Critical and Cultural Studies Commons^™

Entre El Fuego De Dos Siglos. Criticar La Crítica, Miguel Ángel Fraga

Revista Surco Sur

La Crítica Literaria Cubana entre el Fuego de dos Siglos (Ediciones Matanzas, 2010), de José Antonio Michelena, es un libro actual y necesario, no sólo por su valor crítico sino por el seguimiento y balance que hace de esta disciplina en el transcurso de treinta años. ¿Qué ha sucedido? ¿Sigue estando la crítica cubana en lamentable estado como la consideró Juan Marinello en 1969? Profesores universitarios, narradores, poetas, ensayistas, críticos y editores expresan sin cortapisas –poniendo el dedo en la yaga– opiniones divergentes para polemizar sobre una asignatura pendiente en nuestra arena cultural, juicios que tienen lugar en dos momentos …

Princesas, Un Filme De Fernando León De Aranoa, Elvira Siurana

Revista Surco Sur

La película narra una historia de amistad entre dos mujeres que ejercen la prostitución callejera en Madrid. La española Caye (Candela Peña) y la inmigrante dominicana Zulema (Micaela Nevárez). En principio expone el conflicto xenófobo y racista que invade también el submundo en el que se mueven las mujeres prostituidas. El rechazo de las españolas frente a las recién llegadas que son más guapas y más necesitadas y que por ello rebajan precios y les hunden el mercado.

Obituario Para Un Poeta: Julio Joaquín Sánchez Chang, Delio Orozco González

Revista Surco Sur

Todos los días mueren seres humanos, pero no todos los días muere un poeta. Escribir poesía no es suficiente mérito para trascender, hace falta -además-, haber obrado bien, y Julio Joaquín Sáchez Chang, presidente de la Unión de Escritores y Artistas de Cuba (UNEAC), en el Manzanillo cubano, logró combinar ambas cualidades, obró lo mejor que pudo e hizo poesía.

De La Romana A Washington Heights: El Azar Trashumante De Josefina Báez, Néstor E. Rodríguez

Revista Surco Sur

Uno de los aportes artísticos más osados que ha dado la diáspora en cuanto a la teorización de lo dominicano se refiere es Dominicanish de Josefina Báez. Publicado en el año 2000, Dominicanish es un texto armado a partir de la obra poética de Báez y adaptado para el teatro por el dramaturgo y director Claudio Mir. Se trata de un texto rico en matices, intensidad y cruces inesperados; proteico en todo el sentido de la palabra.

Cruzando Fronteras: La Literatura Transnacional De Roberto Bolaño, Alicia Mercado-Harvey

Revista Surco Sur

Desde la irrupción editorial de la figura de Roberto Bolaño en los 90, se ha hablado de la literatura mexicana, española y chilena de este autor. Sin embargo, quiero proponer que su literatura es el producto de un escritor transnacional, quien definía su patria como su biblioteca. Mi propósito en estas líneas es utilizar el término de Stephen Clingman de literatura transnacional en la obra de Bolaño. A diferencia del concepto de literatura globalizada que pondera la relación de centro-periferia o que homogeniza realidades, el concepto de una literatura que problematiza los términos de la identidad parece más apropiado para …

El Asunto Espinoso De Una Antología De Escritoras, Liliana V. Blumm

Revista Surco Sur

Como en muchas otras antologías, en Óyeme con los ojos. De Sor Juana al siglo XXI. 21 escritoras mexicanas revolucionarias, de Patricia Rosas Lopátegui (Universidad Autónoma de Nuevo León, 2010) encontramos textos que varían ampliamente en contenido, tono, contextos, estrategias narrativas, y poéticas. Hay humor, melancolía, contemplaciones, tristeza y violencia. Colectivamente el libro no representa ningún ismo literario ni propone una filosofía o punto de vista sobre nada. Se trata de una muestra mínima del trabajo de 21 mujeres, unas vivitas y coleando, otras no. En todos los textos encontramos, eso sí, el elemento Sherezada: la urgencia de contar. Lo …

Hédi Bouraoui Et Les Limites De La Théorie Postcoloniale : Approche Transpoétique Et Nomadique, Éric Touya De Marenne

Présence Francophone: Revue internationale de langue et de littérature

A priori, Hedi Bouraoui’s thought lies within the scope of a postcolonial perspective. However, the concept of “transpoétique” to which he alludes is based on the notion of “nomaditude” which asserts the blurring of cultural and identity borders. That is why beyond the “infernal binary” thought that he rejects (ruler / dominated, colonizer / colonized), the Tunisian and Canadian author puts in question the postcolonial approach. In this context, the aim of this study is to understand better how trans-poetics can allow us to conceive differently the theoretical foundations of francophone literary criticism.

Commodity And Waste As National Allegory In Recent South African And Post-Soviet Fiction, Alla Ivanchikova

CLCWeb: Comparative Literature and Culture

In her article "Commodity and Waste as National Allegory in Recent South African and Post-Soviet Fiction" Alla Ivanchikova analyzes the issue of commodity in its relation to identity. The article contains a reading of two novels: The Quiet Violence of Dreams by K. Sello Duiker and Dukhless. Povest o nenastoiaschem cheloveke (Douh-Less: The Tale of an Unreal Person) by Sergey Minaev. Rapid political changes, both in South Africa and the former Soviet Bloc were accompanied both by rapid changes in the practices of consumption and also by often inconsistent cultural efforts to establish the meaning of these practices. Ivanchikova …

Latino Identity In Allende's Historical Novels, Olga Ries

CLCWeb: Comparative Literature and Culture

In her article "Latino Identity in Allende's Historical Novels" Olga Ries analyzes the concept of individual and group identity found in five historical novels by Isabel Allende. Ries argues that while Allende's protagonists come from different backgrounds and different epochs, they share a process of psychological transformation and that affects their identity formation. The result is the formation of a transnational "Hispanic" identity, group as well as individual. In Ries's reading of Allende's texts, transnational Hispanic identity is based simultaneously on the Mexican/Hispanic concept of mestizaje and on the US-American concepts of the "melting pot" and the "American Dream."

Autoethnography And Garcia's Dreaming In Cuban, Samantha L. Mcauliffe

CLCWeb: Comparative Literature and Culture

In her article "Authoethnography and Garcia's Dreaming in Cuban" Samantha L. McAuliffe positions Cristina Garcia's novel as a text of self-discovery and cultural reconciliation. McAuliffe examines multilingualism and hybridity in Dreaming in Cuban and postulates that the novel represents what Marie Louise Pratt calls the "contact zone" where cultures meet and clash. As autoethnography, Dreaming in Cuban allows an insider view of what being Cuban American really means. The reader is able to experience the conflict those with a hybrid identity experience through the eyes of one in the midst of that conflict. Further, McAuliffe suggests in her analysis …

Inanimate Speech From Lovecraft To Žižek, Apple Z. Igrek

CLCWeb: Comparative Literature and Culture

In his article "Inanimate Speech from Lovecraft to Žižek" Apple Z. Igrek explores an influential line of reasoning associated with our contemporary loss of the Real. The argument describes how the contingencies and nuances of social life have been reduced to an operational, friction-free, and homogeneous realm of signs. Slavoj Žižek contends that our inherently traumatic relationship with the Other is being foreclosed and replaced by an omnipresent technological screen of virtual communication. The danger of this shift, identified as the "digital break," is that it facilitates an extraordinary form of divine violence which strikes back at the social system …

Comparative Literature In Chinese, Xiaolu Wang, Yan Liu

CLCWeb: Comparative Literature and Culture

In their article "Comparative Literature in Chinese" Xiaolu Wang and Yan Liu describe the development of comparative poetics in Chinese by sketching major publications and the general institutional situation of the discipline. Wang and Liu suggest that comparative work remains impulsive while at the same time dynamic. Like other fields in the humanities, the study of poetics — comparative or other — in Chinese is no longer traditional in terms of discursive form but copied from the West. Although the scholarly achievements in the field within the past thirty years are considerable, problems remain including the issue of translation of …

Eliot's The Waste Land And Surging Nationalisms, Pouneh Saeedi

CLCWeb: Comparative Literature and Culture

In her article "Eliot's The Waste Land and Surging Nationalisms" Pouneh Saeedi analyzes T.S. Eliot's poem in the context of the impact of World War I and the emergence of nationalisms. In the midst of the ruins of both his personal life and Europe, Eliot expresses the loss of a universal understanding delineated in the fragmentation of language and a disassociation of sensibility. In The Waste Land, the West and the East — represented in their respective canonical texts — commingle and cohere to present an image of oneness that goes beyond oppositional binaries and leads the egotistical self …

Fernández And Cinematic Propaganda In The U.S. And Mexico, Renae L. Mitchell

CLCWeb: Comparative Literature and Culture

In her article "Fernández and Cinematic Propaganda in the U.S. and Mexico" Renae L. Mitchell discusses the competing ideologies on both sides of the U.S.-Mexican border. As one of the foremost filmmakers of the Mexican Golden Age of cinema, Emilio Fernández established what would is recognized as "Mexicanness" by means of Indigenous characters in his films, most apparent in the film María Candelaria. RKO (Radio-Keith-Orpheum) Pictures, as the principal purveyor of US-American propagandist cinema, led Hollywood into the cinematic market of Mexico revealing its intentions by means of the RKO film The Falcon in Mexico. Fernández sought to …

Comparative Literature In Chinese And An Interview With Yue, Hui Zhang, Daiyun Yue

CLCWeb: Comparative Literature and Culture

In their article "Comparative Literature in Chinese and an Interview with Daiyun Yue" Hui Zhang and Daiyun Yue present a review of the discipline of comparative literature based on an interview with Yue (2010). Because Yue's work with comparative literature is intertwined with her personal journey, the interview sheds light on other Chinese scholars and their work who would not be known audiences outside China. The interview also touches on the academic and political reasons why the joint dualisms of "ancient/modern" and "Chinese/foreign" continue to be major structuring principles of the discipline in China, as well as how the development …

The Tartu School And Catalan Scholarship: A Book Review Article Of New Work In Reception And Communication Studie, Christopher Larkosh

CLCWeb: Comparative Literature and Culture

No abstract provided.

Academic Discourse And Literacy Narratives As "Equipment For Living", Kris Rutten

CLCWeb: Comparative Literature and Culture

In his article "Academic Discourse and Narratives of Literacy as 'Equipment for Living'" Kris Rutten discusses practices of academic discourse and argues that students entering higher education have to become part of a specific community of institutional discourse. Rutten claims that narratives of and about literacy — narratives that revolve around issues dealing with language and the acquisition of literacy — "dramatize" the tension of moving from one discourse community to another. By charting situations of "type," fictional literacy narratives can be used by students as "equipment for living" in order to reflect on confrontations and difficulties they experience in …

About The Human Condition In The Works Of Dickens And Marx, Ami E. Stearns, Thomas J. Burns

CLCWeb: Comparative Literature and Culture

In their article "About the Human Condition in the Works of Dickens and Marx" Ami E. Stearns and Thomas J. Burns contribute to the study of Charles Dickens's Industrial Revolution-era fiction by examining his novels in relation to Karl Marx's social philosophy. Stearns and Burns postulate that Dickens relies on Marxist concepts of class consciousness, sacrifice, revolution, social antitheses, and social injustice to weave his narratives and compare and discuss six of Dickens' novels: A Tale of Two Cities, A Christmas Carol, David Copperfield, Oliver Twist, and Great Expectations with three works of Marx: Grundrisse, The Communist Manifesto, …

Dante's Linguistic Detail In Shelley's Triumph Of Life, Anita O'Connell

CLCWeb: Comparative Literature and Culture

In her article "Dante's Linguistic Detail in Shelley's Triumph of Life" Anita O'Connell analyzes Shelley's attention to detail in Dante's poetic style and presents a close textual analysis of the ways Shelley draws on the beauty of Dante's texts. When Dante's Divine Comedy re-emerged into the public sphere in Britain through Henry Cary's 1814 translation, his reputation was as a stern, dark, Medieval poet and readers and writers alike shared a love of the perceived gothicism particularly of The Inferno. Shelley, however, differed from this general view of Dante: despite the grotesque descriptions in his Triumph of Life …

Mapping Injustice: The World Is Witness, Place-Framing, And The Politics Of Viewing On Google Earth, Joshua P. Ewalt

Department of Communication Studies: Faculty Publications

Working from assumptions that inequality is often spatially informed, a set of interactive cartographies has recently proliferated on Google Earth. In this essay, I analyze one of those interactive cartographies: The World is Witness produced by the United States Holocaust Memorial Museum (USHMM). I read the map as an organizational rhetoric that frames place as "embedded injustice." I also argue that thorough analysis of the framing of local place on Google Earth must inherently question whether the map can create a disruption in the viewing subject. While the map presents vital information on excruciatingly despicable acts of injustice, and the …

The Writing And Reading Of Fan Fiction And Transformation Theory, Veerle Van Steenhuyse

CLCWeb: Comparative Literature and Culture

In her article "The Writing and Reading of Fan Fiction and Transformation Theory" Veerle Van Steenhuyse discusses the experience of immersive reading fan fiction offers to fans based on her analysis of fan fiction about the television series House, M.D. (2004-). Van Steenhuyse postulates that a text is immersive when it evokes a mental construct with the presence of a text-independent reality. In the case of fan fiction, this reality is a "transformed universe" that builds on and deviates from particular primary texts. Following the work of Marie-Laure Ryan and Mihály Csíkszentmihályi, Van Steenhuyse argues that readers feel immersed when …

A Case Study In Discourse Analysis Of "Community Arts" In Cultural Policy And The Press, An De Bisschop, Kris Rutten, Ronald Soetaert

CLCWeb: Comparative Literature and Culture

In their article "A Case Study in Discourse Analysis of 'Community Arts' in Cultural Policy and the Press" An De bisschop, Kris Rutten, and Ronald Soetaert explore theoretical and applied aspects of the phenomenon of community arts. Community arts in Flanders have developed into a professional practice during the past few years and have received increased recognition from policy makers, scholars, and critics. This attention has caused a growing need to define the nature of a practice diverse in form, goal, and process. De bisschop, Rutten, and Soetaert discuss the problematics of community arts projects in comparative discourse analysis in …

About Society: A Book Review Article Of Work On Roth And Kundera By Shostak And Ivanova, Gustavo Sánchez-Canales

CLCWeb: Comparative Literature and Culture

Psychology, Science, Feminisms, And Cultural Studies: A Book Review Article Of New Books By Bell And Hardin, Adolfo Campoy-Cubillo

CLCWeb: Comparative Literature and Culture

No abstract provided.

Television In Ireland Before Irish Television: Nationalist Rhetoric And International Programming, Edward Brennan

Conference Papers

Typical of an international tendency, the history of television in Ireland has been framed by national boundaries. This paper argues that viewing the history of television solely through institutional sources and a nation state-bound perspective obscures transnational influences and homogenises diverse audience experiences. Moreover, such histories may serve to reproduce a limited range of types of nationalist rhetoric. The research presented here explores the history of television in Ireland through life story interviews. This reveals views of the nation, its global context and processes of social change quite different to those discussed in orthodox histories. Arguably, this shift in historical …

Marco Bellocchio's Buongiorno Notte And The Language Of Terrorists, Cosetta Gaudenzi

Re-visioning Terrorism

This essay investigates Marco Bellocchio’s Buongiorno, notte (2003), a movie which exploits language and soundtrack to fictionalize and revisit the historical 1978 kidnapping and murder of the Christian Democrat President Aldo Moro by the 1970s Italian left terrorist group Brigate Rosse. As I demonstrate, Bellocchio relies greatly on the language and soundtrack of Buongiorno, notte to convey his negative response to the BR’s kidnapping and murder of Moro, as well as to come to terms with his own political and cinematic past.

Digital Humanities In Developed And Emerging Markets, Verena Laschinger

CLCWeb: Comparative Literature and Culture

In her article "Digital Humanities in Developed and Emerging Markets" Verena Laschinger discusses the impact e-culture has on humanities pedagogy both in affluent countries and emerging markets. Claiming that e-literacy training generally offers opportunities to recover the traditional agency of the humanities thus catapulting the disciplines into the educational forefront of the creative economy, special attention is given to the chances digital humanities education offers in Turkey’s emerging market economy. Given that technology promotes the country's economic development, which includes a rapidly growing private educational sector, digital humanities education helps citizens to adjust to critical democratic exchange, to facilitate and …

Plotting The Pixel In Remediated Word And Image, Sarah Wyman

CLCWeb: Comparative Literature and Culture

In her article "Plotting the Pixel in Remediated Word and Image" Sarah Wyman argues that art's historic negotiation of culture continues into the new digital media age as it both asserts the materiality of the medium and acknowledges the impact of embodied perception. She demonstrates that however revolutionary, the new digital media still relate to many traditional paradigms of aesthetic expression. Problems of representation and simulation continue to catch on questions of time, space and human perception. The contingent relationships between categories and entities once kept separate — word/image, observer/observed — determine and define the process of globalization. The new …

Making Sense Of The Digital As Embodied Experience, Serge Bouchardon, Asunción López-Varela

CLCWeb: Comparative Literature and Culture

In their article "Making Sense of the Digital as Embodied Experience" Serge Bouchardon and Asunción López-Varela discuss a digital creation — Loss of Grasp <http://lossofgrasp.com/> — created by Serge Bouchardon and Vincent Volckaert. The work is about the notions of grasp and control. Through an analysis of Loss of Grasp, Bouchardon and López-Varela Azcárate show how the Cartesian understanding of private isolated experience, independent of reality external to it, has given way to a communal understanding of experience in which the subject constitutes itself by mirroring himself/herself on its objects, producing a mutual engagement or co-creativity among interdependent intersubjects: …

An Intermedial Reading Of Paley's Sita Sings The Blues, Ipshita Chanda

CLCWeb: Comparative Literature and Culture

In her article "An Intermedial Reading of Paley's Sita Sings the Blues" Ipshita Chanda discusses the film text of Nina Paley's 2008 animation film, a culturally reconceptualized version of Válmíki's Sanskrit epic Rámáyana. Chanda discusses the film as an intermedial retextualization of the Rámáyana in the film where media boundaries and genres are crossed in "textual," audio, and visual media. The basic premise from which Chanda proceeds is that the condition of intermediality in film is produced by a "conceptual fusion" of different media which, in turn, are analyzed using theories of reception and contact between different media …