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Full-Text Articles in Dramatic Literature, Criticism and Theory
Mutations Dans L’Écriture Théâtrale Au Burkina Faso De 1980 À Nos Jours, Hamadou Mandé
Mutations Dans L’Écriture Théâtrale Au Burkina Faso De 1980 À Nos Jours, Hamadou Mandé
Présence Francophone: Revue internationale de langue et de littérature
This article takes an analytical look at the evolution of drama writing in Burkina Faso from 1980 to the present. Based mainly on a corpus of five dramatic texts of five renowned authors, it shows how in form as in content, the theatrical text has undergone important changes that respond to a socio-cultural rooting need but also a determination to stick to current realities. The study is based on methodological resources of the theatrical text analyses resulting from mixed approaches combining the work of Anne Ubersfeld, Patrice Pavis and Sylvie Chalaye.
Théâtre Burkinabè Contemporain Et Dramaturgie De L’Entre-Deux : Aristide Tarnagda Et Sophie Kam, Christophe Konkobo
Théâtre Burkinabè Contemporain Et Dramaturgie De L’Entre-Deux : Aristide Tarnagda Et Sophie Kam, Christophe Konkobo
Présence Francophone: Revue internationale de langue et de littérature
What do contours of contemporary Burkinabe drama look like? By attempting to answer such a question, we analyzed a number of plays written by both Aristide Tarnagda and Sophie Heidi Kam, two young playwrights from Burkina Faso. The works examined in this article show first and foremost aesthetic approaches and thematic concerns not often seen in previous dramatic writings. The contemporary plays are always set in symbolically defined “empty spaces” where characters seek to define their identity against internal and external pressures.