Communication Technology and New Media Commons^™

Independent Local Radio: How Local?, Seamus White

Irish Communication Review

1988 marked a new era in Irish broadcasting history. Up until then independent broadcasting services consisted of unlicenced and unregulated pirate radio stations. The 1988 Radio and Television Act created the Independent Radio and Television Commission, giving It powers to establish and supervise legal and independent local radio. By the end of 1991, twenty one such local stations were In operation. In deciding who would be awarded local radio franchises, the 1988 Act Instructed the IRTC to take Into consideration a range of criteria. Judging from the guide which the IRTC provided for applicants and the nature of the questioning …

Through A Glass, Darkly ... Reflections On Secrecy And Censorship In Ireland, Paddy Smyth

Irish Communication Review

Censorship, whether justifiable or not, is first and foremost a denial of a part of reality. In Ireland traditionally, it has been about the denial of the sensual. Today, less so. Our censors in 1993 are concerned predominantly with the consequences of sex and the causes of political violence. Above all, they are driven by the conviction that supposedly unshakeable value systems will fail the test of contact with the harshness of real life, and that people are so weak-willed, that they, like children, must be protected from their baser instincts, for their own good. People must be protected from …

The European Media Programme - A Producer's Experience, Gerry Gregg

Irish Communication Review

In 1988 the European Media programme was launched to encourage film and television production in Europe for European audiences. The same year the Irish Film Board was abolished. As 1992 approached, such was the perceived success of the Media Programme, the European Commission decided to extend and expand the media initiative until 1995. Meanwhile, in Ireland the Government had followed up the coup de grace on the Film Board with the cap on RTE advertising revenue. Ostensibly the cap was designed to encourage advertisers to place their bets on the new national independent radio channels airtime and on TV3. By …

Interview With Keith Donald, Popular Music Officer Of The Arts Council, Rose Downes, Barbara Bradby

Irish Communication Review

No abstract provided.

Documenting The Troubles: A Question Of Perspective, David Butler

Irish Communication Review

The main aim of this essay is to analyze British documentary coverage of the conflict In Northern Ireland (NI) with a view lo assessing whether there are detectable patterns of explanations across the range of output . The argument has been formed In relation to the discourse of 'Media Studies' research. To this end, there are, it seems to me, three key factors to stress by way of introduction.

Cinema Film Distribution And Exhibition In Ireland, Damien O'Donnell

Irish Communication Review

This study of cinema film distribution and exhibition practices In Ireland examines key aspects of the Industry: firstly, the basic mechanics of the Industry and Its operations: secondly, the various alignments between exhibitors and distributors and consequences of those alignments: thirdly, the impact of the arrival of British multiplex companies: fourthly, the costs of film censorship; and finally, the idea of an 'art-house' circuit In Ireland.

Book Reviews : Volume 1

Irish Communication Review

Book Reviews

James Lull: Inside family viewing: ethnographic research on television's audiences reviewed by Martin Mcloone

Josephine Langham: Teachers and television - a history of the IBA 's educational fellowship scheme reviewed by Brian O'Neill

Mary E. Brown: Television and women's culture: the politics of the popular reviewed by Patsy Murphy

Jean Baudrillard:Cool memories. Translated by Chris Turner, reviewed by Richard Kearney

Television Without Frontiers: The Economic Dimension, Mario Hirsch

Irish Communication Review

With the establishment of a single market in broadcasting for audiences throughout the EC. which Is the main aim of the EC Television Directive of 1989. conditions are supposed to be created for the full development of broadcasting activities. Supporters of this initiative. which Is In line with the general internal market philosophy. believe that an enlarged market In broadcasting will bring economies of scale and improve the International trading position of member states in both the software and the hardware aspects of broadcasting.

Television In An Uneasy Place Between Culture And Industry, Vibeke Petersen

Irish Communication Review

Before the EC Directive on 'Television without Frontiers' was adopted on 3 October 1989. a great deal of statistics and forecasts about the sony state of the European television Industry had pointed to the necessity for action. There was - and Is - the fear that foreign. mainly American, programmes would Increasingly dominate European screens. resulting in a loss of European culture and the demise of our audiovisual industry. To mention a few of the factors behind this gloomy view: • American fiction films have over 40 per cent of the European market share. • American-controlled companies have 60 per …

Ec Directive On Television Broadcasting Activities, October 1989

Irish Communication Review

Council Directive of 3 October 1989 on the coordination of certain provisions laid down by law. regulation or administrative action in Member States concerning the pursuit of television broadcasting activities

Broadcasting Law And Broadcasting Policy In Ireland, Wolfgang Truetzschler

Irish Communication Review

The following article was written in order to present. in a systematic manner. an overview of the regulations applicable to the broadcast media in Ireland. It also constitutes an a ttempt to outline and evaluate present-day broadcasting policy in Ireland. It provides a brief summary of the various regulations applicable to broadcasting in Ireland. Subsequently. It considers in detail the regulations for public and private broadcasting services. as well as those that govern the operation of cable television and of the new MMDS television retransmission systems which are currently being implemented throughout Ireland.

Aspects Of The Los Angelesation Of Ireland, Kevin Rockett

Irish Communication Review

Within a short time of beginning his seventeen year reign as Ireland's flrst Film Censor In 1924 James Montgomery (1) declared that the greatest danger to Ireland came not from the AngliciZation of Ireland but from the Los Angelesation of Ireland. This was a surprising admission given that Montgomery himself was closely allied With the conseiVative cultural and political leadership of the country which took power In 1922. During the previous four decades, especially since the foundation of the Gaelic Athletic Association In 1884 and the Gaelic League Jn 1893, enormous efforts had been expended in trying to establish a …

Glasnost 1990, John Murray

Irish Communication Review

It is now five years since Mikhail Gorbachev introduced the policy of 'glasnost" to the Soviet media. During that period the changes In the content of the Soviet press have been enormous. Soviet journalists are now free to write on many of the subjects that were de facto taboo under Brezhnev and his predecessors. The gradual opening up and expansion of subject matter upon which the Journalist may write has in turn resulted ln a stylistic unfettering of the journalistic manner of exposition which is a change no less importan t than that of the formal lifting of barriers on …

The Television Audience: A Research Review, Mary Kelly

Irish Communication Review

Television researchers. like television producers, regulators and other commentators. have used a variety of perspectives in their attempt to understand different facets of that apparently simple but in effect rather illusive category 'the television audience'. In this article I will look at three of these: those which have emphazised the audience as consumers. those which have defined the audience as public citizens. and those which have focused on the audience as cultural actors. Whlle noUng previous research within each of these perspectives and drawing on Irish research when avaHable. I will particularly concentrate on more recent developments. These developments have …

Foreign Investment In The Media In Ireland, Wolfgang Truetzschler

Irish Communication Review

No abstract provided.

Television In Ireland Before Irish Television: 1950s Audiences And British Programming, Edward Brennan

Conference Papers

The first television broadcasts in Ireland were watched in the 1950s. These initial programmes were British. This history of these early viewers, however, has been ignored. A dominant narrative has addressed the history of television in Ireland as the history of the public broadcaster Radio Telefís Éireann (RTÉ). Thus, the history of Irish television often begins in 1961, overlooking Irish people’s experience of the medium in the preceding decade. This paper breaks with traditional historiography by employing life history interviews to explore the uses, rituals and feelings attached to television in the years before RTÉ.

Irish people who watched television …

Television In Ireland: A History From The Mediated Centre, Edward Brennan

Conference Papers

This paper identifies and critiques a dominant narrative in the history of Irish television, which is too often passed off for, or accepted as, the history of television in Ireland. The his- tory of television in Ireland has been written within an institutional framework and depends on the cultural binary of tradition and modernity, ‘old Ireland’ and ‘new Ireland’. This dom- inant narrative fails to interrogate television as a medium. It provides an account of the Irish broadcaster RTÉ rather than an account of the arrival of a new medium. Ironically this nar- rative which hinges on the role of …

Designing Museums For Participation, Collaboration And Social Interaction, Martin Mccarthy

Masters

This thesis documents the design and development of novel interactive experiences that explored concepts aimed to enhance the visitor experience to Cork Butter Museum, Cork, Ireland.

The context to the work is that in recent years, museums and cultural institutions are increasingly motivated to apply creative strategies to engage visitors who come for recreational, social and sometimes educative purposes. Novel museum exhibits designed to cater for such needs often involves the integration of new media technologies in response to rising expectations visitors have with regards to being actively engaged during their visit. This often requires a higher level of participation …

How Irish Political Parties Are Using Social Networking Sites To Reach Generation Z: An Insight Into A New Online Social Network In A Small Democracy, Kevin Lynch, John Hogan

Articles

No abstract provided.

Risks And Safety For Children On The Internet: The Ireland Report, Brian O'Neill, Simon Grehan, Kjartan ÓLafsson

Reports

This report presents initial findings for Ireland from the pan-European EU Kids Online survey – a large 25 country survey conducted by EU Kids Online and funded by the EC’s Safer Internet Programme. The questionnaire was designed by the EU Kids Online network, coordinated by the London School of Economics and Political Science. Fieldwork was conducted by Ipsos MORI.

In what follows, Irish findings are compared with those from other countries, as reported in Livingstone, S., Haddon, L., Görzig, A., and Ólafsson, K. (2010). Risks and safety on the internet: The perspective of European children. Initial findings. LSE, London: EU …

Digital Radio For Ireland: Competing Options, Public Expectations, Brian O'Neill, Helen Shaw, Agata Olbrycht

Reports

The Broadcasting Bill 2008 provides for digital terrestrial sound broadcasting services. This project will contribute to the debate on digital radio with research on the sector’s preparedness for digital radio. It will survey both professionals and potential users of digital radio and assess the environment within which public expectations for new audio media services are formed. REPORT PUBLISHED IN SEPTEMBER 2009

Developing Digital Radio For Ireland: Emerging Approaches And Strategies, Brian O'Neill

Conference Papers

Ireland’s experience of the transition from public service broadcasting to public service media has gathered pace within the last year with new legislative arrangements for media regulation, the awarding of digital terrestrial television licences and renewed attempts to introduce digital radio broadcasting on the DAB platform. The national public broadcaster, RTE, has played a central role in these developments as it attempts to manage a range of technology platforms and to provide media services for an increasingly diverse and complex market. This paper addresses the case of digital radio in Ireland and the prospects for a successful launch of DAB …

John David Bourchier: An Irish Journalist In The Balkans, Michael Foley

Articles

No abstract provided.

Facing Challenges: Irish Public Television In The Digital Age, Ellen Hazelkorn

Books/Book chapters

This paper traces some of the main challenges facing public television in Ireland.

Broadcasting Law And Broadcasting Policy In Ireland, Wolgang Truetzschler

Articles

No abstract provided.