Dramatic Literature, Criticism and Theory Commons^™

Choose Your Own Oz, Tommy R. Jamerson Ii

University of New Orleans Theses and Dissertations

No abstract provided.

Dancing On Checkers' Grave By Eric Lane, Allison Kump

Honors Projects

My proposed honors project consists of directing my own, fully-actualized production of Eric Lane’s play Dancing on Checkers’ Grave within the BGSU’s Department of Theatre & Film Elsewhere season. As the director, I must hone in on the play’s relevance to today’s society and shape my storytelling tools to clearly communicate the narrative, establishing a relationship between the performers and the audience.

Dancing on Checkers’ Grave is a play about two very different teenage girls who come to bond over homework, “munchkining,” relationships, and nail polish. Rooted within the text are topics of sexual identity, what it means to be …

Antigone Claimed, "I Am A Stranger": Democracy, Membership And Unauthorized Immigration, Andres Fabian Henao Castro

Doctoral Dissertations

My dissertation offers a new framework through which to theorize contemporary democratic practices by attending to the political agency of unauthorized immigrants. I argue that unauthorized immigrants themselves, by claiming their own ambiguous legal condition as a legitimate basis for public speech, are able to open up the boundaries of political membership and to render the foundations of democracy contingent, that is to say, they are able to reopen the question about who counts as a member of the demos. I develop this argument by way of a close reading of Sophocles’ tragedy Antigone[1], which allows me to …

We Are French. Et Anglais Nous Restons., Alison Jane Bowie

Masters Theses

French Canadian playwright Joseph Armand Leclaire (1888-1931) was very well known and respected in his time. Although he wrote over thirty plays, lyrics to several songs and an abundance of political poems, most of his work has been lost and Leclaire himself seems to have been forgotten. Several of his plays were produced at the time they were written, including his 1916 play La petite maîtresse de l'école (later published in 1929 as Le petit maître d'école), but none have been presented postumously nor have any been translated. This M. F. A. thesis presents the first ever translation and …

Not Dead At All, Martin Becerra

Electronic Theses and Dissertations

Not Dead At All is a nontraditional thesis, a creative product, the result of a combination of media production and social research. This paper is an attempt to explain the creative and production process behind the creation of an original media content, using the social research as a tool to increase the likeability of our characters and therefore increase the show’s chances of success.

The Miracle Of Being, Carolyn Toner

Senior Theses and Projects

Exploration of the thematic and performative elements in the plays of Eugene Ionesco. 20th century absurdist playwright, Eugene Ionesco, explores the idea of what it means to be human in his plays. I will explore elements of that theme and analyze of these themes in eight of his plays: Victims of Duty, The Lesson, Hunger and Thirst, Exit the King, The Chairs, Amedee, A Stroll in the Air, and The Killer. In addition, I will discuss important performative aspects of his plays as they relate to his theme of humanness.

I'M Not Finished — Done, Dimitri A. Cacouris

Senior Projects Spring 2014

This paper examines the creation and performance of the piece Done, by the author, and tries to take a critical and analytic perspective as well as a reflective one, of interest largely to the author, but also to anyone interested in a documentation of the creative process. It is accompanied by a video recording and photographs of the performance and several appendices which document the majority of the textual material which represents the genesis of the piece and from which the piece was eventually built.

(The paper, as it is, is best taken salted)

Eye For The Gap: Frenzy, Liberty, And The Nietszchean Chorus In Conor Mcpherson's The Weir And Shining City, Frances Krieg

Electronic Theses and Dissertations

This study situates The Weir and Shining City by Conor McPherson as embodying elements of Dionysian aesthetics as elucidated by Friedrich Nietzsche. Working through the lenses of Samuel Beckett’s linguistic philosophy and the premium of theater as established by Nietzsche, Artaud, and Brecht, the aim of this paper is to demonstrate how McPherson pierces the boundaries of language in drama by establishing his audience as chorus. Background information on Nietzsche’s The Birth of Tragedy and McPherson’s own comments on the plays are included with the research on the plays themselves. This work articulates the chorus itself but also the choral, …