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Articles 211 - 240 of 656
Full-Text Articles in Art Education
Anonymous: The Occupy Movement And The Failure Of Representational Democracy, Jan Jagodzinski
Anonymous: The Occupy Movement And The Failure Of Representational Democracy, Jan Jagodzinski
Journal of Social Theory in Art Education
In this essay I try to make the case that the Occupy Movement can be thought through as a Post-Situationist art event which requires that it be thought of in terms of its pragmatic effects and what it can ‘do’ in relation to its viral spreading around major urban centers of the globe. I further try to make my case by utilizing the conceptual tool kit of Deleuze and Guattari; hence such ideas as sense-event, territory, virtual, and actual are part of this repertoire. I then try to further the complexity of Post-Situationism by including hacktivism and exploring the importance …
Poetic Occupations: Artists As Narrator-Protagonists, Jack Richardson
Poetic Occupations: Artists As Narrator-Protagonists, Jack Richardson
Journal of Social Theory in Art Education
What does it mean to “occupy” space? Referencing the Occupy Wall Street (OWS) protests of 2011, this paper articulates a type of public art practice that can be understood as poetic occupation. The paper further suggests that shifting one’s understanding of public art practice provokes a reconsideration of the role of the artist. To this end, Miwon Kwon’s (2002) term “narrator-protagonist” is useful for expressing this alternative role. The paper proceeds with an exploration of the work of the artist collective Lone Twin, supported by Michel de Certeau’s (1984) theories associating walking with speaking, and illustrated with an analysis of …
(Pre)Determined Occupations: The Post-Colonial Hybridizing Of Identity And Art Forms In Third World Spaces, Amanda Alexander, Manisha Sharma
(Pre)Determined Occupations: The Post-Colonial Hybridizing Of Identity And Art Forms In Third World Spaces, Amanda Alexander, Manisha Sharma
Journal of Social Theory in Art Education
In this article, we present the effects of globalization on art forms in Peru and on teacher identity in India while exploring hybridization as an ongoing global paradigm in both contexts (Bhabha, 1994; Said, 1979). Peruvian art forms are continuously shifting as global cultures meld and become more technologically connected, which ultimately brings about questions of authenticity. The identities of Indian art educators are evolving, and shifting indicating an assemblage or structure containing many parts working together to perform a particular function. In realizing its function, the structure can be named or its form made visible (Deleuze & Guattari, 1987). …
This Is What Democracy Looks Like: Art And The Wisconsin Uprising, Kim Cosier
This Is What Democracy Looks Like: Art And The Wisconsin Uprising, Kim Cosier
Journal of Social Theory in Art Education
In February of 2011, an enormous popular political movement came to life in Wisconsin. For many people who were engaged in the month-long occupation of the Capitol in Madison, the Wisconsin Uprising was their first experience with direct political action. For the artists who are the focus of this article, taking part in the Wisconsin Uprising seemed like a natural outgrowth of their many years of socially engaged artmaking. In this article, I offer a brief overview of the Wisconsin Uprising followed by a discussion of the contributions of the artists in the protests in the context of their larger …
Big Gay Church: Religion, Religiosity, And Visual Culture, James H. Sanders Iii, Kimberly Cosier, Mindi Rhoades, Courtnie Wolfgang, Melanie G. Davenport
Big Gay Church: Religion, Religiosity, And Visual Culture, James H. Sanders Iii, Kimberly Cosier, Mindi Rhoades, Courtnie Wolfgang, Melanie G. Davenport
Journal of Social Theory in Art Education
Five academics explore their performed occupations of the National Art Education Association Annual Meetings. They have annually mounted Big Gay Church (BGC) services that deconstruct and question the ways visual culture, media representations, scriptural interpretations, and religious teaching have constructed (at times harmful) depictions of lesbian, gay, bisexual, transgender, queer and questioning (LGBTQ2) subjects. This essay recounts how co-authors have drawn on their multiple experiences with/in churches to play with religious rituals and narratives in ways that queerly comment on the damage or support organized religions offer LGBTQ2 students and educators.
The Journal Of Social Theory In Art Education
The Journal Of Social Theory In Art Education
Journal of Social Theory in Art Education
No abstract provided.
Craft As Activism, Elizabeth Garber
Craft As Activism, Elizabeth Garber
Journal of Social Theory in Art Education
Craft activists work outside the mainstream of consumer society, in grass-roots efforts, to create social change that positions individuals and groups of people as reflective contributors who occupy a participatory democracy. These activities connect to and draw from feminist and other civil rights movements, sustainability, and do-it-yourself [DIY] activities. They are forms of affective labor. The crafted products are considered in terms of whether they contribute (or do not) to the surplus economy, in terms of class taste, and vis-à-vis their ability to connect people and contribute to social change. Education of craft activists and audiences takes informal forms, such …
Feminist Zines: (Pre)Occupations Of Gender, Politics, And D.I.Y. In A Digital Age, Courtney Lee Weida
Feminist Zines: (Pre)Occupations Of Gender, Politics, And D.I.Y. In A Digital Age, Courtney Lee Weida
Journal of Social Theory in Art Education
This article examines the potential of recent feminist zines as frameworks of grassroots D.I.Y. and direct democracy in physical and digital communities. While the height of zine creations as works on paper may be traced to the 1990s, this form of feminist counterculture has evolved and persisted in cyberspace, predating, accompanying, and arguably outlasting the physical reality of protests, revolutions, and political expressions such as the Occupy Movement(s). Contemporary zines contain not only email addresses alongside ‘snail mail’ addresses, but also links to digital sites accompanying real-world resources. Zinesters today utilize the handmade craftsmanship and hand drawn and written techniques …
Reviews And Responses: Brown And Spitzer’S Public Folklore, Kristin G. Congdon
Reviews And Responses: Brown And Spitzer’S Public Folklore, Kristin G. Congdon
Journal of Social Theory in Art Education
Book review for Public Folklore, Robert Baron and N. R. Spitzer (Editors), Smithsonian Institution, Washington, 1992.
“Silencing” The Powerful And “Giving” Voice To The Disempowered: Ethical Considerations Of A Dialogic Pedagogy, Adetty Pérez Miles
“Silencing” The Powerful And “Giving” Voice To The Disempowered: Ethical Considerations Of A Dialogic Pedagogy, Adetty Pérez Miles
Journal of Social Theory in Art Education
As an educator who is committed to social justice, I bring certain values and political commitments to the classroom. The counter-hegemonic voices that I bring into the classroom in the form of constructs, readings, assignments, discussions, and visual culture challenge more often than confirm students’ world-views and assumptions. The question that arises for me is whether I am silencing students’ voices through my teaching practices. Does my support of dialogic articulations and interests constitute privileging one “truth” or discourse over another? If so, am I using dialogue as a rhetorical device to persuade or to indoctrinate my students according to …
Fenced In/Out In West Texas: Notes On Defending My Queer Body, Ed Check
Fenced In/Out In West Texas: Notes On Defending My Queer Body, Ed Check
Journal of Social Theory in Art Education
In this article, I utilize autoethnography to describe and reflect upon my experiences as a queer artist, associate professor, and activist living in West Texas (1996-2012). To date, I believe there exist too few testimonies in art education that document how queer educators/artists manage myriad social, political, and everyday issues in their lives and workplaces. Such stories are necessary if I am going to equip present and future art teachers with anti-homophobia classroom strategies. I believe such stories are also necessary to counter cultural homophobia and violence and let queer students and teachers know they do not stand alone. Stories …
A Collaged Reflection On My Art Teaching: A Visual Autoethnography, Laurie Eldridge
A Collaged Reflection On My Art Teaching: A Visual Autoethnography, Laurie Eldridge
Journal of Social Theory in Art Education
In this article I begin to unravel some of the complexities of being a visual art educator who teaches in a public elementary school: while dealing with an increasing high-stakes testing environment, I write in defense of teaching that is based on social justice and visual culture theory. I take the theme of this issue, de(fence), literally as a need to defend. To do this I use visual autoethnography, where I create a collaged work of art, then use that collage as a prompt for my reflection on my curriculum and teaching practice. My reflection is woven into the wider …
Hyphenated Artists: A Body Of Potential, Laura Reeder
Hyphenated Artists: A Body Of Potential, Laura Reeder
Journal of Social Theory in Art Education
The author of this article, an art teacher, arts education advocate, teaching artist, pre-service art teacher supervisor and instructor confronts “either/or” professional identities in arts education. Multi-faceted artist/scholar/educator/ learner/advocate/personas are “unfenced” in order to navigate spaces of artistic, educational, and cultural production without having to pause for identification at borders. In this form, pedagogies for inventive social change emerge. Dialogue among fields of artists and educators links either/or, artist/teacher qualities in holistic and interdisciplinary descriptions such as artist-teacher, teaching-artist, etc. The hyphenated association has become postmodern shorthand for inclusive “both/and” professional identities that in the 21st century may be limiting …
(De)Fending Art Education Through The Pedagogical Turn, Nadine M. Kalin
(De)Fending Art Education Through The Pedagogical Turn, Nadine M. Kalin
Journal of Social Theory in Art Education
This article reviews the current state of higher education in light of the pedagogical turn in contemporary art. It starts with an overview of higher education and its current struggles, followed by an outline of some of the features of the pedagogical turn in art, which is both critical of institutionalism and symptomatic of the current state of higher education. These ideas are discussed within the context of an art education graduate seminar. Finally, the argument is made for possible critical practices that take place inside the institution and that are inspired by priorities inherent in education as art projects …
Graffiti Walls: Migrant Students And The Art Of Communicative Languages, Fernando Rodríguez-Valls, Sandra Kofford, Elena Morales
Graffiti Walls: Migrant Students And The Art Of Communicative Languages, Fernando Rodríguez-Valls, Sandra Kofford, Elena Morales
Journal of Social Theory in Art Education
Visual Arts help to create communicative actions between teachers and students. In this article, we explain the interdisciplinary methodology –Visual Arts and Language Arts– utilized by three teachers and one faculty member at San Diego State University. The purpose of the project was to create a common ground and a shared agreement based on linguistic codes utilized in the classroom. For four weeks, forty-five high-school sophomore migrant students and the teaching team discussed and analyzed poetry, short stories, graphic novels, and movies. They later created visual expressions –Cultural Tags and Graffiti Walls –that reflected students’ views about their cultural identities. …
Reasserting Humanity Through The Liberatory Gaze, Melissa Crum
Reasserting Humanity Through The Liberatory Gaze, Melissa Crum
Journal of Social Theory in Art Education
The act of critically looking can be a method used to consider alternative ways of conceptualizing marginalized cultures and ethnicities. By engaging in a series of inquiries about the subject of an image, the spectator can form a more comprehensive representation of the subject, thus preparing post-secondary students to discuss and interpret visual culture. From the perspective of an African-American female artist and educator’s travels to Brazil, this work proposes that a self-reflective educator’s personal narratives and insight can assist in creating an arts-based critically-thinking learning atmosphere. Such an atmosphere encourages students to move beyond the realms of their cultural …
Commentary: Both/And: A Response To De(Fence)/Defense, Jonathan Lee, Laurel Lampela
Commentary: Both/And: A Response To De(Fence)/Defense, Jonathan Lee, Laurel Lampela
Journal of Social Theory in Art Education
In this paper we introduce non-dualism and begin by answering the questions posed by the editors of this journal. We address the theme of de(fence) and propose a paradigmatic shift. For many years, art teachers have advocated tirelessly in defense of the field, fighting for funding and legitimacy in an educational landscape that prioritizes other subjects. While the reaction to fight is appropriate, art reveals another way. It aids us in our task of living in the liminal, and it gives us the chance to suspend our judgments and forego meaning in favor of experience. Art can help us transition …
(De)Fencing The Cultural Commons Through A (De)Constructive Media Art Curriculum, Steven Ciampaglia
(De)Fencing The Cultural Commons Through A (De)Constructive Media Art Curriculum, Steven Ciampaglia
Journal of Social Theory in Art Education
Rampant consolidation in the media industry has led to an ever-increasing push to extend the breadth and scope of copyright law. A deliberate and systematic effort to restrict access to cultural texts that were previously accessible has led to a creative climate that is increasingly intimidating to young artists. The personal computer provides students the ability to re-open these texts and reclaim their right to fairly use the cultural artifacts of their surroundings as building blocks of expression. The personal computer can deconstruct closed media texts into malleable parts of visual language that students can reconstruct into new texts. These …
The Journal Of Social Theory In Art Education
The Journal Of Social Theory In Art Education
Journal of Social Theory in Art Education
No abstract provided.
De(Fencing) With Youth: Moving From The Margins To The Center, Ann E. Tobey, Kate Jellinghaus
De(Fencing) With Youth: Moving From The Margins To The Center, Ann E. Tobey, Kate Jellinghaus
Journal of Social Theory in Art Education
Practices that combine the positive power of human relationships with art making can serve to De(fence): “create, innovate, reshape spaces, opportunities, or works that engage people or (and) bring us and them from the margins to the center” (JSTAE, call for papers, volume 32). In this paper, we explore ideas, techniques, and strategies used to implement four collaborative art projects with teenage youth. These projects aim to create a safe and generative context within which collaborative art-making practice can put youth and their ideas at the center of the process. Projects include an exploration of school climate utilizing sculpture in …
The Gaze Across The Aisle: Architecture, Merchandising, And Social Roles At Marshall Field And Company, 1892 To 1914, Clayton Funk
The Gaze Across The Aisle: Architecture, Merchandising, And Social Roles At Marshall Field And Company, 1892 To 1914, Clayton Funk
Journal of Social Theory in Art Education
Marshall Field and Company was a cultural and commercial anchor in Chicago's downtown area known as 'The Loop.' By 1914, it had expanded into the largest department store in the world at that time. This article illustrates Field's as a cultural and retail institution of artistry and popular education through a trope I term “the drama of shopping.” Using merchandising strategies adapted from the aesthetic movement, Field's produced the drama of shopping with social and cultural implications about class, gender, and race in three ways: First, the architecture of the store served as a carefully designed theatrical space for seeing …
The Terror Of Creativity: Art Education After Postmodernism, Jan Jagodzinski
The Terror Of Creativity: Art Education After Postmodernism, Jan Jagodzinski
Journal of Social Theory in Art Education
This essay addresses two problematics. The first concerns the question of creativity, which has become a key signifier for art and its education in the 21st century. I try to situate this interest in creativity within the broader context of neoliberalism and capitalist designer capitalism. The second problematic addresses the term ‘after postmodernism,’ which has left us in a state of relativity by rejecting universality. My interest is to show how these two problematics are at play in the well-known documentary film, Waiting for Superman, directed by Davis Guggenheim. An attempt is made to expose the structure of this film …
Editorial: De(Fence), Kryssi Staikidis
Editorial: De(Fence), Kryssi Staikidis
Journal of Social Theory in Art Education
The idea of a moving and critical voice is a metaphor for the Caucus on Social Theory and Art Education (CSTAE) and the role that it has played for the members of the National Art Education Association (NAEA). The inception and founding of the Caucus by a small group of art educators sprang from the felt need to bring a critical social theory perspective to art and art education (cyberhouse.arted.psu.edu/ cstae/25th-anniversary/ CSTAE25history.htm). Over the course of my participation in NAEA for the past eight years, the annual conference meetings of the CSTAE have functioned as a site for contribution, dialogue, …
Defending And De-Fencing: Approaches For Understanding The Social Functions Of Public Monuments And Memorials, Melanie L. Buffington, Erin E. Waldner
Defending And De-Fencing: Approaches For Understanding The Social Functions Of Public Monuments And Memorials, Melanie L. Buffington, Erin E. Waldner
Journal of Social Theory in Art Education
This article explores two possible meanings of de(fence) as related to historical monuments and memorials. By interpreting this term as both defense (defending and idealizing the past) and de-fence (taking down fences and opening narratives about the past), we develop ways to understand potential social functions of monuments. Through the specific examples of the Lee Monument in Richmond, Virginia and Shoes on the Danube Bank in Budapest, Hungary, we describe how the ideas of defense and de-fence function. Further, this article also touches upon temporary interventions to monuments including graffiti and yarn bombing.
To The Ages Of Ages: Reconceptualizing High School Art History Curriculum, Amy Bergh
To The Ages Of Ages: Reconceptualizing High School Art History Curriculum, Amy Bergh
Theses and Dissertations
Through this curriculum study, I explored the application of ideas found within contemporary art education to a course of traditional secondary art history. These contemporary art education ideas included: visual culture instruction, interdisciplinary instruction, contemporary art instruction, curriculum development, the use of enduring ideas, and the inclusion of a variety of perspectives based on gender and ethnicity. Through these art education ideas, a new curriculum was formed, that pushed both the students and the teacher toward a more inclusive art history course that made real connections for students and allowed students to be active members in their own learning. Instruction …
Teaching Mourning, Julie Crowder
Teaching Mourning, Julie Crowder
Theses and Dissertations
Abstract TEACHING MOURNING By Julie Ann Crowder, MAE A thesis submitted in partial fulfillment of the requirements for the degree of Master of Art Education at Virginia Commonwealth University. Virginia Commonwealth University, 2011 Major Director: Sara Wilson McKay, Ph.D. Interim Department Chair and Associate Professor, Art Education As a researcher I sought to understand the following research questions: 1) What were the official policies and protocols that went into effect at William Fox Elementary School after the murder of the Harvey family in January of 2006? 2) What were the experiences of the staff and parents at William Fox Elementary …
Teaching English Language Learners In The Art Classroom: A Survey Of Approaches, Alana Greer
Teaching English Language Learners In The Art Classroom: A Survey Of Approaches, Alana Greer
Theses and Dissertations
This study consisted of an online survey of members of the National Art Education Association Elementary Division in which 29 participants answered questions related to their instruction of English language learners in the elementary art classroom. Four participants participated in follow-up interviews as the researcher sought to answer the research questions: What pedagogical and curricular adaptations in the art classroom may be effective strategies for teaching English language learners? What are the perceived challenges of having a linguistically diverse art classroom? Participants offered a variety of pedagogical adaptations but suggested few curricular adaptations. Participants revealed challenges related to their teacher …
Human Rights, Collective Memory, And Counter Memory: Unpacking The Meaning Of Monument Avenue In Richmond, Virginia, Melanie L. Buffington, Erin Waldner
Human Rights, Collective Memory, And Counter Memory: Unpacking The Meaning Of Monument Avenue In Richmond, Virginia, Melanie L. Buffington, Erin Waldner
Art Education Publications
This article addresses human rights issues of the built environment via the presence of monuments in public places. Because of their prominence, monuments and public art can offer teachers and students many opportunities for interdisciplinary study that directly relates to the history of their location Through an exploration of the ideas of collective memory and counter memory, this article explores the specific example of Monument Avenue in Richmond, Virginia, Further; the authors investigate differences in the ways monuments may be understood at the time they were erected versus how they are understood in the present. Finally, the article addresses the …
Preparing A Professional Teaching Portfolio For An Art Teaching Position, Melanie L. Buffington
Preparing A Professional Teaching Portfolio For An Art Teaching Position, Melanie L. Buffington
Art Education Publications
Over time, the idea of bringing a professional teaching portfolio to a job interview has become an expectation. Preparing these portfolios is a common part of teacher education programs and can be excellent preparation for a job interview. Additionally, teachers who are looking into changing positions will need to prepare a professional portfolio and this process may help them reflect on their practice too. The habits required for creating a professional teaching portfolio; including documenting classroom practices, reflecting on these practices, and organizing this content-are habits that can enhance teaching practice throughout a career.
¡Pendejo! Preschoolers’ Profane Play: Why Children Make Art, Marissa Mcclure
¡Pendejo! Preschoolers’ Profane Play: Why Children Make Art, Marissa Mcclure
Journal of Social Theory in Art Education
In this article, I address the concept of critical coalitions in play from two perspectives. First, I consider young children’s art making with digital video through contemporary play frames that propose moving beyond the dichotomy of subject (child as actor; active meaning-maker) and object (child as dupe; susceptible to media and moral panic). This reaffirms that play is at once contradictory, pleasurable, fantastic, and culturally purposeful. Analysis of young children’s digital video as play within frameworks proposed by Wilson (1976), Walkerdine (2007), and Freud (1922/1948) allows for an expansion of philosophical ideas about young children’s art making. This coalition between …