Theatre History Commons^™

Strange Duets: Impressarios And Actresses In The American Theatre, 1865-1914 (Review), Jocelyn Buckner

Theatre Faculty Articles and Research

"In Strange Duets: Impresarios and Actresses in the American Theatre, 1865-1914, Kim Marra invites readers into the tumultuous world of late-nineteenth and early-twentieth-century theatre through an examination of the on-and-off stage relationships between leading ladies and the men who claimed to have fashioned their success. The text is a pièce de résistance of intersectional historical scholarship, analyzing the ways race, class, gender, and sexuality both influenced and were influenced by the relationships forged between men and women of the theatre during the wax and wane of Victorian sentiment, the emergence of Darwinian theories on evolution, and the rise of …

Passing Performances: Conference Opens Closet Of American Theatre, James Wilson

Center for LGBTQ Studies (CLAGS)

Coincidentally, CLAGS's one-day symposium "Passing Performances: History, Evidence, Identification" occurred just as Hollywood's biggest film star publicly rejected the long-standing and wide-spread claims that he is gay. In a high-profile legal battle that concluded this past fall, Tom Cruise and his wife Nicole Kidman settled their libel suit against a London tabloid, which asserted that their eight-year marriage is actually a ruse constructed to conceal Cruise's alleged homosexuality. The couple reportedly settled for more than $500,000, and they hoped to quash rumors once and for all that their marriage is a sham. Even in this "post-Ellen" era, the suit reflects …

A Good Country Gentlewoman: Catherine Clive's Epistolary Autobiography, Joallen Bradham

Faculty Articles

Unable to play the gentlewoman on stage, Catherine Clive lived the part in retirement. Her letters document the days and ways of the gentlewoman, Clive's need to assume the role, and the actress's awareness that she performs. In all details, Clive's gentlewoman conforms to contemporary expectations of that figure.

Gay Side Story Original Poster, Audacity Theater

Gay Side Story

Poster for original production of GAY SIDE STORY as presented in conjunction with Symposium X at the University of Southern Maine, 1983.

Gay Side Story Original Script, Diane Elze

Gay Side Story

Original script for Gay Side Story

WRITTEN BY

Avis

Diane Elze

Rico Estabrook

John Frank

Dale McCormick

Tony Norton

Cheryl Ring

Chris Thurston

Gay Side Story Scrapbook, Gay Side Story Collection

Gay Side Story

Scrapbook containing photographs and ephemera from original 1983 production of Gay Side Story.

The full playbill can be seen here.

Gay Side Story Playbill, Gay Side Story Collection

Gay Side Story

1983 Playbill for Gay Side Story with forward by John Frank

WRITTEN BY

Avis

Diane Elze

Rico Estabrook

John Frank

Dale McCormick

Tony Norton

Cheryl Ring

Chris Thurston

WITH SPECIAL THANKS TO

Leonard Bernstein

Arthur Lawrence

Stephen Sondheim

Phil Spector

Oral History Interview: William Allen Cross, William Allen Cross

0064: Marshall University Oral History Collection

In his interview, William Allen Cross discusses Prohibition and bootlegging in Huntington, West Virginia. Mr. Cross was a theater manager for the Keith Albee Theater (referred to as the State Theater) in Huntington, WV. Although he did not make moonshine, he was a buyer during Prohibition. He discusses how bootleggers sold their whiskey and provides locations for stills. Mr. Cross also focuses on how to make moonshine, whiskey, and wine. He reminiscences about “the Strip” between 10^th and 11^th Streets in Huntington, WV, that served from 1925-1945 as a red-light, gambling, and bootlegging district. In the audio clip …

A Comparison Of The Nineteenth And Twentieth Century Criticism Of Shakespeare's Heroines, Grace Mcleod Gartman

University of the Pacific Theses and Dissertations

The nineteenth century critics appraised Shakespeare's heroines by standards different from those of the twentieth; consequently the two ages reached different conclusions. The purpose of this paper is to point out just what these differences are.

A paper of this scope had to be narrowed in some ways. Otherwise a formidable array of heroines would have been enumerated, but little depth of research could have been shown. In the general conclusion the result would have been the same, as I have discovered through wide reading. To limit the subject only the most famous heroines could be included. The process of …