Curriculum and Instruction Commons^™

Teacher Mentoring: The Needs Of First Year Teachers, Susan E. Barkowski

Theses and Dissertations

The purpose of the study was to identify the needs of the first year teachers in one public school district for the 2001-2002 school year. The intern distributed two surveys over the course of the study. The first survey was distributed in the beginning of the school year and the second survey at the end of January. The purpose of the surveys was to determine if the needs of the first year teachers changed over the course of the school year.

All of the first year teachers in the intern's school district were identified and sent a survey asking them …

Minutes Executive Committee Meeting: April 12, 2002, The Davinci Institute

Minutes and Agendas

The Executive Committee of the DaVinci Institute Board of Directors met on Friday, April 12, 2002 from 2:40 - 3:15 pm at OETA.

Minutes Board Of Directors Meeting: April 12, 2002, The Davinci Institute

Minutes and Agendas

The board of Directors of the DaVinci Institute met on Friday, April 12, 2002 3:20-5:20 pm at OETA.

Self Paced Math At Jccc, Steve Wilson

Contributions to the Math Classroom

Independent study is becoming more popular among students, and more schools are creating programs to meet the demand. The self-paced math program at Johnson County Community College had been operational since the mid-1980s, but has experienced fantastic growth beginning in about 2000. This presentation describes the current program from the viewpoints of students, faculty, and managers.

In-Betweenness: Religion And Conflicting Visions Of Literacy, Loukia K. Sarroub

Department of Teaching, Learning, and Teacher Education: Faculty Publications

In this article, I examine the multiple uses of religious and secular text at school, home, and in the community. Specifically, I focus on how Yemeni American high school girls employ religious, Arabic, and secular texts as a means for negotiating home and school worlds. The frame of reference—in-betweenness—is a powerful heuristic with which the contextual uses of texts and language among the Yemeni American students can be delineated. In-betweenness signifies the immediate adaptation of one’s performance or identity to one’s textual, social, cultural, and physical surroundings. During 1997–1999, I conducted ethnographic fieldwork in the Yemeni and Arab community in …

Phrasing In Fluent Reading: Process And Product, Connie Briggs, Salli Forbes

Curriculum & Instruction Faculty Publications

Recent national studies (National Reading Panel, 2000; Partnership for Reading, 2001; Snow, 1998) include fluency as one of the critical components of reading development. Although these sources agree that fluency is important, their definitions describe fluency as a product of reading. They do not address the contribution of fluency to developing reading proficiency. It is only when we look at reading as a complex process that we begin to understand the role that phrased and fluent reading plays in building an effective system (Briggs & Forbes, 2001).

Broadly Speaking - April, 2002, Nova Southeastern University

Broadly Speaking

No abstract provided.

It’S Time To Upgrade: Tests And Administration Procedures For The New Millennium, Michael Russell

Essays in Education

Increasing use of computers in schools has led to a mis-alignment between the way some students develop skill and knowledge and how they are tested. This paper reviews past research that demonstrates that paper-based tests that require students to produce written responses underestimate the achievement of students who are accustomed to writing on computer. The paper then explores how learning that occurs through other instructional uses of computers is not adequately captured by current testing practices. The paper argues that new approaches should be explored to better measure student learning.

The Best Of Both Worlds – The Hybrid Program, Hope Jordan, Marcia G. Derrick, Jill Crandell, Rhiannon Schuster

Essays in Education

The special education teacher shortage in the United States is a critical issue and becoming a national crisis. Universities struggle to provide sufficient numbers of trained and licensed teachers to fill this need. These shortages are intensifying as modern universities also struggle with concepts of on-line learning and adult learning styles. The Hybrid Model developed at Regent University, incorporates the best components of the traditional classroom with those of the on-line learning environment, and provides a program resulting in the best of both worlds. This article describes one such model, its successes, and suggestions for on-going improvement.

Inside Unlv, Diane Russell, Cate Weeks, Tom Flagg

Inside UNLV

No abstract provided.

The Visual Learner And Information Literacy: Generating Instruction Strategies For Design Students, Jeanne M. Brown

Library Faculty Research

In this presentation I will address three questions:

1. Who is the visual learner, and are our students – i.e. students in design disciplines – visual learners

2. Does the ACRL Information Literacy Program recognize alternate approaches to information

3. What strategies can we use to reach design students

Computer-Enhanced Collaborative Drafting In Legal Education, Laura R. Winer

Journal of Legal Education

No abstract provided.

Why, How, And What To Practice: Integrating Skills Teaching And Learning In The Undergraduate Law Curriculum, Bobette Wolski

Journal of Legal Education

No abstract provided.

Mcgill's Integrated Civil And Common Law Program, Yves-Marie Morissette

Journal of Legal Education

No abstract provided.

Minutes Board Of Directors Meeting: March 6, 2002, The Davinci Institute

Minutes and Agendas

The board of Directors of the DaVinci Institute met on Friday, March 6, 2002 3:00-5:20 pm at The Oklahoma Zoological Center.

Introduction To Three Dimensional Composition / Dancing On The Digital Divide, Geoffrey Adams, Karen King

Proceedings of the 18th National Conference on the Beginning Design Student

Students entering the 3.5Y Masters program at UNM, come to embark on a course of study in architectural design. While all student populations are composed of unique individuals from various backgrounds, this particular group is, at least in an academic discipline by definition heterogeneous, possessing skills and knowledge in diverse fields gained through previous studies and/or employment. What they share is a burgeoning interest in architecture and a willingness to explore design in a studio environment, to start down a path toward a new way of perceiving and engaging the world. This peculiar mix of naivety and sophistication coupled with …

Intelligent Shape Sorting, Esther Dudley

Proceedings of the 18th National Conference on the Beginning Design Student

It is a familiar scene. Each September brings its new crop of would-be graphic designers, diverse in their experiences and ambitions, brought together in the lecture theatre by an appointment on their induction calendar; indicating an introduction to design research. It is my task to explain the pattern that this study will take in the opening modules. In this first year of study design research will take place on Wednesdays, regardless of studio projects It will constitute a certain number of lectures and tutorials, concluding with a specified brief which represents the first phase of assessment. As the routine unfolds …

Bounding Space, Jeffrey L. Day, Brian T. Rex

Proceedings of the 18th National Conference on the Beginning Design Student

The cognition and description of spatial conditions are essential components of any foundation for design and the visual arts. However, the ability to discern subtle spatial distinctions and the limits of spatial boundaries is often clouded by habit and apparent familiarity with the conditions in question. For example, one thinks one "knows" the spatial make-up of one's bedroom, but can one real ly see the space of the room from a position outside of this perceived familiarity? Can pre-cognitive knowledge be converted into critical understanding? Or, to invert the question, how can one know a space that one sees with …

Educating Emerging Vision, Marcella Eaton, Karen Wilson Baptist

Proceedings of the 18th National Conference on the Beginning Design Student

Learning to see requires practice, risk-taking, and a deliberate awakening of conscious perception. Vision which can be interpreted as an integrated human capacity that emerges from the world of lived experience, is participatory and engaged rather than detached and observatory. Learning to look - vision- is deeply subjective, emerging from experience and critical consciousness. When vision becomes clear, students become aware of what was once hidden, lost, or invisible to them. Awakened vision requires a response. Educators must teach learners to balance their vision with action.channeling 'seeing' as a force against fear, and isolation, (that so often occurs in the …

Rethinking Studio Pedagogy: Teaching Introductory Architectural Design At The Graduate Level, Michael E. Gamble, Richard Dagenhart, Chris Jarrett

Proceedings of the 18th National Conference on the Beginning Design Student

Over the last two years, our Architecture Program committed considerable intellectual capital to the rethinking of graduate level introductory design studio pedagogy for students entering our Masters of Architecture 1/3? year program. This reevaluation concentrates on several unique challenges intrinsic to the graduate level introductory design curriculum, which include:

The inherent differences between the age and personality profiles of undergraduate and graduate students. Many programs treat the curricula as equal, with graduate students executing the same exercises as undergraduates, only at a faster pace.

The developmental gap that exists in the second year of most M. Arch 1 programs between …

Design As Language, Patrick Louis Carrico

Proceedings of the 18th National Conference on the Beginning Design Student

Good design has many faces; one is articulated well by the principals of Gestalt, while another is formed by tradition and style. When teaching design, it is important to delineate between the two. What makes the Mona Lisa universal and the cover of "Staying Alive" doomed is that the former uses good design grammar; and the latter uses an obsolete design dialect. Understanding their difference is integral in deciding the line between less expressive designs, like commercial design, and the design layer of a cathartic painting. Design is a language.

While Mind Dances With Heart: Nurturing Design Vocabularies Through Personal And Cultural Identities, Shenglin Chang

Proceedings of the 18th National Conference on the Beginning Design Student

Although there are many ways of approaching design. my aims "in teaching young student designers was to have them understand the importance of finding the balance between the intuitive with the rational." (Mirochnik, 2000: 65) The approach that I take in teaching my beginning landscape design studio is one in which I draw upon my former career as a dancer/ choreographer. I have found that within the process of creating and performing dance, the rational and the visceral constantly intersect: choreography and performance are processes in which the mind dances with the heart. I educate my beginning design students to …

Rhetorical Investigations: A General Theory Of Design And Architectural Education, Simon Tomkinson

Proceedings of the 18th National Conference on the Beginning Design Student

This paper focuses on the common difficulties in architectural education - its role, and its motives. The construction industry has consistently needed more qualified project managers, more technicians, and better business practices. Yet, a primary tenet of architectural education is that the industry is more qualified to train the student in the intricacies of practice. The education about practice is limited primarily due to the emphasis on design education. What is it that we, as educators, teach in design education?

Nsu M.S. In Education With A Specialization In Interdisciplinary Arts 2002, Nova Southeastern University

Abraham S. Fischler College of Education and School of Criminal Justice College Archive

No abstract provided.

Design's Community Of Knowledge: Identifying And Organizing Design's Fundamental Concepts To Support Teaching And Learning, William R. Benedict

Proceedings of the 18th National Conference on the Beginning Design Student

The words we use and the concepts they represent affect how we see, think and talk about the world. Each community of knowledge (e.g., Architecture, Physics, Sociology, etc.) has a language that is specific to that community or discipline. Membership in a community of knowledge involves learning the community's language and developing an understanding of the concepts that it identifies. Our level of understanding of a community's language can either obscure or clarify-it can help or hinder communication. The degree to which we understand the language and concepts of a community of knowledge is directly related to our ability to …

The Space Of Mondrian, Lori Brown

Proceedings of the 18th National Conference on the Beginning Design Student

How does one introduce a beginning design student to spatial concepts and spatial ways of seeing? As John Hejduk states the architect begins from the abstract - a world of ideas, of concepts, of aspirations - and gravitates toward built form. Students must first see and critically assess and question this abstract world before they can make the jump toward the real world. They arrive with so many misconceptions about architecture yet have no conceptions about the abstract world.

Building The River: An Introduction To Urban Design In Savannah, Georgia, Christian Dagg

Proceedings of the 18th National Conference on the Beginning Design Student

This paper discusses one strategy for exposing architecture students to beginning questions in urban design and how this exposure can be structured within the design studio. Focusing on the city of Savannah, Georgia, the study of urban morphology and resultant building typologies are a basis for the studio research and design proposals completed in the spring of 200 I at Auburn University in Alabama. The studio was cotaught with Brian Mackay-Lyons, who has established his own Architecture and Urban Design practice in Nova Scotia. MacKay-Lyons' practice served as a backdrop for the studio through an emphasis on contextual research, through …

Gesamtkunstwerk: Architecture/Interior Architecture - Elemental Integration As A Pedagogical Foundation For Design Education, Rebecca O'Neal Dagg

Proceedings of the 18th National Conference on the Beginning Design Student

The Architecture/ Interior Architecture [ARIA] duel degree program at Auburn University's School of Architecture is a unique design education model that offers a holistic approach to the relationship between interior and exterior space early in the design student's education. This program's mission at a fundamental pedagogical basis incorporates Architecture and Interior Architecture within Auburn's architecture curriculum model, allowing the development of the concept of "total design" into the design mentality of students. Gesamtkunstwerk, the German word most commonly interpreted in reference to Modem Architecture historical discourse to mean "total work of art:' offers inspiration to the ARIA program model via …

Inside Unlv, Diane Russell, Betty Blodgett, Kevin Force, Jennifer Vaughan, Cate Weeks, Jonathan Paver

Inside UNLV

No abstract provided.

Inside Unlv, Diane Russell, Betty Blodgett, Richard Jensen, Cate Weeks

Inside UNLV

No abstract provided.