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1993

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Articles 31 - 43 of 43

Full-Text Articles in Art Education

Art Teaching For Peace And Justice, Kristin G. Congdon Jan 1993

Art Teaching For Peace And Justice, Kristin G. Congdon

Journal of Social Theory in Art Education

The social goals of peace and justice are not removed from art processes and products, and especially not from curricula in art classrooms. In this article, six topic areas are suggested for the art educator which further the causes of peace and justice: 1) Appreciating diversity; 2) Understanding that art creates individual and group identity; 3) Encouraging collaboration in art processes; 4) Working respectfully with the earth's ecosystems; 5) Analyzing art which deals specifically with war and violence; and 6) Promoting peace and justice through art.

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Reviews And Responses: Bersson Responds, Robert Bersson Jan 1993

Reviews And Responses: Bersson Responds, Robert Bersson

Journal of Social Theory in Art Education

Citing the mandate of The Journal of Social Theory in art Education “to encourage debate and discussion," Michael Emme, the JSTAE Editor, invited me to respond to the review of my book, Worlds of Art, in the current edition. For this opportunity, I thank him and hope that what follows will raise issues of general importance for Social Theory Caucus members.

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Graduate Bulletin, 1993-1995, Moorhead State University Jan 1993

Graduate Bulletin, 1993-1995, Moorhead State University

Graduate Bulletins (Catalogs)

No abstract provided.

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Table Of Contents Jan 1993

Table Of Contents

Journal of Social Theory in Art Education

Table of contents for The Journal of Social Theory in Art Education, 1993, Number Thirteen.

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Editorial, Michael J. Emme, Elizabeth Garber, Charles Wieder Jan 1993

Editorial, Michael J. Emme, Elizabeth Garber, Charles Wieder

Journal of Social Theory in Art Education

When trying to express to students some of the challenges I experience when working with collage as an art form, I suggest that each element or bit torn out of a magazine has a voice. When you place two elements beside each other you have a potentially complex visual/cultural conversation. The collage projects I experienced (usually in an English class) in high school typically involved collecting dozens of marginally related images and pasting them on a single page. The processes involved were certainly a pleasant alternative to more routine activities, but the final product was always a frustration. I have …

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Developmental Models Of Artistic Expression And Aesthetic Response: The Reproduction Of Formal Schooling And Modernity, Karen A. Hamblen Jan 1993

Developmental Models Of Artistic Expression And Aesthetic Response: The Reproduction Of Formal Schooling And Modernity, Karen A. Hamblen

Journal of Social Theory in Art Education

Developmental models of artistic expression have had a major influence on research and curriculum in art education. The purpose of this paper is to examine the characteristics and assumptions of artistic expression and aesthetic response developmental models. It is proposed that developmental models purported to be descriptive and to have widespread, if not universal, application are socially embedded and prescriptive of outcomes that are highly consistent with characteristics of formal schooling and with the values of modernity. Information for this theoretical study is based on selected literature on the following: (a) developmental models in art education, (b) characteristics of modernity, …

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The Journal Of Social Theory In Art Education Jan 1993

The Journal Of Social Theory In Art Education

Journal of Social Theory in Art Education

No abstract provided.

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Freedom Of Speech And Censorship, Kirstie Lang Jan 1993

Freedom Of Speech And Censorship, Kirstie Lang

Journal of Social Theory in Art Education

Censorship is commonly posited in opposition to free speech. However, censorship can also be understood as a kind of freedom, one which enables us to participate in collective decisions to control speech. Social and political theorist Isaiah Berlin has written of these two kinds of liberties as integral to Iiberal, democratic traditions which, problematic though they sometimes are, continue to inform the foundations of policymaking in Western, post-industrial democracies (Berlin, 1969; Dworkin, 1991). In this paper I describe these two forms of liberty as interconnected by democratic theory, but as simultaneously contradictory given the values that support them. Doing so …

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Visibility And Invisibility In Art And Craft, Fiona Blaikie Jan 1993

Visibility And Invisibility In Art And Craft, Fiona Blaikie

Journal of Social Theory in Art Education

The visibility and invisibility or censorship of art and craft is determined by individual and group ontologies. Their production has often been constricted and/or defined by gender, class, culture, race, religion, and politics. In this paper, I am concerned with the visibility of varieties of art, design, and craft. I will examine censorship based on three criteria; gender, culture, and class, with the censorship of artwork because of gender being the dominant theme.

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Censored By Omission: Imagery That Is Excluded From The Art Education Classroom, Pamela Tarlow-Calder Jan 1993

Censored By Omission: Imagery That Is Excluded From The Art Education Classroom, Pamela Tarlow-Calder

Journal of Social Theory in Art Education

There exists a wealth of imagery that is censored by means of exclusion from general art curricula. This imagery is often highly relevant to students and should therefore be addressed and examined critically in art education at all levels. In what follows, the practice of censorship by exclusion in relation to imagery available for classroom critique will be discussed; a critical-reflective approach to art criticism inquiry In light of prevalent social and interpersonal concerns will be advocate, and an example from classroom practice will be investigated.

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Reviews And Responses: Bersson’S Worlds Of Art, Susan Washam Witten Jan 1993

Reviews And Responses: Bersson’S Worlds Of Art, Susan Washam Witten

Journal of Social Theory in Art Education

Book review for Worlds of Art, R., Bersson, Mayfield, Mountain View, CA, 1991.

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Multicultural Art Across The Curriculum, Yvonne J. Delamar Jan 1993

Multicultural Art Across The Curriculum, Yvonne J. Delamar

Masters Theses

The arts, by nature, can lend themselves as an essential unifying force in the multicultural curricular development in our increasingly diverse classrooms. A compilation of research and investigation is presented for teaching multicultural art throughout the curriculum. The finished project includes a model for teaching multicultural art across the curriculum and a bibliography of resources.

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The Effects Of The Corporate, Private And Government Sectors On The History Of Art Education In American Schools, Nancy Vanderboom Lausch Jan 1993

The Effects Of The Corporate, Private And Government Sectors On The History Of Art Education In American Schools, Nancy Vanderboom Lausch

Masters Theses

The purpose of this study is to determine the influence of corporate America on the presentation of art education throughout the history of American public education. The needs of Industrial America forced the entry of art into the curriculum in 1870. Over the years art has been justified and offered to serve numerous ends. Art education has prepared draftsmen for industry and crafts, trained a moral citizenry, promoted creativity and self-expression and provided aesthetic understanding of the nature of beauty. As these needs evolve to the philosophic end of the spectrum the arts are perceived as less functional to the …

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