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Articles 91 - 120 of 153
Full-Text Articles in Art Education
Mia's Music, Miranda L. Bubenheim
Mia's Music, Miranda L. Bubenheim
Student Publications
Mia’s Music is a story narrating what I view as an ideal curriculum being put into practice. Music educators have an advantageous and unique position to explore a medium with students that truly has the power to bring people together and help them to understand one another. A curriculum based in the cultural themes that students identify with will challenge them to learn through sharing their experiences and understanding others'.
Advanced Placement Portfolio, Daniel Barney, Mark Graham
Advanced Placement Portfolio, Daniel Barney, Mark Graham
Journal of Undergraduate Research
The academic objectives of this research project reached further than the initial objectives. We believe it was a very successful project in terms of meeting our academic objectives. The study affected our curricula here at the university as we investigated our thesis questions for this project. We (Dr. Barney and Dr. Graham) primarily teach undergraduates who are interested in teaching art at the K-‐12 levels and so there is a strong focus on what is important to know and teach at the K-‐12 levels. AP Art Studio programs are directed at 11th and 12th graders while foundations programs are usually …
Engaging Young Children In The Art Museum: An Educational Criticism Of An Art Museum Summer Class, Kristina N. Mahoney
Engaging Young Children In The Art Museum: An Educational Criticism Of An Art Museum Summer Class, Kristina N. Mahoney
Electronic Theses and Dissertations
This research project serves to identify a set of conditions leading to engagement for four- and five-year-old students in an art museum summer class. Utilizing Eisner’s theory on qualitative research, educational criticism and connoisseurship (1998), the researcher interviewed, observed, and received responses to a questionnaire in order to describe, interpret, and analyze the educational event of the summer class. By identifying the intentions of the class, the report describes a set of three objectives acting as a foundation for the classes’ implementation - comfort, empowerment, and connection to collection. Based on analysis of the implementation of these aims, as seen …
Modern Art Chart, Community Based Art
St. Nicholas Magazine: A Portable Art Museum, Mary Frances Zawadzki
St. Nicholas Magazine: A Portable Art Museum, Mary Frances Zawadzki
Dissertations, Theses, and Capstone Projects
In November 1873, St. Nicholas Magazine: Scribner's Illustrated Magazine for Girls and Boys made its publishing debut. While it was intended to be a literary magazine, visual imagery was an important component of the monthly. Illustrations and reproductions of fine art and architecture from Antiquity, the Old Masters, and contemporary academic artists illustrated fictional serials, accompanied art historical information, and stood alone as art work for the reader to visually consider. Innovative page layouts took their inspiration from the aesthetic theories and art styles popular among those associated with the American genteel tradition. By choosing certain styles for illustration and …
Institutional Critique, Community Based Art
What Are They Learning? Assessing Theatre/Dance Performance Experiences, Andrew Vorder Bruegge, Meg Schriffen
What Are They Learning? Assessing Theatre/Dance Performance Experiences, Andrew Vorder Bruegge, Meg Schriffen
College of Visual and Performing Arts Faculty Publications
The model of assessment will demonstrate how to align the assessment of production activity with learning goals set by accrediting bodies, the institution, the department, and the specific program. This alignment insures that measurement of student learning is standardized across the students’ entire experience in the program (courses, performances, rehearsals, technical preparations, etc.) Examples of indirect and direct measurement instruments will be presented.
Minnie Adkins: Against The Grain, Minnie Adkins, Kentucky Folk Art Center
Minnie Adkins: Against The Grain, Minnie Adkins, Kentucky Folk Art Center
Kentucky Folk Art Center Exhibition Catalogs
2015 Kentucky Folk Art Center exhibition catalog of artist Minnie Adkins.
Let's Collaborate! Process-Based Sculptures, Lena Isenberg
Let's Collaborate! Process-Based Sculptures, Lena Isenberg
Middle School Resources
To begin this lesson, students will study action painting from the Abstract Expressionist movement. Students will watch videos of Jackson Pollock and Dale Chihuly painting, and compare their processes. Students will also view Pollock and Chihuly’s art-making processes in the context of existentialism. They will understand that an artist’s actions are what give his or her life meaning. Taking inspiration from these artists’ processes, students will create collaborative sculptures in response to their materials. While creating their collaborative sculpture, students will be challenged by the dynamic interplay between individual ideas and group decision-making.
Public Space Interventions: Collaborating With New Craft Artists In Action- Finger Knitted Basketball Nets, Jody Boyer
Public Space Interventions: Collaborating With New Craft Artists In Action- Finger Knitted Basketball Nets, Jody Boyer
Middle School Resources
A variety of artists make artwork that intervenes in public spaces. There are many reasons why artists engage communities in their work. This lesson explores a variety of artists who make artwork that intervenes in public spaces and engage communities with their work and teaches students to finger knit a 4 foot piece of yarn with excellent technique and craftsmanship. This lesson explores how the NCAA New Craft Artists in Action Net Works project and their public space interventions with handmade basketball nets. This lesson explores how artists collaborate to make artwork and empowers students to collaborate with their peers …
Tpwd 41wd60 1976.31.7 Cardboard 3d Model, Robert Z. Selden Jr.
Tpwd 41wd60 1976.31.7 Cardboard 3d Model, Robert Z. Selden Jr.
CRHR: Archaeology
Three-dimensional (3D) cardboard model of a Caddo burial vessel (TPWD 1976.31.7) from 41WD60 in the Texas Parks and Wildlife Department collections.
Tpwd 41wd60 1976.31.10 3d Cardboard Model, Robert Z. Selden Jr.
Tpwd 41wd60 1976.31.10 3d Cardboard Model, Robert Z. Selden Jr.
CRHR: Archaeology
Three-dimensional (3D) model of a Caddo burial vessel (TPWD 1976.31.10) from 41WD60 in the Texas Parks and Wildlife Department collections.
Tarl_41ce19_424-21, Robert Z. Selden Jr.
Tarl_41ce19_424-21, Robert Z. Selden Jr.
CRHR: Archaeology
Three-dimensional (3D) model of a Caddo burial vessel (TARL_41CE19_424-21) from Caddo Mounds SHS (41CE19) curated at the Texas Archeological Research Laboratory.
Tarl_41ce19_2006-4-84, Robert Z. Selden Jr.
Tarl_41ce19_2006-4-84, Robert Z. Selden Jr.
CRHR: Archaeology
Three-dimensional (3D) model of a Caddo burial vessel (TARL_41CE19_2006-4-84) from Caddo Mounds SHS (41CE19) curated at the Texas Archeological Research Laboratory.
3d Scan Data Of Caddo Burial Vessels From The Mcspadden Site Near Frankston, Texas, Robert Z. Selden Jr.
3d Scan Data Of Caddo Burial Vessels From The Mcspadden Site Near Frankston, Texas, Robert Z. Selden Jr.
CRHR Research Reports
In the spring of 2013, three Caddo burial vessels from an unrecorded site near Frankston, Texas were documented at the McSpadden residence in College Station, Texas. All three vessels are intact and are not reconstructed. Scan data was collected using a ZScanner 700CX running VXElements 2.0 via the scanner direct control function in Geomagic Design X. Post-processing of these data occurred in Design X, and quality control for missing data leveraged both Design X and Verify. These data will be used in a study aimed at the 3D geometric morphometric analysis of Caddo vessels. In addition to the study of …
Urban Pets As Social Practice: Constructing Pets With A Purpose, Carrie Pope
Urban Pets As Social Practice: Constructing Pets With A Purpose, Carrie Pope
Middle School Resources
I developed this lesson in my fourteenth year of teaching. I had just transferred to sixth grade general art after primarily teaching pottery classes in a high school for thirteen years. I was at a low income, high poverty school and was having a difficult time engaging my students. I had seen Robert Marbury’s work about ten years earlier and had wanted to do something with it but had never had the opportunity. Recognizing the student's need for play, I first approached this lesson with one class bringing in several garbage bags of stuffed animals my daughter had discarded.
The …
What Makes A Technology Appropriate?, Barrett Hazeltine
What Makes A Technology Appropriate?, Barrett Hazeltine
Articles
No abstract provided.
A Company Town, Daniel Peltz, Sheridan Coleman
Urban Eden, Anne Tate
Critical Design And The Critical Social Sciences, Damian White
Critical Design And The Critical Social Sciences, Damian White
Articles
No abstract provided.
Ethics In Exhibitions: Considering Indigenous Art, Rachel Bonner
Ethics In Exhibitions: Considering Indigenous Art, Rachel Bonner
Richard T. Schellhase Essay Prize in Ethics
No abstract provided.
Developing Visual Language - Teaching Art, Maria Richa
Developing Visual Language - Teaching Art, Maria Richa
Progressive Education in Context
Illuminates the art curriculum at the Bank Street School for Children, where the process of making art is where the value lies, not in the teacher's planned product.
Group Sizes Of Upper Paleolithic Cave Artists, Leslie Vangelder
Group Sizes Of Upper Paleolithic Cave Artists, Leslie Vangelder
Walden Faculty and Staff Publications
Since the first cave art was discovered two central questions have plagued the research. “Who made the art?” and “Why?” Multiple theories have been raised and explored, however, few lacked hard data to be able to narrow down to the individual level of artist and intention. Recent research focused on the study of finger flutings – lines drawn with hands and fingers in the soft surfaces of caves – has yielded a wealth of forensic data about their creators. While there is still no definitive way to know if the fluters are also the artists of the painted and engraved …
Rockin’ Around The Clock: An Exploratory Study Of Music Teachers' Personal Listening Choices, Virginia Wayman Davis
Rockin’ Around The Clock: An Exploratory Study Of Music Teachers' Personal Listening Choices, Virginia Wayman Davis
Research & Issues in Music Education
This study aimed to explore the personal music listening choices of music teachers. Specifically, in which formats do teachers listen to music for personal pleasure, how do they obtain the music they choose, and how frequently do they choose to listen to certain genres of music. Using an online survey, music teachers answered questions about their listening and purchasing habits. Results were then analyzed using simple statistics and Analyses of Variance (ANOVAs) to discover listening preferences for the group as a whole, as well as what differences may occur with regards to age, teaching situation or other factors. Through this …
Representation By Design: Mining The Source, Kris Heintz Nelson
Representation By Design: Mining The Source, Kris Heintz Nelson
Higher Education Resources
This unit is a hybrid, combining art history, studio instruction, and visual culture and has been interwoven into a freshman foundations drawing course where students are taught observational skills, use of media and process, and introduced to the creative processes of generating ideas and developing personal inquiry. The inquiry is intended to guide students to question dominant assumptions regarding representation and how artists engage in visual research.
Risd Fact Book 2015, Institutional Research
Risd Fact Book 2015, Institutional Research
RISD Fact Books
The Office of Institutional Research is pleased to present the RISD Fact Book 2015. During academic year (AY) 2012-13, RISD began working on a new Campus Master Plan. This work continues into 2014-15, including meetings and discussions to get important input from the RISD community. The 2015 Fact Book is a summary of institutional data gathered from many areas of the College, compiled to capture the 2014 fiscal and academic year, as well as the beginning of AY 2014-15.
Visual Arts Assessment In The Age Of Educational Accountability, Donna Jackson Goodwin
Visual Arts Assessment In The Age Of Educational Accountability, Donna Jackson Goodwin
Electronic Theses and Dissertations
Art teachers have, in some manner, always assessed student learning and progress. However, many art teachers do not have the training in assessment to be able to describe and defend their process, nor has there been research to support the effectiveness of how art teachers assess student learning. This study examines the ways six visual art teachers from five districts teaching in traditional public schools at the elementary, middle, and high school levels assess visual art. It demonstrates how they are using information gathered from assessments and whether their philosophies of art education influence their actions. Parents and administrators were …
Photo-Realism, Ashley Lothyan
Matafunctional/Metafictional Objects, Paolo Cardini
Design For Transitions - From And To What?, Cameron Tonkinwise
Design For Transitions - From And To What?, Cameron Tonkinwise
Articles
No abstract provided.