Bilingual, Multilingual, and Multicultural Education Commons^™

The Need For Spanish In Mainstream Classrooms: A Celebratory Reclamation Of Linguistic Identity, Keila Torres

Art of Teaching Thesis - Written

This paper is a testament to the sociocultural importance of bilingualism in mainstream U.S. classrooms, specifically pertaining to the Spanish language and communities in which there is a large percentage of Spanish speakers. Approximately 13% of Americans are native Spanish speakers, this is equivalent to 40 million people. States like Arizona, California, Colorado, Florida, Georgia, Illinois, New Jersey, New Mexico, New York, and Texas can boast populations that include over 1 million Hispanic people (United States Census Bureau, 2019). However, our school curriculums do not reflect the large percentage of Spanish-speaking students who roam their hallways. I argue that traditional …

Digital Libraries For Creative Writing, Pilar G. Carcedo

South East Coastal Conference on Languages & Literatures (SECCLL)

This research has focused on the changes of paradigm that digital technology and globalization have exerted in the study of the literary act. The methodology has been guided by the constant integration of literary, pedagogical and technological reflection around Digital Literature and Creative Writing.

In our Research Group LEETHI we have created different Webs to approach Literature in the classroom. One of the is our DIGITAL LIBRARY TROPOS. It has developed innovative approaches, and anticipated uses of the computer, highlighting both the limits and the rich potential of the digital. Always creative, it continues to propose new possibilities, as a …

Bailamos Juntos: Salsa En Los E.E.U.U. Y El Mundo, Betty Tran

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This composition traces the history of Cuban-American cultural identity formation through the lens of music and dance. As the author explains, Cuban immigrants cultivated a rich music and dance culture in New York City by creating a series of Latin and Afro-Cuban music genres and dances that brought diverse groups of people together. As a Vietnamese-American woman, Tran sees several connections between her family’s Vietnamese heritage and the cultural histories of Cubans who came to the United States as refugees seeking asylum from political oppression. As a first-generation college student, Tran believes it is important to share this composition as …