Theatre History Commons^™

The Fight Master, October 1980, Vol. 3 Issue 4, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, July 1980, Vol. 3 Issue 3, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, April 1980, Vol. 3 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, January 1980, Vol. 3 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, October 1979, Vol. 2 Issue 4, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, July 1979, Vol. 2 Issue 3, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, April 1979, Vol. 2 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, January 1979, Vol. 2 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, October 1978, Vol. 1 Issue 3, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, July 1978, Vol. 1 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Fight Master, April 1978, Vol. 1 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

A Study Of The Active Amateur And Semiprofessional Theater Groups In Central California, Phyllis Jane Nusz

University of the Pacific Theses and Dissertations

In the last several years lists of theater organizations in California newspapers hare grown steadily. This writer asserts a need for study of active amateur and semiprofessional theater groups in California for gaining knowledge and understanding of cultural activities taking place about the Western United States. Such material would help students and adults interested in drama gain information where theaters remain active according to particular tastes.

After receiving a list of nonprofessional theater members of American National Theatre and Academy's California regions, theater activity presented itself to be of such quantity within the state that it became necessary to make …

The Epic Theater Of Bertolt Brecht, Robert Julien Lacampagne

University of the Pacific Theses and Dissertations

A completely new idea in any field of artistic endeavor is a rare phenomenon and is, in most instances, worthy of study. Bertolt Brecht, in his theories, writings, and productions, has given the world a theater that is the antithesis of present-day theatrical aims and ideals. It is to the study of this new form of theater that this thesis is devoted.

A Historical Study Of The Theatre Of The Mother Lode During The Gold Rush Period, Berton Everett Trulsson

University of the Pacific Theses and Dissertations

Many events of the gold rush have been adequately narrated in numerous books and articles. The succeeding pages in this thesis will recall, historically by topic, important incidents of one phase of that period never before treated as a separate study that phase is the theatre of the Mother Lode region.

The argonauts of the Mother Lode wanted to be entertained and could pay for it. Many preferred the saloon and gamboling hall, but the theatre did not languish because of this, and in fact, developed in some instances directly out of the saloons and fandango halls.

It was the …

An Analysis Of The Humanism Of Euripides As Expressed In His Plays And Reflected In Selected Plays Of Modern Drama, Robert Henry English

University of the Pacific Theses and Dissertations

Because of the great importance of the human element in the drama of today we shall attempt to trace it from its first great exponent down to our times. Therefore, within the following pages we shall conduct an analysis of the humanism of Euripides as expressed in his plays and reflected in selected plays of modern drama. Our analysis, by necessity, shall have a six-fold purpose; (1) to analyze briefly the characteristics of the Attic theatre for which Euripides wrote; (2) to study the life and philosophy of Euripides in order to determine the presence of humanism; (3) to conduct …

The Renaissance Movement In The Irish Theatre, 1899-1949, Margaret Flaherty Diehl

All-Inclusive List of Electronic Theses and Dissertations

No abstract provided.

An Analysis Of Production Procedures In The Stage Play Harriet, Harold Harvey Ulrici

University of the Pacific Theses and Dissertations

It is the purpose of this thesis to present the research, planning, and actual production procedures of the play entitled Harriet, as written by Florence Ryerson and Colin Clements. This is the production which was originally done by Gilbert Miller at Henry Miller's Theatre in 1943 with Miss Helen Hayes in the title role.

The Development Of Stage Lighting And Its Application To A Problem In Scenic Design Entailing The Use Of A Unit Set For The Staging Of Six Plays Comprising A Cross Section Of English Drama, Anthony Reid

University of the Pacific Theses and Dissertations

Eliminating any consideration of setting, the story of the evolution of lighting is an absorbing commentary upon the history of the theatre and necessary to the full integration of its use as an instrument in the modern theatre. An understanding of the history of the development of stage lighting is as necessary a foundation to the creative and imaginative use of light in the theatre as the foundation of a building is necessary to the support of a tower. History probides the signpost showing the directions to be taken in experimentation and a standard for evaluation of such experimentation. The …

The Little Theatre Movement In Wisconsin, Austin Norbert Robert Rodeman

Bachelors’ Theses

The decline of the professional theatre in Wisconsin, and in this country as a whole, has brought with it the rise of what is known as the Little Theatre Movement. This decline of the professional theatre has been brought about by the distraction of modern life, the cost of railroad transportation as it affects traveling companies and especially the diversion of the masses to the motion pictures. With the decline of the commercial trouping companies, many cities found themselves without any spoken drama except the synthetic production, motion pictures, which to the genuine lover of the theatre is, in a …

A History Of The Productions Of The Little Theatre, 1933-1935, Demarcus Brown

University of the Pacific Theses and Dissertations

The growth of interest in drama and the realization of the educational value of dramatics has developed a new place for the college theatre. Pacific Little Theatre was organized eleven years ago to fulfill a definite need and has since grown slowly and steadily into a most active producing unit, serving both school and community. Indeed Pacific Little Theatre can be taken as an excellent specific example of the contribution which can be made to campus and community life by the college aside from its main function as fundamental ground for students in the theatre arts.

The Director In The Theatre, Margaret C. Reilly

Bachelors’ Theses

This thesis will attempt to place the director in the modern theatre. His "place" is only a few years old; his very existence as a separate individual is only about twenty years old. Materials on this subject are limited to histories of the theatre and informal discussions on theatrical figures. By quoting authorities and illustrating, by the lives and accomplishments of the most outstanding directors, the development of directing, this thesis will attempt to present the general authoritative impression of the director's place in modern drama.

Phantastes Chapter 14: Winter's Tale, William Shakespeare

German Romantic and Other Influences

William Shakespeare (1564-1616), The Winter’s Tale, published in 1623 in the First Folio.

Phantastes Chapter 20: The Faithful Shepherdess, John Fletcher

German Romantic and Other Influences

John Fletcher (1579-1625) was a contemporary of William Shakespeare and followed him as main playwright for the King’s Men. The Faithful Shepherdess (produced in 1608, probably published in 1609) is also important for Fletcher’s definition of tragicomedy, which highlights the importance of near-death to the genre.

Phantastes Chapter 22: The Revenger's Tragedy, Cyril Tourneur

German Romantic and Other Influences

Cyril Tourneur (1575-1626) was an English dramatist, a contemporary of Shakespeare; Tourneur was also a soldier and politician. The Revenger’s Tragedy (1607), as its name implies, is a revenge tragedy, and comments on the battle to avenge the destruction by the giants that lead to the brothers’ deaths. Literary critics now believe that the play was written by Thomas Middleton (1580-1627).

Phantastes Chapter 24: The Honest Whore, Thomas Dekker, Thomas Middleton

German Romantic and Other Influences

Thomas Dekker (1572-1632) was a dramatist and writer of popular pamphlets describing London life. This line comes from the play The Honest Whore, Part II (1605 or 1606). The Honest Whore, Part I, a collaboration between Dekker and Thomas Middleton, was performed in 1604.

Phantastes Chapter 15: Campaspe, John Lyly

German Romantic and Other Influences

Campaspe, an Elizabethan play by John Lyly (1584). The lines quoted are from Act 3, Scene 4, and they indicate the notion of a Platonic beauty, an ideal beauty that the artist can never capture perfectly