Contemplative Education Commons^™

Creative Connections: A Guidebook For Arts-Based Inquiry, Julia Marshall, Kimberley D'Adamo, Ann Ledo Lane

Kimberley D'Adamo: Art, Curriculum, Publications, and Other Scholarly Works

Art-based inquiry is an approach to art education that frames art making as a form of inquiry—a way of exploring and learning about ideas, ourselves and the world. The goals of art-based inquiry are understanding important topics, imagining possibilities, and inventing new realities. Students create art in order to meet those goals and they do it with a teacher’s guidance. For Creative Connections, art-based inquiry calls for a slight shift in perspective and change in practice. Adopting art-based inquiry does not mean throwing out everything you do. It means seeing art class diff erently and adapting it to a more …

Art Studio As Thinking Lab: Fostering Metacognition In Art Classrooms, Julia Marshall, Kimberley D'Adamo

Kimberley D'Adamo: Art, Curriculum, Publications, and Other Scholarly Works

What can high school art classes offer to both aspiring artists and students who have other interests and goals? Here’s an answer: thinking skills. Thinking skills are essential for all learners, and both art creation and encoun-tering art provide opportunities for complex thinking and, therefore, for honing conceptual skills. Beyond that, art experiences can spur students to reflect on how they think and to expand and refine their thinking. That is to say, art classes can cultivate metacognition.

This article pursues both trains of thought and describes how an art class can be an art thinking lab—a site for everyone …

Art Practice As Research In The Classroom: A New Paradigm In Art Education, Julia Marshall, Kimberley D'Adamo

Kimberley D'Adamo: Art, Curriculum, Publications, and Other Scholarly Works

Student experiences at Berkeley High School reveal the generative potential of the art practice-as-research approach—how deep, broad, and creative the learning can be, and how powerful this model is in changing student attitudes toward art and themselves as artists and learners. This model of self-directed, inquiry-based learning works well because student art practice is cast as research and is structured as research. As a result, students make discoveries and connections that go beyond their expectations. They also acquire skills and understandings that transfer into their academic studies. In partic-ular, they find that learning can be engaging and that a trail …