Theatre History Commons^™

The Cutting Edge, March/April 1994, Vol. 5 Issue 2, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

Quilters Poster, University Of Southern Maine Department Of Theatre

Posters 1993-1994 Season

By Molly Newman and Barbara Damashek

Directed by Walter Stump

Edward Reichert, Musical Director

Dimensions: 11" x 17"

Flyer included, dimensions 8.5" x 11"

The Life And Times Of Joseph Beuys, Agnieszka Taborska, Marcin Gizycki, Mark Snyder, Margaret Lewis, Julie Strandberg, Maki Koto, Yvonne Roe, Sven Armster, Ting-Ting Lee, Luciana Mallozzi, Lucinda Wolf, Christine Pellicano, James Bewley, Leah Smith, Matthew Saam, Dawn Marie Caulfield, Ellen Godena, Catherine Warner, Roy Fabian, Shirly Whong, Scott King, Megan Mclarney, Lucinda Wolfe, Andrew Feder

Programs

Program for the seventh annual RISD Cabaret held in the Waterman Building. Graphic design: Mark Snyder; program editor: Margaret Lewis; program photography: Marcin Gizycki. View the Performance Recording.

Tender Lies

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1994 performance of Tender Lies by Nancy Gilsenan.

Tender Lies tells the story of Arlo Gibson and his boarders, and how he encourages and speaks meaning into them through the use of “Tender lies.”

Michael Hallifax Poster, University Of Southern Maine Department Of Theatre

Posters 1993-1994 Season

Former Executive Company manager of the National Theatre of Great Britian when directed by Sir Laurence Olivier and Sir Peter Hall

Dimensions: 8.5" x 11"

Usm Dance Festival: Moving Ideas Program [1994], University Of Southern Maine Department Of Theatre

Programs 1993-1994 Season

Directed by Nancy Salmon

Usm Dance Festival: Moving Ideas Poster [1994], University Of Southern Maine Department Of Theatre

Posters 1993-1994 Season

Directed by Nancy Salmon

Dimensions: 11" x 17"

Also included:

Flyer, dimensions 8.5" x 11"

Museum, Otterbein University Theatre And Dance Department

1993-1994 Season

When the mastodons escape, Jame needs another exhibit for the Museum. Luckily, he has a friend with wonderful bones. The Curator is delighted with her new specimen, but she can't help wondering: Who, or what, is behind the mysterious exodus of flora and fauna? An elegiac and absurd look at the intersections of memory and desire, set to the tune of a music box. https://www.playscripts.com/play/1543

The Cutting Edge, January/February 1994, Vol. 5 Issue 1, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

School Of Theatre Arts History And Directory, Jared Brown

History

No abstract provided.

Ello Dispara De Fermín Cabal: Hacia Una Configuración Posmoderna Del Espacio Textual/Teatral, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Ya que estamos llegando al final (o, al desenlace) del siglo XX, casi se ha convertido en tópico la idea de señalar - semiológicamente hablando - la relación dinámica que existe en el teatro entre el texto y la representación de ese texto. Si vuelvo una vez más a esta dicotomía histórica, no es para establecer- como han hecho algunos semiólogos un modelo comunicativo que plantee la posibilidad de una relación dialéctica entre los dos términos, sino para observar hasta qué punto el teatro posmodernista plantea una ausencia y una imposibilidad de tal relación. Anne Ubersfeld propone la posibilidad de …