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Articles 31 - 60 of 66
Full-Text Articles in Art Education
Freedom In Creation: Global Village Education Program, Daniel C. Maxwell
Freedom In Creation: Global Village Education Program, Daniel C. Maxwell
Capstone Collection
This capstone paper introduces the Freedom in Creation: Global Village Education Program, an international education program with a focus in service-learning for undergraduate students designed for the organization, Freedom in Creation (FIC). Global Village Education (GVE) will pilot the five-week intensive program in various locations throughout Uganda. As a short-term, service-learning program focusing on experiential education, social identity development, critical thinking, and reciprocity; the goal is to instill conceptual clarity and intellectual growth by introducing participants to new knowledge, concepts and experiences through cross-cultural interaction. The main purpose of the program seeks to build intercultural communication skills as well as …
Creating Accessibility In Museums For Visitors With Visual Impairments: Teaching Museum Educators How To Write Verbal Descriptions Of Artifacts To Create A Meaningful Museum Experience, Monica Brandwein
Graduate Student Independent Studies
This Integrative Masters Project is a professional development workshop that was created to teach museum educators, staff, and Gallery Educators (the museum's docents) at the Museum of Jewish Heritage -A Living Memorial to the Holocaust how to create accessibility for visitors with visual impairments to increase the richness of the museum's artifacts within the collection.
Linvel Barker: Works From The Collection Of Rita Biesiot, Linvel Barker, Rita Biesiot, Kentucky Folk Art Center
Linvel Barker: Works From The Collection Of Rita Biesiot, Linvel Barker, Rita Biesiot, Kentucky Folk Art Center
Kentucky Folk Art Center Exhibition Catalogs
2012 Kentucky Folk Art Center exhibition catalog of artist Linvel Barker.
2 X 20: Works By 20 Of Kentucky's Finest Working Folk Artists, Minnie Adkins, Barbara Burton, Jo Ann Butts, Brent Collinsworth, Joan Dance, Tad Desanto, Marvin Francis, Tim Lewis, Jance Miller, Lonnie Money, Twyla Money, Robert Morgan, Bruce New, Janice Harding Owens, Jim Gary Phillips, Thaddeus Pinkney, Monica Pipia, Willie Rascoe, Eileen Stockham, Donny Tolson, Lavon Van Williams, Kentucky Folk Art Center
2 X 20: Works By 20 Of Kentucky's Finest Working Folk Artists, Minnie Adkins, Barbara Burton, Jo Ann Butts, Brent Collinsworth, Joan Dance, Tad Desanto, Marvin Francis, Tim Lewis, Jance Miller, Lonnie Money, Twyla Money, Robert Morgan, Bruce New, Janice Harding Owens, Jim Gary Phillips, Thaddeus Pinkney, Monica Pipia, Willie Rascoe, Eileen Stockham, Donny Tolson, Lavon Van Williams, Kentucky Folk Art Center
Kentucky Folk Art Center Exhibition Catalogs
2012 Kentucky Folk Art Center exhibition catalog of the twenty finest working folk artists.
Exhibition September 21–November 20, 2012, Wriston Art Center Galleries
Exhibition September 21–November 20, 2012, Wriston Art Center Galleries
Exhibition Materials
Leech and Hoffmaster Galleries: German Expressionism
Kohler Gallery: Andrew Rogers: Rhythms of Life
Developing Environmental Sustainability Awareness Through Remida’S Philosophy As An Artist-Teacher, Susan Girak
Developing Environmental Sustainability Awareness Through Remida’S Philosophy As An Artist-Teacher, Susan Girak
Research Journeys in Education
No abstract provided.
Risd Fact Book 2012, Institutional Research
Risd Fact Book 2012, Institutional Research
RISD Fact Books
The Office of Institutional Research is pleased to present the Rhode Island School of Design Fact Book, 2012; a paperless, accessible, consistent source of information about the RISD community, its resources, and its operations. It is a summary of institutional data gathered from many areas of the College, compiled to capture the 2012 Fiscal and Academic Year. Where appropriate, multiple years of data are provided for historical perspective. While not all-encompassing, the Fact Book does provide pertinent facts and figures and is made available as reference to administrators, faculty, staff, and students.
Pass The Roles Please, Dana Christy Klopping
Pass The Roles Please, Dana Christy Klopping
Theses Digitization Project
This thesis project is a study of the process and development of a Career Development Creative Drama unit for first grade students which any teacher can reapply in their own classroom. The goal of this project was to create and polish a program which teachers may use in the classroom to benefit their students. This interactive and creative platform enhanced a career development program for early education students.
Theatre In Education: A Cyber Bullying Prevention Curriculum, Jonathan Douglas Moline
Theatre In Education: A Cyber Bullying Prevention Curriculum, Jonathan Douglas Moline
Theses Digitization Project
The purpose of this project is to provide teaching tools that include a two-session curriculum with educational materials for high school teachers on cyber bullying prevention. This project provides tools and curriculum materials to high school teachers on cyber bullying prevention using applied, interactiive, and conflict resolution theatre techniques as the main teaching method.
Elements Of Art (Ages 8-11), Stephanie Rodriguez
New Perspectives (Pre-K Through Teens), Natalie Skeith
New Perspectives (Pre-K Through Teens), Natalie Skeith
Curricula
No abstract provided.
Thunder Rock: The Play, And Enriching The High School Curriculum, Jason William Bayless
Thunder Rock: The Play, And Enriching The High School Curriculum, Jason William Bayless
Theses Digitization Project
This thesis is a position paper developing an argument for the advancement of the play Thunder Rock, by Robert Ardrey, into consideration for the California Reading List for Public High Schools. To support the validity of the argument the thesis explores three key elements: the content of the play itself; connections to the California Content Standards for California Public Schools; as well as related instructional methods appropriate to the task of teaching the play. The goal is to develop in this thesis not only an argument for the inclusion of Thunder Rock into the California Reading List, but also create …
“Silencing” The Powerful And “Giving” Voice To The Disempowered: Ethical Considerations Of A Dialogic Pedagogy, Adetty Pérez Miles
“Silencing” The Powerful And “Giving” Voice To The Disempowered: Ethical Considerations Of A Dialogic Pedagogy, Adetty Pérez Miles
Journal of Social Theory in Art Education
As an educator who is committed to social justice, I bring certain values and political commitments to the classroom. The counter-hegemonic voices that I bring into the classroom in the form of constructs, readings, assignments, discussions, and visual culture challenge more often than confirm students’ world-views and assumptions. The question that arises for me is whether I am silencing students’ voices through my teaching practices. Does my support of dialogic articulations and interests constitute privileging one “truth” or discourse over another? If so, am I using dialogue as a rhetorical device to persuade or to indoctrinate my students according to …
Yearbook, 2012, Risd Archives, Center For Student Involvement (Csi)
Yearbook, 2012, Risd Archives, Center For Student Involvement (Csi)
RISD Yearbooks
No abstract provided.
2012 Risd Wintersession Schedule Of Courses, Risd Registrar's Office, Risd Archives
2012 Risd Wintersession Schedule Of Courses, Risd Registrar's Office, Risd Archives
RISD Course Catalogs / Announcements
No abstract provided.
2012-2013 Risd Course Announcement, Risd Registrar's Office, Risd Archives
2012-2013 Risd Course Announcement, Risd Registrar's Office, Risd Archives
RISD Course Catalogs / Announcements
No abstract provided.
Fenced In/Out In West Texas: Notes On Defending My Queer Body, Ed Check
Fenced In/Out In West Texas: Notes On Defending My Queer Body, Ed Check
Journal of Social Theory in Art Education
In this article, I utilize autoethnography to describe and reflect upon my experiences as a queer artist, associate professor, and activist living in West Texas (1996-2012). To date, I believe there exist too few testimonies in art education that document how queer educators/artists manage myriad social, political, and everyday issues in their lives and workplaces. Such stories are necessary if I am going to equip present and future art teachers with anti-homophobia classroom strategies. I believe such stories are also necessary to counter cultural homophobia and violence and let queer students and teachers know they do not stand alone. Stories …
A Collaged Reflection On My Art Teaching: A Visual Autoethnography, Laurie Eldridge
A Collaged Reflection On My Art Teaching: A Visual Autoethnography, Laurie Eldridge
Journal of Social Theory in Art Education
In this article I begin to unravel some of the complexities of being a visual art educator who teaches in a public elementary school: while dealing with an increasing high-stakes testing environment, I write in defense of teaching that is based on social justice and visual culture theory. I take the theme of this issue, de(fence), literally as a need to defend. To do this I use visual autoethnography, where I create a collaged work of art, then use that collage as a prompt for my reflection on my curriculum and teaching practice. My reflection is woven into the wider …
Hyphenated Artists: A Body Of Potential, Laura Reeder
Hyphenated Artists: A Body Of Potential, Laura Reeder
Journal of Social Theory in Art Education
The author of this article, an art teacher, arts education advocate, teaching artist, pre-service art teacher supervisor and instructor confronts “either/or” professional identities in arts education. Multi-faceted artist/scholar/educator/ learner/advocate/personas are “unfenced” in order to navigate spaces of artistic, educational, and cultural production without having to pause for identification at borders. In this form, pedagogies for inventive social change emerge. Dialogue among fields of artists and educators links either/or, artist/teacher qualities in holistic and interdisciplinary descriptions such as artist-teacher, teaching-artist, etc. The hyphenated association has become postmodern shorthand for inclusive “both/and” professional identities that in the 21st century may be limiting …
(De)Fending Art Education Through The Pedagogical Turn, Nadine M. Kalin
(De)Fending Art Education Through The Pedagogical Turn, Nadine M. Kalin
Journal of Social Theory in Art Education
This article reviews the current state of higher education in light of the pedagogical turn in contemporary art. It starts with an overview of higher education and its current struggles, followed by an outline of some of the features of the pedagogical turn in art, which is both critical of institutionalism and symptomatic of the current state of higher education. These ideas are discussed within the context of an art education graduate seminar. Finally, the argument is made for possible critical practices that take place inside the institution and that are inspired by priorities inherent in education as art projects …
12 Museum Theorists At Play, Marian Howard, Lauren Appel, Nicole Ferrin, David Vining, Katherine Hillman, Marissa Corwin, Berry Stein, Nicole Keller, William Elliston, David Bowles, Tiffany Reedy, Kathryn Eliza Harris, Liat Olenick
12 Museum Theorists At Play, Marian Howard, Lauren Appel, Nicole Ferrin, David Vining, Katherine Hillman, Marissa Corwin, Berry Stein, Nicole Keller, William Elliston, David Bowles, Tiffany Reedy, Kathryn Eliza Harris, Liat Olenick
All Faculty and Staff Papers and Presentations
Introduction by Lauren Appel
1. Learning by Do-weyan, by Marian Howard, with Nicole Ferrin
2: Dewey Defines Himself and Education, by David Vining
3. Benjamin Ives Gilman: Arts in People’s Lives, by Katherine Hillman
4. John Cotton Dana: The Social Construction of Museums, by Marissa Corwin
5. Piaget in the Art Museum: Constructing Knowledge Through Active Engagement, by Berry Stein
6. Lev Vygotsky: The Social Aspects of Learning, by Nicole Keller
7. Paulo Freire: Literacy, Democracy, and Context, by Nicole Keller
8. Maxine Greene: Aesthetic Education, by Lauren Appel
9. Howard Gardner and Multiple Intelligence Theory: A Practical Application of …
An Investigation Of The Influence Of Fixed-Do And Movable-Do Solfège Systems On Sight-Singing Pitch Accuracy For Various Levels Of Diatonic And Chromatic Complexity, Jou-Lu Hung
Doctoral Dissertations
Sight-singing, recognized as an essential music skill, remains one of the weakest components in music education. Past studies investigating the most effective of the two most common sight-singing systems--the fixed-do and movable-do solfège systems--provide inconclusive results for music with medium to high levels of diatonic and chromatic complexity.
The purpose of this quantitative, ex post facto study was to investigate the influence of diatonic and chromatic complexity on sight-singing pitch accuracy for college music major students in a Northern California urban area who have trained in either the fixed-do or movable-do solfège systems, and who had piano experience before or …
Imagication = Imagination + Education: What Fifth Graders Think About Arts Integration In Public Elementary Schools, Lisa Edsall Giglio
Imagication = Imagination + Education: What Fifth Graders Think About Arts Integration In Public Elementary Schools, Lisa Edsall Giglio
Doctoral Dissertations
During the 2011-12 school year, a fifth grade class in a diverse San Francisco public elementary school collaborated with the Arts Resources In Action (ARIA) program of the San Francisco Opera's Education Department to create a teacher-guided opera. The students wrote the story, music and lyrics as well as designed and built the sets, props and costumes based on the American Revolution. The classroom teacher chose the topic of the American Revolution, and the students researched this historic event using literary, historical, visual, musical and theatrical methods of exploration and data gathering. Through the medium of opera, the program connected …
Graffiti Walls: Migrant Students And The Art Of Communicative Languages, Fernando Rodríguez-Valls, Sandra Kofford, Elena Morales
Graffiti Walls: Migrant Students And The Art Of Communicative Languages, Fernando Rodríguez-Valls, Sandra Kofford, Elena Morales
Journal of Social Theory in Art Education
Visual Arts help to create communicative actions between teachers and students. In this article, we explain the interdisciplinary methodology –Visual Arts and Language Arts– utilized by three teachers and one faculty member at San Diego State University. The purpose of the project was to create a common ground and a shared agreement based on linguistic codes utilized in the classroom. For four weeks, forty-five high-school sophomore migrant students and the teaching team discussed and analyzed poetry, short stories, graphic novels, and movies. They later created visual expressions –Cultural Tags and Graffiti Walls –that reflected students’ views about their cultural identities. …
Reasserting Humanity Through The Liberatory Gaze, Melissa Crum
Reasserting Humanity Through The Liberatory Gaze, Melissa Crum
Journal of Social Theory in Art Education
The act of critically looking can be a method used to consider alternative ways of conceptualizing marginalized cultures and ethnicities. By engaging in a series of inquiries about the subject of an image, the spectator can form a more comprehensive representation of the subject, thus preparing post-secondary students to discuss and interpret visual culture. From the perspective of an African-American female artist and educator’s travels to Brazil, this work proposes that a self-reflective educator’s personal narratives and insight can assist in creating an arts-based critically-thinking learning atmosphere. Such an atmosphere encourages students to move beyond the realms of their cultural …
Commentary: Both/And: A Response To De(Fence)/Defense, Jonathan Lee, Laurel Lampela
Commentary: Both/And: A Response To De(Fence)/Defense, Jonathan Lee, Laurel Lampela
Journal of Social Theory in Art Education
In this paper we introduce non-dualism and begin by answering the questions posed by the editors of this journal. We address the theme of de(fence) and propose a paradigmatic shift. For many years, art teachers have advocated tirelessly in defense of the field, fighting for funding and legitimacy in an educational landscape that prioritizes other subjects. While the reaction to fight is appropriate, art reveals another way. It aids us in our task of living in the liminal, and it gives us the chance to suspend our judgments and forego meaning in favor of experience. Art can help us transition …
(De)Fencing The Cultural Commons Through A (De)Constructive Media Art Curriculum, Steven Ciampaglia
(De)Fencing The Cultural Commons Through A (De)Constructive Media Art Curriculum, Steven Ciampaglia
Journal of Social Theory in Art Education
Rampant consolidation in the media industry has led to an ever-increasing push to extend the breadth and scope of copyright law. A deliberate and systematic effort to restrict access to cultural texts that were previously accessible has led to a creative climate that is increasingly intimidating to young artists. The personal computer provides students the ability to re-open these texts and reclaim their right to fairly use the cultural artifacts of their surroundings as building blocks of expression. The personal computer can deconstruct closed media texts into malleable parts of visual language that students can reconstruct into new texts. These …
The Journal Of Social Theory In Art Education
The Journal Of Social Theory In Art Education
Journal of Social Theory in Art Education
No abstract provided.
De(Fencing) With Youth: Moving From The Margins To The Center, Ann E. Tobey, Kate Jellinghaus
De(Fencing) With Youth: Moving From The Margins To The Center, Ann E. Tobey, Kate Jellinghaus
Journal of Social Theory in Art Education
Practices that combine the positive power of human relationships with art making can serve to De(fence): “create, innovate, reshape spaces, opportunities, or works that engage people or (and) bring us and them from the margins to the center” (JSTAE, call for papers, volume 32). In this paper, we explore ideas, techniques, and strategies used to implement four collaborative art projects with teenage youth. These projects aim to create a safe and generative context within which collaborative art-making practice can put youth and their ideas at the center of the process. Projects include an exploration of school climate utilizing sculpture in …
The Gaze Across The Aisle: Architecture, Merchandising, And Social Roles At Marshall Field And Company, 1892 To 1914, Clayton Funk
The Gaze Across The Aisle: Architecture, Merchandising, And Social Roles At Marshall Field And Company, 1892 To 1914, Clayton Funk
Journal of Social Theory in Art Education
Marshall Field and Company was a cultural and commercial anchor in Chicago's downtown area known as 'The Loop.' By 1914, it had expanded into the largest department store in the world at that time. This article illustrates Field's as a cultural and retail institution of artistry and popular education through a trope I term “the drama of shopping.” Using merchandising strategies adapted from the aesthetic movement, Field's produced the drama of shopping with social and cultural implications about class, gender, and race in three ways: First, the architecture of the store served as a carefully designed theatrical space for seeing …