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Journal of Social Theory in Art Education

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Full-Text Articles in Art Education

Obstructing The View: An Argument For The Use Of Obstructions In Art Education Pedagogy, Ryan Patton Jan 2010

Obstructing The View: An Argument For The Use Of Obstructions In Art Education Pedagogy, Ryan Patton

Journal of Social Theory in Art Education

Through the use of obstructions we can see how a project-based curriculum can promote very different results. The obstructions that Sandy Skoglund gave the colloquium class at Ohio State were not presented as opportunities for play. Although Bickley-Green and Phillips allowed for play in their use of obstructions, the type of play described was prescriptive and limiting. Pitri’s use of play as a form of problem solving that also allows for personal expression advocated in this paper. Clearly identifying obstructions as game-like challenges for students, they can be used for growth and critical awareness.


Editorial: Un(Precedent)Ed, Robert Sweeny Dec 2009

Editorial: Un(Precedent)Ed, Robert Sweeny

Journal of Social Theory in Art Education

The 30th Volume of The Journal of Social Theory in Art Education is unprecedented, in many ways. First the theme is unprecedented, or, rather, Un(predecedent)ED. This typographical wordplay, quite common throughout the history of JSTAE, troubles habitual readings of the term, allowing for interpretations that open up possibilities, however brief, for new forms of research, theorizing and artmaking. These are just a few of the interpretations of the volume theme, which each of the authors addresses in a unique manner. Some approach the theme head on, while others choose a more oblique angle of analysis and exploration. Some deal with …


Front Cover Jan 2009

Front Cover

Journal of Social Theory in Art Education

Front Cover for The Journal of Social Theory in Art Education, 2009, Number Twenty-Eight/Twenty-Nine.


The Journal Of Social Theory In Art Education Jan 2009

The Journal Of Social Theory In Art Education

Journal of Social Theory in Art Education

No abstract provided.


One Of These Things Is Not Like The Other: Art Education And The Symbolic Interaction Of Bodies And Self-Images, James H. Rolling Jr. Jan 2009

One Of These Things Is Not Like The Other: Art Education And The Symbolic Interaction Of Bodies And Self-Images, James H. Rolling Jr.

Journal of Social Theory in Art Education

This article begins with the premise that self-imagery is constituted as a shape-shifting aggregate of symbolic systems that incorporates the human body itself as one of its representations. At intermittent points of the body's embodiment of visual culture and tacit social experience, alternative representations accrete into varying symbolic systems, the multiple shapes a self-image may take over a lifetime. Given that social identity is derived from the interaction of various symbolic systems, how do some bodies and self-images come to be taken as that of identities incompatible with most others? In this exploration of the self-image and identity, the author …


Contributors Jan 2009

Contributors

Journal of Social Theory in Art Education

Contributors for The Journal of Social Theory in Art Education, 2009, Number Twenty-Eight/Twenty-Nine.


Editorial: Being Other(W)Ise, Wanda B. Knight Jan 2009

Editorial: Being Other(W)Ise, Wanda B. Knight

Journal of Social Theory in Art Education

While traveling in England during Spring 2009, I had the opportunity to see the London production of the musical Wicked, a prequel to a cultural icon ingrained in our nation's psyche, the classic version of the The Wizard of Oz. Told from the perspective of the alleged wicked witch, Wicked celebrates the obvious notion; there is anOTHER side to the standard story. Most of us, at some point in our lives, can relate to being looked at as different or outsider, like the green-skinned, black-clad, smart, caring young lady, Elphaba, whom the Wizard's propaganda machine demonized as wicked. From the …


The Pedagopticon: Other Eyes In The 21 St Century Classroom, Robert W. Sweeny Jan 2009

The Pedagopticon: Other Eyes In The 21 St Century Classroom, Robert W. Sweeny

Journal of Social Theory in Art Education

The Pedagopticon is a revolutionary new technology that allows educators to do away with outdated methods of discipline and punishment. Fusing traditional optical equipment (eye, camera lens) with the latest in high-tech gear (digital camera, web linked connectivity), the 'Pedagopticon' is the future of teaching. It was once said that seasoned teachers had 'eyes in the back of their head.' Well, the scientists at 'technology is the devil' have taken this adage and made it real. Now, you can have eyes everywhere! No corner of your classroom is out of your gaze. The 'Pedagopticon' offers a full 360 degrees of …


The Space Between: Intersubjective Possibilities Of Transparency And Vulnerability In Art Education, Sara Wilson Mckay Jan 2009

The Space Between: Intersubjective Possibilities Of Transparency And Vulnerability In Art Education, Sara Wilson Mckay

Journal of Social Theory in Art Education

This paper argues for the pedagogical value of the pursuit of transparency and vulnerability in art education. The author defines transparency and vulnerability in the context of art, offering subsequent pedagogical examples of both. Possibilities are born through intersubjectivity and answerability, the Bakhtinian notion that considers "how shall I say [do] anything when the other can answer?" (Bakhtin, 1990; Nielsen, 2002). The author asserts that art educators should pursue an idea of transparency and encourage an open attitude toward vulnerability in their pedagogy to emphasize intersubjective relationships and social possibilities through art. The author discusses artwork by Kelli Connell and …


Table Of Contents Jan 2009

Table Of Contents

Journal of Social Theory in Art Education

Table of contents for The Journal of Social Theory in Art Education, 2009, Number Twenty-Eight/Twenty-Nine.


Rear Cover Jan 2009

Rear Cover

Journal of Social Theory in Art Education

Rear Cover for The Journal of Social Theory in Art Education, 2009, Number Twenty-Eight/Twenty-Nine.


Thinking Of The Frame Otherwise: Putting Art Education Into The Abyss Of The Real, Jan Jagodzinski Jan 2009

Thinking Of The Frame Otherwise: Putting Art Education Into The Abyss Of The Real, Jan Jagodzinski

Journal of Social Theory in Art Education

This paper argues against designer capitalism's perpetuation of consummatory experience- the 'oral-eye.' An attempt is made to introduce a form of 'psychoanalytic deconstruction,' as a strategy to retain a critical art education. I attempt this by examining two images on the covers of Art Education published in 1998. The argument was formulated in 1998 and presented at NAEA's millennium conference In Los Angeles.


Other(Wise): The Myth Of Wikipedia, Melanie L. Buffington Jan 2009

Other(Wise): The Myth Of Wikipedia, Melanie L. Buffington

Journal of Social Theory in Art Education

This article explores the theme of Other(wise) as it relates to Web 2.0 and newer forms of creating knowledge. Through a discussion of Web 2.0, wikis, and Wikipedia, I explore newer ways of thinking about a text. Wikis represent modern texts and require different approaches than traditional texts. As a field, we need to become active on Wikipedia to develop our presence in ways that represent the complexities of our field.


Editorial: Language Of Possibilities And Sense Of The 1m/Possible In Art Education, Wanda B. Knight, Bill Wightman Jan 2007

Editorial: Language Of Possibilities And Sense Of The 1m/Possible In Art Education, Wanda B. Knight, Bill Wightman

Journal of Social Theory in Art Education

Schooling in the United States is "increasingly defined by arthritic traditionalisms of standardized assessments and testing, school and teacher accountabilities, models of exacerbated efficiency and tracking, and even more strident state and federal calls for more of the same" (Kanpol, 1997, p. ix). Mired in escalating restricted conventional practices that deny humanistic and democratic possibilities, many art educators are frequently unaware of what, in reality, is possible with/in art/ education. Moreover, our praxis continues to reflect dispositions and actions that are oftentimes bereft of the language of possibility or hope. Using the language of possibility, we transform our thinking from …


Contamination Of Childhood Fairy Tale: Pre-Service Teachers Explore Gender And Race Constructions, Wan-Hsiang Chou Jan 2007

Contamination Of Childhood Fairy Tale: Pre-Service Teachers Explore Gender And Race Constructions, Wan-Hsiang Chou

Journal of Social Theory in Art Education

This study explores the possibilities of challenging European-American middle-class social codes perpetuated by fairy tales through creative writing and artmaking. For centuries, writers and artists have continued to create new versions of old tales. Critiquing through recreation of fairy tales can reveal biases of personal and cultural constructions of race and gender. Like authors and illustrators of children's books, 25 pre-service teachers were invited to "contaminate" fairy tales from their childhood, through which to become aware of metaphors they live by and explore where and how pre-existing codes entered their lives. Their retellings of traditional tales and accompanying illustrations show …


Front Cover Jan 2007

Front Cover

Journal of Social Theory in Art Education

Front cover for The Journal of Social Theory in Art Education, 2007, Number Twenty-Seven.


Pre-Service Possibilities: Reconsidering ''Art For The Elementary Educator", Melanie L. Buffington, Jodi Kushins Jan 2007

Pre-Service Possibilities: Reconsidering ''Art For The Elementary Educator", Melanie L. Buffington, Jodi Kushins

Journal of Social Theory in Art Education

"Art for the Elementary Educator" courses are sites of possibility in the field of art education, particularly art education oriented toward curriculum integration and meaningful art experiences. Drawing on literature about "Art for the Elementary Educator" courses and our own teaching experiences we make recommendations for reconsidering possible futures for this course as related to the future of art education. We believe that this course, its students, instructors, and course materials are worthy of sustained attention by the art education community. Ultimately, we argue that art education appreciation and advocacy, concepts we define in our concluding remarks, should be primary …


Contributors Jan 2007

Contributors

Journal of Social Theory in Art Education

Contributors for The Journal of Social Theory in Art Education, 2007, Number Twenty-Seven.


Opening The Door To Possibilities: Research Journals In Pre-Service Art Education, Debrah Sickler-Voight Jan 2007

Opening The Door To Possibilities: Research Journals In Pre-Service Art Education, Debrah Sickler-Voight

Journal of Social Theory in Art Education

Preparing to be an art educator is a time when future teachers anticipate the endless possibilities the profession has to offer. Unfortunately, many leave teaching within a few years of service because of lack of support and preparation. This qualitative study investigates how preservice art education students enrolled in their first university art education course used the Art for Life method to create research journals. The research question that guided this study is: What themes drive student research journals and how does the exploration of these themes espouse preservice art education? After coding student journals, I discovered three majors themes …


Table Of Contents Jan 2007

Table Of Contents

Journal of Social Theory in Art Education

Table of contents for The Journal of Social Theory in Art Education, 2007, Number Twenty-Seven.


The Journal Of Social Theory In Art Education Jan 2007

The Journal Of Social Theory In Art Education

Journal of Social Theory in Art Education

No abstract provided.


Rear Cover Jan 2007

Rear Cover

Journal of Social Theory in Art Education

Rear Cover for The Journal of Social Theory in Art Education, 2007, Number Twenty-Seven.


Plazabilities For Art Education: Community As Participant, Collaborator & Curator, Kathleen Keys Jan 2007

Plazabilities For Art Education: Community As Participant, Collaborator & Curator, Kathleen Keys

Journal of Social Theory in Art Education

In the following article, a plaza metaphor and theories of plazability are applied to the recent work of three "Other" art educators to acknowledge, examine and articulate a refreshed vision for an art education based in community pedagogy which expands possibilities, builds community, and uses art to work for social change. Examples suggesting such achievements in creating plazability include work from a community artist backed by a visionary community arts foundation, a progressive cultural museum director and staff, and a contemporary artist each actively engaging the community in diverse ways. The innovative and community grounded practice and philosophies of these …


Art Education In An Age Of Teletechnology: On The Impossibility Of Portraiture, Jan Jagodzinski Jan 2007

Art Education In An Age Of Teletechnology: On The Impossibility Of Portraiture, Jan Jagodzinski

Journal of Social Theory in Art Education

Art since the Renaissance has been obsessed with the portrait and defined by it as the form of representation made even more iconic through the invention of photography where the notion of the profile became established as a sign of prosperity, prestige and power (Sekula, 1986). This enlightenment tradition of portraiture is not likely to perish at any given future date; the digitalization of the image continues to make the banal snap-shot proliferate at such an incredible rate identifying the thirst for personal representation in contemporary society. The explosion of celebrity magazines, the spread of the paparazzi, and the easy …


Maya Paintings As Teachers Of Justice: Art Making The Impossible Possible, Kryssi Staikidis Jan 2007

Maya Paintings As Teachers Of Justice: Art Making The Impossible Possible, Kryssi Staikidis

Journal of Social Theory in Art Education

This article examines Maya paintings as historical documents, political platforms and conduits for cultural transmission in two local Maya communities. Particular attention is paid to the recent history of genocide of Maya peoples in Guatemala and the production of paintings as visual reminders of cultural loss and regeneration, as well as visual means to protect Maya future generations. Collaborative ethnography and decolonizing methodologies (Lassiter, 1998; Tuhiwai-Smith, 1999) are used in this study; thus, Maya artists speak through written dialogues and interviews in first voice regarding massacres that were kept clandestine for three decades. This paper addresses the potential and capacity …


E(Raced) Bodies In And Out Of Sight/Cite/Site, Wanda B. Knight Jan 2006

E(Raced) Bodies In And Out Of Sight/Cite/Site, Wanda B. Knight

Journal of Social Theory in Art Education

In the social sphere there are numerous unmarked and unexamined categories. Heterosexuality, maleness, and middle classness are some of the apparent ones. However, Whiteness is perhaps the foremost unmarked and thus unexamined category in art education. And like other unmarked categories, White is assumed to be the human norm. Moreover, when Whiteness goes unexamined, racial privilege associated with Whiteness goes unacknowledged. In this article, I use the metaphor of sight or vision to examine race through a framework of bodies. My focus is, specifically, on the preparation of the authoritative White body of the art teacher to teach in classrooms …


The Journal Of Social Theory In Art Education Jan 2006

The Journal Of Social Theory In Art Education

Journal of Social Theory in Art Education

No abstract provided.


Deconstructing The Frame: Siting Absence, Jason Wallin Jan 2006

Deconstructing The Frame: Siting Absence, Jason Wallin

Journal of Social Theory in Art Education

Our contemporary social landscape is increasingly inscribed and articulated through images. With the proliferation of televisual mediums, the image has become the primary vehicle mediating social relationships, impinging on our experience of both self and other (Debord, 1978). As Virilio (2002) avers, the drive of capitalism seeks to appropriate the imagistic code as a bid for mastery over the symbolic order. In this manner, the media/ted images that flood the social terrain are often cites of ideological del sign. In other words, signs are often ideologically 'stabilized' as connotations of other signs, forming an abstract, positive calculus of signification. In …


Editorial 1: Unpacking The Complexity Of The Homonym Site/Sight/Cite, Jan Jagodzinski Jan 2006

Editorial 1: Unpacking The Complexity Of The Homonym Site/Sight/Cite, Jan Jagodzinski

Journal of Social Theory in Art Education

We invite essays that explore visual regimes that have become established in our public schools or art departments. "Out of sight" might interrogate current ideals, territories, and debates concerning visual cultural education, since this was a distant horizon first discussed in JSTAE in 1980 and is now looming closer in mainstream art education. "Out of sight" might provide us with concerns over our televised, cinematic images that come at us through popular culture. For Lacan, sight was always a form of misrecognition, a form of "ignorance" as brilliantly explored by Magritte. We are all framed by images. So, we invite …


Table Of Contents Jan 2006

Table Of Contents

Journal of Social Theory in Art Education

Table of contents for The Journal of Social Theory in Art Education, 2006, Number Twenty-Six.