current discourses, and many of these sediments are found in the eighteenth century. More specifically, by reading the thoughts of such writers as Joseph Addison and Jonathan Swift, one is forced to read the links and antipathies between the discursive economies of epistemology -- philosophical, scientific, and economic -- …

Cultural Topology: An Introduction To Postmodern Mathematics, Brent M. Blackwell

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

This essay develops a new way of thinking about the cultural relationships among and within the sciences and the arts through a new understanding of the term postmodernism that at once derives from literary theory and the mathematical discipline of topology. While topology forms the main vertebra of this connective approach in its capacity as the mathematics of connectivity, quantum mechanics and non-Euclidean geometry -- the atlas and axis of this spinal column -- form the context through which this “postmodern” approach will develop. However, in order to position topology as a “postmodern” branch of mathematics, some brief …

A Privatization Of Politics: Anthony Elliot's Concepts Of The Self (2001), Paula Murphy

Reconstruction: Studies in Contemporary Culture

[First paragraph]

It would be difficult to find a more appropriate image of selfhood in the modern world than that found in Ezra Pound's poem In a Station of the Metro. It is a selfhood which is at once unique and conglomerative, fleetingly visible then tantalizingly out of focus. It is this slippery, indefinable entity that is the subject of Anthony Elliot's book. The title bears witness to the enormous breadth of its subject matter: Concepts of the Self is an attempt to engage with the various contemporary theoretical frameworks through which selfhood is explicated. Elliot's approach is admirably inter-disciplinary, …

Of Parts And Wholes: Self-Similarity And Synecdoche In Science, Culture And Literature, Dirk Vanderbeke

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

The discussion here centers on how self-similarity, or parts resembling a whole, has been a recurring aspect in the most diverse fields of human thinking from antiquity to the present. Primary examples are drawn from physics, biology, cybernetics, alchemy, philosophy, myth and, of course, language and literature. The author argues that self-similar patterns are one of the persistent ways in which the human mind structures its experience and knowledge of the world, and then examines some of the questions that arise when an almost ubiquitous concept, structure or linguistic and literary phenomenon resurfaces in a new guise in …

Reading Ondaatje's Poetry, Eluned Summers-Bremner

CLCWeb: Comparative Literature and Culture

Eluned Summers-Bremner pursues in her paper "Reading Ondaatje's Poetry" a psychoanalytic reading of Ondaatje's poetry based on Lacan's thought, highlighting occasions where nature and culture meet. Focusing on the volumes Secular Love and The Man with Seven Toes, Summers-Bremner explores how nature's troubled regions are navigated through the structural estrangement of looking for a name. In Lacanian terms, a proper name signals the contradiction of one's belonging to a biological or other kind of family, whence one's name often arises, and being a user or respondent of language, which produces meaning through its infringement or exceeding of its users' intentions, …

Touching The Language Of Citizenship In Ondaatje's Anil's Ghost, Sandeep Sanghera

CLCWeb: Comparative Literature and Culture

Sandeep Sanghera, in her paper "Touching the Language of Citizenship in Ondaatje's Anil's Ghost" discusses questions which make Ondaatje's novel a text about postmodern identity: who is this woman Anil who lives mostly in the West, travels on a British passport, works for an international organization, and no longer has any real ties to her first home? In the paper, these questions are examined via the languages Anil adopts and abandons in the novel. Sanghera elaborates on the question of foreign-ness represented by the protagonist of the novel; however, this foreign-ness is examined in the particular context concerning the substance …

Oral History And The Writing Of The Other In Ondaatje's In The Skin Of A Lion, Winfried Siemerling

CLCWeb: Comparative Literature and Culture

Winfried Siemerling argues in his paper "Oral History and the Writing of the Other in Ondaatje's In the Skin of a Lion" that the simulation of oral narratives in the novel imagines the conveyance of oral histories of immigrant experiences obscured by historiography. The narrative device of simulated orality -- the written text casts itself as the outcome of serial story-telling -- serves here to introduce erstwhile anonymous societal actors as makers of history, and emphasizes the collective production of story and history. Oral narratives emerge dreamlike like light out of darkness in this text; yet light, like writing, creates …

Ondaatje's The English Patient And Rewriting History, Stephanie M. Hilger

CLCWeb: Comparative Literature and Culture

Stephanie M. Hilger, in her paper "Ondaatje's The English Patient and Rewriting History," situates the novel within the long-standing Western tradition of writing about the cultural "Other," from Herodotus to Michel de Montaigne to Rudyard Kipling. Michel de Certeau's notion of history serves as a reference point for the analysis of Ondaatje's presentation of the "English" patient's story as well as of twentieth-century history. Hilger argues that the protagonist's physical mutilation is a metonymic representation of post-World War II and postcolonial consciousness. In the same way that the characters in the novel attempt to understand the mystery that is the …

Selected Bibliography Of Michael Ondaatje's Texts And Studies About Michael Ondaatje's Texts, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

No abstract provided.

Post-Nationalism And The Cinematic Apparatus In Minghella's Adaptation Of Ondaatje's The English Patient, Hsuan Hsu

CLCWeb: Comparative Literature and Culture

Hsuan Hsu, in his paper "Post-Nationalism and the Cinematic Apparatus in Minghella's Adaptation of Ondaatje's The English Patient," discusses Anthony Minghella's cinematic version of Ondaatje's novel. In Hsu's view, Minghella and Ondaatje (Ondaatje collaborated on the film script) emphasize in the film the visual and social implications of mapmaking in order to align imperialism with the cinematic apparatus. While the film explores the workings of visual power, it also explores their adulteration by unmapped forces of desire: Almásy's and Katherine's adulterous relationship transgresses marital and national constraints, but also reinscribes them when Almásy desires to possess her body and Katherine …

Representations Of Buddhism In Ondaatje's Anil's Ghost, Marlene Goldman

CLCWeb: Comparative Literature and Culture

Marlene Goldman suggests in her paper "Representations of Buddhism in Ondaatje's Anil's Ghost" that at first glance Ondaatje appears to promote the idea of a Sri Lankan Buddhist faith as transcending history. Ondaatje introduces the subject of Buddhism early on in the novel, emphasizing initially the devastation wrought by imperial and colonial forces. Goldman, however, argues that subsequent references to Buddhism undermine the initial portrayal of a religion besieged by external imperialist forces. For example, at one point, the character Palipana refers to the assassination of his brother, Narada, a Buddhist monk. Narada was possibly the victim of a "political …

The Motif Of The Collector And History In Ondaatje's Work, Jon Saklofske

CLCWeb: Comparative Literature and Culture

Jon Saklofske, in his paper "The Motif of the Collector and History in Ondaatje's Work" recognizes that Ondaatje rescues Buddy Bolden from historical obscurity by elevating and complicating the musician's largely forgotten history with a self-conscious and largely fictional synthesis of memory and imagination. The liberties Ondaatje takes in Coming Through Slaughter with his subject to achieve this re-presentation and the ownership of the portrait that results exposes this type of authorial activity as a problematic appropriation. Saklofske suggests that to understand the implications of Ondaatje's activity it is useful to compare his efforts with Walter Benjamin's "collector" figure, who …

Introduction To Comparative Cultural Studies And Michael Ondaatje's Writing, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

No abstract provided.

Exploring Transnational Identities In Ondaatje's Anil's Ghost, Victoria Cook

CLCWeb: Comparative Literature and Culture

Victoria Cook, in "Exploring Transnational Identities in Ondaatje's Anil's Ghost," addresses issues of identity raised in the narrative of Michael Ondaatje's novel Anil's Ghost. Cook's paper is a close analysis of Ondaatje's novel, paying particular attention to the way in which Ondaatje examines identity as both a "construct" and a "process." The approach used is one that draws on postcolonial theory and takes a "transnational" perspective. Cook argues that Ondaatje's text moves beyond the concept of a postcolonial literature of "resistance" into an area that requires a theory of process rather than product. Transnationalism is shown here to be just …

Ondaatje's The English Patient And Altered States Of Narrative, Beverley Curran

CLCWeb: Comparative Literature and Culture

Beverley Curran argues in her paper "Ondaatje's The English Patient and Altered States of Narrative" that Ondaatje reconfigures in his novel the "romantic" figure of the father/artist as a clandestine lover, a drug addict, or an eccentric translator, all figures with dependencies. In The English Patient, the father or artist's sense of source, continuity, or authority are translated into a narrative which rejects the perverse captivity demanded of the lover and the translator by fidelity or by the tenets of realistic representation. Using sex, drugs, and translation, Ondaatje deranges both time and space to reconfigure the role of the artist …

In Focus: The Media And The New Cold War, Dennis Broe, Louise Spence

Communication, Media & The Arts Faculty Publications

Introduces several essays that explores the role of mass media on the transformation of the U.S. foreign policy after the September 11, 2001 terrorist attacks. Alliance of the media with globalization and permanent war; Invasion of the concept of endless war on media culture.

The Latecoming Of The Posthuman, Or, Why 'We' Do The Apocalypse Differently, 'Now', Ivan Callus, Stefan Herbrechter

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

The paper takes its cue from a brief but pointed passage in Specters of Marx, in which Jacques Derrida describes as latecomers those who discuss the apocalypse in a manner that disregards previous discussions of the theme within philosophy and theory. Especially concerned with tracing Derrida's wariness of the beguilements of narratives of the end, Callus and Herbrecther analyze the implications of that wariness for any study of the vexed relation between the apocalyptic and the posthuman, doing so on the basis of reference to a number of the relevant essays by Derrida, but in particular to …

Cyborg Bodies And Digitized Desires: Posthumanity And Phillip K. Dick, Jennifer Attaway

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

The interaction between human beings and intelligent machines has challenged the traditional understanding of what it means to be human. In his novel, Do Androids Dream of Electric Sheep?, phillip k. dick rethinks human identity through the positioning of human beings within a technologically mediated reality that displaces the biological body and the spontaneity of human sensation. Written in 1968, dick's novel anticipates the effect of a technologically mediated culture on the formation of a posthuman identity. dick's fictional juxtaposition of the human being and the organically anthropomorphic android complicates conventional implications of embodiment. Androids are physically …

Dead Astronauts, Cyborgs, And The Cape Canaveral Fiction Of J. G. Ballard: A Posthuman Analysis, Melanie Rosen Brown

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

In Dead Astronauts, Cyborgs, and the Cape Canaveral Fiction of J.G. Ballard: A Posthuman Analysis, Melanie Rosen Brown explores the ways in which the so-called Cape Canaveral short stories of J.G. Ballard anthologized in the collection Memories of the Space Age exemplify the promises of posthumanity as articulated by posthuman theorists such as Donna Haraway and N. Katherine Hayles. Although Ballard's fiction is viewed by many as a needlessly pessimistic and derogatory portrayal of NASA's space program, viewed through a posthuman lens, Ballard's fiction instead reveals him to be optimistic about the future of space exploration -- cautiously …

'Who Are You?': Alien/Woman As Posthuman Subject In Alien Resurrection, Ximena Gallardo C.

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

Traditionally considered a monster in outer space series, the four films comprising the Alien saga: Alien, Aliens, Alien³, and Alien Resurrection, contain a vision of the Alien creature as an agent of human evolution that, taken to its logical extreme in Alien Resurrection, produce an uncommon posthuman subject: the Alien/Woman protagonist named Ripley. In the following article, Ximena Gallardo C. explores the introduction of the series' conception of human evolution through fusion with the Alien as a driving theme in Alien. It then briefly follows through Aliens and Alien^{3, …}