Curriculum and Instruction Commons^™

Avoiding The Dreaded Packet: The Impact Of Guided Notes On Student Confidence And Quality Of Poetic Annotations In An 11th Grade Ap Language And Composition Classroom., Kaleigh D. Phelps

Virginia English Journal

This article presents findings from an action research study conducted in a 11th Grade AP Language and Composition classroom on the impact of guided notes on confidence and quality of student work. The data indicates a substantial need for transfer skills in the English classroom.

Reading The Players: Developing Critical Consumers Of Sports Media, Katie Dredger, Katherin Garland, Crystal L. Beach

Virginia English Journal

Sports media is ubiquitous, and English Language Arts (ELA) teachers can use topics around current sporting activities and events in the classroom to engage readers and to teach skills of critical media literacy. Serving as a primer on critical media literacy, this article, grounded in educational theory, gives practical and easily accessible texts and creative lesson ideas to spark engagement, build community, encourage collaboration and foster achievement in secondary ELA classrooms.

Towards Active Learning Practice: A Theory To Practice-Led Model. Part 1: Principles Of Student-Centred Learning, Strutts Psyridis

Staff Scholarship - Australia & Dubai

This monograph explores Active Learning as a student-centred pedagogical model that bridges theory and practice in screen education. It examines constructivist approaches, metacognition, and situated learning, arguing for performative, embodied teaching methods. The paper highlights tensions between traditional instruction and experiential learning, proposing adaptable frameworks for enhancing engagement, autonomy, and transferable skills.

Towards Active Learning Practice: A Theory To Practice-Led Model. Part 3: Engagement, Motivation And Classroom Management, Strutts Psyridis

Staff Scholarship - Australia & Dubai

Part 3 of this continuing series on Active Learning examines engagement, motivation, and classroom management within active learning environments, arguing that meaningful engagement is performative, designed, and context-dependent. Drawing on creative industries, intrinsic motivation theory, flipped classroom models, and digital pedagogies, it proposes that effective teaching integrates facilitation, structure, and adaptive strategies to sustain learner agency, participation, and deep learning.

Introducing A Non-Zero Post-Humanistic Framework For Problem Solving In Design Education, Louise Kolff, Robert Haubt

Staff Scholarship - Australia & Dubai

This paper proposes an innovative framework within interdisciplinary higher education courses that integrates non-zero post-humanistic design thinking and the concept of embodiment for addressing problem solving. We explore how design education can move from a human-centered approach, to a post-humanistic more-than-human approach. Central to our approach is "non- zero" thinking, emphasising collaborative solutions that benefit all stakeholders—human and non- human—recognising our shared responsibilities within ecosystems. We also introduce the notion of qualia in design education, highlighting how immersive experiences can evoke deeper emotional responses, fostering empathy and a greater understanding of complex problems. This combined approach achieves three key outcomes …

Engaging Students With Interdisciplinary Learning Community Project For Freshman Composition And Digital Media Students, Hsi-Ling Huang, Xin Xu

Georgia International Conference on Information Literacy

Studies have shown that Learning Communities have many benefits, including “[f]ostering workforce skills, encouraging problem-solving skills, and increasing retention and success” for both faculty and students (Dodge and Kendall, College Teaching, 2004). In this project, we created an interdisciplinary Learning Community Project that allowed a Freshman Composition (FC) course to pair with a Digital Media (DM) course (Sophomore students) for students to work on a mini magazine. Students in FC were writers whose tasks focusing on writing and researching, whereas students in DM were copy editors whose tasks focusing on graphic design and layout. The goal was for students …

The Disinformation Vaccine: A Case For Integrating Comprehensive Disinformation Education Into First Year Writing Classes, Benjamin F. Jackson

Georgia International Conference on Information Literacy

Students’ exposure to disinformation and misinformation is far greater than it has ever been. As the ability of generative AI to produce image, video, and audio deepfakes grows more sophisticated, disinformation will become even easier to spread and harder to detect. The rapid spread of social, political, scientific, and medical disinformation has been deadly and its potential is disastrous. Security experts now warn that dis/misinformation is the greatest threat to national security. Americans at large and students in particular have a demonstrated lack of information literacy when it comes to detecting false information, and bad actors nationally and globally are …

Weeding Out Dishonesty: Rhetoric And Information Literacy For The Age Of Disinformation, Victoria M. Tischio

Georgia International Conference on Information Literacy

We live in what some call a post-fact world where what is presented as true becomes true and circulates widely. Politicians lie because they have calculated that they gain more than they lose, and media outlets repeat those lies because they profit from them (Adair 2024). Fear and suspicion make individuals vulnerable to these lies (Young 2017). Like an invasive species, it is nearly impossible to eradicate these lies once released into the media ecosystem. While fake news is not new (think P.T. Barnum and 17th-century canards), its virulence has reached epidemic proportions, infiltrating all aspects of society. This constitutes …

Teaching The Researched Family Profile Essay As Meaningful Culturally Sustaining Pedagogy And Counterstory, Amy L. Garrett Brown

Georgia International Conference on Information Literacy

My students have been asked to create a researched narrative about their family history (the definition of “family” is loose and includes families of choice) using personal interviews, artifacts, research and reflection. They will mix the voices of their family members with the voices of scholars and historians from the university library and databases. This is a conversation. In many ways, these are counterstories. In order to focus on using Culturally Sustaining Pedagogy (Alim and Paris) with this assignment, I thought about several of the tenets of CSP: “Instead of being oppressive, homogenizing forces, CSP asks us to reimagine schools …

Evolving Design Critique For A Changing Industry, Sejin Hwang, Amy Ai, Leo Bang, Yuchen Chen, Kathryn Chen, Tiffany Chang, Stephen Jiang, Chloe Jo, Eileen Lee, Nicole Lu, Ray Liu, Kevin Wei, Elaine Zhang, Ellano Zhou

Student Work

This class serves as an exploratory practice in response to existing studies evaluating critique environments in the design industry. Previous studies identified three key limitations in the critique process: (1) a lack of experience for novice designers working with non-designers when reviewing their work, (2) an ineffective final review structure, and (3) a need for a more constructive and engaging feedback-sharing environment.1 To address these challenges, the course was designed to “critique” critique activities and develop strategic solutions to transform the way design work is reviewed, analyzed, and critiqued. The course was part of a pilot fall semester program called …

Playing The Digital Dialectic Game: Writing Pedagogy With Generative Ai, Rebekah Shultz Colby

University Writing Program: Faculty Scholarship

This article explores teaching writing with generative AI as critical play where students and teachers engage in an ethically dialectical and aleatory game with generative AI. I qualitatively surveyed 24 writing teachers about how they teach writing with generative AI as well as its advantages and disadvantages. I discovered that teachers used generative AI to teach about the ethics of generative AI's design and rhetorical use to avoid plagiarism. Teachers also critically played with generative AI to teach the writing process of invention, drafting, revision, and editing. Specifically, the critical, dialectical interplay of human and machine invents in aleatory and …

The Role Of Film And Media In Cultivating Hope: A Conflict Resolution Platform, Lizyvette Ramos, Alexia Georgakopoulos

Peace and Conflict Studies Journal Conference

The Role of Film and Media in Cultivating Hope: A Conflict Resolution Platform: The role of film is that it not only provides humans with a visceral experience when we watch atrocities of war and injustices to innocent humans, but films also provide humans with a pause to consider alternatives as we reimagine conflict from a different trajectory with a future that includes peace and conflict transformation. This session will allow participants to gain insight into how to approach films and media from the positive side in that they offer people an opportunity to learn and that people themselves have …

Mindful Art Curriculum: Teaching Towards Transformational Change, Ashley Riemann

Mindfulness Studies Theses

With the recent influx of American public school diversity, art educators must establish an art curriculum that nurtures students' cultural awareness and creates a more equitable and inclusive learning environment. This paper responds to the increasingly diverse classroom and proposes the need for the implimentation of a mindful, culturally responsive art curriculum. Mindfulness paired with culturally responsive teaching is a transformative tool for art educators. These teaching techniques unite and create an inclusive and inquisitive learning environment. Through mindful exploration students learn to cultivate awareness and focus, forming a deeper connection with art and one another. As Jon Kabat-Zinn expressed, …

Approches Phénoménologiques Et Énactives En Création Artistique Et En Pédagogie (Phenomenological And Enactive Approaches In Artistic Creation And In Pedagogy), Ivan Magrin-Chagnolleau

Presidential Fellows Articles and Research

RÉSUMÉ. Cet article explore les approches phénoménologiques et énactives dans les domaines de la création artistique et de la pédagogie. L'auteur commence par partager son parcours personnel et professionnel, soulignant l'importance de résister à la « capture disciplinaire » ainsi que l'interdisciplinarité dans son travail. Il décrit sa découverte de la théorie de l'énaction de Francisco Varela et comment cette théorie a influencé sa pratique artistique et pédagogique. L'auteur donne plusieurs exemples de pratiques énactives, tant dans le domaine artistique que pédagogique. Par exemple, il mentionne l'utilisation du mindmapping comme une pratique énactive « sans le savoir », et une …

Autoethnographic Action Research As A Contemplative Practice: Awareness And Transformation Of Inner And Outer Selves, Jiju Varghese, Bal Chandra Luitel, Niroj Dahal

The Qualitative Report

Contemplation as a spiritual practice has taken various forms across different religious traditions and regions worldwide. Over the years, various contemplative practices have evolved and become popular even outside religious traditions to promote the well-being of all for inner and outer selves’ transformation. In education, many scholars worldwide have expounded on the benefits of contemplative practices in the classroom for students and teachers. Contemplative practices have penetrated research practices in the form of contemplative inquiry considering performative, philosophical, and artistic transformations, where researchers enter into a deep, thoughtful, and reflective introspective journey to see the connection between what is seen …

Authoring Culture: The Foundations Of Twenty-First Century Writing, The Authoring Culture Collective

Authoring Culture: Foundations of Twenty-First Century Writing

"Authoring Culture: Foundations of Twenty-First Century Writing is an open educational resource (OER) designed for use in college-level first-year writing courses, but is also useful in college courses that assign writing projects, and in a wide array of other writing situations outside of class.

Authoring Culture is distributed under a Creative Commons license, so it is freely available for you to use and you are free to modify it. Just make sure you provide attribution to the original project authors in accordance with the Creative Commons license. Our aim in releasing Authoring Culture as an OER is to make it …

Folding Lessons From A Librarian Who Designed A Seven-Week Course For Undergrads, Robert J. Snyder

University Libraries Faculty Publications

In this article, a faculty member at a mid-size state university describes the context, creation, and content of a credit-bearing college course he taught focused on the art and science of origami.

Umschreiben: A Lesson Plan For Introducing Circumlocution Skills In A German Classroom, Janelle Carter

World Languages and Cultures Activities and Assignments

Objectives:

• Introduce ways to handle communication breakdown
• Create authentic representations of our personalities: this is something we often do in our first language when we forget a word
• Increase social competence and increase willingness to communicate (will and skill, p. 82)

Idioms Are Indeed The Yellow Of The Egg: A Lesson Plan For Introducing German Idioms, Janelle Carter

World Languages and Cultures Activities and Assignments

Objectives:

• Introduce the linguistics of idioms.
• Assist students in identifying the appropriate situation to use a given idiom, contributing to students’ social linguistic and social competence (Parks, p. 82).
• Assist students in crossing the threshold of being an observer of the language and associated cultures, into being a participant. They will be able to “press their thumbs” for luck and understand more than just train station.

Frances E. W. Harper, “We Are All Bound Up Together” (10 May 1866), Garth Pauley

University Faculty Publications and Creative Works

Frances Harper’s address at the 1866 National Woman’s Rights Convention was a visionary speech on civil rights, citizenship, and civic identity. In it, Harper skillfully negotiated the context of nineteenth-century reform politics while remaining true to her vision. The message of her speech was grounded in both her experience as a Black woman and her theological convictions. A close reading of the speech shows that key elements—including its signature line—have been misunderstood and unappreciated.

Lgbtq+ Maine Timeline (Sources Included), Megan Macgregor

USM Libraries & Learning Scholarship

This timeline is in no way complete. If you would like to add something to the timeline please reach out to Megan MacGregor ([email protected]) with the event AND a source showing that it happened.

Reading Through The Eyes Of Faith: Introducing A Catholic Literary Lens To The English Language Arts Classroom, Julia French, Michael Macaluso

Journal of Catholic Education

Despite the proliferation and use of literary lenses in English Language Arts classrooms, one lens still seems to be missing from theorization, formulation, and thus practical implementation: religion. This absence is well-noted in the field, as positive depictions of Christian themes in books are rare and religion is rarely discussed as an identity marker that fosters growth and development. This article attempts to address that absence in two ways: first by conceptualizing and developing a Catholic literary lens that could be used in middle and secondary classrooms and second by offering practical suggestions for using this Catholic lens in ELA …

Documenting Teaching Excellence: Applying Universal Design For Learning (Udl) In Communication Courses, Shihua Brazill

Interdisciplinary Arts and Sciences Articles

This chapter begins by defining UDL and explaining how it serves both as a guide for course design and a framework for documenting teaching excellence. These sections are organized around the three core UDL principles: multiple means of engagement, multiple means of representation, and multiple means of action/expression. The chapter then explores how each principle can be implemented in communication courses. Drawing from examples across face-to-face and asynchronous online formats, it demonstrates how UDL supports student success and fosters equity. Finally, it addresses implementation challenges and discusses the broader implications of UDL for rethinking effective student-centered pedagogy across disciplines.

Religious Bias And Texas’S Bluebonnet Learning English Language Arts Lessons, Mark Chancey

Religious Studies Research

In November 2024, after months of heated public debate, Texas approved new English language arts reading lessons for public elementary schools (kindergarten through fifth grade) that devote notably more attention to the Bible than to other religious texts and to the Christian tradition than to other religions. This article describes the controversy over these lessons and provides examples of the various ways in which they privilege Christianity over other traditions.

Voices Of High School Writers: Exploring Perceptions And Experiences In Secondary Writing Education, Emily Wisniewski

West Chester University Doctoral Projects

This study explores how high school writers develop their writing identities and how their writing identities impact students' writing self-efficacy. This study emphasized how high school writers’ experiences with academic and creative writing, teacher and peer feedback, and personal beliefs about writing shape how they view themselves as writers and their abilities to create and complete a writing task. Utilizing a hybrid methodology through hermeneutic phenomenology and social cognitive theory, this study examines the lived experiences of eight participants in southeastern Pennsylvania. Through journals, interviews, and artifact collection, this study identified key themes such as writing identity development, influences in …

Should Students Pull The Plug?: How Ai Redefines Creativity In The Classroom, Labiba Hassan

CMC Senior Theses

This paper examines how artificial intelligence (AI) tools, specifically ChatGPT as a tutor for students (ChatGPTt), reshapes creativity in the classroom. Does AI undermine or enrich creativity by altering its relational and self-disclosive dimensions? Engaging with Lindsay Brainard’s critique that AI erodes creativity by disrupting human connection and self-expression, I argue for a redefinition of creativity as a dynamic process sustained by emotion, intention, novelty, risk, and spontaneity — conditions adaptable to AI-mediated contexts. The paper challenges the premise that creativity depends on interpersonal connection, showing that self-disclosure can emerge through meaningful engagement with external systems, such as ChatGPTt. By …

Occupied Lands, Occupied Histories: Activist-Historians And The Red Power Movement, Elena Rose Paz Thompson

History - Master of Arts in Teaching

I. Synthesis Essay.............................4

II. Primary Document Collection......25

III. Textbook Critique........................37

IV. New Textbook Writing.................42

The 1920s Klan, More Than Just The South: A Historiographical And Pedagogical Assessment, Nicolas Soucy

History - Master of Arts in Teaching

I. Synthesis Essay..............................3

II. Primary Source Documents.........16

III. Textbook Critique.........................28

IV. Textbook Rewrite.........................31

The Third Revolution: How The Haitian Revolution Redefined The Age Of Revolution, Cedric Rule-Becker

History - Master of Arts in Teaching

I. Synthesis Essay.................................2

II. Primary Source Documents............15

III. Textbook Critique...........................25

IV. New Textbook Entry.......................28

Truth, Reconciliation, And Neoliberalism: Remembering And Forgetting Pinochet’S Chile, Aimee Leigh Gallagher

History - Master of Arts in Teaching

I. Synthesis Essay………………..................4

III. Primary Documents and Headnotes.....26

IV. Textbook Critique……………….............36

V. Textbook Entry…………………………....42