Playwriting Commons^™

Spaces Between Us: The Dialogues Of Il And Elle, Nicole M. Christensen

Inscape

No abstract provided.

The Miser, Otterbein University Theatre And Dance Department

1997-1998 Season

The plot concerns the classic conflict of love and money. The miser Harpagon wishes his daughter Elise to marry a wealthy old man, Anselme, who will accept her without a dowry, but she loves the penniless Valère. www.britannica.com

Shadowlands

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1997 performance of Shadowlands by William Nicholson.

Lost In Yonkers

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1995 performance of Lost in Yonkers by Neil Simon.

Lost in Yonkers tells the story of brothers Jay and Arty who are sent to live in Brooklyn with their relatives while their father goes off to work to pay off the medical bills of their recently deceased mother. Set in 1942, the play follows their new life and their attempt to acquire (through various means) the money their father needs to bring him back.

Front Matter

Inscape

No abstract provided.

The Absent One, Adam Blackwell

Inscape

No abstract provided.

Full Issue

Inscape

No abstract provided.

Contributors

Inscape

No abstract provided.

Steel Magnolias

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1994 performance of Steel Magnolias by Robert Harling.

Steel Magnolias is the story of a group of women in a small-town, Southern community. It portrays their friendships and how they respond when one of them dies.

Tender Lies

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1994 performance of Tender Lies by Nancy Gilsenan.

Tender Lies tells the story of Arlo Gibson and his boarders, and how he encourages and speaks meaning into them through the use of “Tender lies.”

Full Issue

Inscape

No abstract provided.

No Working Title Yet, Becca Wahlquist

Inscape

Pages 72-73 have been excluded because they are works of art and can be found in Art: Lupe Niumeitolu.

Front Matter

Inscape

No abstract provided.

Sarcophagus

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1991 performance of Sarcophagus by Vladimir Gubaryev.

Sarcophagus is an exploration of the Chernobyl Disaster, a catastrophic nuclear accident that occurred on 26 April 1986 at the Chernobyl Nuclear Power Plant near the city of Pripyat, Ukraine. The play takes place in the Institute of Radiation Safety, near Moscow, immediately following the Chernobyl Nuclear Disaster.

Whose Life Is It Anyway?

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1991 performance of Whose Life is it Anyway? by Brian Clark.

Whose Life is it Anyway? tells the story of Claire Harrison, a woman who is left paralyzed from the head down after a car accident and battles with the doctors to be taken off life support.

Front Matter

Inscape

No abstract provided.

The Barretts

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1989 performance of The Barretts by Marjorie Carleton.

The Barretts is based on the romance between Robert Browning and Elizabeth Barrett, and her father’s overbearing control over his family and refusal to allow them to marry.

A later production by Taylor Theatre, The Victorians, was produced later that year as a reader’s theatre featuring various Victorian poets and writers including Robert Browning and Elizabeth Barrett Browning.

Amadeus

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1988 performance of Amadeus by Peter Shaffer.

Amadeus is a fictionalized account of the lives of the composers Antonio Salieri and Wolfgang Amadeus Mozart.

Up The Down Staircase

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1987 performance of Up the Down Staircase by Bel Kaufman.

Up the Down Staircase tells the story of an idealistic English teacher in an inner-city high school who hopes to develop a love for classic literature in her students. The play follows her struggles with students, fellow teachers, and the bureaucracy and how she touches the lives of her students.

I Never Sang For My Father

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1985 performance of I Never Sang For My Father by Robert Anderson.

I Never Sang For My Father is the story of widowed professor Gene Garrison, who looks to get away from his father and remarry a woman in California, but struggles with the thought of leaving.

The Effect Of Gamma Rays On Man-In-The-Moon Marigolds

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1985 performance of The Effect of Gamma Rays on Man-in-the-Moon Marigolds by Paul Zindel.

The Effect of Gamma Rays on Man-in-the-Moon Marigolds tells the story of a dysfunctional family of a single mother and two daughters and their struggles as the mother tries to keep her daughters from succeeding.

Witness For The Prosecution

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1984 performance of Witness for the Prosecution by Agatha Christie.

Witness for the Prosecution tells the story of a trial of a man named Leonard Vole for the murder of a wealthy older woman who made him her principle heir. During the trial his wife, Romaine, comes to testify not in his defense, but on the side of the prosecution.

J.B.

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1984 performance of J.B. by Archibald MacLeish.

J.B. is a retelling of the Biblical story of Job by two old circus performers by the name of Zuss and Nickles (Zeus and Satan), who make a wager and play out Job’s story in modern America where Job is a millionaire named J.B..

Summer And Smoke

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1983 performance of Summer and Smoke by Tennessee Williams.

Summer and Smoke is the story of a high strung young woman named Alma Winemiller, and the spiritual/sexual romance that nearly develops between her and John Buchanan Jr. who grew up next door.

The music used to accompany the performance was used in the original production.

The Diary Of Anne Frank

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1983 performance of The Diary of Anne Frank by Frances Goodrich and Albert Hackett adapted from The Diary of a Young Girl by Anne Frank.

The Diary of Anne Frank is a dramatization of the diary entries of Anne Frank, a young Dutch-Jew who went into hiding during the German occupation of the Netherlands.

Inherit The Wind

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1982 performance of Inherit the Wind by Jerome Lawerence and Robert E. Lee.

Inherit the Wind is a fictionalized account of the 1925 Scopes “Monkey” Trial where a high school teacher named John T. Scopes was tried for teaching evolution against state law.

The Miracle Worker

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1981 performance of The Miracle Worker by William Gibson.

The Miracle Worker is based on the autobiography of Helen Keller.

The Children's Hour

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1980 performance of The Children’s Hour by Lillian Hellman.

The Children’s Hour is the story of a manipulative young girl named Mary and how she uses lies and gossip to control and destroy the lives of the two women who run her boarding school.

Our Town

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1979 performance of Our Town by Thornton Wilder.

Our Town tells the story of a small, fictional American town called Grover’s Corners through the everyday lives of its citizens. The play is set as a play performing in Grover’s Corners and uses metatheatrical elements.

The Dark At The Top Of The Stairs

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1978 performance of The Dark at the Top of the Stairs by William Inge.

The Dark at the Top of the Stairs is the story of Cora Flood, the wife of a traveling salesman. Learning that her husband might have an affair with another woman, she plans to leave the marriage. When her husband returns, having lost his job, Cora must decide how to respond.