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Full-Text Articles in Dramatic Literature, Criticism and Theory

Roman Women In Shakespeare And His Contemporaries, Domenico Lovascio Apr 2020

Roman Women In Shakespeare And His Contemporaries, Domenico Lovascio

Late Tudor and Stuart Drama

This volume highlights the crucial role of Roman female characters in the plays of Shakespeare and his contemporaries by exploring with an unprecedented thoroughness and variety of perspectives the diverse issues connected to female identities in the early modern English plays set in ancient Rome. Roman Women in Shakespeare and His Contemporaries puts Shakespeare’s Roman world in dialogue with a number of Roman plays by writers as diverse as Matthew Gwinne, Ben Jonson, John Fletcher, Philip Massinger, Thomas May, and Nathanael Richards. Thus, the collection seeks to challenge conventional wisdom about the plays under scrutiny by specifically focusing on their …


Anna Larpent And Shakespeare, Fiona Ritchie May 2018

Anna Larpent And Shakespeare, Fiona Ritchie

ABO: Interactive Journal for Women in the Arts, 1640-1830

Anna Larpent (1758-1832) is a crucial figure in theater history and the reception of Shakespeare since drama was a central part of her life. Larpent was a meticulous diarist: the Huntington Library holds seventeen volumes of her journal covering the period 1773-1830. These diaries shed significant light on the part Shakespeare played in her life and contain her detailed opinions of his works as she experienced them both on the page and on the stage in late eighteenth- and early nineteenth-century London. Larpent experienced Shakespeare’s works in a variety of forms: she sees Shakespeare’s plays performed, both professionally and by …


Love Kills: Exploring Young Women In Shakespeare, Malcolm X. Evans Apr 2013

Love Kills: Exploring Young Women In Shakespeare, Malcolm X. Evans

Senior Theses and Projects

Taking a look at how William Shakespeare writes young women (particularly in Romeo and Juliet and Hamlet), Evans puts forth the idea that "love kills." There are no young and strong characters that are powerful, entirely as women, in the works of Shakespeare. To further put forth the idea Evans comments on a production of his own design, by the same name, which brings together the Romeo and Juliet and Hamlet.