Open Access. Powered by Scholars. Published by Universities.®

Art Education Commons™

Open Access. Powered by Scholars. Published by Universities.®

Art Education

Discipline
Institution
Publication Year
Publication
Publication Type
File Type

Articles 121 - 150 of 211

Full-Text Articles in Art Education

“Miss, Miss, Look At What My Mother Sent Me From Jail”, Future Akins Jan 2002

“Miss, Miss, Look At What My Mother Sent Me From Jail”, Future Akins

Journal of Social Theory in Art Education

When I tell people that I teach in a public school, especially when I go on to say that I teach at the Junior High level" there is almost aIways snickering sounds and rolling eyes followed by horror stories from the past. They relate memories of crowded, noisy hallways filled with bullies; classrooms that felt like jail, teachers that were bored and lots of hormone driven mis-adventures. I just smile because I know it is all too true. I do not attempt to explain why, as an artist, I choose to return to the classroom after so many years or …

Go to article

Revisiting Social Theory In Art Education: Where Have We Been? Where Are We Today? Where Are We Going? Where Could We Go?, Jan Jagodzinski Jan 2001

Revisiting Social Theory In Art Education: Where Have We Been? Where Are We Today? Where Are We Going? Where Could We Go?, Jan Jagodzinski

Journal of Social Theory in Art Education

The title's spin-off from Gauguin's self-reflective statement: D'où vernons-nouse? Que sommes-raus? Où allons-nous? painted towards the closing of the 19th century when colonialist expansion and Imperialism were at their heights, seems to be an appropriate allusion as this year's 21st Social Caucus journal inaugurates the beginning of a new millennium. The irony of the title should be apparent, as should the fortuitousness of the volume's number. The epic proportions of the questions (and the painting) compressed into the bit size of an editorial seems laughable. Yet the questions are worth deliberating in the context of the essays that have been …

Go to article

On Oysters And Other Life Lessons: Art Teacher’S Perceptions Of Social Class And Schooling, Kimberly Cosier Jan 2001

On Oysters And Other Life Lessons: Art Teacher’S Perceptions Of Social Class And Schooling, Kimberly Cosier

Journal of Social Theory in Art Education

I had to be taught that the world was not my oyster. As a child I was quite sure that I was destined for a wondrous life of adventure and distinction. I was the first born in my family, the first child, the first grandchild, the first niece; everyone was crazy about me. My mother swears that on the day I was born my father floated across the room, so filled with joy and pride that his feet literally glided above the floor as he held me in his arms for the first time. I realize now that this is …

Go to article

Integrating Computer Technology And Traditional Art Tools: A Visual Literacy Handbook, Carol A. Genson Jan 2001

Integrating Computer Technology And Traditional Art Tools: A Visual Literacy Handbook, Carol A. Genson

All Graduate Projects

Throughout history technology has advanced because new tools have been invented. Within the past fifty years the computer grew to be a new tool for business and industry. In the last twenty years, computers have become a tool for helping with daily activities. Now computers are being recognized as a tool for creativity. Artists have incorporated digital tools in their traditional toolbox. A review of related literature shows that computer generated digital art has been integrated into many aspects of the fine arts, including galleries and museums. This technology is being incorporated into the curriculums of our schools as well. …

Go to article

Working With People To Make Art: Oral History, Artistic Practice, And Art Education, Dipti Desai Jan 2001

Working With People To Make Art: Oral History, Artistic Practice, And Art Education, Dipti Desai

Journal of Social Theory in Art Education

In recent years, some contemporary artists have used oral history methods as an integral part of their artistic practice. Oral history emerged in the United States as a distinct historical method with the establishment of the first organized oral history project in 1948 by Alan Nevin at Columbia University in New York. It gradually wrenched itself from its elitist origins of documenting stories of prominent white men to becoming a populist approach that draws attention to ordinary people’s lives, perceptions, and experiences of an event. Based on interviews conducted over a short period of time, oral histories’ primary contribution to …

Go to article

Swimming Up-Stream In The Jean Pool: Developing A Pedagogy Towards Critical Citizenship In Visual Culture, Kevin Tavin Jan 2001

Swimming Up-Stream In The Jean Pool: Developing A Pedagogy Towards Critical Citizenship In Visual Culture, Kevin Tavin

Journal of Social Theory in Art Education

American children and youth live in and through mass media and popular culture. They frequently fashion their sense of history, ideology, and multiple and ever-changing identities through popular visual imagery. These images penetrate and pervade every aspect of our students’ lives in the form of television programs, children’s books, advertisements, movies, comics, toys, cereal boxes, video games, fashion merchandise, sport shoes, fast food paraphernalia, and architectural and public spaces. These images help to shape students’ experiences by capturing their imagination and engaging their desires. These pervasive, immediate, and sometimes ephemeral images often construct students’ consciousness and their sense of citizenship …

Go to article

A Midsummer Night's Dream--A Creole Creation: Directing Shakespeare In A High School Setting, Laurel Renee Kash Jun 2000

A Midsummer Night's Dream--A Creole Creation: Directing Shakespeare In A High School Setting, Laurel Renee Kash

Master of Theater Production Graduate Projects

A full-length production of Shakespeare's A Midsummer Night's Dream was rehearsed and performed at Sunset High School in Portland, Oregon. The production was set in New Orleans during Mardi Gras in 1926. Research was conducted on Shakespeare's life, appropriate acting methods, and the play's historical and cultural context including lighting properties, setting, music, and costumes. Design concept statements were developed, the play was produced, and the experience was considered critically, both as an artistic production and as a learning experience.

Go to article

Seeing Childhood In Art Education, Paul Duncum Jan 2000

Seeing Childhood In Art Education, Paul Duncum

Journal of Social Theory in Art Education

Art education theory and practice sees children as constructivist learners, but postmodern theory teaches us to see children with multiple and fragmented identities. Postmodern theory is used to examine childhood as a site of divergent discourses concerned with persistent adult attempts to control both actual children and the concept of childhood. Many alternative conceptions find pictorial form in the mass media, from abused child to nightmarish threat. This paper focuses on the idea of children as rabid consumers. It examines television advertisements aimed at children, especially by McDonald’s, Mattel and Cap Toys. Implications for the classroom as well as art …

Go to article

Examining Biases And Prejudices: Implications For Art Education, Shirley Hayes Yokley Jan 2000

Examining Biases And Prejudices: Implications For Art Education, Shirley Hayes Yokley

Journal of Social Theory in Art Education

In this paper, I combine an overview of Elisabeth Young-Bruehl’s (1996) socio-psychological examination of group prejudices with a critical examination of artwork by Juan Sánchez to illustrate how issues-based studies of works of art help teachers and students examine and resist biases and prejudices that contribute to oppressive or hegemonic actions.

Go to article

Creating Community Through Art: Two Research Project Reviews, Seymour Simmons Iii Jan 1998

Creating Community Through Art: Two Research Project Reviews, Seymour Simmons Iii

Journal of Social Theory in Art Education

Against a background of contemporary social problems and concerns, this article considers the role of the arts in creating community. It begins with a synopsis of Ellen Dissanayake’s anthropological perspective on the importance of the arts in human evolution, human development, and premodern societies. It then considers current approaches to community-building through the arts based on two recent research projects done by Harvard Project Zero and its affiliates. One project, the Lincoln Center Institute Arts-in-Education Survey Study, reviewed twenty-two arts-in-education programs including community art centers, cultural centers, arts-infusion schools, and state and local arts councils. The other, Project Co-Arts, involved …

Go to article

Sugar And Spice And Everything: Reflections On A Feminist Aesthetic, Deborah Smith-Shank Jan 1998

Sugar And Spice And Everything: Reflections On A Feminist Aesthetic, Deborah Smith-Shank

Journal of Social Theory in Art Education

Over the past 25 years, feminist art, art criticism, and action have allowed insights in to the work of women artists. Because culture imposes an assumed unity on a diversity of codes and has a naturalizing function, it makes the status quo appear as given and enduring. Feminist artwork disrupts common cultural assumptions by purposefully calling into question the arbitrariness of cultural sign systems. It brings into the conversation those cultural signs which are routinely unexamined and forces a look. This article is about feminist artwork, feminist context (s), and my own development as a woman, artist, teacher, and participant …

Go to article

A Primary-Level Art And Music Program For Little Star Eduation Center In Taiwan, R.O.C., Shu-Hui Hsiao Jan 1997

A Primary-Level Art And Music Program For Little Star Eduation Center In Taiwan, R.O.C., Shu-Hui Hsiao

All Graduate Projects

The purpose of this project was to develop a primarylevel art and music program for Little Star Education Center, private academies in Taiwan. To accomplish this purpose, a review of current literature regarding primarylevel art and music curricula and instructional strategies was conducted.

Go to article

Art Lessons For The Middle School Special Education Student, Pete S. Soleto Jan 1997

Art Lessons For The Middle School Special Education Student, Pete S. Soleto

All Graduate Projects

The literature and research regarding art for the middle school special education student were explored. Data were presented to support teaching art using a combination of normalizing approaches and task analyses. Lessons for use in the middle school art class room were developed to use as models for additional lessons created by the author or others.

Go to article

The Perception Of Non-Perception: Lessons For Art Education With Downcast Eyes (Part One: Trompe-L’Oeil And The Question Of Radical Evil), Jan Jagodzinski Jan 1997

The Perception Of Non-Perception: Lessons For Art Education With Downcast Eyes (Part One: Trompe-L’Oeil And The Question Of Radical Evil), Jan Jagodzinski

Journal of Social Theory in Art Education

The Roman historian Pliny recounts a story that occurred during Periclean Athens. I will utilize this story, as a trope to undertake an interrogation of perception as it is commonly understood and currently practiced by art educators in schools. In order to deconstruct vision/blindness, or the perception/non-perception binary, I have examined the psychoanalytic paradigm of Jacques Lacan. His current interpreters provided the conceptual tools for such an undertaking. Given that the question of representation has become a key sign-post of postmodernism, art educators must conceptualize a trajectory for itself in the 21st century. Part One of such a trajectory questions …

Go to article

Living The Discourses, Ed Check, Grace Deniston, Dipti Desai Jan 1997

Living The Discourses, Ed Check, Grace Deniston, Dipti Desai

Journal of Social Theory in Art Education

Factors of social class, race, gender, and sexuality are important to any understanding of the social processes of art. Often, art educators discuss these factors in abstract terms, thereby confining discussion in art education to a set of identifiable variables constructed as static, universal, and homogeneous. The particularities of living and working in educational spaces structured along racist, classist, sexist, and homophobic lines remain largely unexplored. Recent scholarship in art education has begun to examine the particularities of these social relations (Garber, 1995; Stuhr, Krug, & Scott, 1995). But the fractures, dangers, and the erasures are not being articulated in …

Go to article

The Exceptional Educational Needs Child In The Art Room: Teaching Through The Seven Multiple Intelligences, Kathleen M. Hackbarth Jan 1996

The Exceptional Educational Needs Child In The Art Room: Teaching Through The Seven Multiple Intelligences, Kathleen M. Hackbarth

Master of Science of Adaptive Education Theses

Inclusion and mainstreaming have left many art teachers unprepared. They have not been trained as adaptive art teachers. There are basic fears among many on how to teach art to special education children. Some art teachers decline a school assignment after finding out they would have an adaptive class with cognitively disabled (CD) or hearing impaired (HI) students. Oftentimes, special needs children are left behind because it takes more time and special training to help them participate in art. The purpose of this study is to gain insight and understanding of the total art experience of students with special needs …

Go to article

The Clash Between The Sacred And The Profane: An Examination Of Controversial Art In The Postmodern Era, Rosalie H. Politsky Jan 1996

The Clash Between The Sacred And The Profane: An Examination Of Controversial Art In The Postmodern Era, Rosalie H. Politsky

Journal of Social Theory in Art Education

Using mythic criticism, this paper examines the current cultural and religious in stability that may serve as the impetus for the appropriation of ancient religious myths and symbols by various visual and performance artists. The paper concludes with implications of ritual, personal mythology, and controversial art for art education.

Go to article

Art Education And Technology: These Are The Days Of Miracles And Wonder, Paul Duncum Jan 1996

Art Education And Technology: These Are The Days Of Miracles And Wonder, Paul Duncum

Journal of Social Theory in Art Education

This paper examines the impact on human consciousness of the exponential proliferation of electronic images, and offers suggestions concerning how educators should respond. A postmodern critique includes the ideas of an inverted Kantian aesthetics which embraces the everyday, a dramatic compression of space and time, and personal disorientation. A further critique grounds these views of consciousness in new economic arrangements and the rapaciousness of capitalism. I argue that the only viable educational response to this new consciousness is a critical examination of mass media imagery. Basic components of media education in schools are signposts of an appropriate response.

Go to article

When Art Turns Violent: Images Of Women, The Sexualization Of Violence And Their Implications For Art Education, Yvonne Gaudelius, Juliet Moore Jan 1996

When Art Turns Violent: Images Of Women, The Sexualization Of Violence And Their Implications For Art Education, Yvonne Gaudelius, Juliet Moore

Journal of Social Theory in Art Education

Approximately two years ago, after viewing a slide of Rubens’ The Rape of the Daughters of Leucippus, a group of students enrolled in an “art for elementary education majors” course were asked to write an interpretation of this work, as part of a series of art criticism activities that they had engaged in through the semester. Most of the students wrote what might be described as reasonable interpretations in that they discussed the work in formal terms and made judgments about the artwork. However, and this is what is of interest to us in this paper, only two students in …

Go to article

“Truth” That Sells: Broadcast News Media In Video Art And Art Education, Mary Wyrick Jan 1994

“Truth” That Sells: Broadcast News Media In Video Art And Art Education, Mary Wyrick

Journal of Social Theory in Art Education

Vincent Lanier (1969), Manuel Barkan and Laura Chapman (1967), Laura Chapman (1982), Paul Duncum (1987, 1989), and Dan Nadaner (1985) have written about the implications of using mass media sources in art education. In their writings, each of these authors acknowledged the importance of film, television, and other mass media to student populations in art educational contexts. Even with these precedents and extensive literature in media studies, students today continue to uncritically consume the visual media that permeate their lives. They need to understand how contemporary culture is at least partially shaped by representations in visual media. Whether these representations …

Go to article

Valuing Difference: Luce Irigaray And Feminist Pedagogy, Yvonne Gaudelius Jan 1994

Valuing Difference: Luce Irigaray And Feminist Pedagogy, Yvonne Gaudelius

Journal of Social Theory in Art Education

The anonymous worker- the mother, the teacher- the anonymous woman. Woman defined by her fixed place in the system of reproduction. How has this come to be? How has woman become-how does she remain-an anonymous instrument in the reproduction of patriarchy? How does social reproduction relate to the position of woman as mother-as the “vehicle” of physical reproduction? In this paper, I tie questions such as these to the discipline of education, and to women's role in the underlying ideologies of our educational system. In order to do so I will approach these questions from three distinct vantage points: a) …

Go to article

Behind, The Road Is Blocked: Art Education And Nostagia, Paul Duncum Jan 1994

Behind, The Road Is Blocked: Art Education And Nostagia, Paul Duncum

Journal of Social Theory in Art Education

Proponents of high culture have trusted its power as an antidote to contemporary social ills. However, art educators should be aware that the history of such attempts is a history of failure. It is a history of gradual marginalization, both of the critique and the critics, and of increasingly conservative political reaction. The critique represents, today as it has always done, a nostalgia for an idealized past. But the failure of the critique suggests that there can be no going back. It is argued that the increasing failure of this critique to positively influence social and cultural life is a …

Go to article

The Green Quilt: An Example Of Collective Eco-Action In Art Education, Doug Blandy, Kristin G. Congdon, Laurie Hicks, Elizabeth Hoffman, Don Krug Jan 1994

The Green Quilt: An Example Of Collective Eco-Action In Art Education, Doug Blandy, Kristin G. Congdon, Laurie Hicks, Elizabeth Hoffman, Don Krug

Journal of Social Theory in Art Education

At the 1994 National Art Education Association (NAEA) Convention in Baltimore we initiated two eco-action presentations that resulted in the making and display of a Green Quilt (Blandy, Congdon, Hicks, Hoffman, & Krug, 1994a; Blandy, Congdon, Hicks, Hoffman &: Krug, 1994b). All of us have been coming to NAEA conventions for a number of years. Every year we have heard discussions on the gap between theory and practice. Discussed also has been the importance and need for activism within the NAEA. As a result of listening to these discussions, the five of us met at the 1993 convention to plan …

Go to article

The War Of Labels: An Art Educator In Search Of A Sign, Jan Jagodzinski Jan 1993

The War Of Labels: An Art Educator In Search Of A Sign, Jan Jagodzinski

Journal of Social Theory in Art Education

I recently had the occasion to go shopping with my twelve year old son Jeremy who is now finishing grade seven in a Canadian public school. He had somehow (mysteriously) saved twenty dollars and was determined to buy a T-shirt. Coming from the boomer generation, T-shirts for me where either those funny Stanfield undergarments that my dad wore under his dress shirt (to absorb the sweat during hard work, I suppose?) or what gang members with duck-tails in the '50s wore under their leather jackets to look cool-like the 'Fonz' of Happy Days. During my college art school days, the …

Go to article

Art Teaching For Peace And Justice, Kristin G. Congdon Jan 1993

Art Teaching For Peace And Justice, Kristin G. Congdon

Journal of Social Theory in Art Education

The social goals of peace and justice are not removed from art processes and products, and especially not from curricula in art classrooms. In this article, six topic areas are suggested for the art educator which further the causes of peace and justice: 1) Appreciating diversity; 2) Understanding that art creates individual and group identity; 3) Encouraging collaboration in art processes; 4) Working respectfully with the earth's ecosystems; 5) Analyzing art which deals specifically with war and violence; and 6) Promoting peace and justice through art.

Go to article

Censored By Omission: Imagery That Is Excluded From The Art Education Classroom, Pamela Tarlow-Calder Jan 1993

Censored By Omission: Imagery That Is Excluded From The Art Education Classroom, Pamela Tarlow-Calder

Journal of Social Theory in Art Education

There exists a wealth of imagery that is censored by means of exclusion from general art curricula. This imagery is often highly relevant to students and should therefore be addressed and examined critically in art education at all levels. In what follows, the practice of censorship by exclusion in relation to imagery available for classroom critique will be discussed; a critical-reflective approach to art criticism inquiry In light of prevalent social and interpersonal concerns will be advocate, and an example from classroom practice will be investigated.

Go to article

The Nostalgia Of Art Education: Back To The Future, Part 4, Jan Jagodzinski Jan 1992

The Nostalgia Of Art Education: Back To The Future, Part 4, Jan Jagodzinski

Journal of Social Theory in Art Education

To write the impossible, which is impossible to write, requires an excessive gesture.

Go to article

Commentary: Media, Environment, And Art: A New Agenda For Art Education, Ron Sylva Jan 1992

Commentary: Media, Environment, And Art: A New Agenda For Art Education, Ron Sylva

Journal of Social Theory in Art Education

Much has been written about what an education in art should be for. We might think more about what an education in art should be against. We live in a world where objects, environments, ideas, and feelings are manufactured for, and merchandized to, people defined as consumers rather than citizens, spectators rather than participants, and users rather than doers. Despite the proclaimed democratic ideals of education and the celebrated independence of the artist's vision, art education has contributed little to the education of independent minded, informed, and empowered human beings.

Go to article

Art Education’S Movement Toward Core Curriculum Membership, Karen A. Hamblen Jan 1992

Art Education’S Movement Toward Core Curriculum Membership, Karen A. Hamblen

Journal of Social Theory in Art Education

Art educational at this time provides a unique opportunity to observe and analyze how a field of study presents rationalizations and takes certain actions to acquire some of the more traditional characteristics of general education. The manner in which art testing has been proposed will serve as a specific example of how quantification, accountability, and predictability of learning outcomes are being used to legitimate art study as a discrete discipline with core curriculum status. To examine legitimating characteristics and processes, the following will be discussed: (a) current trends in art education, (b) characteristics of general education, (c) relationships between current …

Go to article

Premises, Promises, And A Piece Of Pie: A Social Analysis Of Art In General Education, Tom Anderson Jan 1992

Premises, Promises, And A Piece Of Pie: A Social Analysis Of Art In General Education, Tom Anderson

Journal of Social Theory in Art Education

It is argued that advocates of content-based art education and other art educators who are attempting to move art to the political center of general education are struggling against largely unrecognized social realities. The idea is developed that just as the art world occupies a marginal place in the larger society do does art education in the society's educational institutions. The roots of this marginalization are argued to be in contending; particularly the dearly held notions of creativity and originality which are at the heart of the art world, versus acquiescence and conformity which are held most dear within general …

Go to article

First Prev Next Last